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Journal articles on the topic 'Indonesian Sculpture'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Riyanto, Sugeng. "KAJIAN IKONOMETRI ARCA LOGAM PRODUK PERAJIN TROWULAN." Berkala Arkeologi 28, no. 2 (2008): 52–62. http://dx.doi.org/10.30883/jba.v28i2.363.

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A question often raised on metal sculpture made by Trowulan artists is: do iconometric aspects of the sculptures follow the iconometric order? Studies on iconology, including iconographic and iconometric studies, are important in Indonesian archaeology. Iconometric study on metal sculptures made by Trowulan artists is an example for iconometric study in Indonesia.

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Istanto, Riza, and T. Triyanto. "Religious Tolerance Through Stone Sculpture Production: The Case of Indonesian Sculptors." Walisongo: Jurnal Penelitian Sosial Keagamaan 27, no. 1 (2019): 179–98. http://dx.doi.org/10.21580/ws.27.1.3630.

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The purpose of this research is to analyze the value of tolerance reflected in the stone-sculpture production in Muntilan. This study used a sociology research approach with an ethnographic research design. The data collection techniques were conducted through ethnographic observation and interviews as well as document data. The results showed that the stone craft production in Muntilan is local wisdom that reflects the value of tolerance. Most of the rock artisans are Moslems, but they continued stone sculpture production that is part of the Hindhu-Buddist tradition. The product is oriented t

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Klokke, Marijke. "AN INDONESIAN SCULPTURE IN THE KRÖLLER-MÜLLER MUSEUM." Aziatische Kunst 37, no. 4 (2007): 3–14. http://dx.doi.org/10.1163/25431749-90000111.

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Rita, Rita Gamasari. "النحت فى اللغة العربية و أبريفياسي فى اللغة الإندونسية". El-Jaudah : Jurnal Pendidikan Bahasa dan Sastra Arab 1, № 1 (2020): 53–82. http://dx.doi.org/10.56874/faf.v1i1.87.

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Abstract: As for the main issue in this research, what is the object of the agreement and the difference between sculpture in Arabic and Abreviasi in Indonesian language? As for sculpting in the Arabic language, it is called abbreviation, it is the abbreviation of one or more words. The term carving in the Indonesian language is called Abreviasi. At the time of the hadith, the language needs sculpting and abreviasi to shorten speech and make it easier to pronounce. This research is very important for the research, especially for students of the Arabic Language Department. If they do not unders

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Widyokusumo, Lintang. "Kekayaan Ragam Hias dalam Wayang Kulit Purwa Gagrak Surakarta (sebagai Inspirasi Desain Komunikasi Visual)." Humaniora 1, no. 2 (2010): 402. http://dx.doi.org/10.21512/humaniora.v1i2.2883.

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Shadow puppet (wayang) is a fine culture heritage; the sublimity of philosophy and its beauty of inlay and decoration already get its world acknowledgement. Wayang is a shadow of out own life, from which we get picture of life in the world and after world. Eventhough its presence now is defeated by modern entertainment, its elegance done by the beauty of graphic sculpture brings its own inspiration to sculpturers and designers to make it as a foundation in design masterpieces toward Indonesian culture, especially Javanese culture.

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Murdihastomo, S.S., Ashar, and Sukawati Susetyo. "Reinterpretasi Pertanggalan Relatif Empat Arca Batu Koleksi Museum Nasional Indonesia." AMERTA 39, no. 2 (2021): 129–46. http://dx.doi.org/10.24832/amt.v39i2.129-146.

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Abstract. Reinterpretation of The Relative Date of The Four Stone Sculptures Collection of The National Museum of Indonesia. The results of research on the art style of the Kāḍiri period statues in 2020 show that four statues have been identified as requiring renewal. The information in question is related to the relative dating of the statue. The information written on the museum's information label for the four statues comes from the XI-XII centuries AD. However, when examined based on the art style of the statues, the four have younger characteristics. Therefore, the question arises, what a

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Sirenko, Boris I. "Indonesian chitons of the genera Belknapchiton Sirenko, Saito et Schwabe, 2022 and Leptochiton Gray, 1847(Mollusca: Polyplacophora: Leptochitonidae)." Ruthenica, Russian Malacological Journal 33, no. 2 (2023): 79–94. http://dx.doi.org/10.35885/ruthenica.2023.33(2).4.

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On the basis of the collections of the R/V Vityaz in the Banda Sea, Indonesia, a review of the chiton fauna of the genera Belknapchiton and Leptochiton was carried out. Leptochiton commandorensis , until now known only from the northern Pacific near the Commander Islands, is here added to the four known Indonesian deep sea species. This species turned out to be with juveniles in the pallial groove. A scanning electron microscope study of the collected specimens of B. giganteus made a corrected, supplemented description of this rare species possible. The age variability of the valves shape and

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Hartanti, Grace, and Amarena Nediari. "Pendokumentasian Aplikasi Ragam Hias Budaya Bali, Sebagai Upaya Konservasi Budaya Bangsa Khususnya pada Perancangan Interior." Humaniora 5, no. 1 (2014): 521. http://dx.doi.org/10.21512/humaniora.v5i1.3079.

