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Dissertations / Theses on the topic 'Industrial television'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

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1

Burdfield, Claire. "The accidental audience : industrial management of unexpected television viewerships." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/47829/.

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The Accidental Audience considers how media organizations construct and respond to audience members that are not part of the intended audience for a particular media product. Focusing on public service and commercial children’s television, this thesis explores how the increasing reliance on audience research and audience profiling, generating ideas of a constructed intended audience, can often oversimplify the unpredictable, messy and complex reality of television audiences. This thesis draws on critical work about industry conceptions of media audiences, notably the work of Philip Napoli, to

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2

Bochanty-Aguero, Erica Jean. "Music that moves television music, industrial travel, and consumer agency in contemporary media culture /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1851096631&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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3

Quinn, Brian J. "Management, restructuring and industrial relations : organizational change within the United Kingdom broadcasting industry, 1979-2002." Thesis, St Andrews, 2007. http://hdl.handle.net/10023/349.

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4

Warner, Helen. "'Perfect fit' : industrial strategies, textual negotiations and celebrity culture in fashion television." Thesis, University of East Anglia, 2010. https://ueaeprints.uea.ac.uk/32253/.

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5

Tercha, Stephen. "The use of television at Mack Trucks, Inc. a case study /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1988. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 1988.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2701. Typescript. Abstract precedes thesis as 1 preliminary leaf. Includes bibliographical references (leaves 66-67).

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6

Giese, Jon Mark. "Father knows best: one corporation's use of televised images and rhetoric of family and fairness for control of employee population." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc798466/.

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This thesis is a close textual analysis of three videotapes produced at Texas Instruments. The first chapter outlines the background of corporate video and some of the methods used in the analysis. Chapter II discusses the origins of televisual conventions and traces their migration to the corporate sector's video production efforts. Chapter III is the analysis of three videotapes produced at Texas Instruments. Chapter IV contains conclusions and discussion of the findings, including how cultural myths are articulated and produced, The appendix contains freeze frame examples of the shows analy

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7

Mayne, Laura Margaret Jayne. "Channel 4 and British film : an assessment of industrial and cultural impact, 1982-1998." Thesis, University of Portsmouth, 2014. https://researchportal.port.ac.uk/portal/en/theses/channel-4-and-british-film(9d2b0c2b-18f6-4fe4-a360-d0a948d77f76).html.

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This thesis is an historical investigation of Channel 4’s influence on the British film industry and on British film culture between 1982 and 1998. Combining archival research with interview testimony and secondary literature, this thesis presents the history of a broadcaster’s involvement in British film production, while also examining the cultural and industrial impact of this involvement over time. This study of the interdependence of film and television will aim to bring together aspects of what have hitherto been separate disciplinary fields, and as such will make an important contributi

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8

Azevedo, Lucas Silveira de [UNESP]. "Televisão digital interativa: alternativa de design e usabilidade para o aplicativo som e prosa." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/89522.

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Made available in DSpace on 2014-06-11T19:24:05Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-01-11Bitstream added on 2014-06-13T19:51:14Z : No. of bitstreams: 1 azevedo_ls_me_bauru.pdf: 565870 bytes, checksum: 8df451e5578c709311464a65cdcd7835 (MD5)<br>O trabalho apresenta estudos sobre o design e usabilidade de aplicativos interativos na televisão digital. Tem como objetivo demonstrar conceitos sobre o tema, compreender seu desenvolvimento e propor um modelo de aplicativo em Ginga para o programa Som e Prosa da Televisão Universitária Unesp embasado pela metodologia exploratória a

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Segurado, Valquíria Santos [UNESP]. "As contribuições do design instrucional na elaboração de ambiente de aprendizagem para a TV digital interativa." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/89554.

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Made available in DSpace on 2014-06-11T19:24:06Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-02-27Bitstream added on 2014-06-13T19:10:13Z : No. of bitstreams: 1 segurado_vs_me_bauru.pdf: 2409908 bytes, checksum: 69d91f80010250c6d53ab4bfddb77e83 (MD5)<br>Em meio à diversidade de mídias da atual sociedade, a TV digital interativa (TVDi) surge como um veículo de comunicação de massa que possibilita novas formas e perspectivas para a Educação a Distância (EaD). Esta nova forma de comunicação, requer que o desenho de aprendizagem (design instrucional) desta nova geração de conteúdos i

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10

Azevedo, Lucas Silveira de. "Televisão digital interativa : alternativa de design e usabilidade para o aplicativo som e prosa /." Bauru, 2013. http://hdl.handle.net/11449/89522.

