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Journal articles on the topic 'Influence (Literary, artistic, etc.) – History – 20th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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1

Kuzina, Nataliya. "Russian-Catalan Relations of the Second Half of the 19th and Early 20th Century." ISTORIYA 13, no. 10 (120) (2022): 0. http://dx.doi.org/10.18254/s207987840023314-4.

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This article is devoted to contacts and connections between Catalan and Russian intellectuals, artists in the period from the second half of the 19th century to the beginning of the 20th century. These interactions were largely fragmentary, the connections were personal and few, but they significantly influenced the literary and artistic life of Russia and Catalonia. Questions of culture, science and art were the main subjects of conversation between Russians and Catalans. The article highlights such episodes as the correspondence between I. Pavlovsky and N. Ollier, the influence of the Catala

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Ushakova, Olga M. "Alexander Blok’s Motifs in T. S. Eliot’s ‘The Waste Land’." Вестник Пермского университета. Российская и зарубежная филология 14, no. 4 (2022): 115–25. http://dx.doi.org/10.17072/2073-6681-2022-4-115-125.

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One of the notable trends in contemporary T. S. Eliot studies is the comparative study of Eliot’s works from various perspectives (influence, interaction, typology, contexts, etc.). The methodological principles of this research are determined by the orientation of comparative studies toward the typological study of literary phenomena. The paper deals with the parallels between two most important poetic texts of the 20th century: The Twelve by A. A. Blok (1918) and The Waste Land by T. S. Eliot (1922). The texts under study belong to the same cultural period and are united by similar artistic

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Šlekonytė, Jūratė. "Phenomenon of Popularity of the Lithuanian Folktale “The Sister as Duck”." Tautosakos darbai 57 (June 1, 2019): 76–99. http://dx.doi.org/10.51554/td.2019.28428.

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The Lithuanian folktale “The Sister as Duck” (AT 452C*), most commonly known under the name of “Sigutė”, is generally regarded as a popular narrative. It is appreciated for the rich mythical imagery: after the female protagonist is burned and the cow licks the ashes, the duck appears; the snow is allegedly sparkling because of the witch’s brains (bones) scattered there, etc. Moreover, the tale abounds in expressive song insertions.This tale has been published both in academic and popular editions. Its images are widespread in popular culture, even becoming stereotypical. However, in the card f

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Teterina, Olga B. "COMPARATIVE PARADIGM IN WORKS OF Y. BOYKO-BLOKHYN: APPROACHES “INTERWEAVING AND INTERCROSSING”." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 49–62. http://dx.doi.org/10.32342/2523-4463-2022-2-24-5.

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The article analyzes Y. Boyko-Blokhyn’s comparative model as an important integral concept element of Ukrainian emigre scholars comparative literary studies in the 1930s-1980s period (Y. Boyko-Blokhyn, M. Hnatyshak, S. Hordynsky, V. Derzhavyn, I. Kaczurowskyj, D. Chyzhevsky, Y. Sherekh and others). Approaches of the emigre scholar to literature comparative exploration are interpreted in the context of global comparative studies main trends, and placed against the views of the mainland comparative literary studies representatives. We clarified the distinguishing features of Y. Boyko-Blokhyn’s m

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Макаренко, Евгения Константиновна. "THE POETICS OF NARRATION IN THE HISTORICAL LITERATURE OF THE XIX – EARLY XX CENTURIES FOR CHILDREN AND YOUTH (THE STUDY OF THE WORKS OF E. POSELYANIN)." Tomsk state pedagogical university bulletin, no. 4(216) (July 6, 2021): 140–49. http://dx.doi.org/10.23951/1609-624x-2021-4-140-149.

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Введение. Становление исторической прозы для детей и юношества в русской литературе началось в первой трети XIX в. и было вызвано стремительным развитием отечественной историографии. Детской писательнице А. О. Ишимовой принадлежит заслуга создания первого адаптированного для детей исторического труда. Принцип художественного осмысления прошлого, фактический материал, концепция истории отечества были заимствованы Ишимовой из «Истории государства Российского» Карамзина. В своей «Истории России в рассказах для детей» писательница заложила жанровые доминанты нового документально-художественного ро

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Stundžienė, Bronė. "The Lithuanian Folk Couplets: On This Side of the Permissible Laughter and Beyond." Tautosakos darbai 59 (June 2, 2020): 177–208. http://dx.doi.org/10.51554/td.2020.28374.

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The article deals with folk couplets (Lith. pl. talalinės) – an underresearched peripheral genre of the Lithuanian folklore. This genre includes short, mostly one stanza-long comic songs that frequently deal with obscene topics and use unquotable vocabulary. This unadvertised folk poetry provisionally dates back to the middle of the 19th century, when its first publications appeared. This genre of folksong attributed to the popular culture of laughter has been always marginalized in relation to the traditional culture. Therefore, the article presents an analysis of this ill-repute frivolous fo

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Gavrileva, N. G. "N.A. Nekrasov and the Literature of the Small Indigenous Peoples of Russia (Translation of the Poem "Knyaginya Trubetskaya" into the Yakut Language)." Язык и текст 8, no. 3 (2021): 61–67. http://dx.doi.org/10.17759/langt.2021080308.