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Various ornament of Indonesian people comes from the ethnic groups from all over the archipelago. As a tangible cultural ornament has a specific purpose and it does not change throughout the ages. Bali is one of the ethnic group in archipelago that has beautiful decorative art and one of the most popular tourism destination in Indonesia. Bali’s ornament generally seen as decorative carving on the column, window or even in door. The beauty of Bali is not only as an inspiration for their colors and sculpture but also the variety of forms that have been simplified in the ornament. Moreover, flora

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9

Masruroh, Ainul. "PERLINDUNGAN HUKUM BAGI KONSUMEN DALAM JUAL BELI SECARA ONLINE MENURUT UNDANG-UNDANG NOMOR 8 TAHUN 1999 TENTANG PERLINDUNGAN KONSUMEN." HUMANIS: Jurnal Ilmu-Ilmu Sosial dan Humaniora 11, no. 1 (2019): 53–60. http://dx.doi.org/10.52166/humanis.v11i1.1423.

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The purpose of this study is to explain and understand the regulation of online trading in Indonesia and to juridically analyze how legal protection for consumers in buying and selling online in accordance with Law Number 8 of 1999 concerning Consumer Protection. The method used in this thesis is a type of normative juridical research. The approach to the problem used is the legal approach (sculpture approach) and the conceptual approach (conceptual approach). This thesis uses three types of legal material sources, namely primary legal material, secondary legal material and tertiary legal mate

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Sholah, Ahmad Kholdun Ibnu. "Online Digital Photography of Ancient Indonesian Statues for Research Purposes." JANUS 1, no. 1 (2023): 45–60. http://dx.doi.org/10.22146/janus.v1i1.7414.

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Selama masa pandemic Covid-19, penghentian kegiatan dan penutupan fasilitas telah membatasi kunjungan ke museum dan situs arkeologi. Keadaan ini sangat berdampak pada peneliti yang harus mengobservasi objek kajiannya, misalnya patung. Sebagai alternatif, foto patung yang disebarluaskan secara daring dapat menjadi solusi masalah ini. Dalam tulisan ini akan dibahas tiga hal terkait hal ini. Pertama, tinjauan terhadap kajian patung kuno di masa lalu yang menggunakan foto sebagai dasar kajian menunjukkan cara itu mampu menyediakan data dimensi bentuk yang amat berguna dalam analisis gaya dan ikono

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Bu’ulolo, Efori, Andreas Gerhard Simorangkir, Erlinda Simamora, Siska Kristiana Simanullang, Desi Simanjuntak, and Vini Kristin Septiani Situmorang. "Implementasi Algoritma K-Means Dalam Clustering Rejection Patung Tangan Keramik (Studi Kasus : PT.Mark Dynamics Indonesia,Tbk)." Journal of Information System Research (JOSH) 3, no. 3 (2022): 272–83. http://dx.doi.org/10.47065/josh.v3i3.1521.

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PT. Mark, Dynamics Indonesia Tbk is one of the companies engaged in the printing of Ceramic Hand Sculptures. This Ceramic Hand Sculpture already exists in several cities outside the city even outside the company PT Mark Damica Indonesia. request orders and various customers who are in cities outside the city and even abroad. In the process of making Eating Hand Ceramics, this company has a problem, namely the Rejection of the Ceramic Hand Sculpture that is produced. Thick Bergolan and Sompel This research was conducted for the Clustering Rejection of the Ceramic Hand Sculpture based on the ite

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Winaya, Atina, R. Ahmad Ginanjar Purnawibawa, Brahmantara [n/a], et al. "DIGITALIZING SCULPTURES: A PHOTOGRAMMETRY IMPLEMENTATION TOWARDS ANCIENT MATARAM STATUARIES IN CENTRAL JAVA." SPAFA Journal 7 (December 15, 2023): B1–11. http://dx.doi.org/10.26721/spafajournal.1q7to9g77f.

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The implementation of digital technology in cultural heritage in Indonesia started to develop in the past decade. However, Indonesia's iconography studies have not optimized to utilize these advanced approaches. While in some other countries, iconographic documentation is upgrading to an advanced method, such as recording objects in 3D form and archiving it into secure digital data, thus the data more natural and realistic in three-dimensional documentation. It also catches and records the shape from all perspectives to bring neither a specific nor comprehensive observation. Therefore, it can

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Mirwa, Tetty, Sugito Sugito, Khaerul Saleh, and Nelson Tarigan. "KARAKTERISTIK PATUNG MONUMEN DAN TUGU DI KOTA MEDAN." Gorga : Jurnal Seni Rupa 12, no. 1 (2023): 33. http://dx.doi.org/10.24114/gr.v12i1.38907.

