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Journal articles on the topic 'Indonesian art history'

Author: Grafiati
Published: 11 December 2022
Last updated: 25 January 2023

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1

Lee, Doreen. "A Troubled Vernacular: Legibility and Presence in Indonesian Activist Art." Journal of Asian Studies 74, no. 2 (2015): 303–22. http://dx.doi.org/10.1017/s002191181400223x.

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Activist art and political resistance became popular aesthetics in the work of Indonesian artists after the fall of the New Order in 1998. In subsequent years, more art alternatives have emerged in cities and small towns across Indonesia, including diverse and vernacular modes of artistry such as street art and community-based international festivals. Where artists formerly focused their energies on critiquing the state, present art initiatives have become far more diffuse, counter-establishment, and localized in their approach. Local artists started the Jogja mural movement to rebrand Yogyaka
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2

Kurniawan, Iwan Jaconiah. "Intercultural Interaction: Indonesia and Soviet Society in the Sphere of Art Paintings in the Second Half of the XXth Century." Contemporary problems of social work 6, no. 2 (2020): 65–71. http://dx.doi.org/10.17922/2412-5466-2020-6-2-65-71.

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the paper studies the problem of defining an intercultural interaction. The authors analyzed scientific works to identify and classify the Indonesian social realism art painting. In the second half of the XXth century, Indonesian artists had a close relationship with the Soviet Society in the sphere of fine art. The true influence can be found in the social-realism art movement between 1950–1965s in Indonesia during the first President Soekarno era. But the social-realism art movement was no longer because of the horizontal political conflict on September 30, 1965 as well-known as revolution.
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Kurniawan, Michael Nathaniel. "Rethinking Art, Design, and Cultural History for the Indonesian Design Education and Creative Economy." Humaniora 10, no. 2 (2019): 135. http://dx.doi.org/10.21512/humaniora.v10i2.5465.

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This research used extensive literature reviews of the history of Design HE, Art and Design History, Creative and Cultural Industries, Cultural Heritage Studies, and Design Studies to rethink the history, concepts, and common teaching practices of Art, Design, and Cultural History within the Design HE curriculum, especially for the Visual Communication Design Undergraduate program as it contributed to almost all of the creative industries’ sub-sectors. It is discovered that since the Industrial Revolution, the Design HE, the art and cultural museum, and the economy actually shares a strong cor
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Wicaksono, Satrio Hari. "Eksotika Lee Man Fong : Sebuah Kolaborasi Apik Seni Rupa Modern dan Seni Lukis Tradisi China." Journal of Urban Society's Arts 4, no. 2 (2018): 123–31. http://dx.doi.org/10.24821/jousa.v4i2.2163.

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In the development of Indonesian art, many artists who then fill out the history of the art of this country with a wide range of distinctive characteristics as a statement of the identity of the artist in his work, not to mention Lee Man Fong. Characteristics that are present in his work is a new breakthrough that combines the character of modern Western art with Eastern art, particularly China. A different viewpoints but can be combined and harmonized beautifully by the artist. With the approach does, Lee Man Fong able to get admission in the middle of rampant identity themes that are startin
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Hidayatullah, Panakajaya. "Islam, National, and Local History in Tabbhuwan Walisanga Performance Art." Journal of Urban Society's Arts 7, no. 2 (2020): 94–108. http://dx.doi.org/10.24821/jousa.v7i2.3827.

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Tabbhuwân is a Madurese tradition of performing arts. In the present context, modern culture influences many young people. It has become a restlessness for the clerics who then think of strategies on how to incorporate Islamic values in the younger generation today. In 2015 in Situbondo, Wali Sanga boarding school established a tabbhuwân wali sanga art group. Tabbhuwân is considered a way of preaching according to the conditions and culture of the community of Madura Situbondo. The players consist of the santri of the younger generation of Islamic boarding schools. Tabbhuwân wali sanga feature
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Aragon, Lorraine V. "Copyrighting Culture for the Nation? Intangible Property Nationalism and the Regional Arts of Indonesia." International Journal of Cultural Property 19, no. 3 (2012): 269–312. http://dx.doi.org/10.1017/s0940739112000203.

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AbstractThis article analyzes how intangible cultural expressions are re-scripted as national intellectual and cultural property in postcolonial nations such as Indonesia. The mixing of intellectual and cultural property paradigms to frame folkloric art practices as national possessions, termed “intangible property nationalism,” is assessed through consideration of Indonesia's 2002 copyright law, UNESCO heritage discourse, and the tutoring of ASEAN officials to use intellectual and cultural property rhetoric to defend national cultural resources. The article considers how legal assumptions are
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Effendi, Tonny Dian. "Topics on Chinese Indonesian Issues in Book Publication in the Post-Reform Indonesia." Journal of Asian Research 2, no. 1 (2018): 1. http://dx.doi.org/10.22158/jar.v2n1p1.

