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Relevant bibliographies by topics / Influence (Literary, artistic, etc.) – History – 20th century

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Journal articles

Academic literature on the topic 'Influence (Literary, artistic, etc.) – History – 20th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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Journal articles on the topic "Influence (Literary, artistic, etc.) – History – 20th century"

1

Kuzina, Nataliya. "Russian-Catalan Relations of the Second Half of the 19th and Early 20th Century." ISTORIYA 13, no. 10 (120) (2022): 0. http://dx.doi.org/10.18254/s207987840023314-4.

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This article is devoted to contacts and connections between Catalan and Russian intellectuals, artists in the period from the second half of the 19th century to the beginning of the 20th century. These interactions were largely fragmentary, the connections were personal and few, but they significantly influenced the literary and artistic life of Russia and Catalonia. Questions of culture, science and art were the main subjects of conversation between Russians and Catalans. The article highlights such episodes as the correspondence between I. Pavlovsky and N. Ollier, the influence of the Catala

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2

Ushakova, Olga M. "Alexander Blok’s Motifs in T. S. Eliot’s ‘The Waste Land’." Вестник Пермского университета. Российская и зарубежная филология 14, no. 4 (2022): 115–25. http://dx.doi.org/10.17072/2073-6681-2022-4-115-125.

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One of the notable trends in contemporary T. S. Eliot studies is the comparative study of Eliot’s works from various perspectives (influence, interaction, typology, contexts, etc.). The methodological principles of this research are determined by the orientation of comparative studies toward the typological study of literary phenomena. The paper deals with the parallels between two most important poetic texts of the 20th century: The Twelve by A. A. Blok (1918) and The Waste Land by T. S. Eliot (1922). The texts under study belong to the same cultural period and are united by similar artistic

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3

Šlekonytė, Jūratė. "Phenomenon of Popularity of the Lithuanian Folktale “The Sister as Duck”." Tautosakos darbai 57 (June 1, 2019): 76–99. http://dx.doi.org/10.51554/td.2019.28428.

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The Lithuanian folktale “The Sister as Duck” (AT 452C*), most commonly known under the name of “Sigutė”, is generally regarded as a popular narrative. It is appreciated for the rich mythical imagery: after the female protagonist is burned and the cow licks the ashes, the duck appears; the snow is allegedly sparkling because of the witch’s brains (bones) scattered there, etc. Moreover, the tale abounds in expressive song insertions.This tale has been published both in academic and popular editions. Its images are widespread in popular culture, even becoming stereotypical. However, in the card f

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4

Teterina, Olga B. "COMPARATIVE PARADIGM IN WORKS OF Y. BOYKO-BLOKHYN: APPROACHES “INTERWEAVING AND INTERCROSSING”." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 49–62. http://dx.doi.org/10.32342/2523-4463-2022-2-24-5.

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The article analyzes Y. Boyko-Blokhyn’s comparative model as an important integral concept element of Ukrainian emigre scholars comparative literary studies in the 1930s-1980s period (Y. Boyko-Blokhyn, M. Hnatyshak, S. Hordynsky, V. Derzhavyn, I. Kaczurowskyj, D. Chyzhevsky, Y. Sherekh and others). Approaches of the emigre scholar to literature comparative exploration are interpreted in the context of global comparative studies main trends, and placed against the views of the mainland comparative literary studies representatives. We clarified the distinguishing features of Y. Boyko-Blokhyn’s m

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5

Макаренко, Евгения Константиновна. "THE POETICS OF NARRATION IN THE HISTORICAL LITERATURE OF THE XIX – EARLY XX CENTURIES FOR CHILDREN AND YOUTH (THE STUDY OF THE WORKS OF E. POSELYANIN)." Tomsk state pedagogical university bulletin, no. 4(216) (July 6, 2021): 140–49. http://dx.doi.org/10.23951/1609-624x-2021-4-140-149.