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This research was conducted to explore the works of monuments in the city of Medan. This study aims to reveal, explain and document the works of monuments and monuments. Related to this, this research is also: (1) to find out in real terms the techniques, materials of manufacture, visualization of ideas, shape characteristics, and layout arrangements in terms of the observer's perspective on the art of sculpture, monuments, and monuments, (2) to produce teaching materials for Sculpture. with local content in the Department of Fine Arts at the State University of Medan. The study was conducted

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14

Aflisia, Noza. "Musykilah Tarjamah al-Lughah al-'Arabiyyah Ila al-Lughah al-Indonesiyyah." Arabiyatuna : Jurnal Bahasa Arab 1, no. 1 (2017): 43. http://dx.doi.org/10.29240/jba.v1i1.198.

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The translation of Arabic into Indonesian is an important process because many of the sciences are written in Arabic from Islamic history, Islamic civilization, jurisprudence, ethics, even medicine, numerology, etc., all written in Arabic. The Arabic language has the advantages so that the higher language of the other language of its characteristic is in the field of audio, tandem, derivation, expression, verbal participation, and sculpture. Which is done in the translation work say in the translator. In order to be a good translator, he should be familiar with everyday vocabulary and vocabula

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Kowal, Katarzyna. "The Borobudur temple: the Buddhist architecture in Indonesia." Budownictwo i Architektura 18, no. 2 (2019): 005–19. http://dx.doi.org/10.35784/bud-arch.550.

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The article presents the current state of knowledge about the Borobudur temple, a valuable representative of Buddhist architecture, located in Java, Indonesia. The author presents the genesis of the temple, the facts concerning its rediscovery after centuries of oblivion, and Buddhist cosmology embodied in the form of a three-dimensional mandala on which the architectural form of Borobudur is based. The author studies Buddhist symbolism of the architectural form, reliefs and sculptures created on the basis of regional patterns and local Javanese culture of everyday life. This temple is one of

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16

Colombijn, Freek, Hisao Furukawa, C. Dijk, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 151, no. 2 (1995): 294–318. http://dx.doi.org/10.1163/22134379-90003052.

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- Freek Colombijn, Hisao Furukawa, Coastal wetlands of Indonesia; Environment, subsistence and exploitation. Translated by Peter Hawkes. Kyoto: Kyoto University Press, 1994, vii + 219 pp., tables, figures, index. - C. van Dijk, Virginia Matheson Hooker, Culture and society in New Order Indonesia, Kuala Lumpur: Oxford University Press, 1993, xxiii + 302 pp. - M.R. Fernando, Frans van Baardewijk, The cultivation system, Java 1834-1880, Changing Economy in Indonesia 14. Amsterdam: Royal Tropical Institute, 1993, 327 pp. - Bernice D. de Jong Boers, Jacqueline Vel, The Uma-economy; Indigenous econo

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Taylor, Nora. "Ancient Indonesian Sculpture. Edited by Marijke J. Klokke and Pauline Lunsingh Scheurleer. Leiden: KITLV Press, 1995. Distributed by Cellar Book Shop, vii, 213 pp. $44.00 (paper)." Journal of Asian Studies 55, no. 4 (1996): 1065–66. http://dx.doi.org/10.2307/2646597.

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18

Bronson, Bennet. "The Sculpture of Indonesia; Court Arts of Indonesia:The Sculpture of Indonesia.;Court Arts of Indonesia." Museum Anthropology 15, no. 3 (1991): 34–37. http://dx.doi.org/10.1525/mua.1991.15.3.34.

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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 163, no. 1 (2008): 134–220. http://dx.doi.org/10.1163/22134379-90003683.

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Michele Stephen; Desire, divine and demonic; Balinese mysticism in the paintings of I Ketut Budiana and I Gusti Nyoman Mirdiana (Andrea Acri) John Lynch (ed.); Issues in Austronesian historical phonology (Alexander Adelaar) Alfred W. McCoy; The politics of heroin; CIA complicity in the global drug trade (Greg Bankoff) Anthony Reid; An Indonesian frontier; Acehnese and other histories of Sumatra (Timothy P. Barnard) John G. Butcher; The closing of the frontier; A history of the maritime fisheries of Southeast Asia c. 1850-2000 (Peter Boomgaard) Francis Loh Kok Wah, Joakim Öjendal (eds); Southea

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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 158, no. 1 (2002): 95–144. http://dx.doi.org/10.1163/22134379-90003788.