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<span lang="IN"><em><em>Chinese Indonesian still becomes an issue in the Indonesian democracy and there are many publication in books about Chinese Indonesian issues. They are not only just share information but also indicate as respons to political change. This article discusses about the development book publication or literature on the issue of the Chinese Indonesian community in the post-reform Indonesia. It focuses to the topic of the content of the books. This research was qualitative research with the library research method. Data obtained from observation to books abo
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Domos, Erma. "MOTIVASI SISWA SMA TERHADAP PELAJARAN BAHASA MANDARIN." Inovbiz: Jurnal Inovasi Bisnis 6, no. 2 (2019): 195. http://dx.doi.org/10.35314/inovbiz.v6i2.876.

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In the opinion of Indonesian schools, Chinese study has one short coming. This continued for 30 years making many young Indonesians cannot speak Chinese language (Mandarin) and unable to speak dialect too. As society progresses, Chinese once again became Indonesians second language without the auxiliary aid of parents, the teaching of Indonesian literature and language rested on the teacher. Under this special conditions, no one has researched into the Indonesian students method of studying Chinese Language. The author admits personality affect and so does family background, race hence educati
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Priagana, Mochammad Rashad Putra, Elizabeth Susanti, and Miki Tjandra. "PROMOTION DESIGN OF INDONESIAN BATIK MUSEUM FOR YOUNG GENERATIONS THROUGH INSTAGRAM." Serat Rupa Journal of Design 6, no. 2 (2022): 204–19. http://dx.doi.org/10.28932/srjd.v6i2.4619.

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Batik is a traditional Indonesian fabric with a blend of art and technology that has been recorded by UNESCO as one of the intangible world heritages. The Indonesian Batik Museum was established by the government to preserve, provide insight, and understanding of Nusantara batik to the public. To keep up with the times, museums are currently more focused on the visitor experience and not just as a repository of collections. However, at this time, there is still a lack of public interest in visiting and a lack of promotion on Museum Batik Indonesia’s social media. Hopefully, after visiting Muse
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Zaelani, Mohamad. "INDONESIAN THEATER 1985-1995: A PERSPECTIVE OF DESCRIPTION PROCESSES SOCIAL CHANGE AND VALUE." BAHTERA : Jurnal Pendidikan Bahasa dan Sastra 17, no. 1 (2018): 123–36. http://dx.doi.org/10.21009/bahtera.171.10.

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AbstractThis research seeks to depict the history of Indonesian theater development from 1985 to 1995. This period is deliberately chosen because at that time it is seen that New Order power reached the top of its consolidation. Is there correlation between theater as a part of the reflection of society's expression and the repressive-authoritarian situation of the New Order government? With the approach of sociology of art, during that period, theater in Indonesia reflectedthe changes in society socially and in terms of values. One of these changes was the collapse of the conception of human
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Andika Putra, Emasyah, and Erfahmi Erfahmi. "PDRI DALAM KARYA SENI LUKIS." Serupa The Journal of Art Education 10, no. 4 (2021): 316. http://dx.doi.org/10.24036/sr.v9i3.112256.

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The purpose of this painting with the PDRI idea is to visualize a heroic event that is starting to be forgotten. The method of creating painting works through stages (1) Preparation, (2) Elaboration, (3) Synthesis, (4) Realization of concepts, and (5) completion. Ten paintings about heroic events of PDRI were created. The whole work tells about the synergy between the community guerrillas and the PDRI to expel the Dutch and gain Indonesian sovereignty. This painting is an interesting medium to identify the history of PDRI. Besides, this work is also expected to be a motivation in appreciating
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KITLV, Redactie. "Book reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 168, no. 2-3 (2012): 337–75. http://dx.doi.org/10.1163/22134379-90003565.

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Andrea Acri, Helen Creese, and Arlo Griffiths (eds), From Laṅkā Eastwards: The Rāmāyaṇa in the literature and visual arts of Indonesia (Dick van der Meij) Michael Arthur Aung-Thwin and Kenneth R. Hall (eds), New perspectives on the history and historiography of Southeast Asia: Continuing explorations (David Henley) Steven Farram, A short-lived enthusiasm: The Australian consulate in Portuguese Timor (Hans Hägerdal) R. Michael Feener, Patrick Daly and Anthony Reid (eds), Mapping the Acehnese past (William Bradley Horton) Geoffrey C. Gunn, History without borders: The making
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Felix, John. "Pengertian Seni sebagai Pengantar Kuliah Sejarah Seni Rupa." Humaniora 3, no. 2 (2012): 614. http://dx.doi.org/10.21512/humaniora.v3i2.3405.