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Введение. Становление исторической прозы для детей и юношества в русской литературе началось в первой трети XIX в. и было вызвано стремительным развитием отечественной историографии. Детской писательнице А. О. Ишимовой принадлежит заслуга создания первого адаптированного для детей исторического труда. Принцип художественного осмысления прошлого, фактический материал, концепция истории отечества были заимствованы Ишимовой из «Истории государства Российского» Карамзина. В своей «Истории России в рассказах для детей» писательница заложила жанровые доминанты нового документально-художественного ро

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6

Stundžienė, Bronė. "The Lithuanian Folk Couplets: On This Side of the Permissible Laughter and Beyond." Tautosakos darbai 59 (June 2, 2020): 177–208. http://dx.doi.org/10.51554/td.2020.28374.

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The article deals with folk couplets (Lith. pl. talalinės) – an underresearched peripheral genre of the Lithuanian folklore. This genre includes short, mostly one stanza-long comic songs that frequently deal with obscene topics and use unquotable vocabulary. This unadvertised folk poetry provisionally dates back to the middle of the 19th century, when its first publications appeared. This genre of folksong attributed to the popular culture of laughter has been always marginalized in relation to the traditional culture. Therefore, the article presents an analysis of this ill-repute frivolous fo

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7

Gavrileva, N. G. "N.A. Nekrasov and the Literature of the Small Indigenous Peoples of Russia (Translation of the Poem "Knyaginya Trubetskaya" into the Yakut Language)." Язык и текст 8, no. 3 (2021): 61–67. http://dx.doi.org/10.17759/langt.2021080308.

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The article is devoted to the history of translation thought in Yakutia. Much attention is paid to the literary influence of Decabrists and Russian writers on the work of Yakut poets the first half of the 20th century. The main focus of the author is the controversy about the specificity of the artistic translation from Russian into Yakut, his function in the Russian literary process, and the peculiarities of the creative individuality of the translator.

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8

Abramova, K. V., E. V. Kapinos, and I. V. Silantev. "Siberia and the Far East in the First Half of the 20th Century as a Space of Literary Transfer." Vestnik NSU. Series: History and Philology 21, no. 9 (2022): 98–109. http://dx.doi.org/10.25205/1818-7919-2022-21-9-98-109.

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Purpose. The article covers the studies on “Siberia and the Far East of the first half of the 20th century as a space of literary transfer”, which have been conducted in the sector of literary studies at the Institute of Philology of the Siberian Branch of the Russian Academy of Sciences since 2019 and are underway until now. Results. The aim of the article is to demonstrate the main lines of this work, so we shall list them. First, the study of Siberian and Far-Eastern futurism and Siberian and Far-Eastern periodicals of the 1920s with the selective publication of archival materials (N. Aseev

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9

Kostova-Panayotova, Magdalena. "RUSSIAN LITERARY MODERNISM AND ITS INFLUENCE ON BULGARIAN LITERATURE." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 203–24. http://dx.doi.org/10.37816/2073-9567-2020-58-203-224.

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The paper discusses to what extent major currents and representatives of Russian modernism and the Avant-garde had influenced the works of prominent representatives of 20th-century Bulgarian literature such as L. Stoyanov, Liliev, Debelyanov, Trayanov, Sirak Skitnik, and many others. In addition to addressing the influence of Russian symbolism on Bulgarian writers, the article examines the impact of Acmeism on the work of El. Bagryanа and At. Dalchev; the one of Imaginism on the work of Bulgarian modernists from the 1920s such as Slavcho Krasinski, Geo Milev and others. The intertwining of fea

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10

Ruge, Jing, та Irina S. Boldonova. "Transformation of a Literary Character’s Identity in the Artistic Mirror of Buryat Novels: from Soviet to Рost-Soviet". Humanitarian Vector 17, № 1 (2022): 55–64. http://dx.doi.org/10.21209/1996-7853-2022-17-1-55-64.

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In this article, the authors make an attempt based on an analysis from the point of view of neo-historicism to look again at the history of the development of Buryat novels, to analyze the features of constructing the identity of the main characters in works written by famous Buryat writers at different historical stages. The relevance is due to the absence of scientific works devoted to identifying the transformation of the identity of literary characters under the influence of historical eras. The purpose of this article is also to study the influence of various historical contexts on the wo

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