Relevant bibliographies by topics / Industrial television

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Industrial television'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Industrial television"

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Rincón, Omar. "New Television Narratives: Entertainment, Telling, Citizenship, Experimental." Comunicar 18, no. 36 (2011): 43–50. http://dx.doi.org/10.3916/c36-2011-02-04.

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Broadcasting and industrial television is a trip back to the past, to a space devoid of meaning, and to the boredom resulting from its moral conservatism, lack of creativity, thought and entertainment. But television’s monopoly over public screening is over; now, anyone can be a producer, an audiovisual narrator with his or her own screen. New television and other screens are daring to change the way stories are told: a more subjective, testimonial and imagebased journalism; a hyperrealist soap opera that dares to bring melodrama to comedy, documentary and local cultures; a bottom-up media wit
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Kolomiets, Viktor. "Industrial Transformation of Television." Sotsiologicheskie issledovaniya, no. 6 (June 2021): 92–100. http://dx.doi.org/10.31857/s013216250015558-6.

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Sudibyo, A. G. "Analisis Struktur Pasar Industrial Pertelivisian Di Indonesia." InterKomunika 1, no. 1 (2016): 1. http://dx.doi.org/10.33376/ik.v1i1.2.

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This research is aimed to analyze the television industrial media market structure in Indonesia. The perspective qualitative description `is used to collect data by applying the in-depth interview with some key figures in the television media industry, and relevant references. By using The Industrial Organizational Model Prespective in the economic media theoretical framework, this research is to analyze the aspect of market structure, regulations, economic and political system that influence the television media market in Indonesia. The result shows that the market is oligopoly high competiti
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Borisov, Vasily. "Amateur Radio Activity in the USSR before World War II." Science Management: Theory and Practice 4, no. 3 (2022): 189–98. http://dx.doi.org/10.19181/smtp.2022.4.3.13.

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The article discusses the emergence and development of amateur activities in radio communications and television reception in the USSR. Amateur radio activity in the USSR received legal recognition in 1924. By the end of 1928, more than 450 amateur radio stations were on the air in the country. From the beginning of the 1930s domestic radio amateurs have also mastered the reception of television broadcasts on home-made televisions. By the end of the 1930s. there were a large number of home-made television receivers tuned to the transmission of optical-mechanical television in the country. In t
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Wayne, Michael L. "Netflix, Amazon, and branded television content in subscription video on-demand portals." Media, Culture & Society 40, no. 5 (2017): 725–41. http://dx.doi.org/10.1177/0163443717736118.

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Branding has been described as the defining industrial practice of television’s recent past. This article examines publicly available industry documents, trade press coverage, and executive interviews to understand the place of traditional television network branding in subscription video on-demand (SVOD) portals as represented by Amazon and Netflix. Focusing on materials relating to licensed rather than original content and this content’s role within the US domestic SVOD market, two distinct approaches emerge. For Amazon, the brand identities of some television networks act as valuable lures
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Cao, Luhao. "Research on the Way of "Self rescue" and "Other rescue" of Domestic Film and Television Bases under the COVID-19 Epidemic Situation." Frontiers in Business, Economics and Management 5, no. 3 (2022): 333–39. http://dx.doi.org/10.54097/fbem.v5i3.2048.

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In the process of Chinese film and television, Hengdian Film and Television City has created a group of magical data. Under the COVID-19 epidemic situation, the original vibrant film and television industry has entered the winter period, Hengdian Film and Television City is no exception. Under the COVID-19 epidemic situation, where should the domestic film and television bases go? How can the industry recover better? How to build a more perfect industrial chain? These are all urgent problems to be solved under the COVID-19 epidemic situation. This paper will conduct field research and intervie
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Roberts, Michael James. "Television at Work: Industrial Media and American Labor." Contemporary Sociology: A Journal of Reviews 51, no. 1 (2021): 51–53. http://dx.doi.org/10.1177/00943061211062960m.

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Lotz, Amanda D. "Unpopularity and cultural power in the age of Netflix: New questions for cultural studies’ approaches to television texts." European Journal of Cultural Studies 24, no. 4 (2021): 887–900. http://dx.doi.org/10.1177/1367549421994578.

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Although Internet-distributed television bears much in common with the television long studied and theorized using cultural studies-based approaches to analysis, several of its features profoundly deviate from earlier television norms and require reassessment and adaptation of theoretical frames. This article focuses on the issue of textual popularity in relation to these services and identifies key challenges to using the same frames of cultural power that have been used for studying television in the past. The underlying problem of audience fragmentation does not originate with streaming ser
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Doyle, Gillian, and Kenny Barr. "After the gold rush: industrial re-configuration in the UK television production sector and content." Media, Culture & Society 41, no. 7 (2019): 939–57. http://dx.doi.org/10.1177/0163443719857640.