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Orientador: Francisco Rolfsen Belda<br>Banca: Marcos Americo<br>Banca: João Carlos Massarolo<br>Resumo: O trabalho apresenta estudos sobre o design e usabilidade de aplicativos interativos na televisão digital. Tem como objetivo demonstrar conceitos sobre o tema, compreender seu desenvolvimento e propor um modelo de aplicativo em Ginga para o programa Som e Prosa da Televisão Universitária Unesp embasado pela metodologia exploratória a pesquisa colhe referências em levantamentos documentais e bibliográficos. Dessa forma, ao final é apresentado um aplicativo que pretende auxiliar o desenvolvime

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Arruda, Giselle Sant'Iago. "A instalação da televisão educativa no Brasil e o design de Rui de Oliveira para as vinhetas da TVE." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4504.

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A proposta desse trabalho é mostrar a produção em termos de design das vinhetas para televisão e as técnicas para a produção das mesmas desde o início da televisão no Brasil no ano de 1950, até os primeiros anos da TV Educativa (TVE), período no qual a computação gráfica televisiva dava os primeiros passos no país. Além de fazer um panorama histórico dos elementos gráficos que eram veiculados nesse meio de comunicação e a apresentação de conceitos utilizados na área, o trabalho mostra como funcionava a prática do design gráfico em movimento através dos trabalhos do designer gráfico Rui de Oliv

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12

Bernabo, Laurena Elizabeth Nelson. "Translating identity: norms and industrial constraints in adapting Glee for Latin America." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5416.

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This project analyzes the Spanish dubbing of Glee for Latin American audiences in order to understand how identity—gender, sexuality, race, ethnicity, religion, and (dis)ability—is shaped by the adaptation process. I make two primary interventions within the field of global television studies. First, I expand adaptation analysis by adding industrial norms and production processes to the traditional theorizations of technical and cultural aspects; secondly, I use this web of elements as an interpretive lens for analyzing television translations, thus providing a model for making sense of how th

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13

Ruottu, Annina. "Governance between European television and mobile communications industries : PALplus and GSM; a case study of Nokia." Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263205.

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14

Adams, Mark Richard. "Unpacking the industrial, cultural and historical contexts of Doctor Who's fan-producers." Thesis, Brunel University, 2016. http://bura.brunel.ac.uk/handle/2438/14609.

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The approach that emphasises the active audience, and the subversive potential of audience encounters with texts, has greatly influenced the study of media fandom which has tended to see media fans, and the cultures they produce, as set in opposition to writers and producers. My thesis challenges this view of the relationships between fans and producers by examining fan-producers in contemporary television. This research challenges the influential theoretical models that see authorship as a major source of social control and thus sees audiences that 'poach' meanings from texts as engaged in re

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15

Dean, Deborah. "Women performers as workers : gender in relation to aspects of industrial relations in theatre and television." Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/76187/.

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Performing has been a formally unsegregated occupation for almost 350 years and the achievement of status by its women workers is accepted and expected. However, existing quantitative data indicate that systemic gendered disparities exist in relation to access to work, pay and career longevity. As this is an under-researched occupation the aims of the thesis are first, to map central aspects of the working realities of women performers working in subsidised theatre and terrestrial television in the UK and second, to explore perceptions of women performers’ gendered disadvantage in relation to

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16

Segurado, Valquíria Santos. "As contribuições do design instrucional na elaboração de ambiente de aprendizagem para a TV digital interativa /." Bauru : [s.n.], 2012. http://hdl.handle.net/11449/89554.

