Relevant bibliographies by topics / Indigenous theatre

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Indigenous theatre'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Indigenous theatre"

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Bharucha, Rustom. "The Indigenous Theatre of Kanhailal." New Theatre Quarterly 8, no. 29 (1992): 10–22. http://dx.doi.org/10.1017/s0266464x00006278.

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Our coverage of Indian theatre in NTQ, as in the original Theatre Quarterly, has been as full as opportunities allowed — notably, including a major four-part assessment by Kenneth Rea in TQ30–34 (1978–79), and a three-part personal casebook by Rustom Bharucha of his production of Kroetz's Request Concert, as adapted to the needs of different Indian cities, in NTQ11–13 (1987–88). The fact that we have never covered the theatre of the state of Manipur, which adjoins Burma and Bangladesh on India's north-eastern border, is all too symptomatic of its more general neglect – at one extreme by centra
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Camargo Plazas, Pilar, Brenda L. Cameron, Krista Milford, Lindsay Ruth Hunt, Lisa Bourque-Bearskin, and Anna Santos Salas. "Engaging Indigenous youth through popular theatre: Knowledge mobilization of Indigenous peoples’ perspectives on access to healthcare services." Action Research 17, no. 4 (2018): 492–509. http://dx.doi.org/10.1177/1476750318789468.

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In Canada, Indigenous peoples bear a greater burden of illness and suffer disproportionate health disparities compared to non-Indigenous people. Difficult access to healthcare services has contributed to this gap. In this article, we present findings from a dissemination grant aimed to engage Indigenous youth in popular theatre to explore inequities in access to health services for Indigenous people in a Western province in Canada. Following an Indigenous and action research approach, we undertook popular theatre as a means to disseminate our research findings. Popular theatre allows audience
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Hughes, Bethany. "Jesse Rae Archibald-Barber, Kathleen Irwin, and Moira J. Day, eds., Performing Turtle Island: Indigenous Theatre on the World Stage." Modern Drama 64, no. 1 (2021): 109–13. http://dx.doi.org/10.3138/md.64.1.br1.

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Performing Turtle Island curates experiences with and philosophies of Indigenous theatre. Critical Companion to Native American Theatre and Performance provides brief overviews of important events, artists, and organizations in North American Indigenous theatre. The former ranges in tone and topic; the latter is introductory and especially useful in undergraduate classrooms.
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Ahsan, Nazmul. "Social Theatre in Bangladesh." TDR/The Drama Review 48, no. 3 (2004): 50–58. http://dx.doi.org/10.1162/1054204041667776.

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Burelle, Julie. "Theatre in Contested Lands: Repatriating Indigenous Remains." TDR/The Drama Review 59, no. 1 (2015): 97–118. http://dx.doi.org/10.1162/dram_a_00431.

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The repatriation of indigenous remains and cultural patrimony can trigger anxiety among the settler majority. Performing as surrogates for the Americas’ un-grieved genocidal past, these remains, and the mourning performances that accompany their sometimes-embattled repatriation, illuminate the continuous violence against indigenous people that infiltrates even settler societies’ most reparative laws.
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Irobi, Esiaba. "A Theatre for Cannibals: Images of Europe in Indigenous African Theatre of the Colonial Period." New Theatre Quarterly 22, no. 3 (2006): 268–82. http://dx.doi.org/10.1017/s0266464x06000479.

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Europe’s colonial presence on the African continent from 1885 to the 1960s produced complex discourses about race and its representation. Whereas the Europeans constructed their putative images of Africans as inferior beings through radio, television, film, and print, for a predominantly literate sector, Africans deployed a more complex and mixed set of literacies. As well as conventional forms of literature, Africans used iconographic, kinaesthetic, proxemic, sonic, linguistic, tactile, calligraphic and sartorial literacies in their indigenous festivals and ritual theatres to resist, historic
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WOYNARSKI, LISA, ADELINA ONG, TANJA BEER, et al. "Dossier: Climate Change and the Decolonized Future of Theatre." Theatre Research International 45, no. 2 (2020): 179–208. http://dx.doi.org/10.1017/s0307883320000085.

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This dossier opens up a set of questions about what theatre and performance can do and be in a climate-changed future. Through a series of practice snapshots the authors suggest a diversity of responses to decolonizing and environmental justice issues in and through theatre and performance. These practices include the climate-fiction film The Wandering Earth, which prompts questions about what decolonizing means for China and the impact of climate chaos on the mental well-being of young people; The Living Pavilion, an Australian Indigenous-led project that created a biodiverse event space show
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Saro, Anneli. "Mobility and Theatre: Theatre Makers as Nomadic Subjects." Nordic Theatre Studies 27, no. 1 (2015): 90. http://dx.doi.org/10.7146/nts.v27i1.24242.