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Recent technological and market changes in the television industry appear to have transformed the corporate configurations which conduce to economic success in the production industry. As a result, many leading independent television production companies in the United Kingdom and elsewhere across Europe have become prime targets for corporate activity and many have been subject to takeover, often by the US media groups. Does this matter? Does the concept of ‘national’ television content still have any relevance in the digital era? Drawing on a multiple-case-study-based analysis of several UK-b
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Liou, Dah-Kwei, Li-Chun Hsu, and Wen-Hai Chih. "Understanding broadband television users’ continuance intention to use." Industrial Management & Data Systems 115, no. 2 (2015): 210–34. http://dx.doi.org/10.1108/imds-07-2014-0223.

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Purpose – Based on the tricomponent attitude model, a research model is developed to investigate the factors that influence users’ use intentions regarding broadband television. These factors are divided into vendor’s service and personal psychology perspectives. The paper aims to discuss these issues. Design/methodology/approach – The research sample consisted of 631 respondents with experience in using broadband television. This study adopted structural equation modeling to test the proposed model. Findings – The results show that the structural model has a good fit and indicates that percei
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Dissertations / Theses on the topic "Industrial television"

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Burdfield, Claire. "The accidental audience : industrial management of unexpected television viewerships." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/47829/.

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The Accidental Audience considers how media organizations construct and respond to audience members that are not part of the intended audience for a particular media product. Focusing on public service and commercial children’s television, this thesis explores how the increasing reliance on audience research and audience profiling, generating ideas of a constructed intended audience, can often oversimplify the unpredictable, messy and complex reality of television audiences. This thesis draws on critical work about industry conceptions of media audiences, notably the work of Philip Napoli, to
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Bochanty-Aguero, Erica Jean. "Music that moves television music, industrial travel, and consumer agency in contemporary media culture /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1851096631&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Quinn, Brian J. "Management, restructuring and industrial relations : organizational change within the United Kingdom broadcasting industry, 1979-2002." Thesis, St Andrews, 2007. http://hdl.handle.net/10023/349.

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Warner, Helen. "'Perfect fit' : industrial strategies, textual negotiations and celebrity culture in fashion television." Thesis, University of East Anglia, 2010. https://ueaeprints.uea.ac.uk/32253/.

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Tercha, Stephen. "The use of television at Mack Trucks, Inc. a case study /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1988. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 1988.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2701. Typescript. Abstract precedes thesis as 1 preliminary leaf. Includes bibliographical references (leaves 66-67).
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Giese, Jon Mark. "Father knows best: one corporation's use of televised images and rhetoric of family and fairness for control of employee population." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc798466/.

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This thesis is a close textual analysis of three videotapes produced at Texas Instruments. The first chapter outlines the background of corporate video and some of the methods used in the analysis. Chapter II discusses the origins of televisual conventions and traces their migration to the corporate sector's video production efforts. Chapter III is the analysis of three videotapes produced at Texas Instruments. Chapter IV contains conclusions and discussion of the findings, including how cultural myths are articulated and produced, The appendix contains freeze frame examples of the shows analy
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Mayne, Laura Margaret Jayne. "Channel 4 and British film : an assessment of industrial and cultural impact, 1982-1998." Thesis, University of Portsmouth, 2014. https://researchportal.port.ac.uk/portal/en/theses/channel-4-and-british-film(9d2b0c2b-18f6-4fe4-a360-d0a948d77f76).html.

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This thesis is an historical investigation of Channel 4’s influence on the British film industry and on British film culture between 1982 and 1998. Combining archival research with interview testimony and secondary literature, this thesis presents the history of a broadcaster’s involvement in British film production, while also examining the cultural and industrial impact of this involvement over time. This study of the interdependence of film and television will aim to bring together aspects of what have hitherto been separate disciplinary fields, and as such will make an important contributi
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Azevedo, Lucas Silveira de [UNESP]. "Televisão digital interativa: alternativa de design e usabilidade para o aplicativo som e prosa." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/89522.

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Made available in DSpace on 2014-06-11T19:24:05Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-01-11Bitstream added on 2014-06-13T19:51:14Z : No. of bitstreams: 1 azevedo_ls_me_bauru.pdf: 565870 bytes, checksum: 8df451e5578c709311464a65cdcd7835 (MD5)<br>O trabalho apresenta estudos sobre o design e usabilidade de aplicativos interativos na televisão digital. Tem como objetivo demonstrar conceitos sobre o tema, compreender seu desenvolvimento e propor um modelo de aplicativo em Ginga para o programa Som e Prosa da Televisão Universitária Unesp embasado pela metodologia exploratória a
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Segurado, Valquíria Santos [UNESP]. "As contribuições do design instrucional na elaboração de ambiente de aprendizagem para a TV digital interativa." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/89554.

