Relevant bibliographies by topics / Influence of William Shakespeare

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Influence of William Shakespeare'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Influence of William Shakespeare"

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Jurak, Mirko. "William Shakespeare and Slovene dramatists (III): (1930-2010)." Acta Neophilologica 44, no. 1-2 (2011): 3–34. http://dx.doi.org/10.4312/an.44.1-2.3-34.

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In the final part of my study I shall present Shakespeare's influence on Slovene dramatists from the 1930s to the present time. In this period an almost unbelievable growth in Slovene cultural activities took place. This is also reflected in a very large number of new Slovene playwrights who have written in this time, in their international orientation in dramatic art as well as in the constantly growing number of permanent (and ad hoc) theatre companies. Communication regarding new theatrical tendencies not only in Europe but also in the United States of America and % during the past decades
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O’Halloran, Meadhbh. "The Medieval World on the Renaissance Stage." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2015 (January 1, 2015): 163–65. http://dx.doi.org/10.33178/boolean.2015.33.

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Christopher Marlowe (1564-1593) was an Elizabethan playwright, poet and translator, and also an exact contemporary of William Shakespeare. Marlowe was the first to develop the blank verse format for which Shakespeare would become famous. Marlowe’s promising career abruptly ended with his sudden, violent death at the age of 29. Soon after, Shakespeare achieved his first successes on the London stage. Understandably, Marlowe’s work has often been considered in relation to his famous successor, and many conspiracy theories propose that Shakespeare was Marlowe. In the popular 1998 film Shakespeare
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Conţiu, Lia Codrina. "Time’s Tricephalous Image in Macbeth by William Shakespeare." Theatrical Colloquia 7, no. 2 (2017): 213–30. http://dx.doi.org/10.1515/tco-2017-0020.

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Abstract Influenced by the Humanist movement, Shakespeare is preoccupied with time, illustrating it in his lyrics and dramaturgy. If in comedies time has a regenerative character, in the Shakespearean tragedies “the clock” ticks continuously, it is the soundtrack that fulfills the destiny of the character. And Macbeth is perhaps the best example in this respect. Macbeth is hypnotized and haunted by time. Hypnotized by the imagination of a possible future and haunted by a past full of blood and crimes. The hero lives between imagination and memory, and the main catalyst of the play is the tragi
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Hatfull, Ronan. "‘That’s One of Mine’." Exchanges: The Interdisciplinary Research Journal 7, no. 3 (2020): 45–64. http://dx.doi.org/10.31273/eirj.v7i3.481.

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In televisual representations of William Shakespeare’s life which blend biographical fact with fictionalised fantasy, contemporary writers often utilise the trope of the playwright colliding with characters and scenes recognisable from plays which he has yet to create and, consequently, finding inspiration. Others construct a reciprocal loop of influence, whereby Shakespeare is shown to have written or been informed by works that did not exist during his lifetime and which his plays themselves instigated. It has become fashionable in the metamodern era to depict these forms of metaphorical can
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Halio, Jay L., and John F. Andrews. "William Shakespeare: His World, His Work, and His Influence." Shakespeare Quarterly 39, no. 1 (1988): 108. http://dx.doi.org/10.2307/2870596.

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Khafaga, Ayman F. "Intertextual Relationships in Literary Genres." International Journal of English Linguistics 10, no. 3 (2020): 177. http://dx.doi.org/10.5539/ijel.v10n3p177.

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Most contemporary playwrights acknowledge that Shakespeare’s dramas are for use as raw material to be assimilated into contemporary mould, not to be revered strictly as untouchable museum pieces. Being the model of all dramatists, Shakespeare had a great influence on English theatre, his plays are still performed throughout the world, and all kinds of new, experimental work find inspiration in them. This paper investigates the intertextual relationships between William Shakespeare’s King Lear (1606) and Edward Bond’s Lear (1978). The main objective of the paper is
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Ferdous, Mafruha. "The Values of Masculinity in William Shakespeare’s Macbeth." Advances in Language and Literary Studies 8, no. 2 (2017): 22. http://dx.doi.org/10.7575/aiac.alls.v.8n.2p.22.