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Until these days, for most people art is something that is abstract, hard to understand, and beyond their capability to understand. Every people asked about art will have their own opinion or definition about art, and these definitions are various to each other. For the student who is in the middle of class or course especialy the one that is related to art, the unpleasent impact of not knowing what is the meaning of art will be experienced in every class, especially in the History of Western Art, History of Indonesian Art or History of Graphic Design. Students who don’t understand the meaning
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14

Pane, Ismail. "Peradaban Islam di Indonesia." Journal of Education and Culture 3, no. 1 (2023): 15–20. http://dx.doi.org/10.58707/jec.v3i1.369.

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Islam in Indonesia as a religion with the most adherents has its own uniqueness in the history of its development. Indonesian Islam is propagated, taught and adhered to peacefully and without coercion. There are several theories about the history of the arrival of Islam in Indonesia.The diversity of theories is caused by the phenomenon of complexity, namely Islam does not originate from one place/country, nor is it brought by one group of people and not all at once Islam was developed by Ulama through three channels namely; cultural (da'wah, education, art, culture, and marriage), structural (
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15

Wittesaele, Charlotte R. A. "Art, land reclamation and green governmentality in Indonesia: Teja Astawa's Dewa Murka and Tita Salina's 1001st Island — The Most Sustainable Island in Archipelago." Journal of Southeast Asian Studies 52, no. 2 (2021): 309–35. http://dx.doi.org/10.1017/s0022463421000503.

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The artworks 1001st Island — The Most Sustainable Island in Archipelago (2015–16) by Tita Salina and Dewa Murka (2016) by Teja Astawa are compared as a means to provide insight into ways artists have been interrogating recent urban discourse in Indonesian contemporary art. This article engages with the critical vocabulary proposed by urban historian Abidin Kusno, which analyses green discourse in the changing Indonesian urban landscapes of the post-Suharto era, and explores how these two artworks reflect Kusno's analysis. Salina's multi-media installation and Astawa's painting address two land
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Waterson, Roxana. "Pengantar Seni Rupa Islam di Indonesia (Introduction to Indonesian Islamic Art). By Wiyoso Yudoseputro. Bandung: Penerbit Angkasa, 1986. Pp. vi, 173. Illustrations, Bibliography. [In Indonesian.]." Journal of Southeast Asian Studies 24, no. 1 (1993): 148–49. http://dx.doi.org/10.1017/s0022463400001545.

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Iswahyudi. "A Multicultural Approach in Learning Review of Indonesian Fine Arts." World Journal of Education and Humanities 3, no. 1 (2020): p1. http://dx.doi.org/10.22158/wjeh.v3n1p1.

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Multicultural awareness in Indonesia has been widely discussed since the Dutch colonial era. According to Furnivall, that the plural society in the Dutch East Indies consisted of two unique characteristics, which were horizontally marked by social unions based on differences in ethnicity, religion and tradition. Then vertically, the structure of the society is marked by sharp differences between the upper and lower layers. In this case, there are two key words, namely between the peaks of regional culture and foreign culture, in this case if there is a fading of the sense of unity because they
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18

Abidin, Aslan, Nurhayati Rahman, and Inriati Lewa. "Postmodernism in The Art Concept of Putu Wijaya." ELS Journal on Interdisciplinary Studies in Humanities 4, no. 4 (2021): 431–36. http://dx.doi.org/10.34050/elsjish.v4i4.18368.

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This research will explore the life journey of a prominent Indonesian writer, Putu Wijaya. His life history is traced especially his connetion to traditionality and modernity, starting from childhood until graduating from high school in Bali, as a student to his graduation in Yogyakarta, then moving to settle and making art in Jakarta. The three places gave him an intense understanding of the traditionalities of Bali, Java, and the Archipelago. At the same time, the three places also provide him with an understanding of modernity. The various forms of traditionality and modernity mingled in Wi
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Adi, Danendro. "Looking at the Japanese Automotive Industry through Indonesian Published Manga." Humaniora 8, no. 3 (2017): 265. http://dx.doi.org/10.21512/humaniora.v8i3.3680.

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This article discussed manga and visual language that had been used on the Japanese fiction graphic narrative as a case study and graphic biography as a comparison. It implemented literature study approach on illustration, specifically, sequential art literature to obtain data as well as finding a theoretical framework to strengthen research results. The article began with a brief history of Japanese comics, then would be discussed the definition and common form of manga and how-to extent the media to convey the information and to identify the visual approach to narrating the information. It f
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Tul Jannah, Raundoh, Endro Legowo, and Achmed Sukendro. "The Pejuang Dance by S. Ngaliman Condropangrawit as a Representation of the Traditional War Strategy and State Defense of the Indonesian People." International Journal of Research and Innovation in Social Science 06, no. 06 (2022): 764–67. http://dx.doi.org/10.47772/ijriss.2022.6623.