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-Stephen J. Appold, Heidi Dahles ,Tourism and small entrepreneurs; Development, national policy, and entrepreneurial culture: Indonesian cases. Elmsford, New York: Cognizant Communication Corporation, 1999, vi + 165 pp., Karin Bras (eds) -Jean-Pascal Bassino, Peter Boothroyd ,Socioeconomic renovation in Vietnam; The origin, evolution and impact of Doi Moi. Singapore: Institute of Southeast Asian Studies, 2001, xv + 175 pp., Pham Xuan Nam (eds) -Peter Boomgaard, Patrick Vinton Kirch, The wet and the dry; Irrigation and agricultural intensification in Polynesia. Chicago: The University of Chicag

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Harissman, Harissman, Elvis Elvis, and Rica Rian. "ARBY SAMAH : MAESTRO SENI PATUNG ABSTRAK DI INDONESIA." Gorga : Jurnal Seni Rupa 8, no. 2 (2019): 445. http://dx.doi.org/10.24114/gr.v8i2.16143.

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AbstrakPenelitian ini membahas tentang penelusuran Arby Samah yang dikenal sebagai pelopor seni patung abstrak di Indonesia, serta mengungkap alasan Arby Samah memilih berkarya patung. Tujuan penelitian ini adalah untuk mengetahui sosok Arby Samah sebagai perintis seni patung abstrak di Indonesia, dan sangat berjasa dalam perkembangan seni patung di Indonesia serta Sumatera Barat khususnya. Kajian teori menggunakan seleksi dan fokus gejala berdasarkan jiwa zaman, menitikberatkan pada perspektif historis mempunyai dua dimensi: aspek masa kini, dan Aspek masa lampau. Metode yang digunakan dalam

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Subanar, Gregorius Budi. "Christian Art and Architecture in Indonesia in the Twentieth Century: Rooted in Local Images and Buildings." Retorik: Jurnal Ilmu Humaniora 10, no. 2 (2023): 184–214. http://dx.doi.org/10.24071/ret.v10i2.5752.

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In this global era, identity has become an important topic. This research presents the identity of Christian art in Indonesia as represented in visual art and the architecture of church buildings. Catholic missionaries introduced Christian visual arts through education in schools, boarding houses, and religious instructions. Thereafter, the perceptions of the Indonesian faithful were expressed through paintings and sculptures. There are three periods of the development of such expressions: (1) during the colonial era, (2) after the formations of the local artists who were sent to study abroad,

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Gildauli, Meiliana, and Deddy Sobarna Sutaji. "ANALISIS POTENSI NUART SCULPTURE PARK SEBAGAI DAYA TARIK WISATA BUDAYA UNGGULAN DI KOTA BANDUNG." Tourism Scientific Journal 2, no. 1 (2017): 72. http://dx.doi.org/10.32659/tsj.v2i1.18.

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Bandung merupakan kota kreatif yang banyak menampung seniman dengan hasil karya menarik, beberapa diantaranya mendirikan sebuah ruang publik menjadi tujuan wisata bagi wisatawan, salah satunya yaitu NuArt Sculpture Park yang merupakan taman patung terbesar di Indonesia. Penelitian ini bertujuanuntuk menggambarkan potensi dan daya tarik wisata di NuArt Sculpture Park dan menentukan bagaimana upaya yang dapat dilakukan untuk menjadikan NuArtsebagai daya tarik wisata budaya unggulan di Kota Bandung. Penelitian ini dilakukan dengan menggunakan metode kualitatif dimana teknik pengumpulandata dengan

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Wulandari, Sari. "Pendekatan Parodi, Simbolik dan Metafora pada Karya Seni Jogja International." Humaniora 4, no. 1 (2013): 465. http://dx.doi.org/10.21512/humaniora.v4i1.3455.

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Ngayogyakarta Negari Exhibition 2012 is part of the Festival of Arts 2012 Ngayogyakarta Hadiningrat Negari held in commemoration of the 2.5-century founding of Ngayogyakarta and 100 years of the birth of Sri Sultan Hamengkubuwono IX, followed by 124 artists Yogyakarta, both painting, photography, sculpture, audio visual, and installation as well which displayed the works of Sri Sultan Hamengkubuwono IX and Yogyakarta themed. Jogja International work sculpture by sculpture artist, Dunadi, is one of the few works of sculpture on display in this activity, similar to superhero Spider-Man but weari

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Parsons, Jeff. "A new species of Papuina von Martens, 1860 from Nabire, Papua, Indonesia." Festivus 51, no. 4 (2019): 314–19. http://dx.doi.org/10.54173/f514314.

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T This paper describes a new species of Papuina von Martens, 1860 from forest near the Nabire River, SE Cenderawasih (Geelvnik) Bay in Papua Province, Indonesia. Shell periphery, pattern, sculpture, apertural features and coloration separate it from relatives with shells of similar size and shape.