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Orientador: Vânia Cristina Pires Nogueira Valente<br>Banca: Daniel de Carvalho<br>Banca: Eduardo Martins Morgado<br>O Programa de Pós Graduação em Televisão Digital: informação e conhecimento capacita profissionais para atuarem em televisão digital nas três áreas: comunicação, educação e tecnologia<br>Resumo: Em meio à diversidade de mídias da atual sociedade, a TV digital interativa (TVDi) surge como um veículo de comunicação de massa que possibilita novas formas e perspectivas para a Educação a Distância (EaD). Esta nova forma de comunicação, requer que o desenho de aprendizagem (design inst

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17

Belcavello, Frederico. "A TV Industrial de Juiz de Fora: memórias da juizdeforaneidade (1964-1979)." Universidade Federal de Juiz de Fora (UFJF), 2010. https://repositorio.ufjf.br/jspui/handle/ufjf/4535.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-05-16T17:35:47Z No. of bitstreams: 1 fredericobelcavello.pdf: 1441633 bytes, checksum: 344e155b846262fac9b28945ed26a124 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-05-17T16:18:30Z (GMT) No. of bitstreams: 1 fredericobelcavello.pdf: 1441633 bytes, checksum: 344e155b846262fac9b28945ed26a124 (MD5)<br>Made available in DSpace on 2017-05-17T16:18:30Z (GMT). No. of bitstreams: 1 fredericobelcavello.pdf: 1441633 bytes, checksum: 344e155b846262fac9b28945ed26a124 (MD5) Previous issue

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Gao, Zhicun. "Technology transfer in China's industrial development : a study concentrating on the electronics sector and the television industry /." St. Lucia, Qld, 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17569.pdf.

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19

Mann, David Thomas. "An Industrial and cultural history of selected British crime supporting features and filmed television series 1946-1964." Thesis, University of the West of England, Bristol, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444438.

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20

Senese, Sonia Maria Minelli. "Stress e desempenho profissional em telejornalismo." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-26052008-142247/.

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A presente pesquisa teve como objetivo estudar o nível de stress em telejornalistas, especificamente em repórteres e repórteres cinematográficos, e conhecer o grau de relação com o nível de desempenho profissional. Pretendeu-se comparar também o stress com o nível de habilidades/competências técnicas, bem como com o padrão de bom desempenho definido pela empresa e o padrão de comportamento Tipo A. Estruturaram-se três matrizes de intercorrelações demonstrando o cruzamento entre todas as variáveis da pesquisa. A amostra foi composta por 40 sujeitos: 20 repórteres (R) e 20 repórteres cinematogr

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21

Curzon, John. "Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3655/.

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This thesis examines the spaces of urban-industrial northern England within the context of post-industrial change. This work combines close textual analysis and an interdisciplinary approach, which includes an examination of sociological, economic and political contexts relating to de-industrialisation and the growth of the service economy. The thesis is organised into four chapters, each dealing with a different manifestation of northern space, including ‘The Red-Brick Terraced Street’, ‘The Council Estate’, ‘The Mill and the Mosque’, and ‘The Gentrified North’. I argue that within a range of

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22

Schwartz, Danielle. "From turnstile to transmitter : John Vassos, industrial designer, 1927-1941." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85957.

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This study examines the birth of television and the modern media corporation that launched it, through the archives of the designer of the "first" set, John Vassos, a Greek-born American industrial designer, interior decorator, and illustrator (1898-1985). Vassos's early career is used as a case study to analyze the historical and cultural forces that shaped the emergence of this new media and the new profession of industrial design, through archival materials housed in the Archives of American Art at the Smithsonian Institution in Washington D.C. and at Syracuse University. Specificall

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23

Liu, Hung-Hwei. "The effects of Taiwan's state-industrial arrangements on international competitiveness : the case of notebook-sized computer and high-definition television industry." Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/109202/.

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This thesis aims at testing Hart's theoretical model -- the effects of state- societal arrangements on international competitiveness, by applying it to Taiwan's situation in the 1990s through two empirical studies, namely, the public-private collaboration in the innovation process of NPC and HDTV industries. It is argued that the authoritarian explanation of the developmental state does not accord with the transitions that have had happened in Taiwan in the relation between the state and industry concerning the issues of promoting technology development in the emerging industries. More interna

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Nel, Etienne. "Die invloed wat agtergrondmusiek in advertensies en tipe en vlak van betrokkenheid uitoefen op verbruikers se houding teenoor advertensie, houding teenoor handelsmerk en koopintensie." Thesis, Stellenbosch : Stellenbosch University, 1991. http://hdl.handle.net/10019.1/69177.