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The wars that have occurred in Indonesia since the arrival of the Portuguese in 1912 in Malacca have carved out a long history of seizing the independence which was declared on August 17, 1945, from the hands of the colonialists. This cannot be separated from the struggle of the fighters throughout the country, including women. The struggle is then retold through the art of folk dance, which is usually performed when people gather. The Pejuang Dance or Fighters Dance is one of Supadi Ngalimat Condropangrawit’s masterpieces that depicts the resistance of the Indonesian people, where not only me
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Tussyahada, Amalia, and Priscila Fitriasih Limbong. "NOVEL RAHASIA SALINEM KARYA BRILLIANT YOTENEGA DAN WISNU SURYANING ADJI: PERSPEKTIF GASTROCRITICISM." SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik 23, no. 2 (2022): 136. http://dx.doi.org/10.19184/semiotika.v23i2.32514.

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Indonesia as a culinary paradise has a variety of foods, while literature as a medium can be used as a tool to introduce various Indonesian culinary delights. This study aims to discuss food issues, especially “pecel”, to reveal the secrets of story characters in showing their identity and as an effort to preserve the culinary arts of the Indonesian archipelago. This study uses a qualitative method with a gastro criticism perspective. The research object is the novel Rahasia Salinem by Brilliant Yotenega and Wisnu Suryaning Adji. In this study, food in literature is not only used as the story'
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Putra, I. Dewa Alit Dwija, and Sarena Abdullah. "Early Symptoms of Modernism in Traditional Balinese Painting Began in Northern Bali." Idealogy Journal 5, no. 2 (2020): 59–72. http://dx.doi.org/10.24191/idealogy.v5i2.226.

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The history of significant changes in traditional Balinese art towards modern art took place in the 1930s in the village of Ubud, South Bali. Visual changes in Balinese art are unlike changes in modern art in the West or in Indonesian modern art. The visuals show a strong traditional style, although signs of modernity as this paper will argue, can be found. Modern Balinese art in Ubud in the 1930s actually started in North Bali in the 1870s. It was the role of two Dutchmen named Van der Tuuk and W.O.J. Nieuwenkamp, a linguist and academic artist, who contributed to the introduction of modern a
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Agatha, Michellina, Aldian Ramadhan, Annida Thian, and Anissa Lestari Kadiyono. "Preservation Of Art Culture As A Form Of Enhancing The Identity Of The Cireundeu Community As A Sunda Indigenous Ethnic Group." Gondang: Jurnal Seni dan Budaya 6, no. 2 (2022): 261. http://dx.doi.org/10.24114/gondang.v6i2.33051.

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Sundanese culture is a national heritage that must be preserved as an ethnic group feature in Indonesia. However, as time goes on, a growing number of young people are losing their knowledge of the history, culture, and traditions that constitute the foundation of Indonesian identity. The target of this research is the Sundanese people in Cimahi City, West Java. This research intends to raise the awareness of the people in the Cireundeu Community about the preservation of Sundanese art which has the potential to become a richness of tranditions as identity, characteristics, revenue sources and
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DJATMIKO, Andreas Andrie. "IMPROVEMENT OF NATIONALISM REFLECTED IN PANCASILA'S 3rd SILA THROUGH THE ART OF REOG KENDHANG." DISEMINASI: Jurnal Pengabdian kepada Masyarakat 1, no. 2 (2019): 69. http://dx.doi.org/10.33830/diseminasi.v1i2.959.2019.

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Community Service is one of the programs that are needed by the community today. This is done as an effort to respond to the needs of the community and is real program and realistic, especially in the fields of education, social, economic and cultural. Community Service Program is a program that is learning, studying and serving that is realized in the form of introduction and appreciation of community development through the clarity of planned change programs and problem solving methods regarding the ability to choose and use the right skills.
 A big nation is a nation that wants to resp
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DJATMIKO, Andreas Andrie. "IMPROVEMENT OF NATIONALISM REFLECTED IN PANCASILA'S 3rd SILA THROUGH THE ART OF REOG KENDHANG." Diseminasi: Jurnal Pengabdian kepada Masyarakat 1, no. 2 (2019): 69–82. http://dx.doi.org/10.33830/diseminasiabdimas.v1i2.524.

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 Community Service is one of the programs that are needed by the community today. This is done as an effort to respond to the needs of the community and is real program and realistic, especially in the fields of education, social, economic and cultural. Community Service Program is a program that is learning, studying and serving that is realized in the form of introduction and appreciation of community development through the clarity of planned change programs and problem solving methods regarding the ability to choose and use the right skills.
 