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Parsons, Jeff. "A new subspecies of Asperitas bimaensis (Mousson, 1849) from western Sumbawa, West Nusa Tenggara, Indonesia." Festivus 51, no. 4 (2019): 306–13. http://dx.doi.org/10.54173/f514306.

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This paper describes a new subspecies of Asperitas bimaensis (Mousson, 1849) from Alas District, western Sumbawa in West Nusa Tenggara, Indonesia. Shell coloration, pattern, sculpture, shape and periostracum separate it from the other subspsecies of A. bimaensis, and a similar looking relative from western Sumbawa.

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Parsons, Jeff, and John Abbas. "A new subspecies of Papuina antiqua (Adams & Reeve, 1850) from Yapen Island, Papua, Indonesia." Festivus 52, no. 3 (2020): 238–44. http://dx.doi.org/10.54173/f523238.

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This paper describes a new subspecies of Papuina antiqua (Adams & Reeve, 1850) from forested hills east of Serui on the south coast of Yapen Island in Papua Province, Indonesia. The pink coloration of the early whorls and minor differences in sculpture separates it from Papuina antiqua and its other named subspecies and form.

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Ponimin and Guntur. "The COVID-19 War in Ceramic Arts: Navigating Aesthetic and Symbolic Expressions." Aisthesis. Pratiche, linguaggi e saperi dell’estetico 14, no. 1 (2021): 81–99. http://dx.doi.org/10.36253/aisthesis-12056.

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This paper reports on the production of a ceramic installation artwork that explores the story of the COVID-19 pandemic experienced by people throughout the world. The work is a symbolic expression in the form of a set of ceramic art models that portray the story of the battle between positive and negative values, expressed through a 3-dimensional visual ceramic installation consisting of an arrangement of statues that portray an imaginary battle between COVID-19 troops and Lord Krishna. The method used in the process of creating this work was a creative approach that combined appreciation and

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Parsons, Jeff, and John Abbas. "A new subspecies of Amphidromus palaceus (Mousson, 1849) from Sukabumi Regency, West Java, Indonesia." Festivus 54, no. 4 (2022): 316–25. http://dx.doi.org/10.54173/f544316.

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This paper describes a new subspecies of Amphidromus palaceus (Mousson 1849b) from Nyalindung, West Java, Indonesia. Both subspecies have a similar animal coloration andproduce dextral or sinistral shells. The shell of the new subspecies differs from nominotypical A. palaceus by having pale-colored stripes marking resting stages, lack of brown subsutural spots or blotches and the presence of a smoother sculpture, less recurved lip margin and thicker white parietal callus.

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Sugito, Sugito, and Wahyu Tri Atmojo. "The Paramaters of Visual Art Assessment as a Measurement Instrument for Learning Products of Art Painting, Sculpture, Ceramic and Batik." Lakhomi Journal Scientific Journal of Culture 2, no. 1 (2021): 17–34. http://dx.doi.org/10.33258/lakhomi.v2i1.421.

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Assessing learning products of visual art was unlike evaluating other learning products. Due to its relation to visual outcomes, the first assessment required proper sensitiveness and measurable references. The research was intended to be the effort to acquire parameters of visual art assessment, especially of art painting, sculpture, ceramic, and batik assessments. The findings could be used as instruments in various visual art learning activities. Data were collected by distributing a list, interviewing the informants, and having Focus Group Discussion. The respondents were visual art lectur

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Murdihastomo, Ashar, Yoses Tanzaq, Ayu Dipta Kirana, and Fitra Nur Fadhilah. "Interpretasi Pemaknaan Relief Tokoh Gaja-Lakșmī Koleksi Museum Sonobudoyo, Yogyakarta." AMERTA 37, no. 2 (2020): 109–22. http://dx.doi.org/10.24832/amt.v37i2.109-122.

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Abstract, The existence of Gaja-Lakșmī sculpture at Sonobudoyo Museum is interesting because it is rarely found in Indonesia. The figure of Gaja-Lakșmī is depicted in a sitting position. There are two elephants that carved on the right and left side of goddess. The elephants lift their trunks and showed that they are pouring water on the goddess. Certainly, the sculpture has a specific purpose, especially, because it was carved on media that indicated as the upper (dorpal) entrance of a temple building. The aim of disclosure of the sculpture is to find out the purpose and function of the depic

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Fox, Richard. "Violence and Serenity: Late Buddhist Sculpture from Indonesia â By Natasha Reichle." Religious Studies Review 35, no. 4 (2009): 311. http://dx.doi.org/10.1111/j.1748-0922.2009.01393_8.x.

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Iqbal, Mochammad, I. Made Ruta, and I. Wayan Mudana. "Dead Animal Fethicistic Aesthetic Interpretation In Sculpture." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 2, no. 2 (2022): 65–72. http://dx.doi.org/10.59997/citakara.v2i2.1844.