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Tesis (MComm)--Stellenbosch University, 1991.<br>ENGLISH ABSTRACT: This study examines the effect of involvement and background music in television commercials on consumers' attitudes toward the commercial, their attitude toward the brand and their intension to buy that spesific brand. Involvement refers to type of involvement (cognitive vs affective) and the level of involvement (high vs low). The planning of the experiment had been done according to research projects in the past. A commercial with different soundtracks was viewed by different subjects. Thereafter they completed a q

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Pareja, Alfonso. "La industria de ficción televisiva en Perú." La Mirada de Telemo, 2009. http://repositorio.pucp.edu.pe/index//handle/123456789/20331.

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En el año 1986 ingresé a la Facultad de Comunicaciones, buscando cumplir mis sueños de infancia de trabajar en series dramáticas como aquellas que me mantenían pegado al televisor. Decidí ser parte de la industria audiovisual peruana. El problema era que en el Perú casi no había “industria”. Pero cuando uno es joven y la adrenalina anda medio elevada, pequeños detalles como ése no son tan importantes. Mis amigos no lograban entender como alguien podía hacerse el harakiri pretendiendo seguir una carrera televisiva en el Perú, en un sector tan poco desarrollado en comparación al de otros países.

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Ponte, Raquel Ferreira da. "Reflexões sobre o processo semiótico da identidade televisiva: o sonoro, o visual e o verbal nas vinhetas." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1783.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A identidade televisiva é parte da identidade corporativa de uma emissora de televisão, um veículo de comunicação altamente influente e com elevada taxa de penetração em especial no Brasil. Composta pelas vinhetas interprogramas de identidade, também chamadas de vinhetas on-air, transmitidas nos intervalos comerciais, essa peça do design audiovisual objetiva identificar o canal, organizar a programação e, principalmente, transmitir os conceitos de marca da emissora. Sob a lógica de mercado, a identidade televisiva visa criar uma só

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Montoya, S. Ana María. "Mercado de la televisión organizacional industrial y dilemas regulatorios." Tesis, Universidad de Chile, 2009. http://www.repositorio.uchile.cl/handle/2250/111540.

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Tesis para optar al grado de Magíster en Políticas Públicas<br>No disponible a texto completo<br>La Televisión (TV) es un medio de comunicación que posee como objetivo entretener, informar y educar a los televidentes. En Chile en cada hogar existen dos televisores en promedio, los individuos observan 2,5 horas diarias de TV2 y un 43,3% de los hogares está suscrito a TV pagada, satelital o por Cable3. En USA el 99,9% de las familias posee TV de las cuales un 68% posee el servicio de televisión por Cable y un 14,7% vía satélite4. A pesar de su masificación e importancia para la sociedad, esta

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Bustamante, Quiroz Luis. "El impacto de la implementación de la televisión digital en la industria televisiva chilena." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/114164.

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Seminario para optar al grado de Ingeniero Comercial, Mención Administración<br>Autorizada por el autor, pero con restricción para ser publicada a texto completo hasta el año 2016 (Enero).<br>El presente trabajo de investigación tiene por objeto presentar al lector las diferentes implicancias que tendrá la incorporación de la tecnología de la televisión digital en Chile. Siendo más precisos, se mostrarán las implicancias que la adopción de esta tecnología tiene en tanto para la industria, los televidentes, y en la toma de decisiones sobre marketing y publicidad en televisión. La metodología d

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Albújar, Villarrubia Marta. "La transformación de la industria de la televisión en España: Transición tecnológica, regulación digital y redefinición de los mercados audiovisuales." Doctoral thesis, Universitat Autònoma de Barcelona, 2018. http://hdl.handle.net/10803/666766.