 A big nation is a nati
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Mohan, Urmila. "THE INDONESIAN ALCOVE AT THE AMERICAN MUSEUM OF NATURAL HISTORY: Art, Culture Areas, and the Mead‐Bateson Bali Project." Museum Anthropology 44, no. 1-2 (2021): 11–23. http://dx.doi.org/10.1111/muan.12233.

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Głąb, Katarzyna Marta. "PANCASILA SAKTI MUSEUM. A MARTYROLOGICAL MUSEUM WHICH CONSTRUCTS THE IDENTITY OF THE INDONESIANS." Muzealnictwo 58, no. 1 (2017): 0. http://dx.doi.org/10.5604/01.3001.0010.2236.

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Pancasila refers to the five rules which constitute the philosophical basis for the functioning of the “imagined nation” of Indonesia, announced on 1 June 1945 by Sukarno, the first president of Indonesia. From the very beginning, Pancasila aroused great emotions and was subjected to various interpretations. The ways in which it was understood as the fundaments of the state also varied many times from 1945. One thing beyond any doubt is that Pancasila has shaped Indonesian society, even though it has repeatedly been redefined and its significance questioned. The Pancasila Sakti Museum holds a
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Stutje, Klaas. "The Diamond from Banjarmasin: A Story in Facets." Rijksmuseum Bulletin 70, no. 4 (2022): 340–55. http://dx.doi.org/10.52476/trb.13473.

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This article tells the socio-political life story of the Banjarmasin diamond that is on display in the Rijksmuseum’s nineteenth-century colonial room. How the diamond came into the possession of the Dutch in 1859 was not entirely clear, although both in the Netherlands and in Indonesia it is cited as a typical example of ‘war booty’ and ‘looted art’. It is therefore used in debates about contemporary identity formation, like the Dutch approach to their violent colonial past and Indonesian post-colonial nation building. But the stone has more to tell: stories about war and violent subjugation,
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Tan, Li Wen Jessica. "Unfinished Revolutions." Prism 18, no. 2 (2021): 479–500. http://dx.doi.org/10.1215/25783491-9290688.

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Abstract This article examines Wei Beihua's modernist works, which have receded into the shadows of Sinophone Malayan (Mahua) literary history, in relation to Indonesian poet Chairil Anwar, to excavate a neglected route of transculturation at the height of Southeast Asia's nationalist movements during the 1950s. Unlike Anwar's modernist poems that thrive in Indonesia, Wei Beihua's works were considered outliers during a period when realist literature was deemed an effective tool for social mobilization in postwar Malaya. Nonetheless, it is critical for us to recognize that Wei Beihua did not r
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Safitri, Ragil, and Sugirin Sugirin. "Senior high school students’ attitudes towards intercultural insertion into the ELT: Yogyakarta context." EduLite: Journal of English Education, Literature and Culture 4, no. 2 (2019): 261. http://dx.doi.org/10.30659/e.4.2.261-274.

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Experts in English Language Teaching often consider culture as the fifth skill in foreign language learning as cultural literacy is a must in 21st-century learning. Thus, this study is to investigate students’ interest in the insertion of Big ‘C’ and little ‘c’ themes from different countries into the English classroom. In this study, the researcher distributed a questionnaire to 58 students in a senior high school in Yogyakarta. The study indicated that the respondents’ preferences were mostly about local culture (Yogyakarta and Indonesian culture), followed by target culture (culture of Engl
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Febrian, Harry. "Satire In The Making Rhetorical Analysis Of Habieb Rizieq Menjawab’ Facebook Fan Page." Jurnal ULTIMA Comm 6, no. 2 (2014): 85–101. http://dx.doi.org/10.31937/ultimacomm.v6i2.416.

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Religious extremism is one of the major problems for Indonesia in the post-Soeharto era. The freedom that Indonesian people enjoyed after years of dictatorship by Soeharto also became a fertile ground for the idea of religious intolerances. Many effort are done by NGO’s, government, and also religious institution to promote the moderate view to counter this intolerances. But with the rise of social media, Habieb Rizieq Menjawab (HRM) Facebook Fan page—with more than 70 thousand followers, making it one of the most followed for religious affiliated figure— which is a parody of one of the famous
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Krauss, Werner. "Chinese Influence on Early Modern Indonesian Art ? Hou Qua : a Chinese Painter in 19th-century Java." Archipel 69, no. 1 (2005): 61–86. http://dx.doi.org/10.3406/arch.2005.3928.

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Wong, Nicholas Y. H. "Inter-imperial, Ecological Interpretations of the “Five Coolies” Myth in Penang and Medan." Prism 19, no. 2 (2022): 319–36. http://dx.doi.org/10.1215/25783491-9966667.