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Commodity dimensions in art include exchange value, commercial value, valorization, commodity fetishism, market logic. Reading art through the commodity dimension is an attempt to reveal the economic value contained in the work of art. This value is not only contained in works of art, but also has a deterministic power to build and organize art. art that is part of a commodity—resulting in an aesthetic category, called “commodity aesthetics”. This is the kind of aesthetic, which builds attraction through the workings of the "immediate effect" and provokes an immediate reaction, such as cutenes

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Isnaningsih, Nur Rohmatin, Adi Basukiriadi, and Ristiyanti Marsetiyowati Marwoto. "THE MORPHOLOGY AND ONTOGENETIC OF TAREBIA GRANIFERA (LAMARCK, 1822) FROM INDONESIA (GASTROPODA: CERITHIOIDEA: THIARIDAE)." TREUBIA 44 (January 11, 2018): 1. http://dx.doi.org/10.14203/treubia.v44i0.2914.

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The freshwater gastropod Tarebia H. Adams & A. Adams, 1854, are found in rivers, lakes, and other limnetic habitats. In Indonesia, Tarebia granifera (Lamarck, 1822) is the only species within the genus that has a wide distribution. The systematics and identity of this species are still doubtful due to high variation in shell morphology, especially shell height and ornamentation or sculpture of shell. To determine the identity of T. granifera from Lombok, Banten, and Maros, ontogenetic studies have been conducted. The results showed that T. granifera from Lombok produce the highest number o

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Cohen, Matthew Isaac. "Eva Gauthier, Java to jazz." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 164, no. 1 (2008): 38–68. http://dx.doi.org/10.1163/22134379-90003699.

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Java did not enjoy a significant place in the American imagination during the nineteenth century, and in contrast to India, China, or Japan was rarely an artistic subject. In the early years of the twentieth century, adventurous artist-travellers occasionally gave exhibitions of paintings and sculptures of Indonesian subjects. In the days when illustrated lectures were still a popular entertainment, one might also attend a talk on Java by itinerant lecturers such as Dwight Elmendorf.

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Lelono, Hari. "PERAHU-PERAHU MASA KLASIK, BUKTI KEJAYAAN NEGERI BAHARI INDONESIA." Berkala Arkeologi 29, no. 2 (2009): 28–42. http://dx.doi.org/10.30883/jba.v29i2.377.

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The Honor of our Nation is often tested by our neighbouring countries with some provocative actions. Since the ancient period of Majapahit Kingdom which was also well-known as a maritime kingdom, Gajah Mada had succeeded in uniting the Nusantara (the Nation) through his strong military navy. It’s neither a myth nor a slogan because it has been proven archaeologically by the ships reliefs sculptured on the wall of the Borobudur Temple dated back to 200 years ago. Other evidence is on the inscriptions of Kediri and Majapahit which mentioned about ships, fishermen, captain and the process of buil

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Iswanto, Angger Bagus, Sarwono Sarwono, and Rita Noviani. "GEOGRAPHIC RHYTHM STUDY SCULPTURE AND CARVING ART INDUSTRY JEPARA DISTRICT CASE STUDY IN MULYOHARJO VILLAGE." GeoEco 6, no. 1 (2020): 28. http://dx.doi.org/10.20961/ge.v6i1.39163.

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<p><em>The purpose of this study is to find out geography rhythm procurement of raw materials, marketing destination, and problems with production factors sculpture and carving industry in the center of the sculpture and carving industry center in Mulyoharjo Village, Jepara District. This study uses a qualitative descriptive method. The respondent is a sculpture and carving industry entrepreneur in Mulyoharjo Village whose population is 104 industries and 30 industries are sampled. Data collection by interview, documentation and observation. Data analysis used a descriptive qualita

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Afrianto, Damar Tri, and Putut Bayu Santiko. "THE DRAMATIC STRUCTURE OF TOURISM ADVERTISEMENT “WONDERFUL INDONESIA EPISODE TORAJA-MAKASSAR”." Capture : Jurnal Seni Media Rekam 11, no. 2 (2020): 96–110. http://dx.doi.org/10.33153/capture.v11i2.3011.

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The study of digital advertisement of the tourism was based on the potential of dramatic elements seen in the "Wonderful Indonesia episode of Toraja-Makassar" advertisement released by the Ministry of Tourism of Republic Indonesia. This research uses the approach and theory of William Wells’s advertising video and Gustav Freytag's dramatic structural theory. The results of this study indicate that important elements in the "Wonderful Indonesia episode Toraja-Makassar" included Rambu Solo', Masilaga Tedong, creative process of weaving, carving, and Tau-Tau sculpture. Voice over in audio uses En

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Parsons, Jeff, and John Abbas. "A New Species of Angaria Röding, 1798 (Gastropoda: Angariidae) from North-Western Sumbawa, Indonesia." Festivus 53, no. 4 (2021): 261–69. http://dx.doi.org/10.54173/f534261.