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The article is devoted to the history of translation thought in Yakutia. Much attention is paid to the literary influence of Decabrists and Russian writers on the work of Yakut poets the first half of the 20th century. The main focus of the author is the controversy about the specificity of the artistic translation from Russian into Yakut, his function in the Russian literary process, and the peculiarities of the creative individuality of the translator.

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Abramova, K. V., E. V. Kapinos, and I. V. Silantev. "Siberia and the Far East in the First Half of the 20th Century as a Space of Literary Transfer." Vestnik NSU. Series: History and Philology 21, no. 9 (2022): 98–109. http://dx.doi.org/10.25205/1818-7919-2022-21-9-98-109.

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Purpose. The article covers the studies on “Siberia and the Far East of the first half of the 20th century as a space of literary transfer”, which have been conducted in the sector of literary studies at the Institute of Philology of the Siberian Branch of the Russian Academy of Sciences since 2019 and are underway until now. Results. The aim of the article is to demonstrate the main lines of this work, so we shall list them. First, the study of Siberian and Far-Eastern futurism and Siberian and Far-Eastern periodicals of the 1920s with the selective publication of archival materials (N. Aseev

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Kostova-Panayotova, Magdalena. "RUSSIAN LITERARY MODERNISM AND ITS INFLUENCE ON BULGARIAN LITERATURE." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 203–24. http://dx.doi.org/10.37816/2073-9567-2020-58-203-224.

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The paper discusses to what extent major currents and representatives of Russian modernism and the Avant-garde had influenced the works of prominent representatives of 20th-century Bulgarian literature such as L. Stoyanov, Liliev, Debelyanov, Trayanov, Sirak Skitnik, and many others. In addition to addressing the influence of Russian symbolism on Bulgarian writers, the article examines the impact of Acmeism on the work of El. Bagryanа and At. Dalchev; the one of Imaginism on the work of Bulgarian modernists from the 1920s such as Slavcho Krasinski, Geo Milev and others. The intertwining of fea

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Ruge, Jing, та Irina S. Boldonova. "Transformation of a Literary Character’s Identity in the Artistic Mirror of Buryat Novels: from Soviet to Рost-Soviet". Humanitarian Vector 17, № 1 (2022): 55–64. http://dx.doi.org/10.21209/1996-7853-2022-17-1-55-64.

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In this article, the authors make an attempt based on an analysis from the point of view of neo-historicism to look again at the history of the development of Buryat novels, to analyze the features of constructing the identity of the main characters in works written by famous Buryat writers at different historical stages. The relevance is due to the absence of scientific works devoted to identifying the transformation of the identity of literary characters under the influence of historical eras. The purpose of this article is also to study the influence of various historical contexts on the wo

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Skuridina, Svetlana A. "At the origins of literary onomastics." Neophilology, no. 17 (2019): 54–61. http://dx.doi.org/10.20310/2587-6953-2019-5-17-54-61.

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We present the history of the emergence and development of literary onomastics, the relevance of which is currently not in doubt due to the involvement of its data for the analysis of the artistic world of different authors as linguists and literary critics. The aim of the study is to acquaint readers with those works in which reflections on the function of the proper noun in fiction can be considered as prerequisites for the emergence of onomastics. An important role in the development of science about the proper noun not only scientists, but also critics, writers and journalists, for example

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Na, Sai. "Artistic space in I.S. Turgenev’s prose poem «threshold» and in chinese literature of the XX century." Solov’evskie issledovaniya, no. 4 (December 15, 2019): 167–76. http://dx.doi.org/10.17588/2076-9210.2019.4.167-176.

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The popularity of «Prose Poems» (1878–1882) by Ivan Sergeevich Turgenev dates back more than a hundred years, while they remain the very first works of the writer, translated into Chinese. The study of Turgenev has gained particular relevance in China. This article discusses the understudied issue of the influence of the Turgenev’s prose poem «Threshold» on Chinese literature through the example of the work of the classics of Chinese literature of the first half of the 20th century, such as Lu Xin (1881–1936), the father of the modern Chinese novel, Li Ni (1913–1968), the singer of «sorrow and

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Tarasova, M. V., A. A. Sitnikova, and M. G. Smolina. "Laszlo Moholy-Nagy: the directions of creative work and the influence on the development of art of the 20th century." Siberian Journal of Anthropology 4, no. 4 (2020): 248–68. http://dx.doi.org/10.31804/2542-1816-2020-4-4-248-268.