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Abstract This article proposes resource extraction politics as a lens to analyze the relationship between Malaysian Chinese (or Mahua) literature and the global literary economy. Rather than ascribe Mahua literature to its present national boundaries and diasporic communities, the article locates its formation in inter-imperial nodes of trafficked labor and art production, as well as a global system of colonial plantations. The article revisits Zeng Huading's 曾華丁 (1906–1942) short story (1928) and Ba Ren's 巴人 (1901–1972) historical drama (1949) about the myth of five Chinese coolies and their
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Aryanti, Riza, and Masrilayanti Masrilayanti. "State of the art of seismic risk and loss assessment in structures." E3S Web of Conferences 331 (2021): 07013. http://dx.doi.org/10.1051/e3sconf/202133107013.

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Earthquakes are known as one of the disasters that have fatal consequences for human safety. However, inevitably, the earthquake itself is not the leading cause of the losses suffered by humans, both material and soul. The most powerful thing in human safety is infrastructure such as buildings, bridges, and houses. Therefore, an in-depth analysis of the risk factors that the infrastructure will experience in a natural disaster is needed. There is a variable seismic hazard in the Southeast Asia region, ranging from high seismic hazard allied with the underneath of the Indonesian and Philippine
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Rizky, Amanda. "RE-AKTUALISASI KISAH PERJALANAN LAKSAMANA CHENG HO DI CIREBON MELALUI BATIK (Kajian Batik di Cirebon serta hubungannya dengan Bahasa Rupa Tradisi)." Corak 8, no. 1 (2019): 27–42. http://dx.doi.org/10.24821/corak.v8i1.2688.

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Admiral Cheng Ho (Zheng He), one of the migrants from China who introduced his culture to the Indonesians. Cirebon has benefited greatly from its expedition. However, not much remains of Admiral Cheng Ho still preserved by Cirebon. Whereas Admiral Cheng Ho has contributed a lot of useful knowledge to the port and the kingdom in Cirebon, which at that time port of Cirebon known as the Port of Muara Jati became famous throughout Java and even abroad. Preserving the history of Admiral Cheng Ho's journey and its relics in Cirebon can enrich the cultural treasures to the Indonesian nation. One effo
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Hestiningtyas, Rhomina, Achmad Syarief, and Agung Eko Budiwaspada. "LINO PRINTING DALAM ILUSTRASI CERITA RAKYAT SABAI NAN ALUIH LINO PRINTING IN THE SABAI NAN ALUH FOLKTALE ILLUSTRATIONS." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 4, no. 1 (2021): 67. http://dx.doi.org/10.25105/jsrr.v4i1.9972.

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<p><strong><em>Abstract</em></strong></p><p><em>Lino Printing is one of the manual printing techniques that belongs to the High printing technique which is part of the graphic arts. In the history of the development of graphic arts in Indonesia, it has been able to become a means of publishing news of Indonesian independence, but the nature of this printing technique that can be duplicated makes graphic art not develop because it is considered not exclusive and its originality is doubtful However, the interesting characteristic became the inspira
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Riyanto, Bedjo, Nurhayatu Nufut Alimin, and Endri Sintiana Murni. "Lifestyle Ambiguity: The Visuals of Cigarette Advertisements in the Dutch East Indes Era." Harmonia: Journal of Arts Research and Education 22, no. 2 (2022): 227–40. http://dx.doi.org/10.15294/harmonia.v22i2.38636.

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The focuses of this research are the visual style reconstruction of cigarette advertisements published in magazines during the colonial era of the Dutch East Indies and the expressions of lifestyle recorded in them. This study examines the visualization and visual style of cigarette advertisements published in magazines in Indonesia from 1925 to 2000. This study also aims to reconstruct the lifestyle in the visual representation of cigarette advertisements as a reflection of the process of social change in Indonesian society during the colonial to the post-colonial period (1925 - 2000). This r
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Ratnawati, Ratnawati, and Ibnu Amar Muchsin. "Implementation Of Nusantara Musicals Ideas In The Song Of Yadapati Tiwikrama By Djiwoastra." Jurnal Seni Musik 11, no. 1 (2022): 59–69. http://dx.doi.org/10.15294/jsm.v11i1.56241.

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Djiwoastra is a folk metal band from Surakarta that has succeeded in combining two genres of music, namely metal and tradisional indonesian music. The song Yadapati Tiwikrama contains the idiomatic indonesian archipelago, taking the theme of the history of the maritime wars in 7th century. This research was qualitative with data collection techniques in the form of observation, interviews, and documentation. The results of the study indicated that there was aplication of ideas that contain idiomatic archipelagoes through musical compositions and concepts in the song Yadapati Tiwikrama in the f
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Masitoh, Imas Siti, and Ajat Sudrajat. "Nilai-Nilai Kearifan Lokal Kesenian Gaok Sebagai Sumber Pembelajaran Sejarah." Diakronika 22, no. 1 (2022): 96–115. http://dx.doi.org/10.24036/diakronika/vol22-iss1/240.