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This paper describes a new species of Angaria Röding, 1798 from north-western Sumbawa, Indonesia. In general appearance it resembles some forms of the species Angaria delphinus (Linnaeus, 1758) found in the same area and on neighbouring islands. The new species differs from it in sculptural features and interstitial markings, which it shares with two Vietnamese species, Angaria fratrummonsecourorum Günther, 2013 and Angaria guntheri Thach, 2018.

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Griffiths, Arlo, Nicolas Revire, and Rajat Sanyal. "An Inscribed Bronze Sculpture of a Buddha in bhadrāsana at Museum Ranggawarsita in Semarang (Central Java, Indonesia)." Arts asiatiques 68, no. 1 (2013): 3–26. http://dx.doi.org/10.3406/arasi.2013.1809.

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Afini, Afini, and Tetty Mirwa. "Analisis Bentuk dan Proporsi Patung Monumen Veteran di Gedung Yudha Bhakti DPD Legiun Veteran Republik Indonesia di Kota Medan." Journal of Education, Humaniora and Social Sciences (JEHSS) 3, no. 3 (2021): 1040–46. http://dx.doi.org/10.34007/jehss.v3i3.479.

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This study aims to find out the shape and proportion of monument statues of veterans in the building yudha bhakti DPD legion of veterans of the Republic of Indonesia in the city of Medan. The problem is focused on the shape and structure of the proportions of the sculpture that are less in accordance with anatomical theory. Data collection procedures are carried out through observations, interviews and documentation studies. The data is observed by deciphering and clarifying based on the anatomical form of the statue. The research method used in this research is descriptive qualitative researc

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Salsabila, Shella Mellinia. "PERLINDUNGAN HUKUM TERHADAP MANGAKA DARI PERBUATAN PENGGUNAAN KARAKTER MANGA TANPA IZIN PADA PRODUK BUSANA DITINJAU DARI UNDANG – UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA." Bandung Conference Series: Law Studies 3, no. 2 (2023): 1039–44. http://dx.doi.org/10.29313/bcsls.v3i2.7303.

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Abstract. As a result of globalization, cultural exchanges between countries and others are now common, including the entry of Manga/Man’ga (漫画, read: man-ga, or ma-ng-ga) to Indonesia. The popularity of Manga has created a phenomenon of making the manga character into a design for clothes or fashion products. Basically, this phenomenon is not a problem, especially if the product is used for personal consumption, however, the problem arises when these products are commercially available. Referring to UUHC generally regulates the protection of copyright that has a special, exclusive nature (Exc

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Awatari, Putu Devya Chevya, and I. Wayan Novy Purwanto. "PERLINDUNGAN HUKUM TERHADAP HASIL KARYA SENI TRANSFORMASI BERDASARKAN UNDANG-UNDANG HAK CIPTA." Kertha Semaya : Journal Ilmu Hukum 9, no. 1 (2020): 161. http://dx.doi.org/10.24843/ks.2020.v09.i01.p14.

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Penulisan artikel ini bertujuan untuk mengetahui perlindungan hukum bagi pencipta atas adanya karya transformasi di Indonesia dan akibat hukum terhadap pentransformasian karya seni pahat yang dilakukan secara tanpa ijin. Metode yang digunakan dalam penelitian ini adalah jenis penelitian hukum normatif yang didukung oleh pendekatan perundang-undangan, pendekatan analisis dan konseptual. Hasil akhir studi menunjukan bahwa perlindungan hukum diwujudkan dengan adanya Undang-Undang Nomor 28 Tahun 2014 Tentang Hak Cipta sehingga adanya transformasi karya seni pahat yang dilakukan secara tanpa izin t

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Saputra, Yulian, Muhammad Azmi, and Kurniawan Kurniawan. "The Use of Andesite Rocks in the Hindu-Buddhist Kingdoms in Indonesia." Yupa: Historical Studies Journal 8, no. 2 (2024): 250–62. http://dx.doi.org/10.30872/yupa.v8i2.1514.

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This research aims to explain the reasons for choosing andesite igneous rock as building material from Hindu-Buddhist kingdoms. The research method in this article uses four stages of historical research, namely; heuristic techniques, source criticism techniques, interpretation techniques, and historiography techniques. Data sources were collected through primary and secondary data. The four stages of this historical research method together with secondary primary data are then analyzed using a combination of historical geography to obtain an in-depth study. The results of the research illustr

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Susetyo, Sukawati. "Pengaruh Majapahit Pada Bangunan Puri Gede Kaba-Kaba, Tabanan." AMERTA 34, no. 2 (2016): 139. http://dx.doi.org/10.24832/amt.v34i2.181.

