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Books on the topic 'Indigenous storytelling'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Consult the top 29 books for your research on the topic 'Indigenous storytelling.'

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1

The testimonial uncanny: Indigenous storytelling, knowledge, and reparative practices. Albany: SUNY Press, 2014.

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2

McCall, Sophie. First person plural: Aboriginal storytelling and the ethics of collaborative authorship. Vancouver: UBC Press, 2011.

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3

Research is ceremony: Indigenous research methods. Black Point, N.S: Fernwood Pub., 2008.

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4

Indigenous storywork: Educating the heart, mind, body, and spirit. Vancouver: UBC Press, 2008.

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5

R, Dion Michael, ed. Braiding histories: Learning from Aboriginal peoples' experiences and perspectives : including the Braiding histories stories co-written with Michael R. Dion. Vancouver: UBC Press, 2009.

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6

Dion, Susan D. Braiding histories: Learning from Aboriginal peoples' experiences and perspectives : including the Braiding histories stories co-written with Michael R. Dion. Vancouver: UBC Press, 2009.

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7

Amun: Indigenous Storytelling Powerful with Emotion and Sensitivity. Exile Editions, Limited, 2020.

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8

Decolonizing Research: Indigenous Storywork as Methodology. Zed Books, 2019.

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9

Decolonizing Research: Indigenous Storywork As Methodology. Zed Books, Limited, 2019.

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10

Pratt, Yvonne Poitras. Educating with Digital Storytelling: A Decolonizing Journey for an Indigenous Community. Taylor & Francis Group, 2021.

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11

Otter's Journey through Indigenous Language and Law. UBC Press, 2018.

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12

Borrows, Lindsay Keegitah. Otter's Journey Through Indigenous Language and Law. University of British Columbia Press, 2018.

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13

Minter, Peter, and Belinda Wheeler. The Indigenous Australian Novel. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0021.

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The history of the Indigenous Australian novel begins in the second half of the twentieth century and can be traced to the traditions of the Aboriginal and Torres Strait Islander peoples of Australia. The Indigenous novel combines elements of the oral and performance traditions of classical Indigenous cultures with one of Western modernity's central narrative forms. The traditions of storytelling and poetic narration that underpin the Indigenous novel have always occupied a central place in the cultural expression of Indigenous peoples. The chapter considers Indigenous Australian novels published in four different periods: before and during the mid-1970s, 1978–1987, 1988–2000, and 2000 to the present. These include David Unaipon's (Ngarrindjeri) My Life Story (1954), Shirley Perry Smith's (Wiradjuri) Mum Shirl: An Autobiography (1981), Ruby Langford Ginibi's Don't Take Your Love to Town (1988), Kim Scott's Benang (2000), and Alexis Wright's Carpentaria (2006).

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14

McCall, Sophie. First Person Plural: Aboriginal Storytelling and the Ethics of Collaborative Authorship. University of British Columbia Press, 2012.

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15

Lambert, Lori. Research for Indigenous Survival: Indigenous Research Methodologies in the Behavioral Sciences. University of Nebraska Press, 2014.

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16

Finding Eliza: Power and Colonial Storytelling. ReadHowYouWant, 2016.

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17

Finding Eliza: Power and colonial storytelling. 2016.

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18

Hargreaves, Allison. Violence Against Indigenous Women: Literature, Activism, Resistance. Wilfrid Laurier University Press, 2017.

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19

Violence Against Indigenous Women: Literature, Activism, Resistance. Wilfrid Laurier University Press, 2017.

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20

Archibald, Jo-Ann. Indigenous Storywork: Educating the Heart, Mind, Body, and Spirit. University of British Columbia Press, 2008.

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21

1958-, Robinson Gillian, ed. The Journals of Knud Rasmussen: A sense of memory and high-definition Inuit storytelling. Montreal: Isuma Pub., 2008.

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22

Fox, Alistair. A Māori Girl Watches, Listens, and Learns – Coming of Age from an Indigenous Viewpoint: Mauri (Merata Mita, 1988). Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0007.

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This chapter examines Merata Mita’s Mauri, the first fiction feature film in the world to be solely written and directed by an indigenous woman, as an example of “Fourth Cinema” – that is, a form of filmmaking that aims to create, produce, and transmit the stories of indigenous people, and in their own image – showing how Mita presents the coming-of-age story of a Māori girl who grows into an understanding of the spiritual dimension of the relationship of her people to the natural world, and to the ancestors who have preceded them. The discussion demonstrates how the film adopts storytelling procedures that reflect a distinctively Māori view of time and are designed to signify the presence of the mauri (or life force) in the Māori world.