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The creative work of the Hungarian theoretician and artist Laszlo Moholy-Nagy has recently become an object of reevaluation and scrutinous investigation. Laszlo Moholy-Nagy is also considered one of the forerunners of conceptual art. In a way, he also foresaw the "visual turn" of culture, which she made at the beginning of the 21st century, and he viewed his works in part as "exercises" in vision for a person of the future. Although today it is obvious that the art of L. Moholy-Nagy had a significant impact on the work of contemporary artists, a detailed analysis and understanding of the essen

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Martonova, Andronika. "A whole century in the vibrating net of arts." Balkanistic Forum 29, no. 3 (2020): 324–28. http://dx.doi.org/10.37708/bf.swu.v29i3.19.

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The edition of Bratoeva-Darakchieva, Ingeborg; Genova, Irina; Levi, Claire; Spassova-Dikova, Joanna; Stoilova-Doncheva, Teodora; Tasheva, Stela; Traykova, Elka. Bulgarian 20th Century in Arts and Culture. Institute of Art Studies, 2019, ISBN: 978-954-8594-77-6, 632 рр. 333 ill. http://artstudies.bg/books/BG_XX_EN_2019_IIIzk.pdf in Bulgarian and in English in two separate books comes as a result of a collaborative interdisciplinary project supported by the National Science Fund, Bulgaria, which aims to present a general view on the history of arts in Bulgaria during the 20th century. There are

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Tkachuk, Olena. "MULTICULTURALISM BY CONRAD-EMIGRANT." Polish Studies of Kyiv, no. 35 (2019): 376–80. http://dx.doi.org/10.17721/psk.2019.35.376-380.

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The article is devoted to the problem of the multiculturalism by Joseph Conrad, the English writer and the world classic of the 20th century, who, due to the preservation of his Polish national-cultural identity, and by estrangement from this identity in his artistic consciousness, was able to influence the intellectual and artistic atmosphere in England of his times. In this way, the Polish identity became a background for Conrad’s artistic creativity, and at the same time, universal values and criteria were the key to the successful acculturation in English society in its one of the most eff

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Radmilo Derado, Sanja. "MERGING SOCIAL CRITICISM WITH IRISH CULTURAL HERITAGE IN THE SHORT STORY COLLECTION THE UNTILLED FIELD BY GEORGE MOORE." Folia linguistica et litteraria X, no. 32 (2020): 43–63. http://dx.doi.org/10.31902/fll.32.2020.3.

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The paper analyses the short story collection The Untilled Field by the Irish writer George Moore (1852-1933) with the aim of establishing the subversive potential of these stories in the context of the criticism of the overpowering dogmas within the Irish society at the beginning of the 20th century. With this long neglected short story collection, George Moore reveals a darker, silenced side of Ireland, hidden from the public discourse of the socio-political mainstream of the period. His social criticism is primarily focused on some neuralgic aspects of the Irish society of the time, namely

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Kozhina, Svetlana A. "The socio-psychological novel on the modern Czech book market (based on Alena Mornštajnová's works)." Slavic Almanac, no. 3-4 (2021): 296–310. http://dx.doi.org/10.31168/2073-5731.2021.3-4.4.03.

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The modern Czech literary market (after 1989) has undergone significant changes. Its development was influenced, in particular, by the commercialization of the cultural sphere. The article describes the current (since 1989) literary process in the Czech Republic, presents the most successful — primarily from a commercial point of view — works in order to trace the most striking trends in modern Czech literature. The article provides an overview of contemporary Czech literary awards, nominations, as well as participating works. Particularly emphasized is the phenomenon of the growing popularity

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Al-Rahbi, Ahmed Mohammed. "Modern Arabic Literature. “The Breaker” Edwar Al-Kharrat." Asia and Africa Today, no. 8 (2022): 78. http://dx.doi.org/10.31857/s032150750021327-1.

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The article is devoted to the developing of modernism in Arabic prose and the art of one of the most prominent figures of this trend - Edwar al-Kharrat (1926-2015). The end of the dominance of the classical novel exactly in the first half of the 20th century and the turn of the generation of the 60s to new artistic techniques is directly associated with the historical events of 1967 (Six-Day War). It is noted that one of the consequences of these events for literature was the change of discourse - from revival (an-Nahda) to defeat (an-Naksa). The artistic method of Edwar al-Kharrat is characte

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Derevianchenko, Olena. "Mykhailo Verikivskyiʼs “Five Pieces For String Quartet on Folk Themes”: Principles of Folklore Processing". Scientific herald of Tchaikovsky National Music Academy of Ukraine, № 134 (17 листопада 2022): 69–84. http://dx.doi.org/10.31318/2522-4190.2022.134.269612.