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Esta tesis doctoral aborda los cambios sufridos en la estructura de la televisión en España desde que se produjo el apagón analógico en el año 2010 hasta 2016, año en que se liberó el primer dividendo digital y se lanzaron seis nuevos canales de TDT en abierto. En el mercado de la televisión en abierto en España, durante el periodo de estudio, los dos grandes actores de la etapa analógica, Atresmedia y Mediaset, consolidaron sus posiciones mediante dos grandes procesos de absorción empresarial que, influidos por las políticas públicas nacionales y europeas, y por las dinámicas globales del aud

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ROBERT, DE SAINT VINCENT ARNAUD. "Perception et modelisation de l'environnement d'un robot mobile : une approche par stereovision." Toulouse 3, 1986. http://www.theses.fr/1986TOU30161.

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Le travail presente s'insere dans le cadre des recherches menees au sein de l'equipe robotique du laas sur le robot hilare. Il est consacre a la perception et a la modelisation geometrique de l'environnement. L'approche proposee est basee sur la stereovision passive. Les segments de contour extraits de deux images stereoscopiques sont mis en correspondance par un algorithme de prediction-verification d'hypotheses. Apres calibration des cameras, ces segments sont localises dans l'espace 3d et utilises pour la modelisation geometrique de la scene. Les plans verticaux sont tout d'abord extraits p

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Souza, Raphael Argento de. "A Visualização da Informação quantitativa em jornalismo televisivo: classificação de infográficos em vídeo." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1468.

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Estudo da visualização da informação em telejornalismo, através da pesquisa da base teórica da visualização da informação, e da análise dos infográficos veiculados em vídeo no telejornalismo brasileiro, que fazem parte dos motion graphics. A pesquisa aborda diferentes visões da visualização da informação, o processo de produção dos infográficos, e uma categorização dos infográficos em telejornalismo brasileiro, que se constituem como um passo para a exploração mais profunda deste campo de atuação do designer. Além disso, as entrevistas realizadas com designers da TV Globo são um ponto forte no

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Cahú, Maria Isabela Souza de Melo. "Análise do mercado de TV por assinatura." reponame:Repositório Institucional do FGV, 2008. http://hdl.handle.net/10438/2688.

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Ribés, Alegría Maite. "Nuevos servicios prestados a través del televisor. Quiero Televisión, el precedente de esta historia." Doctoral thesis, Universitat Jaume I, 2007. http://hdl.handle.net/10803/10468.

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La llegada de la televisión digital terrestre (TDT) comporta múltiples cambios en el mercado televisivo español. Uno de ellos consiste en la posibilidad de ofertar servicios interactivos. Es por ello que los radiodifusores en abierto se encuentran en un periodo de gran incertidumbre no sólo por la fragmentación de audiencias o el incremento del número de programas que se ven obligados a emitir, sino también por la decisión de incorporar o no nuevos servicios paralelos a los contenidos propiamente televisivos.<br/>¿Comporta la introducción de la interactividad nuevos negocios?, ¿qué ventajas pr

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Bratslavsky, Lauren. "Television Representing Television: How NBC's 30 Rock Parodies and Satirizes the Cultural Industries." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9851.

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ix, 94 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This project analyzes the cun-ent NBC television situation comedy 30 Rock for its potential as a popular form of critical cultural criticism of the NBC network and, in general, the cultural industries. The series is about the behind the scenes work of a fictionalized comedy show, which like 30 Rock is also appearing on NBC. The show draws on parody and satire to engage in an ongoing effort to generate humor as well as commentary on the sitcom genre

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Bacchin, Rodrigo Boldrin [UNESP]. "Reality-show: a tv na era da globalização." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/98962.

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Made available in DSpace on 2014-06-11T19:29:46Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-09-26Bitstream added on 2014-06-13T18:39:48Z : No. of bitstreams: 1 bacchin_rb_me_arafcl.pdf: 820214 bytes, checksum: bcd94b19a1e859c449e6b1e655f1bcee (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>A presente dissertação tem por objetivo analisar o Big Brother – programa freqüentemente caracterizado como o maior destaque dentre os reality-shows – como um produto característico da indústria cultural na era da globalização. Idealizado pela produtora holandesa

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Rubio, Campillo Rafael. "Impacto de las políticas regulatorias y de la competencia en el ámbito de las telecomunicaciones." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/382471.