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Made available in DSpace on 2014-06-11T19:24:06Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-02-27Bitstream added on 2014-06-13T19:10:13Z : No. of bitstreams: 1 segurado_vs_me_bauru.pdf: 2409908 bytes, checksum: 69d91f80010250c6d53ab4bfddb77e83 (MD5)<br>Em meio à diversidade de mídias da atual sociedade, a TV digital interativa (TVDi) surge como um veículo de comunicação de massa que possibilita novas formas e perspectivas para a Educação a Distância (EaD). Esta nova forma de comunicação, requer que o desenho de aprendizagem (design instrucional) desta nova geração de conteúdos i
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Azevedo, Lucas Silveira de. "Televisão digital interativa : alternativa de design e usabilidade para o aplicativo som e prosa /." Bauru, 2013. http://hdl.handle.net/11449/89522.

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Orientador: Francisco Rolfsen Belda<br>Banca: Marcos Americo<br>Banca: João Carlos Massarolo<br>Resumo: O trabalho apresenta estudos sobre o design e usabilidade de aplicativos interativos na televisão digital. Tem como objetivo demonstrar conceitos sobre o tema, compreender seu desenvolvimento e propor um modelo de aplicativo em Ginga para o programa Som e Prosa da Televisão Universitária Unesp embasado pela metodologia exploratória a pesquisa colhe referências em levantamentos documentais e bibliográficos. Dessa forma, ao final é apresentado um aplicativo que pretende auxiliar o desenvolvime
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Books on the topic "Industrial television"

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Widner, Doug. Interactive business television. V.A. Ostendorf, 1993.

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Robert, Goldman. Mapping hegemony: Television news coverage of industrial conflict. Ablex Pub. Corp., 1991.

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DiZazzo, Raymond. Corporate television: A producer's handbook. Focal Press, 1990.

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Qi ye dian shi xin wen shen du bao dao. Zhongguo chuan mei da xue chu ban she, 2004.

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Eustace, Grant. Writing for corporate video. Focal Press, 1990.

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DiZazzo, Raymond. Corporate scriptwriting: A professional's guide. Focal Press, 1992.

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Rao, Anand V. Early business opportunities in interactive television. Business Communications Co., 1995.

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Production culture: Industrial reflexivity and critical practice in film and television. Duke University Press, 2008.

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Corporate television programming: Applications and techniques. Knowledge Industry Publications, 1992.

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High-tech maneuvers: Industrial policy lessons of HDTV. AEI Press, 1991.

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Book chapters on the topic "Industrial television"

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Levy, Bob. "The Industrial Process of TV Development." In Television Development. Routledge, 2019. http://dx.doi.org/10.4324/9780429506147-3.

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Bonner, Paul, and Lesley Aston. "Industrial Relations, Independent Production and the Cost of Programmes — ITV the ‘Last Bastion’?" In Independent Television in Britain. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230373242_5.

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Du, Pengyu, Kin Wai Michael Siu, and Yi-Teng Shih. "Ergonomics and Lifestyle: The Future Roles of Television Sets in the Chinese Family." In Advances in Industrial Design. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80829-7_112.

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Ren, Haibo. "Design of large-scale studio in Hengdian film and television industrial architecture." In Frontiers of Civil Engineering and Disaster Prevention and Control Volume 1. CRC Press, 2022. http://dx.doi.org/10.1201/9781003308577-37.

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Kelly, JP. "Time Shifting in TVIII: The Industrial, Textual and Paratextual Complexities of Prime Time Drama." In Time, Technology and Narrative Form in Contemporary US Television Drama. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63118-9_6.

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Bignell, Jonathan, and Faye Woods. "Television Industries." In An Introduction to Television Studies, 4th ed. Routledge, 2022. http://dx.doi.org/10.4324/9781315619675-6.

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Khalil, Joe F. "Arab Television Industries." In The Routledge Companion to Global Television. Routledge, 2019. http://dx.doi.org/10.4324/9781315192468-39.

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Tohir, M., T. Hendiawan, and R. Belasunda. "Expression and message style in Indonesian television advertising during the month of Ramadhan in the time of the COVID-19 pandemic period." In Dynamics of Industrial Revolution 4.0: Digital Technology Transformation and Cultural Evolution. Routledge, 2021. http://dx.doi.org/10.1201/9781003193241-50.

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Kraidy, Marwan M., and Joe F. Khalil. "Introduction." In Arab Television Industries. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-576-3_1.