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Relevance of research. The introduction to the musicological using of the manuscript of M. Verikyvskyi's early work, which was previously only briefly mentioned in the literature, is connected with the current scientific trend of studying little-known pages of the history of Ukrainian music of the era of national liberation struggles of the 20th century. The return of the forgotten artefact of the composer's heritage is intended to contribute to the establishment of more complete and objective picture of the development of genres, stylistic trends, individual authorial style, etc. The purpose

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Макаренко, Евгения Константиновна. "GENRE SPECIFICITY OF BIOGRAPHICAL SKETCHES ABOUT RUSSIAN MOVEMENTS BY E. POSELYANIN." Tomsk state pedagogical university bulletin, no. 1(213) (January 11, 2021): 95–103. http://dx.doi.org/10.23951/1609-624x-2021-1-95-103.

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Введение. Известный в дореволюционной России публицист и духовный писатель Евгений Поселянин (настоящая фамилия Погожев), пройдя путь сомнений в вере и получив духовное возрождение в Оптиной Пустыни, стал участником развернувшейся между интеллигенцией и представителями Русской Православной Церкви дискуссии начала XX в. Церковность эстетического сознания Е. Поселянина определила основную задачу всего его творчества, заключавшуюся в воспроизведении и передаче духовного мира Русского Православия. Цель. Творчество известного духовного писателя и публициста конца XIX – начала XX в. Евгения Николаев

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Siuta, Halyna. "Terminology of receptive stylistics: the adaptation of other-disciplinary concepts." Terminological Bulletin, no. 5 (2019): 104–11. http://dx.doi.org/10.37919/2221-8807-2019-5-13.

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Receptive stylistics is the latest trend in the stylistics of text. It studies the mechanisms of text perception, in view of the account time, socio-cultural and individual psychological factors of perception. This integrative model of textology combines the ideas of hermeneutics, phenomenology, receptive aesthetics and poetics, traditional poetics, linguоsynergetics etc. Maximum openness to the researching of the intellectual and communicative nature of the text is reflected in the terminology of receptive stylistics. One of the theoretical platforms of receptive stylistics is receptive aesth

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Świątek, Adam. "Życie i twórczość Platona Kosteckiego jako wyzwanie biograficzne i źródłoznawcze." Krakowskie Pismo Kresowe 13 (December 13, 2021): 77–94. http://dx.doi.org/10.12797/kpk.13.2021.13.05.

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THE LIFE AND WORKS OF PLATON KOSTECKI AS BIOGRAPHICAL AND SOURCE STUDIES CHALLENGE The text considers difficulties which arise when writing a biographical work about Platon Kostecki (1832-1908), Lviv poet and journalist of the Ruthenian origins, multi-annual editor of “Gazeta Narodowa” and other Polish and Ruthenian newspapers. The publication discusses, among others, the problem of his identity, impossibility of recognition of all Kostecki’s texts published in the press (because of the lack of given authorship), and finally the lack of the sufficient number of sources allowing to prepar

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Zavyalova, Anna E. "Alexandre Dumas’s Works in the Art of Alexandre Benois." Observatory of Culture 16, no. 2 (2019): 184–95. http://dx.doi.org/10.25281/2072-3156-2019-16-2-184-195.

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The article studies the problem of interpretation of literary source in visual creative work of A.N. Benois. There are identified and analyzed new sources of his works — historical novels by A. Dumas, père. The question about the role of the novels by Alexandre Dumas devoted to the history of France of the 17th and 18th centuries in creative work of Alexandre Benois has never become the object of research. The relevance of this article is determined by this fact. The scientific novelty of this article lies in revealing new literary sources of creative work of A. Benois — Dumas’s novels “Jose

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Batsak, K. Yu. "Italian opera stars of the Kharkiv stage: the 80s of the 19th – early 20th centuries." Aspects of Historical Musicology 18, no. 18 (2019): 89–119. http://dx.doi.org/10.34064/khnum2-18.06.

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Introduction. The Italian opera in Kharkiv has a long history tradition. Its beginnings date back to the 1850s, when the city became a part of the tour routes of Odesa Italian opera troupes under F. Berger’s, V. Sermattei’s direction (1850s – early 1860s), those of Taganrog – under V. Sermattei’s, Corsi’s and Co (second half of 1860s – 1876). These little provincial troupes with unequal by quality the stuff of singers, with a little choir, usually without their own orchestra, within their possibilities, introduced the popular Italian opera repertoire to the Kharkiv audience. Technical and tech

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Nagornaya, Yana V. "А. М. REMIZOV AND FOLKLORE: ON THE ISSUE OF RESEARCH METHODOLOGY". Philological Class 26, № 2 (2021): 155–66. http://dx.doi.org/10.51762/1fk-2021-26-02-13.