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El sector de las telecomunicaciones ha adquirido, en las últimas décadas, un papel cada vez más significativo dentro de las economías nacionales. El carácter estratégico que presenta este sector ha provocado que los distintos gobiernos desarrollaran una gran variedad de políticas públicas enfocadas a potenciar el desarrollo de esta industria. Asimismo, el sector de las telecomunicaciones presenta un gran número de fallos de mercado. En este sentido, las elevadas necesidades de inversión, la presencia de importantes economías de escala, o las dificultades de cambiar de proveedor (customer sw

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Vidal, Rodriguez Camila Tiare. "Optimización de la duración de tandas comerciales para programas de televisión." Tesis, Universidad de Chile, 2012. http://repositorio.uchile.cl/handle/2250/111204.

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Ingeniero Civil Industrial<br>En esencia, la industria televisiva basa su operación en la emisión de contenidos para capturar audiencia, la que a su vez atrae a avisadores que contratan ventanas de tiempo para emitir publicidad. Desde punto de vista del televidente, la publicidad es poco atractiva por lo que su inclusión repercute en una disminución de la audiencia. El desafío de los programadores consiste en balancear la emisión de los contenidos que generan la audiencia con los avisos publicitarios que lo disminuye pero que sustenta económicamente el negocio. Este trabajo se concentrará en

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Lim, Wei Ling Tania Patricia. "Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16496/1/Wei_Ling_Lim_Thesis.pdf.

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Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children's animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres

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Lim, Wei Ling Tania Patricia. "Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16496/.

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Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children's animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres

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Bjøndal, Tore Stautland, and Mads Gedde. "Ubiquitous TV : A Business Model Perspective on the Norwegian Television Industry." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for industriell økonomi og teknologiledelse, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-15830.

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The Internet is an emerging distribution channel for television content that will deeply impact industry incumbents in the long term. This master thesis explores what challenges are brought forth in this industry by the possibility of Internet distribution of TV and how these issues should be addressed from the business model perspective of incumbent distributors in the Norwegian television market.There have been tremendous developments in Internet related infrastructure over the last decade. Combined with other industry developments this have led to the introduction of several new OTT-service

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Lenhari, Luciana Cristina. "Convergência digital nos serviços de televisão e telefonia no Brasil = recursos empregados pelas empresas em suas estratégias competitivas." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/287790.

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Orientador: Ruy de Quadros Carvalho<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Geociências<br>Made available in DSpace on 2018-08-17T04:18:21Z (GMT). No. of bitstreams: 1 Lenhari_LucianaCristina_D.pdf: 2902176 bytes, checksum: acc338982897b7e8b2f3828cc9cff23e (MD5) Previous issue date: 2010<br>Resumo: Esta tese busca analisar e entender como as empresas que prestam serviços de televisão (aberta e paga) e de telefonia (fixa e móvel) no Brasil estão utilizando os recursos por elas acumulados, bem como adquirindo novos recursos, tendo em vista tornarem-se competitivas

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Collins, Alan, and Jen Snowball. "Transformation, job creation and subsidies to creative industries: the case of South Africa’s film and television sector." Taylor & Francis Group, 2015. http://hdl.handle.net/10962/67433.

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Pre-print<br>Many governments have tried to stimulate economic growth via policy on the creative industries. South Africa is no different but additionally has an overarching aim of achieving social and labour market ‘transformation’ to move away from the legacy of the apartheid era. The effectiveness of incentives provided to the film and television sector in South Africa are considered in terms of their stated objectives of job creation, skills and knowledge transfer and the attraction of foreign direct investment. Informed by empirical analysis of incentive scheme data and supplemented by el

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Tempest, Susan. "Ideas work : a study of learning in network contexts : the case of the UK television industry." Thesis, University of Nottingham, 2000. http://eprints.nottingham.ac.uk/29438/.

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A growing literature contends that organisational learning is a source of competitive advantage for firms seeking to adapt their strategies to rapidly changing environments. The 21st Century as the age of learning organisations and knowledge work is an inspiring vision. However, much of the existing organisational learning literature assumes that the locus for learning is within neatly bounded firms. Less appears to be known about the learning issues facing firms that are reliant on external relationships with mobile, contract labour, suppliers and customers. This thesis focuses on learning an

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Fernández, Quijada David. "Las industrias culturales ante el cambio digital. Propuesta metodológica y análisis de caso de la televisión en España." Doctoral thesis, Universitat Autònoma de Barcelona, 2008. http://hdl.handle.net/10803/4143.

