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Books on the topic 'Indigenous Crafts'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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1

Michael, Johnson. Arts & crafts of the Native American tribes. Buffalo, N.Y: Firefly Books, 2011.

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2

Tom, Matthews, and Changuion Annice, eds. The African mural. London: New Holland, 1989.

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3

1948-, Mason John, and University of California, Los Angeles. Fowler Museum of Cultural History., eds. Beads, body, and soul: Art and light in the Yorùbá universe. Los Angeles: UCLA Fowler Museum of Cultural History, 1998.

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4

Inter-American Institute for Cooperation on Agriculture. Miscellaneous draft documents on the indigenous craft industry in Guyana. Georgetown, Guyana: IICA, 1997.

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5

Ostler, James. Zuni: A village of silversmiths. [Albuquerque, NM?]: Zuni A:Shiwi Pub., 1996.

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6

Miller, Preston E. The new four winds guide to Indian weaponry, trade goods, and replicas. Atglen, PA: Schiffer Pub. Ltd., 2007.

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7

Ceramics and the Spanish conquest: Response and continuity of indigenous pottery technology in central Mexico. Boston: Brill, 2012.

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8

Judith, Ryan, ed. Spirit in land: Bark paintings from Arnhem Land in the National Gallery of Victoria. [Melbourne, Vic.]: The Gallery, 1990.

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9

Regional, Workshop for Managers in Government Natural Resource Management Institutions (1996 Maseru Lesotho). Hearing the crab's cough: Perspectives and emerging institutions for indigenous knowledge systems in land resources management in Southern Africa : Regional Workshop for Managers in Government Natural Resource Management Institutions : Maseru, Lesotho, 4-8 March 1996. Harare, Zimbabwe: IUCN, Regional Office for Southern Africa, 1999.

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10

Erbacher, John. Aborigines of the rainforest. Cambridge: Cambridge University Press, 1991.

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11

Matthews, Tom L., Paul Changuion, and P. Changuion. Afrikan Mural. New Holland Australia, 1992.

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12

Wolf, Beverly Hungry, and Adolf Hungrywolf. Blackfoot Craftworker's Book. Book Publishing Company (TN), 1991.

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13

Drewal, Henry John, and John Mason. Beads, Body, and Soul: Art and Light in the Yoruba Universe. University of California Los Angeles, Fowler, 1997.

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14

Drewal, Henry John, and John Mason. Beads, Body, and Soul: Art and Light in the Yoruba Universe. University of California Los Angeles, Fowler, 1997.

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15

Native Voices: Indigenous American Poetry, Craft and Conversations. Tupelo Press, 2019.

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16

Nahohai, Milford, James Ostler, and Marian E. Rodee. Zuni: A Village of Silversmiths. Zuni A:shiwi Publishing, 1996.

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17

Rodee, Marian, Milford Nahohai, and James Ostler. Zuni: A Village of Silversmiths. Zuni a:Shiwi Pub, 1996.

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18

Miller, Preston E., and Carolyn Corey. The New Four Winds Guide to Indian Weaponry, Trade Goods, and Replicas. Schiffer Publishing, 2007.

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19

Sánchez, Gilda Hernández. Ceramics and the Spanish Conquest: Response and Continuity of Indigenous Pottery Technology in Central Mexico. Brill, 2011.

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20

Higham, Charles F. W. Farming, social change, and state formation in Southeast Asia. Edited by Umberto Albarella, Mauro Rizzetto, Hannah Russ, Kim Vickers, and Sarah Viner-Daniels. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199686476.013.23.

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Farming in Southeast Asia is dominated two major crops, rice and millet, and domestic pigs, cattle, water buffalo, chickens, and dogs. The domestication of these species took place in China, and the first farmers began to settle Southeast Asia in the early second millennium bc. They integrated with the indigenous hunter-gatherers, and were heavily reliant not only on their crops and domestic animals, but also on hunting, gathering, and fishing. An agricultural revolution took place during the Iron Age, involving plough agriculture in permanent fields. Ownership of improved land would have stimulated the rise of social elites and dependent craft specialists, factors underlying the rapid formation of early states.
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21

Clark, Ian, and Fred Cahir, eds. Aboriginal Story of Burke and Wills. CSIRO Publishing, 2016. http://dx.doi.org/10.1071/9780643108097.

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The Aboriginal Story of Burke and Wills is the first major study of Aboriginal associations with the Burke and Wills expedition of 1860–61. A main theme of the book is the contrast between the skills, perceptions and knowledge of the Indigenous people and those of the new arrivals, and the extent to which this affected the outcome of the expedition. The book offers a reinterpretation of the literature surrounding Burke and Wills, using official correspondence, expedition journals and diaries, visual art, and archaeological and linguistic research – and then complements this with references to Aboriginal oral histories and social memory. It highlights the interaction of expedition members with Aboriginal people and their subsequent contribution to Aboriginal studies. The book also considers contemporary and multi-disciplinary critiques that the expedition members were, on the whole, deficient in bush craft, especially in light of the expedition’s failure to use Aboriginal guides in any systematic way. Generously illustrated with historical photographs and line drawings, The Aboriginal Story of Burke and Wills is an important resource for Indigenous people, Burke and Wills history enthusiasts and the wider community. This book is the outcome of an Australian Research Council project.
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22

Ryan, Judith. Spirit in Land: Bark Paintings from Arnhem Land. National Gallery of Victoria, 2002.

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23

Vega Doria, Socorro de la., ed. La Alfarería en Los Reyes Motzontla: Pasado, presente y futuro. México, D.F: Instituto Nacional de Antropología e Historia, 2006.

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24

Hearing the crab's cough: Perspectives and emerging institutions for indigenous knowledge systems in land resources management in Southern Africa : Regional ... : Maseru, Lesotho, 4-8 March 1996. SADC-ELMS, 1999.

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25

Alconini, Sonia, and Alan Covey, eds. The Oxford Handbook of the Incas. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219352.001.0001.

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When Spaniards invaded their realm in 1532, the Incas ruled the largest empire of the pre-Columbian Americas. Just over a century earlier, military campaigns began to extend power across a broad swath of the Andean region, bringing local societies into new relationships with colonists and officials who represented the Inca state. With Cuzco as its capital, the Inca Empire encompassed a multitude of peoples of diverse geographic origins and cultural traditions dwelling in the outlying provinces and frontier regions. Bringing together an international group of well-established scholars and emerging researchers, this Handbook is dedicated to revealing the origins of this empire, as well as its evolution and aftermath. The scope of this Handbook is comprehensive. It places the century of Inca imperial expansion within a broader historical and archaeological context, and then turns from Inca origins to the imperial political economy and institutions that facilitated expansion. Several chapters describe religious power in the Andes, as well as the special statuses that staffed the state religion, maintained records, served royal households, and produced fine craft goods to support state activities. The Incas did not disappear in 1532, and the volume continues into the colonial and later periods, exploring not only the effects of the Spanish Conquest on the lives of the indigenous populations, but also the cultural continuities and discontinuities. Moving into the present, the volume ends with an overview of the ways in which the image of the Inca and the pre-Columbian past is memorialized and reinterpreted by contemporary Andeans.
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