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The article presents a critical review of research works on the topic “Folklore-literary interaction in the creative activity of A.M. Remizov” published in Russian. The study of the topic has been conducted mainly within the framework of literary criticism. Meanwhile, for a writer known for his commitment to preservation and innovative approach to traditional literary genres, folklore is one of the dominant sources of creativity. Currently, Remizov studies cannot boast of generalizing works on folklorism in the writer’s creative activity and on the influence of oral folk art genres on his arti

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Раджабов, Бохир Мукаммилович. "PECULIARITIES OF LOIK SHERALI’S LITERARY CRITIQUE." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 4(109) (January 26, 2021): 114–18. http://dx.doi.org/10.37972/chgpu.2020.109.4.013.

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В статье предпринимается попытка определения направлений и особенностей литературной критики таджикского поэта Лоика Шерали, который начиная со второй половины 60-х годов ХХ века до конца своей творческой деятельности, кроме поэтических произведений, написал около 150 критических и публицистических работ - статей, рецензий, интервью, выступлений, вступительных слов, предисловий, писем, послесловий и т.п., подтверждающих его значительное место в литературно-критической публицистике и литературной критике. Благодаря своей деятельности в качестве публициста, критика, историка и социолога Л. Шерал

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Ulug`Bek, Djumaev. "ONOMASTIC CODE IN DYSTOPIAN NOVELS BY RUSSIAN WRITERS." European International Journal of Multidisciplinary Research and Management Studies 02, no. 11 (2022): 179–83. http://dx.doi.org/10.55640/eijmrms-02-11-41.

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We present the history of the emergence and development of literary onomastics, the relevance of which is currently not in doubt due to the involvement of its data for the analysis of the artistic world of different authors as linguists and literary critics. The aim of the study is to acquaint readers with those works in which reflections on the function of the proper noun in fiction can be considered as prerequisites for the emergence of onomastics. An important role in the development of science about the proper noun not only scientists, but also critics, writers and journalists, for example

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Tychinina, Alyona. "Hryhoriy Skovoroda’s Idea of Related Work in the Poetry of the Modernist Association “Muzaget”." Pitannâ lìteraturoznavstva, no. 106 (December 30, 2022): 25–40. http://dx.doi.org/10.31861/pytlit2022.106.025.

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Hryhoriy Skovoroda’s idea of the immanent existence (1722–1794) about related work in Ukrainian modernists poetry, in particular representatives of the artistic group “Muzaget” (1919) is considered as the main methodological prism that conceptualize related work of Panna, outlined with the support of V. Gorsky, L. Ushkalov, and D. Chyzhevsky. The article describes the history of creation and specifics of Kyiv post-revolutionary group of symbolists “Muzaget” activities. The literary and artistic almanac with a similar name was analyzed, where each member of the collective presented his “related

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Schleicher, Alexander. "Museum of Contemporary Art by Artists." Advanced Engineering Forum 12 (November 2014): 79–87. http://dx.doi.org/10.4028/www.scientific.net/aef.12.79.

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Museum is type of building which among architectural work occupies a special place by its distinct function of documenting existence and progress of humankind, society and their environment. This is reflected in the outstanding architecture of these buildings. 95% of museum buildings arose after World War II. This authorizes us to talk about the museum as a “20th century phenomenon“ especially of the second half of it. The unprecedented growth of museums after World War II – most of them are museums of art, especially contemporary art – entitles a question which is often discussed: What is an

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Babicheva, Maya. "“Twice Crowned” (Leonid Yuzefovich – Laureate of the Big Book)." Stephanos Peer reviewed multilanguage scientific journal 47, no. 3 (2021): 86–97. http://dx.doi.org/10.24249/2309-9917-2021-47-3-86-97.

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The article discusses the two-aspect nature of the contribution of L.A. Yuzefovich into Russian culture, as a reflection of the specifics of his gift. The criterion for the writer’s achievements was chosen to be a double leader in the national literary prize «Big Book» (a unique case in its history). The purpose of the article is to show the genre specificity of the individual style of Yuzefovich, which doubled the significance of his works for Russian literature and culture in general. The well-known Bulgakovʼs metaphor is applicable to the work of this writer completely. In this case, the ri

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NIKOLENKO, K., and O. NIKOLENKO. "CONTEMPORARY STRATEGIES OF STUDYING INTERTEXTUALITY." Philological Studies, no. 33 (April 19, 2021): 13–19. http://dx.doi.org/10.33989/2524-2490.2020.33.228193.

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The article explores the definition and the essence of intertextual theory as it is interpreted by M. Bakhtin, J. Kristeva, R. Barthes and other prominent scholars and literary critics of the 20th century, particularly from the viewpoint of poststructuralism. In the broadest terms possible, intertextuality can be defined as a set of relations between texts, which can include direct quotations, allusions, literary conventions, imitation, parody and unconscious sources among others. This concept dramatically blurs the outlines of texts, making them, in R. Barthes’s words, an “illimitable tissue

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Nakienė, Austė. "Shifts in the Traditional Culture. Folksongs in the 21st Century City." Tautosakos darbai 49 (May 22, 2015): 171–92. http://dx.doi.org/10.51554/td.2015.29011.