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Esta tesis doctoral se plantea como objetivos: a) proponer nuevas aproximaciones al análisis de las industrias culturales en el momento de transición digital que viven actualmente a partir de la noción de red; b) enriquecer la perspectiva de las industrias culturales con aportaciones de otras áreas de conocimiento cercanas como la sociología o la geografía; y c) someter a prueba este marco teórico a partir de un análisis de caso, el de la televisión en España.<br/>La primera parte de la tesis se dedica a aspectos de corte metodológico y teórico. En el capítulo 1 se define el objeto de estudio

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Lasi, Giovanni <1964&gt. "La produzione cinematografica nel sistema economico-industriale italiano tra il 1908 e il 1914. Il caso della Milano Films." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/4921/.

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La tesi riguarda il processo evolutivo dell’industria cinematografica italiana dal momento della sua prima espansione (biennio1906-1908) fino allo scoppio della I guerra mondiale. In particolare il lavoro si è concentrato sulle vicende societarie e produttive di una delle maggiori case di produzioni attive in Italia nel periodo preso in esame: la Milano Films. Le ricerche relative alla società milanese hanno portato al rinvenimento di una cospicua quantità di documenti finora inediti, attraverso i quali è stato possibile ricostruire nel dettaglio la vicenda societaria e produttiva della casa

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Hidalgo-Marí, Tatiana. "De Pandora i altres mals: la divulgació industrial-cultural del mite de la dona fatal." Doctoral thesis, Universidad de Alicante, 2012. http://hdl.handle.net/10045/29107.

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Vega, Sepúlveda María Celeste. "Mejora en los ingresos publicitarios mediante el rediseño del proceso de venta de la señal on line de Canal 13." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/152813.

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Maasdorp, Liani. "Shorts : the potential role of the short film in the development of the South African film and television industries." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51908.

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Thesis (MDram)--Stellenbosch University, 2000.<br>ENGLISH ABSTRACT: The study starts with a general analysis of the South African film industry and finds that lack of funding, the shortage of dedicated, industry-accredited training, the political climate of the past, censorship, the subsidy system, local distribution problems, and the success of Hollywood films have all played a part in bringing about a veritable dearth in local film production in South Africa. While the local film industry may not be able to repair itself fully in the short term, I do believe the energy and talent is th

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TONIOLO, FRANCESCO. "YOUTUBE E VIDEOGIOCHI. PROSPETTIVE DI RICERCA SU PRODUZIONE,DISTRIBUZIONE E IMMAGINARI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58408.

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La presente tesi propone una mappatura sui rapporti fra i creatori di contenuti su YouTube (definiti “youtubers”) e i videogiochi. L’impatto di queste nuove figure, collocate fra il profilo dell’influencer e della celebrity, è stato indagato osservandone le ricadute economiche, produttive e di immaginario. L’indagine è stata condotta sfruttando differenti fonti, metodologie (qualitative e quantitative) e prospettive teoriche, in una generale collocazione nel quadro delle industrie creative intrecciate con i game studies e i cosiddetti “YouTube studies”. La tesi, oltre a fotografare l’attuale s

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Landa, Garces Walther Armando, and Infante Edgardo Martín Roldán. "Propuesta de mejora del proceso de cobranzas de una empresa de prestación de servicio de televisión por cable." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2015. http://hdl.handle.net/10757/556177.

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La empresa en estudio se dedica a prestar el servicio de televisión por cable, que incluye los servicios de CATV y DTH. Se analiza el proceso de cobranzas. El problema identificado está relacionado con la baja eficiencia de los procesos de cobranza que afectan la recuperación de lo facturado a los clientes. Para determinar las causas, se realiza un análisis del entorno interno que implica revisar detalladamente lo que está sucediendo dentro de la empresa. Para realizar este análisis e identificar la causa o causas raíz del problema se usan las siguientes herramientas de la calidad: diagrama de

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