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23

Storymen. Cambridge University Press, 2009.

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24

Mickey, Sam, Mary Evelyn Tucker, and John Grim, eds. Living Earth Community. Open Book Publishers, 2020. http://dx.doi.org/10.11647/obp.0186.

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Living Earth Community: Multiple Ways of Being and Knowing is a celebration of the diversity of ways in which humans can relate to the world around them, and an invitation to its readers to partake in planetary coexistence. Innovative, informative, and highly accessible, this interdisciplinary anthology of essays brings together scholars, writers and educators across the sciences and humanities, in a collaborative effort to illuminate the different ways of being in the world and the different kinds of knowledge they entail – from the ecological knowledge of indigenous communities, to the scientific knowledge of a biologist and the embodied knowledge communicated through storytelling.

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25

Di Chiro, Giovanna. Environmental Justice and the Anthropocene Meme. Edited by Teena Gabrielson, Cheryl Hall, John M. Meyer, and David Schlosberg. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199685271.013.18.

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This essay examines the adoption of and the indifference to the term “Anthropocene” in diverse discourses addressing the urgency of climate change in the early twenty-first century. Through an analysis of keynote speeches, this essay argues that Anthropocene—a storytelling device invoking a pan-human species responsibility for the current climate crisis—is deployed widely within Euro-Australo-American academic environmental studies and environmental politics, but has not gained political or epistemic traction in environmental justice and climate justice organizations and social movements. Challenging the underlying universalism, anti-humanism, and cynicism woven into Anthropocene discourse, activists from environmental justice, climate justice, and indigenous organizations do not invoke Anthropocene’s rhetoric of humans as destroyers or masters of nature. Rather, these groups provide examples of “people powered” regenerative politics based on life-enhancing political strategies and proactive organizing in support of a just transition toward renewable energy, local economies, and socially and ecologically sustainable communities.

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26

Bollington, Lucy, and Paul Merchant, eds. Latin American Culture and the Limits of the Human. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401490.001.0001.

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Latin American Culture and the Limits of the Human curates an important series of case studies of the posthuman imaginaries and nonhuman tropes employed in a broad range of Latin American cultural texts, from the narratives of Las Casas to new media and installation art in contemporary Mexico, Colombia, and Argentina. The book’s introduction highlights the ways the figure of the “limit” has functioned as an important site of aesthetic, ontological, and political experimentation and reworking in Latin American cultural production, and underlines the potentialities and possible risks associated with the use of posthuman frameworks in the region. The different chapters examine the ways human borders and boundaries have been tested, undermined, and reformulated in relation to issues including dictatorial violence and drug war necropolitics, ecological storytelling, indigenous thought systems, gender, race, history, and new materialism. The book as a whole marshals a wide range of theoretical frameworks and points to the complex ways Latin American culture intersects with and departs from global formulations of humanism and the posthuman.

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27

Herman, Bernard L. A South You Never Ate. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469653471.001.0001.

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Nestled between the Chesapeake Bay and the Atlantic Ocean, and stretching from Hampton Roads to Assateague Island, Virginia's Eastern Shore is a distinctly southern place with an exceptionally southern taste. Four centuries of encounter, imagination, and invention continue to shape the foodways of the Eastern Shore of Virginia, melding influences from Indigenous peoples, European migrants, enslaved and free West Africans, and more recent newcomers. Herman reveals how local ingredients and the cooks who have prepared them for the table have developed a distinctly American terroir--the flavors of a place experienced through its culinary and storytelling traditions. This terroir flourishes even as it confronts challenges from climate change, declining fish populations, and farming monoculture. Herman reveals this resilience through the recipes and celebrations that hold meaning, not just for those who live there but for all those folks who sit at their tables--and other tables near and far. Blending personal observation, history, memories of harvests and feasts, and recipes, Herman tells of life along the Eastern Shore through the eyes of its growers, watermen, oyster and clam farmers, foragers, church cooks, restaurant owners, and everyday residents.

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28

Storied Communities: Narratives of Contact and Arrival in Constituting Political Community. University of British Columbia Press, 2011.

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29

Storied Communities: Narratives of Contact and Arrival in Constituting Political Community. University of British Columbia Press, 2010.

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