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The traditional culture existing in the city experienced considerable changes in the course of the last century. Rather than comprising continuous, gradual development, this change involved several radical cultural shifts, taking place in the 20th century (e. g. in the beginning of the century, in the 1960s, and 1990s). The article compares the urban, social and cultural changes in order to determine periods when the traditional culture experienced the most crucial transformations and when various new phenomena appeared. A clear shift in the urban culture took place in the 1960s in Lithuania,

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Ivanenko, Olena. "The semantics of the traditional women's headscarf as a source of modern design innovations." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 16–21. http://dx.doi.org/10.32461/2226-2180.39.2021.238674.

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The purpose of the article is to reveal the influence of the semantic-symbolic system of traditional women's clothing on the formation and development of trends in a modern design using the example of a scarf. Methodology. Comparative-historical and historical-typological methods have been applied in order to identify the tendency in the development of a headscarf as an element of a woman's costume; the hermeneutic method, which helped to understand and interpret signs and symbols as components of traditional culture; systemic method (for considering the system of symbols of a woman's headscar

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Kuznetsova, Ekaterina V. "Traditions of franciscanism and pilgrimage in the life and work of A. Dobrolyubov." Verhnevolzhski Philological Bulletin 2, no. 25 (2021): 19–30. http://dx.doi.org/10.20323/2499-9679-2021-2-25-19-30.

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The fate and personality of Alexander Dobrolyubov gave rise to a kind of Dobrolyubov myth about the eternal wanderer in the culture of the Russian Silver Age and in many ways unfairly obscured his literary work. The article traces the influence of Francis of Assisi on Dobrolyubov's own life-creating strategy and his contemporaries' perception of him as a «Russian Francis. The author considers the peculiarities of artistic interpretation of the whole complex of motifs associated with the fate and personality of the Italian saint in the last collection of Dobrolyubov's works, From the Book Invis

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ФИДАРОВА, Р. Я. "TWO CONCEPTS OF THE DEVELOPMENT OF NATIONAL BEING IN THE ARTISTIC AND PHILOSOPHICAL COMPREHENSION OF OSSETIAN LITERATURE." Известия СОИГСИ, no. 43(82) (March 29, 2022): 119–28. http://dx.doi.org/10.46698/vnc.2022.82.43.010.

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В философско-эстетическом сознании осетин на протяжении XIX-XX вв. сформировались две концепции эволюции национального бытия, отражающие две его реальности: это объективно-онтологическая и политико-идеологическая. Суть обеих обусловлена логикой социально-исторического развития общества. Объективно-онтологическая сформировалась еще в XIX в. в парадигме философии истории осетинских просветителей, выступающих за общественный и технический прогресс, необходимость просвещения горцев, важность разработки природных богатств края и т.д. Политико-идеологическая концепция развития национального бытия за

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Vasylenko, Vadym. "“Phenomenon of dual face”: Yurii Kosach at intersection of myth and ideology." Слово і Час, no. 5 (October 2, 2020): 96–113. http://dx.doi.org/10.33608/0236-1477.2020.05.96-113.

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The paper offers an analysis of Yurii Kosach’s literary heritage in the context of the Ukrainian literary process of the 20th century. The main subject is biographical, ideological, aesthetic, and ethical factors that influenced the formation of the writer’s self-identity. Special attention is paid to the ambivalence of Kosach’s worldview, the duality of his status, which was reflected in his literary self-representation. The views of Yurii Kosach on the historical role, cultural and social aims of the emigrants have been clarified. The paper discusses the history of the conflict between

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KAMAL, Aysel, and Sinem ATIS. "Comparative Analysis of Ahmet Hamdi Tanpinar’s Travels to European Countries." European Journal of Multidisciplinary Studies 5, no. 1 (2017): 78. http://dx.doi.org/10.26417/ejms.v5i1.p78-84.

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Ahmet Hamdi Tanpinar (1901-1962) is one of the most controversial authors in the 20th century Turkish literature. Literature critics find it difficult to place him in a school of literature and thought. There are many reasons that they have caused Tanpinar to give the impression of ambiguity in his thoughts through his literary works. One of them is that he is always open to (even admires) the "other" thought to a certain age, and he considers synthesis thinking at later ages. Tanpinar states in the letter that he wrote to a young lady from Antalya that he composed the foundations of his first

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Martyanova, Svetlana A. "PUSHKIN-DOSTOEVSKY MYTH ABOUT “DEVILRY” IN THE WORKS OF T. YU. KIBIROV." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 4 (2021): 180–91. http://dx.doi.org/10.21684/2411-197x-2021-7-4-180-191.