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Kraidy, Marwan M., and Joe F. Khalil. "A Short History of Arab Television." In Arab Television Industries. British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-84457-576-3_2.

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Conference papers on the topic "Industrial television"

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Yamei, Feng, Li Dongxiao, Luo Kai, and Zhang Ming. "Depth-image based view synthesis for threedimensional television." In 2009 4th IEEE Conference on Industrial Electronics and Applications (ICIEA). IEEE, 2009. http://dx.doi.org/10.1109/iciea.2009.5138637.

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Jiang Wu and Junwei Zuo. "Universal design for interactive digital television in China." In 2010 IEEE 11th International Conference on Computer-Aided Industrial Design & Conceptual Design 1. IEEE, 2010. http://dx.doi.org/10.1109/caidcd.2010.5681256.

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Prado, Gabriel Massote, and Sergio Donizetti Zorzo. "Interactive Service Provider Architecture for Interactive Digital Television systems." In 2010 International Conference on Computer Information Systems and Industrial Management Applications (CISIM). IEEE, 2010. http://dx.doi.org/10.1109/cisim.2010.5643510.

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"Development Strategies of Movie and Television Tourism in Yunnan Based on Industrial Integration." In 2019 Annual Conference of the Society for Management and Economics. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jsss.v4.042.

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Sakhariyanov, Kanat. "TELEVISION INDUSTRY IN KAZAKHSTAN: AN ENTITY FOR FOREIGN INVESTMENT." In INTEGRACIÓN DE LAS CIENCIAS FUNDAMENTALES Y APLICADAS EN EL PARADIGMA DE LA SOCIEDAD POST-INDUSTRIAL. European Scientific Platform, 2020. http://dx.doi.org/10.36074/24.04.2020.v1.11.

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Lee, Sanghee, and Kanghyun Jo. "Automatic person information extraction using overlay text in television news interview videos." In 2017 IEEE 15th International Conference on Industrial Informatics (INDIN). IEEE, 2017. http://dx.doi.org/10.1109/indin.2017.8104837.

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Hong, Jiaping. "The Study of the Embedded Encryption Technique in the Digital Television." In 2008 Pacific-Asia Workshop on Computational Intelligence and Industrial Application (PACIIA). IEEE, 2008. http://dx.doi.org/10.1109/paciia.2008.384.

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Zhou, Xinyu, and Meng Li. "Industrial solution of film and television art based on game engine under artificial intelligence." In AIAM2020: 2nd International Conference on Artificial Intelligence and Advanced Manufacture. ACM, 2020. http://dx.doi.org/10.1145/3421766.3421876.

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Yakoupov, Alexander. "Television in Industrial Town: A Phenomenon of Provincial Culture To the Problem of Managerrs Tactics." In 3rd International Conference on Judicial, Administrative and Humanitarian Problems of State Structures and Economic Subjects (JAHP 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/jahp-18.2018.52.

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Ardi, Romadhani, and Galih Prier Aditiya. "Remanufacturing Capacity Planning Strategy for Multigeneration Television Products in Closed Loop Supply Chain." In ICIBE 2019: 2019 The 5th International Conference on Industrial and Business Engineering. ACM, 2019. http://dx.doi.org/10.1145/3364335.3364349.

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Reports on the topic "Industrial television"

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geelong and Surf Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206969.

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Geelong and the Surf Coast are treated here as one entity although there are marked differences between the two communities. Sitting on the home of the Wathaurong Aboriginal group, this G21 region is geographically diverse. Geelong serviced a wool industry on its western plains, while manufacturing and its seaport past has left it as a post-industrial city. The Surf Coast has benefitted from the sea change phenomenon. Both communities have fast growing populations and have benefitted from their proximity to Melbourne. They are deeply integrated with this major urban centre. The early establish
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Winseck, D. Growth and Upheaval in the Network Media Economy in Canada, 1984-2019. Canadian Media Concentration Research Project (CMCRP), Carleton University, 2020. http://dx.doi.org/10.22215/cmcrp/2020.1.

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This report examines the development of the media economy over the past thirty-five years. Since beginning this project a decade ago, we have focused on analyzing a comprehensive as possible selection of the biggest telecoms, Internet and media industries (based on revenue) in Canada, including: mobile wireless and wireline telecoms; Internet access; cable, satellite &amp; IPTV; broadcast television, specialty and pay television services as well as Internet-based video subscription and download services; radio; newspapers; magazines; music; Internet advertising; social media; operating systems
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Ortega-Mohedano, F., A. Jiménez-Sánchez, and JM Lavín. Cultural industries and character composition in children’s animated television series broadcast in Spain. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1246en.

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