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This article discusses the pros and cons of theatrical mobility, investigating situ- ations where theatre is breaking its traditional practices of being local and urban by becoming mobile, international and rural. The main features in this context are guest performances at home and abroad, the importation of guest directors, performers, designers et cetera, and finally, site-specific and open-air productions. The structure of the analysis is based on these features, partly derived from the historical development of theatre but partly also from the aim of contrary thinking, insisting that contr
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HARRISON, KLISALA. "Sustainability and Indigenous Aesthetics: Musical Resilience in Sámi and Indigenous Canadian Theatre." Yearbook for Traditional Music 51 (November 2019): 17–48. http://dx.doi.org/10.1017/ytm.2019.6.

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Histories of colonial cultural erasure, unsuccessful decolonisation or postcolonialism and rapid modernisation are typically seen as the challenges to sustaining Indigenous traditional musics (Harrison, in press). The Indigenous peoples of Canada have experienced colonial assimilationist policies of government and church, including residential schools that took children away from their families and forbade song, dance and language. These policies resulted in musics and even entire cultures being erased. Although there have been recent improvements in Scandinavia, similar kinds of discriminatio
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Smith, Annie. "Indigenous Languages on Stage: A Roundtable Conversation with Five Indigenous Theatre Artists." Theatre Research in Canada 38, no. 2 (2017): 219–35. http://dx.doi.org/10.3138/tric.38.2.219.

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Underneath the official languages of Canada and the languages brought here by numerous diasporas are the Indigenous languages of this land. These languages have been suppressed through legal assimilation measures, residential schools, and the social devaluing of Indigenous cultures and world views. Many languages and dialects are on the brink of extinction and yet Indigenous playwrights and artists are choosing to speak their languages on stage as an act of reclamation and resistance to assimilation into the colonial structures of western theatre and performance. Canada is at its root, an Indi
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Dissertations / Theses on the topic "Indigenous theatre"

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Chon, ChuYoung Joy. "Transforming Indigenous Performance in Contemporary South Korean Theatre: the Case of Sohn JinCh'aek's Madangnori." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1388624592.

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au, a. campbell@ballarat edu, and Angela Louise Campbell. "Located Stories: Theatre Makes Place with the Body." Murdoch University, 2008. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20100203.143218.

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The journey into theatre-made places offered here is both analytical and creative. It is comprised of case studies analysing three theatre productions that occurred in Perth between 2004 and 2006 and two of my own creative works, forming the Prologue and Conclusion to the thesis. Throughout, I am informed by Edward Casey’s philosophy of place as I work to develop both a poetics and a dramaturgy of place in theatre. I draw upon of a range of thinkers in order to interrogate the limits of theatrical representation and to suggest that an active engagement in the process of place-making in theatre
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MacKenzie, Sarah. "White Settler Colonialism and (Re)presentations of Gendered Violence in Indigenous Women’s Theatre." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34498.

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Grounded in a historical, socio-cultural consideration of Indigenous women’s theatrical production, this dissertation examines representations of gendered violence in Canadian Indigenous women’s drama. The female playwrights who are the focus of my thesis – Monique Mojica, Marie Clements, and Yvette Nolan – counter colonial and occasionally postcolonial renditions of gendered and racialized violence by emphasizing female resistance and collective coalition. While these plays represent gendered violence as a real, material mechanism of colonial destruction, ultimately they work to promote messa
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Blackmore, Ernie. "Speakin' out blak an examination of finding an "urban" Indigenous "voice" through contemporary Australian theatre /." Click here for electronic access to document: http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20080111.121828/index.html, 2007. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20080111.121828/index.html.

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Thesis (Ph.D.)--University of Wollongong, 2007.<br>"Including the plays Positive expectations and Waiting for ships." Title from web document (viewed 7/4/08). Includes bibliographical references: leaf 249-267.
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Kwon, Kyounghye. "Local Performances, Global Stages: Postcolonial and Indigenous Drama and Performance in Glocal Circuits." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1259760023.

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Bush, Jason Alton. ""Staging lo Andino: The Scissors Dance, Spectacle, and Indigenous Citizenship in the New Peru"." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1308262142.

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Talavera, Eutimio. "The Unsung Hero Character: A Harbinger Device of Misfortune." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3564.