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The article is devoted to the analysis and interpretation of the myth of “devilry” in the works of the modern Russian poet T. Yu. Kibirov. The myth of “devilry”, which goes back to the poem “Demons” by Alexander Pushkin (1830), has a special place in the history of Russian literature of the 19th and 21st centuries. V. A. Grekhnev identified its main components, and D. M. Magomedova traced the path of myth in post-Pushkin literature, from M. Yu. Lermontov to M. A. Bulgakov. At the same time, the life of the Pushkin-Dostoyevsky myth of “demonic” in post-symbolist literature, in independent Russ

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Serhiy, Hordieiev. "Pedagogy of modern Ukrainian theater: on the way to artistic synthesis." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 63, no. 63 (2023): 91–107. http://dx.doi.org/10.34064/khnum1-63.05.

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Statement of the problem. Modern Ukrainian theatre studies, based on the theatre practice of the 20th – 21st centuries, pay considerable attention to the issues of evolution of the directing and acting art, theatre pedagogy, synthesis of traditional and innovative forms of education for creative youth. These explorations acquire special importance in the context of today’s theatre art, marked by the creative and pedagogical searches of Ukrainian theatre masters. The article is about the artistic and cultural situation in modern theatre education in Ukraine, the search for education models for

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Ponomarenko, Maxim D. "THE COSMOPOLITAN ASPECT OF YURI KUZNETSOV’S EARLY WORK." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 38–48. http://dx.doi.org/10.32342/2523-4463-2022-2-24-4.

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The purpose of this article is to consider the cosmopolitan aspect of Yuri Kuznetsov’s early works. Kuznetsov was the Russian poet of the 2nd half of the 20th century. The main method of research for us is the method of ontological poetics, and elements of interdisciplinary and comparative analysis. It allows us to consider an artistic text in the context of consciousness and subconsciousness, archetypes and phenomena of the surrounding being. They, in turn, form a personal author’s myth. Yuri Kuznetsov creates his own poetic myth based on the real events of his own biography. In particular, t

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Baghirova, Irada. "Historical cataclysms of the second decade of the twentieth century and their influence on the development of scientific knowledge in Azerbaijan (1914-1917)." Scientific knowledge - autonomy, dependence, resistance 29, no. 2 (2020): 35–47. http://dx.doi.org/10.37708/bf.swu.v29i2.2.

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The First World War, putting at risk the existence of many states, led to a controversial reaction from the scientific community. On the one hand, the war suspended many studies requiring a peaceful course of life and contradicted the very humanistic content of science, on the other hand, gave a powerful impetus to the development of many branches of chemistry, physics, agriculture etc. Scientists of all countries, including Germany and Russia, were called upon to actively participate not only in the implementation of military defense projects, but also in the creation of new technologies and

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Usatenko, Tamara, Galyna Usatenko, and Myroslava Marushchenko. "«GRAMMAR» OF PANTELEIMON KULISH IN THE CONTEXT OF UKRAINIAN WRITING." Almanac of Ukrainian Studies, no. 25 (2019): 120–27. http://dx.doi.org/10.17721/2520-2626/2019.25.19.

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The article is devoted to the defining of the phenomena of Ukrainian cultural movement of the 19th century, when under conditions of comprehensive Russification of the Ukrainian community and the influence of the Church Slavonic language as well as of complete lack of education in the native language, the processes of creation of the Ukrainian literary language took place. The new Ukrainian spelling was established, the struggle for teaching in schools in the Ukrainian language was intensified, various styles, and lot of genres of literature in the native language were developed. These searche

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Yanping, Xu. "THE DYNAMICS OF CHORAL CULTURE DEVELOPMENT IN CHINA IN THE 1930S ON THE EXAMPLE OF HUANG TZI’S ORATORIO ETERNAL REGRET." Scientific and analytical journal Burganov House. The space of culture 17, no. 5 (2021): 109–24. http://dx.doi.org/10.36340/2071-6818-2021-17-5-109-124.

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Choral music in China is a dynamically developing form of contemporary musical art. Scientific works devoted to the Chinese choral culture consider the 1930s of the 20th century as the most productive period in the development of this branch of musical creativity. The article examines the phase of the active entry of Chinese choral music into the sphere of the oratorio genre, which is directly related to the name of the great Chinese composer — Huang Tzi. It also highlights the issues of the country’s political life in the 1930s, which actively influenced the creation of nationwide singing mov

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Andrianova, Irina. "Stenography and Literature: What did Western European and Russian Writers Master the Art of Shorthand Writing For?" Studia Slavica Academiae Scientiarum Hungaricae 64, no. 1 (2019): 1–11. http://dx.doi.org/10.1556/060.2019.64101.