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The theme of gender plays a vital role in William Shakespeare’s famous political play Macbeth. From the very beginning of the play the dramatist focuses on the importance of masculinity in gaining power and authority. Lady Macbeth along with the three witches are as important characters as Macbeth. Because they influence Macbeth profoundly. And Shakespeare very carefully draws the character of Lady Macbeth who being a female sometimes exhibits more masculinity than Macbeth. Similarly is the case of the three witches. Though they look like women they are also bearded which prove the presence of
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Jurak, Mirko. "William Shakespeare and Slovene dramatists (II) : J. Jurčič, F. Levstik, I. Cankar, O. Župančič, B. Kreft : (the makers of myths)." Acta Neophilologica 43, no. 1-2 (2010): 3–48. http://dx.doi.org/10.4312/an.43.1-2.3-48.

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purpose of this study is to explore the influence of William Shakespeare on Slovene playwrights in the period between 1876, which marks the appearance of Jurčič - Levstik's Tugomer, and the 1930s, when Oton Župančič published his tragedy Veronika Deseniška (Veronika of Desenice, 1924) and, a few years later, Bratko Kreft his history, Celjski grofje (The Counts of Celje, 1932). Together with Cankar's works all of the plays discussed in this study deal with one of the well-known Slovene myths. In the previous number of Acta Neophilologica I published my study on the first Slovene tragedy Miss Je
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Jurak, Mirko. "William Shakespeare and Slovene dramatists (I): A. T. Linhart's Miss Jenny Love." Acta Neophilologica 42, no. 1-2 (2009): 3–34. http://dx.doi.org/10.4312/an.42.1-2.3-34.

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One of the signs of the universality of William Shakespeare's plays is undoubtedly their influence on plays written by other playwrights throughout the world. This is also true of Slovene playwrights who have been attracted by Shakespeare's plays right from the beginning of their creativity in the second half of the eighteenth century, when Anton Tomaž Linhart (1756-1795) wrote his tragedy Miss Jenny Love.-However,-Slovene knowledge about-Shakespeare and his plays reaches back-into the seventeenth century, to the year 1698, when a group of Jesuit students in Ljubljana performed a version of th
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Kinney, Arthur F. "William Shakespeare: His World, His Work, His Influence John F. Andrews." Huntington Library Quarterly 52, no. 2 (1989): 310–12. http://dx.doi.org/10.2307/3817290.

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Dissertations / Theses on the topic "Influence of William Shakespeare"

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Williams, Edwin. "Shaw's "Shakespear": The Influence of William Shakespeare on Bernard Shaw's Dramaturgy." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1163008091.

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Williams, Edwin S. "Shaw's "Shakespear" the influence of William Shakespeare on the dramaturgy of Bernard Shaw /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1163008091.

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Gager, Valerie L. "Shakespeare and Dickens : the dynamics of influence /." Cambridge [GB] : Cambridge university press, 1996. http://catalogue.bnf.fr/ark:/12148/cb358673157.

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Texte remanié de: Th. Ph. D.--Birmingham (GB)--Shakespeare institute, University of Birmingham, 1991. Titre de soutenance : "So potent art" : Shakespearean influences upon the works of Charles Dickens.<br>Contient une liste d'allusions à Shakespeare extraites de l'oeuvre de Dickens. Bibliogr. p.378-409. Index.
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Morton, Charles Douglas Andrew. "The influence of William Shakespeare on the works of Harold Pinter." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7848/.

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This thesis examines the influence that William Shakespeare had on the works of Harold Pinter. This breaks down into three chapters: page, stage and screen. The page section examines Pinter’s early writings about Shakespeare (1950-1956) and the ways in which this influence can be seen in Pinter’s later development as a playwright. The stage chapter considers Pinter’s time at the Royal Shakespeare Company (1962-73) and the role that this played in establishing his reputation as a playwright with particular reference to his collaborations with Peter Hall. The screen section analyses the unproduc
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McGrade, Bernard J. "Grabbe und Shakespeare." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66190.

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Broqua, Vincent. "Ted Hughes lecteur de Shakespeare." Paris 3, 2003. http://www.theses.fr/2003PA030135.