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This thesis introduces an obscure storytelling device, The Unsung Hero character, as one way of examining how movies function as stories. This character is often overlooked, as it frequently cloaks its idiosyncrasies, thus it lacks any apparent signs of internal conflict. This analysis foregrounds the character’s overall functionality, found only in rare instances and typically in the story of a movie. With effective implementation in a story, as a functional harbinger device, brief appearances of The Unsung Hero character demonstrate flashpoints or disclosures of a forthcoming misfortune in t
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Robinson, Raymond Stanley, of Western Sydney Nepean University, and of Social Community and Organisational Studies School. "Dreaming tracks : history of the Aboriginal Islander Skills Development Scheme, 1972-1979 : its place in the continuum." THESIS_XXX_SCOS_Robinson_R.xml, 2000. http://handle.uws.edu.au:8081/1959.7/76.

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Dreaming Tracks was chosen for the title of this history because of its reference to the journeys and routes taken by the ancestral founders of each of the extended family clans. As they travelled they recorded the events and situations they encountered along the way , which they left in story, painting, song lines and dances for the future survival of their people. The history of the Aboriginal/Islander Skills Development Scheme also pertains to a journey. This journey records the events that brought about the establishment of the longest surviving, urban Indigenous dance organization. It's a
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Robinson, Raymond Stanley. "Dreaming tracks : history of the Aboriginal Islander Skills Development Scheme, 1972-1979 : its place in the continuum of Australian indigenous dance and the contribution of its African American founder, Carole Y. Johnson /." View thesis View thesis, 2000. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030604.085603/index.html.

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Thesis (M.A.) (Honours) -- University of Western Sydney, Nepean, 2000.<br>A thesis presented in fulfilment of the requirements for the degree of Master of Arts (Honours) - (Performance), School of Applied Social and Human Sciences, University of Western Sydney, Nepean, 2000. Bibliography : Vol. 1, leaves 202-209.
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Western, Melissa. "Reconciliation on stage : the politics of indigenous representation in Brisbane theatre's 1999 'reconciliation plays' /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19809.pdf.

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Books on the topic "Indigenous theatre"

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ACINPAKHI INFINITY: Indigenous Theatre of Bangladesh. University Press Limited, 2000.

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Acinpakhi infinity: Indigenous theatre of Bangladesh. University Press, 2000.

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Creating frames: Contemporary indigenous theatre 1967-1990. University of Queensland Press, 2004.

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Syron, Liza-Mare. Rehearsal Practices of Indigenous Women Theatre Makers. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82375-7.

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Ola Rotimi's African theatre: The development of an indigenous aesthetic. E. Mellen Press, 2005.

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Figueira, Dorothy Matilda. Theatres in the round: Multi-ethnic, indigenous, and intertextual dialogues in drama. Peter Lang, 2011.

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Epskamp, Kees. Learning by performing arts: From indigenous to endogenous cultural development. Center for the Study of Education in Developing Countries (CESO), 1992.

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Indigenous North American drama: A multivocal history. State University of New York Press, 2013.

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Haugen, Peter. World History for Dummies. Hungry Minds, 2001.

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World History For Dummies. Wiley Publishing, 2001.

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Book chapters on the topic "Indigenous theatre"

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Ukpokodu, Peter. "African Theatre as Indigenous Education." In The Palgrave Handbook of African Education and Indigenous Knowledge. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38277-3_12.

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Nyoman Sedana, I. "Innovation of Wayang Puppet Theatre in Bali." In Indigenous Culture, Education and Globalization. Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-48159-2_4.

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Syron, Liza-Mare. "The Way We Make Theatre." In Rehearsal Practices of Indigenous Women Theatre Makers. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82375-7_5.

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Syron, Liza-Mare. "Introduction." In Rehearsal Practices of Indigenous Women Theatre Makers. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82375-7_1.

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Syron, Liza-Mare. "From Here to There." In Rehearsal Practices of Indigenous Women Theatre Makers. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82375-7_2.

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Syron, Liza-Mare. "Sharing Stories." In Rehearsal Practices of Indigenous Women Theatre Makers. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82375-7_3.

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Syron, Liza-Mare. "Embodied Knowledge." In Rehearsal Practices of Indigenous Women Theatre Makers. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82375-7_4.

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Maufort, Marc. "Staging the Ambiguities of Race: Polymorphous Indigenous Dramaturgies in Canada." In The Palgrave Handbook of Theatre and Race. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-43957-6_5.

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Campbell, Alyson, and Jonathan Graffam. "Blood, Shame, Resilience and Hope: Indigenous Theatre Maker Jacob Boehme’s Blood on the Dance Floor." In Viral Dramaturgies. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70317-6_16.

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Thurow, Susanne Julia. "Contemporary Indigenous Australian theatre." In Performing Indigenous Identities on the Contemporary Australian Stage. Routledge, 2019. http://dx.doi.org/10.4324/9780429281488-3.

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Reports on the topic "Indigenous theatre"

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Sellers, Priscilla. Incorporation of Indigenous Forces in Major Theater War: Advantages, Risks and Considerations. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada423740.

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