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Abstract
 Gaok art is an art in the form of an oral tradition in the Kulur Village community which contains a description of the social and cultural life of the community in the past. This study aims to explore the values ​​of local wisdom contained in the art of Gaok in Kulur Village, Majalengka District and describes its potential as a source of historical learning. The research method used in this research was qualitative ethnograpghy with data collected through literature study, interviews, and observations. The results obtained indicate that there are local wisdom values in the art o
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Behrend, Tim, Nancy K. Florida, Harold Brookfield, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 156, no. 4 (2000): 807–68. http://dx.doi.org/10.1163/22134379-90003831.

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- Tim Behrend, Nancy K. Florida, Javanese literature in Surakarta manuscripts; Volume 2; Manuscripts of the Mangkunagaran palace. Ithaca, New York: Cornell University Southeast Asia Program, 2000, 575 pp. - Harold Brookfield, Judith M. Heimann, The most offending soul alive; Tom Harrisson and his remarkable life. Honolulu: University of Hawai’i Press, 1998, 468 pp. - Harold Brookfield, Victor T. King, Rural development and social science research; Case studies from Borneo. Phillips, Maine: Borneo Research Council, 1999, xiii + 359 pp. [Borneo Research Council Proceedings Series 6.] - J.G. de C
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Pramono, Andi, Tiara Ika Widia Primadani, Yudhistya Ayu Kusumawati, Bambang Kartono Kurniawan, and Febby Candra Pratama. "Upcycling Fabric Waste for Home Decoration by Implementing Islamic Art Approach." Journal of Islamic Architecture 7, no. 2 (2022): 253–61. http://dx.doi.org/10.18860/jia.v7i2.15795.

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Humanity's activities cause the destruction that occurs in the world as a caliphate, as stated in Surah Ar-Rum (30), verse 41 of the Quran. One of the products that might harm the ecosystem is waste. Various countries, including the Indonesian Government, have competed with numerous initiatives and policies to save environmental sustainability. The author of this study provided training on how to conserve the environment by processing trash, particularly fabric waste. Bina Nusantara University's community development initiative invites numerous assisted MSMEs to participate in a waste manageme
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Gavin, Traude. "South-East Asia - Paul Michael Taylor (ed.): Fragile traditions: Indonesian art in jeopardy. x, 171 pp., map [on endpapers]. Honolulu: University of Hawaii Press, 1994. $28." Bulletin of the School of Oriental and African Studies 60, no. 3 (1997): 601–2. http://dx.doi.org/10.1017/s0041977x00033127.

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Pramana Widagda, Sidiq, Hermawan Prasetyanto, Totok Suharto, and Suselo Heru Yuwono. "Atraksi Pencaksilat Merpati Putih Sebagai Daya Tarik Wisata Dalam Upaya Melestarikan Warisan Budaya Indonesia." Media Wisata 20, no. 1 (2022): 136–47. http://dx.doi.org/10.36276/mws.v20i1.316.

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ABSTRACT
 Merpati putih is a pencak silat which is an original Indonesian cultural heritage that is very feasible to be preserved and developed. The existence of Merpati Putih has proven that this pencak silat school provides enormous benefits for fitness, health and the good name of the nation. This paper is carried out in order to explore data and information regarding the history of the development of PPS Merpati Putih, and how the development of Merpati Putih Pencak Silat as a cultural attraction and how to maintain it so that it becomes a martial art as it emerged. With a descriptive
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Susanto, Mikke, and Irwandi Irwandi. "Sejarah dan Makna Fotografi Karya Pelukis Istana, Dullah." Rekam 16, no. 1 (2020): 1–14. http://dx.doi.org/10.24821/rekam.v16i1.3847.

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History and Meaning of Photography of a Palace Painter, Dullah. The existence of Dullah the painter is equal with other famous painters, such as Affandi, Basoeki Abdullah, S. Soedjojono and Hendra Gunawan. In 1950 to 1960, he was appointed by President Sukarno as a palace painter. Apart from painting, he also liked to take pictures. His object was around his work as a palace painter and President Sukarno's figure. Reviewed from the historical approach and the meaning explored in it, the photos have an interesting connection. Those photos hold important narratives, especially in the field of hi
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Pinem, Masmedia. "Sejarah, Bentuk dan Makna Arsitektur Gereja GPIB Bethel Bandung." Jurnal Lektur Keagamaan 14, no. 2 (2016): 347. http://dx.doi.org/10.31291/jlk.v14i2.505.