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À partir de documents des archives Hughes à Emory University, cette thèse explore la lecture du poète national britannique par Hughes. Dans son édition de 1949 des œuvres de Shakespeare et dans ses anthologies shakespeariennes, le poète fragmente le texte du Barde. Il tend au contraire à le lire de façon systématique dans ses écrits critiques. La fragmentation et le système forment le paradigme de la lecture de Hughes. Sa lecture systématique alimente ses écrits biographiques où Shakespeare l'aide à relire son mythe personnel et à revenir sur sa carrière de poète. Cependant, les échos shakespe
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Trocha-Van, Nort Andréa. "De la spontanéité à la règle : le passage à l'esthétique néo-classique dans les adaptations des comédies et des tragi-comédies de Shakespeare à la Restauration anglaise." Clermont-Ferrand 2, 2000. http://www.theses.fr/2000CLF20027.

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A l'époque de la restauration anglaise, les pièces de Shakespeare étaient reprises et adaptées pour le spectateur de ce nouvel âge. Les raisons pour lesquelles on prenait plume pour réécrire l'auteur étaient nombreuses, mais les plus importantes concernaient le manque d'auteurs dramatiques compétents au début de la période et aussi la réputation de Shakespeare qui allait croissant. Les adaptations néo-classiques de ses comédies et tragi-comédies reflétaient peu l'esthétique théâtrale de la renaissance anglaise. Ces productions plus coûteuses à monter mettaient en scène des danses, chants et de
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Villaça-Bergeron, Maud. "Shakespeare et la transmission des classiques grecs : influences de la mythographie et de la tragédie attique dans Hamlet, Macbeth et King Lear de William Shakespeare." Caen, 2010. http://www.theses.fr/2010CAEN1587.

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La présente étude tente de montrer que Shakespeare a été influencé par la culture grecque dans Hamlet, Macbeth et King Lear. Au travers de correspondances textuelles et thématiques troublantes, l'auteur cherche à établir qu'il paraît manifeste que Shakespeare ait eu recours à la tragédie grecque dans la composition de ces trois pièces majeures. Néanmoins, comme l'atteste la présente recherche, il ne peut être établi avec certitude que ce dramaturge ait lu Eschyle, Sophocle ou Euripide en grec ou en traduction vernaculaire que ce soit en anglais, en français ou en italien, traductions qui étaie
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Camard, Christophe. "Les représentations de l'Italie et des Italiens dans le théâtre de William Shakespeare et Ben Jonson." Thesis, Tours, 2010. http://www.theses.fr/2010TOUR2004.

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Cette thèse propose d’étudier la place et la portée de l’Italie comme lieu scénique dans les pièces de deux célèbres dramaturges de la période élisabéthaine. L’introduction met en lumière la présence et l’influence de l’Italie durant la période qui précède l’essor du théâtre à Londres, ainsi que l’omniprésence de la péninsule au théâtre entre 1580 et 1620, en particulier chez William Shakespeare. La première partie de l’étude s’attache à mettre en évidence la façon dont le décor italien se met en place et dont se construit la figure de l’Autre sur la scène élisabéthaine. Sur une scène où le dé
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Lemercier-Goddard, Sophie. "Les plaisirs de la peur : esthétique gothique et fantastique dans le théâtre de Shakespeare." Paris 3, 2003. http://www.theses.fr/2003PA030008.

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Les liens qui se tissent entre Shakespeare et le roman gothique sont à double sens. En invitant Shakespeare dans le paratexte et l'intertexte de leurs récits, les romanciers gothiques revendiquent une caution littéraire et culturelle. La présence tutélaire du dramaturge participe d'un processus de légitimation tandis que le surnaturel shakespearien leur sert de modèle, les uns, comme Radcliffe, s'orientant vers une écriture de la terreur, les autres, comme Lewis, optant pour l'horreur. En échange, les auteurs gothiques mettent en lumière un Shakespeare inhabituel. La récurrence de motifs tels
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Books on the topic "Influence of William Shakespeare"

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Andrews, John F. William Shakespeare: His world, his work, his influence. Scribner, 1985.

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F, Andrews John. William Shakespeare: His world, his work, his influence. Scribner, 1985.

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William Shakespeare: En man för alla tider. Ordfront, 2006.