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What brings together Daniel Defoe, Charles Dickens, Vsevolod Krestovsky, Nikolai Chernyshevsky, Fyodor Dostoevsky, Аlexander Kuprin, George Bernard Shaw, and Аstrid Lindgren, i.e. writers from different countries and belonging to different epochs? In their creative work, they all used stenography, or rapid writing, permitting a person to listen to true speech and record it simultaneously. This paper discloses the role of stenography in literary activities of European and Russian writers in the 19th and early 20th centuries. Some researchers believe that the first ties between shorthand and lit

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Нгуен, Тхи Хоан. "THE INFLUENCE OF F. M. DOSTOEVSKY’S NOVEL “CRIME AND PUNISHMENT” ON THE WORKS OF VIETNAMESE WRITERS." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 3(112) (October 15, 2021): 60–67. http://dx.doi.org/10.37972/chgpu.2021.112.3.009.

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В статье впервые дано общее представление о влиянии «Преступления и наказания» Ф. М. Достоевского на творчество вьетнамских писателей на протяжении целого столетия. Автор обращает внимание, что роман «Преступление и наказание» занимает особое место в культурном пространстве Вьетнама, оказывая влияние на поэтику художественных произведений вьетнамских прозаиков, их мировоззренческие и эстетические ориентиры. В работе наглядно иллюстрируется процесс вхождения «Преступления и наказания» в культуру Вьетнама, который шел через творческую адаптацию романа. Автор отмечает, что сложные философские про

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Pylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 11, no. 2 (2021): 271–73. http://dx.doi.org/10.32703/2415-7422-2021-11-2-271-273.

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The issue of the journal opens with an article dedicated to the formation of metrology as government regulated activity in France. The article has discussed the historical process of development of metrological activity in France. It was revealed that the history of metrology is considered as an auxiliary historical and ethnographic discipline from a social and philosophical point of view as the evolution of scientific approaches to the definition of individual units of physical quantities and branches of metrology. However, in the scientific literature, the little attention is paid to the pro

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Svystun, I. "TRANSFORMATION OF THE HIERARCHICAL STRUCTURE OF COMPOSITION MEANS IN ARCHITECTURAL FORM MAKING ON THE XX AND XXI CENTURIES." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 115–30. http://dx.doi.org/10.31650/2519-4208-2020-20-115-130.

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The article provides an analysis of the characteristics of the artistic means of composition used in the architectural form making at the turn of the 21st century, helps to determine their role in the hierarchical structure by the degree of significancefor modern evolutionary processes in architecture. An overall decrease in the influence and effectiveness of the composition means for this period was noted. A significant redistribution of their influence over the basic hierarchical structure was revealed.One of the major problems in the evolution of architecture at the turn of the 21st century

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Serdiuk, Oleksandr. "Karol Szymanowski and multiculturalism." Aspects of Historical Musicology 19, no. 19 (2020): 206–29. http://dx.doi.org/10.34064/khnum2-19.12.

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Background. The problem of self-determination of an artist who apprehends oneself as a representative of a certain nation, but is forced to selfactualize in the cultural space of a multinational empire, remained relevant for a long period for the majority of representatives of the Polish creative intelligentsia. Among them, it is appropriate to recall, in first, Karol Szymanowski, whose creative development took place in a multicultural environment. The outstanding musician was feeling his involvement not only in the European tradition in general, but also in the Antique, Eastern, Polish, Russ

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Kudrina, Elena V. "Collection of Children's Letters in the A.M. Gorky Archive of the A.M. Gorky Institute of World Literature of the Russian Academy of Sciences." Herald of an archivist, no. 4 (2022): 1198–211. http://dx.doi.org/10.28995/2073-0101-2022-4-1198-1211.

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The article is devoted to the review of one of the sections of the A. M. Gorky Archive of the A. M. Gorky Institute of World Literature of the Russian Academy of Sciences (AG IMLI RAN). The section contains a large collection of children's letters addressed to the “great proletarian writer.” The archive stores letters from children dating from 1899 to 1936. There are about 3000 children’s letters in the collection. Systematic and information methods have been used to study the collection; based on the principle of comprehensive study of documents, they have permitted to consider documents as e

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Matulionienė, Elena. "Prototypes and Change of the Ornamental Motifs Decorating the Textile Pockets from the Lithuania Minor." Tautosakos darbai 57 (June 1, 2019): 127–53. http://dx.doi.org/10.51554/td.2019.28430.

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The historical attire of women from the Lithuania Minor (Klaipėda Region) has a characteristic practical detail: a textile pocket tied at the waist, which functionally corresponds to the modern handbag or pocket. Such textile pockets are called delmonai (pl.) and are usually decorated with colorful ornaments. The purpose of this article is introducing the prototypes of the ornamental motifs in terms of intercultural comparison, employing the visual materials collected by the author and historically formed intercultural contacts. While introducing her hypothesis of possible long-term influences

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