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Books on the topic 'Influence on Kannada'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Hanumantappa, Ādavāni. Telugu mīda Kannaḍa bhāṣā prabhāvaṃ =: The influence of Kannada language on Telugu. Anantapuraṃ: Kārtikēya Pablikēṣans, 1989.

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2

Kannaḍavāṅmayavikāse Saṃskr̥tasya prabhāvaḥ. Shimoga, Karnataka: Malnad Research Academy (R.), 1999.

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3

Bhaṭṭa, Śrīrāma. Kannaḍa mārga kāvyada mēle Kāḷidāsana prabhāva. Beṅgaḷūru: Kannaḍa Sāhitya Pariṣattu, 1995.

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4

Kāṃbaḷe, Anasūya Ka. Ādhunika Kannaḍa sāhityada mēle Aṃbēḍkar prabhāva: Kāvyavannu anulakṣisi. Beṅgaḷūru: Karnāṭaka Sarkāra, Kannaḍa Pustaka Prādhikāra, 2011.

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5

Śrīkr̥ṣṇabhaṭ, Pi. Kannaḍa vyākaraṇa parampareya mēle Saṃskr̥tada prabhāva. Kāsaragōḍu: Vidyā Prakāśana, 1989.

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6

Krishnamoorthy, K. Sr̥janaśīlate mattu pāṇḍitya. Beṅgaḷūru: Bi. Eṃ. Śrī. Smāraka Pratiṣṭhāna, 1989.

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7

Khāḍe, Prakāśa Ga. Navōdaya kāvyada mēle jānapadada prabhāva. Bāgalakōṭe: Anikēta Prakāśana, 2007.

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8

Tippērudrasvāmi, Ec. Vacana caḷuvaḷi. Gulbargā: Śrī Śaraṇabasavēśvara Granthaviśvavidyānilaya, 1987.

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9

Manōrañjanreḍḍi, Nīlāpu. Jaṇṭabhāṣala oṇṭilipi: Ṭaipu, mudraṇaraṅgālalō mahōjjvala nūtana śakārambha śaṅkhārāvaṃ. Tenāli: Nīlāpu Manōrañjanreḍḍi, 1987.

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10

Devendrappa, Jaji. Prasthapana. Bengaluru: Sneha Printars, 2008.

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11

Caitra. Tatsama-tadbhava/tadbhava-tatsama kōśā. Maisūru: Nabhaśrī Prakāśana, 1987.

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12

Kaṇṭanakuṇṭe, Raṅganātha. Janabhāṣe mattu prabhutva bhāṣegaḷa saṅgharṣa. Kr̥ṣṇāpuradoḍḍi: Ke. Es. Muddappa Smāraka Ṭrasṭ, 2009.

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13

Ṣēkspiyar mattu Kannaḍa sāhitya. Beṅgaḷūru: Karnāṭaka Sāhitya Akāḍemi, 1990.

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14

Ṭi. Es. Eliyaṭ mattu Kannaḍa navyakāvya sandarbha. Beṅgaḷūru: Karnāṭaka Sāhitya Akāḍemi, 1989.

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15

Trivedi, Poonam. Shakespearean Tragedy in India. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.53.

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The genre of tragedy, which was introduced to Indian cultures through colonial hegemony, challenged the norms of Sanskrit and other indigenous literatures. This essay explores the tensions that arose with the entry of this ‘newness’, by tracing the reception, influence and assimilation of tragedy in some of the major Indian literatures viz. Bengali, Marathi, Kannada and Hindi. The most influential examples of tragedy were those of Shakespeare, and their modes of structure and characterization, as well as the world view they incorporate, have been debated, adapted, and accepted in different ways by critics, playwrights, and now film makers, through the several stages of Indian colonial and postcolonial cultural history spanning more than a century and half. Among this diversity of approaches to Shakespearean tragedy, the interpolation of a female avenger into many adaptations is singled out as a specifically Indian act of cultural translation.
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16

Janabhase mattu prabhutva bhasegala sangharsa. Krsnapuradoddi: Ke. Es. Muddappa Smaraka Trast, 2009.

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17

Ākhyāna-vyākhyāna. Beṅgalūru: Sapna Buk Haus, 2011.

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