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Abstract. Majapahit Influence on the Grand Palace of Kaba-Kaba, Tabanan. Majapahit, as a kingdom, had spread its influence to almost every part of Indonesia such as the western part of Sumatra and the eastern part of the Moluccas, even to our neighbouring countries in Southeast Asia, which were implemented in form of equal partnership (mitra satata). The archaeological remainsfrom the Majapahit period that we can see include sacred and profane buildings, sculptures, reliefs, fragmented and intact potteries and ceramics, and literatures. They bear distinct characteristics,particularly in sacred

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Nurrohim, Nurrohim, and Fitri Sari Setyorini. "Analisis Historis terhadap Corak Kesenian Islam Nusantara." Millati: Journal of Islamic Studies and Humanities 3, no. 1 (2018): 125. http://dx.doi.org/10.18326/mlt.v3i1.125-140.

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The history of Islamic development in Indonesia has different characteristics compared to other Islamic regions such as Turkey, India, Egypt, Syria, and Morocco. The journey of Islam in Indonesia brings different colors and patterns that distinguish it from other Islamic regions. This happens because Islam is spreaded in the archipelago peacefully and in a gradual long time, unlike the other Islamic regions islamization which is not infrequently through the power of the armed forces. This article will explain the results of Islamic interaction with society who previously embraced Hinduism, Bud

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I Putu Eka Indrawan, Ayu Aprilyana Kusuma Dewi, and I Wayan Dika. "PKM MENUJU UMKM EKONOMI KREATIF BERBASIS DIGITAL DIKELURAHAN PENATIH." Jurnal Pengabdian Kepada Masyarakat Sewagati 2, no. 2 (2023): 81–85. http://dx.doi.org/10.59819/sewagati.v2i2.3403.

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The empowerment of Micro, Small and Medium Enterprises (UMKMs) is one of the key aspects of local economic development in many countries, including Indonesia. To achieve the full potential of UMKM, collaboration with various agencies, such as the government, universities, and social institutions, is important. This article reviews the involvement of various parties in UMKM empowerment efforts in Penatih Village, which has implemented various activities and trainings, including UMKM workshops. The main focus of this research is digital training that is continuously conducted by PGRI Mahadewa Un

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Kontschán, Jenő, and Sergey G. Ermilov. "Remarks on the genus Phymatodiscus Berlese, 1917, with the description of Phymatodiscidae fam. nov. and Bardizon eotvosi gen. nov., sp. nov. from Indonesia (Acari, Mesostigmata)." ZooKeys 1182 (October 17, 2023): 223–35. http://dx.doi.org/10.3897/zookeys.1182.109744.

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Phymatodiscidaefam. nov. is diagnosed, with Phymatodiscus as the type genus. A new genus, Bardizongen. nov., with Bardizon eotvosisp. nov. (from Indonesia) as the type species, is erected to accommodate the Phymatodiscus species with an eye-like dorsal depression. Six Phymatodiscus species are reclassified as Bardizon: B. aokii (Hiramatsu, 1985), comb. nov., B. haradai (Hiramatsu, 1985), comb. nov., B. oculatus (Hirschmann, 1977), comb. nov., B. kuni (Kontschán & Starý, 2011), comb. nov., B. insolitus (Kontschán & Ripka, 2016), comb. nov., and B. malayicus (Kontschán & Starý, 2012)

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Veronika, Yenny Gunawan, Devina. "A RANGE OF NEW FUNCTIONAL APPLICATIONS TO THE BUILDING OF HERITAGE BANK INDONESIA." Riset Arsitektur (RISA) 1, no. 03 (2017): 362–79. http://dx.doi.org/10.26593/risa.v1i03.2601.362-379.

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Abstract - The city district known as Senen forms one of the historical parts of Jakarta where there are many buildings to be found in the Dutch East Indies Empire style as architectural relics of the Dutch Colonial Era, and the majority of these buildings are still there, up to the present. Many of these relics of the past have not been properly maintained and have suffered damage. One of these happens to be the Heritage Bank Indonesia building situated at Jalan Prapatan No.42 in Jakarta. After its conservation and re-use, a functional change has taken place that is quite drastic when conside

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Nediari, Amarena, and Grace Hartanti. "Pendokumentasian Aplikasi Ragam Hias Toraja sebagai Konservasi Budaya Bangsa pada Perancangan Interior." Humaniora 5, no. 2 (2014): 1279. http://dx.doi.org/10.21512/humaniora.v5i2.3271.

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Various ornaments of Indonesia come from ethnic groups from all over the archipelago. As a tangible culture, ornament has specific purpose and does not change throughout the ages. Tana Toraja is one ethnic group in the archipelago that has beautiful decorative art and one of the most popular tourism destinations in Indonesia. Toraja’s ornament generally is seen as decorative carving on the column of Tongkonan (Toraja traditional house), window, or even in barn doors. The beauty of Tana Toraja is not only as an inspiration for its colors and sculptures but also the variety of forms that has bee

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