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This article attempts to describe the history, together with the characteristic architecture of GPIB Bethel. GPIB is the abbreviation of the ‘Protestant Church in Western Indonesia’. Built in Bandung, in 1948, it is located in Jalan Wastukencana 1, in the Village of Babakan Ciamis, Sub District of Sumur Bandung, City of Bandung. This type of church structure was designed by Schoemaker, a Dutch architect, who combined and syintisized between basic needs, concepts, and values of each genre that came from developed world archictecture in that time. The model was already well-known as an “essentia
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Bela Sari and Haerawati Idris. "DETERMINANT OF INDEPENDENT NATIONAL HEALTH INSURANCE OWNERSHIP IN INDONESIA." Malaysian Journal of Public Health Medicine 19, no. 2 (2019): 109–15. http://dx.doi.org/10.37268/mjphm/vol.19/no.2/art.177.

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The increasing of Independent National Health Insurance (NHI) membership is one of the indicators to achieve Universal Health Coverage. One of the challenges in extending such coverage is reaching it out to the informal sector. This study was aimed to analyze the determinants of Independent NHI ownership in Indonesia. This study used cross-sectional design, and the data were derived from Indonesian Family Live Survey (IFLS) 2014. 6,888 individuals aged ≥40 years were the sample of this study. To analyze the data, chi-square analysis and logistic regression were used. Based on the analysis, the
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Iskandar, Iskandar. "Tafsir Qur'an Karim Karya Mahmud Yunus Kajian atas Karya Tafsir Nusantara." SUHUF 3, no. 1 (2015): 1–11. http://dx.doi.org/10.22548/shf.v3i1.76.

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The development of exegesis (tafsir) in our region began to develop since the 1960’s. It commenced with translations and commentaries that were limited to certain selected juz or surah, then continued to develop until reaching perfection and completeness. Although at the beginning he was opposed by other religious scholars, eventually the government agreed to permit his work. The work of Mahmud Yunus consequently became the first step for all Indonesian scriptual commentators to further develop the art of exegisis in the region. This paper briefly explains the Tafsir Qur'an Karim by Mah
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 158, no. 1 (2002): 95–144. http://dx.doi.org/10.1163/22134379-90003788.

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-Stephen J. Appold, Heidi Dahles ,Tourism and small entrepreneurs; Development, national policy, and entrepreneurial culture: Indonesian cases. Elmsford, New York: Cognizant Communication Corporation, 1999, vi + 165 pp., Karin Bras (eds) -Jean-Pascal Bassino, Peter Boothroyd ,Socioeconomic renovation in Vietnam; The origin, evolution and impact of Doi Moi. Singapore: Institute of Southeast Asian Studies, 2001, xv + 175 pp., Pham Xuan Nam (eds) -Peter Boomgaard, Patrick Vinton Kirch, The wet and the dry; Irrigation and agricultural intensification in Polynesia. Chicago: The University of Chicag
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Purwoko, Oki Edi. "RECLAIMING BANYUMAS IDENTITY AN INTERPRETIVE STUDYABOUT IDENTITY AND CHARACTER OF LOCAL SOCIETY BASED ON LITERARY STUDIES OF HISTORY, ATTITUDES, BEHAVIOR, ARTS AND CULTURE." KOMUNIKA: Jurnal Dakwah dan Komunikasi 10, no. 1 (2017): 128–41. http://dx.doi.org/10.24090/komunika.v10i1.868.

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The objectives of these study is to explore more about Banyumas cultural identity through. Caused by politics and power in the past, some of writings indicated that there were alienation, seclusion towards Banyumas culture due to political objectives created by Keraton elite and Colonial ruler in the past. As many Javanese culture, This view exclude other forms of arts and culture which flourished besides the mainstream culture or in this case high culture as Keraton had. And then labeled those art as folk art, sometimes not representation of Javanese culture or even as included as non art at
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 163, no. 1 (2008): 134–220. http://dx.doi.org/10.1163/22134379-90003683.

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Michele Stephen; Desire, divine and demonic; Balinese mysticism in the paintings of I Ketut Budiana and I Gusti Nyoman Mirdiana (Andrea Acri) John Lynch (ed.); Issues in Austronesian historical phonology (Alexander Adelaar) Alfred W. McCoy; The politics of heroin; CIA complicity in the global drug trade (Greg Bankoff) Anthony Reid; An Indonesian frontier; Acehnese and other histories of Sumatra (Timothy P. Barnard) John G. Butcher; The closing of the frontier; A history of the maritime fisheries of Southeast Asia c. 1850-2000 (Peter Boomgaard) Francis Loh Kok Wah, Joakim Öjendal (eds); Southea
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