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Heiner Müllers Shakespeare-Rezeption: Texte und Kontexte. P. Lang, 1993.

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Gager, Valerie L. Shakespeare and Dickens: The dynamicsof influence. Cambridge University Press, 1996.

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Shakespeare in French theory: King of shadows. Routledge, 2006.

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Mark Twain and Shakespeare: A cultural legacy. University Press of America, 1993.

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Shakespeare and the American musical. Indiana University Press, 2010.

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Shakespeare and Dickens: The dynamics of influence. Cambridge University Press, 1995.

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Miola, Robert S. Shakespeare and classical tragedy: The influence of Seneca. Clarendon Press, 1992.

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Book chapters on the topic "Influence of William Shakespeare"

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Höfele, Andreas. "Shakespeare, William." In Englischsprachige Autoren. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_89.

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Hamlin, Hannibal. "William Shakespeare." In The Blackwell Companion to the Bible in English Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch16.

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Campbell, Gordon. "William Shakespeare." In The Renaissance (1550–1660). Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20157-0_24.

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Gray, Patrick, and Helen Clifford. "Shakespeare, William." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-02848-4_538-1.

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Döring, Tobias. "Shakespeare, William." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17020-1.

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Bruce, Susan, and Richard Beynon. "Introduction: The Question of Value." In William Shakespeare. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-90441-9_1.

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Bruce, Susan, and Richard Beynon. "Neo-Classicism." In William Shakespeare. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-90441-9_2.

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Bruce, Susan, and Richard Beynon. "Romanticism." In William Shakespeare. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-90441-9_3.

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Bruce, Susan, and Richard Beynon. "Realism." In William Shakespeare. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-90441-9_4.

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Bruce, Susan, and Richard Beynon. "From Christianity to Chaos." In William Shakespeare. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-90441-9_5.

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Conference papers on the topic "Influence of William Shakespeare"

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Dudalski, Sirlei Santos. "“Você nos livrará da tirania de William Shakespeare?” - Hamlet na HQ Kill Shakespeare." In 1º Congresso Internacional de Intermidialidade 2014. Editora Edgard Blücher, 2015. http://dx.doi.org/10.5151/phypro-intermidialidade2014-008.

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He, Lan. "On Lin Yutang's Ideas Inspired by William Shakespeare -- Taking The Importance of Living as an Example." In Proceedings of the 2018 4th International Conference on Social Science and Higher Education (ICSSHE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icsshe-18.2018.184.

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Gordon, Lucia Castro, Ramiro Delgado, Christian Ubilluz, and Silvana Yacchirema. "Incidence of Flipped Classroom model in the Learning of Differential Calculation in the William Shakespeare School, Quito-Ecuador." In 2020 15th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2020. http://dx.doi.org/10.23919/cisti49556.2020.9141141.

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Parunov, J., and M. Corak. "Influence of Environmental and Operational Uncertainties on Vertical Wave Bending Moments of Containerships." In William Froude Conference: Advances in Theoretical and Applied Hydrodynamics - Past And Future. RINA, 2010. http://dx.doi.org/10.3940/rina.wfa.2010.11.

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Chapchap, A., T. M. Ahmed, D. A. Hudson, P. Temarel, and S. E. Hirdaris. "The Influence of Forward Speed and Nonlinearities on the Dynamic Behaviour of a Container Ship in Regular Waves." In William Froude Conference: Advances in Theoretical and Applied Hydrodynamics - Past And Future. RINA, 2010. http://dx.doi.org/10.3940/rina.wfa.2010.22.

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Rodríguez, Claudio A., Paulo T. T. Esperança, and Mauro C. Oliveira. "Estimation of Roll Damping Coefficients Based on Model Tests Responses of a FPSO in Waves." In ASME 2019 38th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/omae2019-96334.

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Abstract Roll damping estimation is of great concern for the prediction of motions in waves of ship and offshore platforms, especially when viscous effects are relevant. Although this problem dates back to the times of William Froude, it has regained much attention in the context of the development of the second-generation intact stability criteria of ships, especially because there are still not accurate and efficient tools for roll damping prediction. For offshore applications, a common approach for roll damping estimation is to perform roll decay tests with scale models in calm water and th
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