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Relevant bibliographies by topics / Ink painting

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Academic literature on the topic 'Ink painting'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Ink painting"

1

Jin, Yueling, Zeyang Li, and Tiantian Lu. "The Style Transfer of Photos and Landscape Paintings Based on CycleGAN Combined with Nested Edge Detection Module." Applied and Computational Engineering 8, no. 1 (2023): 171–79. http://dx.doi.org/10.54254/2755-2721/8/20230118.

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Chinese landscape paintings, especially Chinese landscape ink paintings have always been the treasure of the Chinese, or even the world culture. Due to the advancement of the science and knowledge, there are always interests for finding ways to produce Chinese landscape paintings through the way of the technology. In this paper, based on the original CycleGAN model, we are trying to transfer a real-world photograph to a typical Chinese landscape painting. To be specific, the brushwork in Chinese ink paintings contains enormous numbers of distinct and technical brush strokes which makes it extr

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Zhang, Hao. "A Comparative Study on the Painting Forms of Western Oil Painting and Chinese Ink Painting." American Journal of Arts and Human Science 3, no. 2 (2024): 39–45. http://dx.doi.org/10.54536/ajahs.v3i2.2778.

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Since modern international students introduced oil painting on a large scale to China, oil painting has been developing in China for over a hundred years. In citing the process of progress, learning, integration, and improvement, the change in titles from “Western painting” and “Western painting” to “oil painting” and then to “Chinese oil painting” indicates that oil painting, as an art form, has deeply embodied the characteristics and connotations of traditional Chinese culture. During this period, its development is closely related to the historical background of the entire China, reflecting

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JEOUNG, Ian, and Youngok SIM. "A Study on the Buddhist and Taoist Icons in Chang Ucchin’s Ink Paintings." Society for Art Education of Korea 88 (December 1, 2023): 319–40. http://dx.doi.org/10.25297/aer.2023.88.319.

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The purpose of this study is to examine the Buddhist and Taoist Icons, which repeatedly appears in ink paintings that Chang Ucchin(張旭鎭, 1917-1990), a representative artist of modern Korean art, began pro-ducing in the late 1970s. Chang Ucchin’s ink painting is not as well-known as the artist’s main works, oil painting, and although the number of works is small, the religious and Laozi·Zhuangzi’s taoist icons are well revealed. An icon is a person or image that appears in religious, mythological, or other works of art with a specific meaning. Therefore, the viewer can grasp the intrinsic and ae

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Gang, Liang, and Gao Weishang. "The Effectiveness of Pictorial Aesthetics Based on Multiview Parallel Neural Networks in Art-Oriented Teaching." Computational Intelligence and Neuroscience 2021 (August 23, 2021): 1–14. http://dx.doi.org/10.1155/2021/3735104.

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How to effectively improve the effectiveness of art teaching has always been one of the hot topics concerned by all sectors of society. Especially, in art teaching, situational interaction helps improve the atmosphere of art class. However, there are few attempts to quantitatively evaluate the aesthetics of ink painting. Ink painting expresses images through ink tone and stroke changes, which is significantly different from photos and paintings in visual characteristics, semantic characteristics, and aesthetic standards. For this reason, this study proposes an adaptive computational aesthetic

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Long, Dapeng, Preechawut Apirating, and Pat Kotchapakdee. "The Creation of Loneliness in Contemporary Chinese Ink Painting - Revelation from Harald Sohlberg's Paintings." International Journal of Religion 5, no. 7 (2024): 638–56. http://dx.doi.org/10.61707/yjptjm89.

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This research employs methods of iconography analysis to dissect the visual representation of loneliness in the paintings of Harald Sohlberg, aiming to inspire in the creation of loneliness within Contemporary Chinese ink painting. The article unfolds by delving into Sohlberg's painting style, cultural origins, and the profound meanings embedded within his works, subsequently exploring the revelations of Sohlberg's paintings for contemporary Chinese ink painting, and thereby elucidating the author's creation. By providing novel perspectives and methodologies, this paper contributes to the real

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Chen, Jiajun. "The Style and Characteristics of Flower-and-Bird Painting in The Western Fujian Province in Modern Times." Scientific and Social Research 3, no. 6 (2021): 157–63. http://dx.doi.org/10.36922/ssr.v3i6.1293.

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The 20th century was a period of change in the development of Chinese flower-and-bird painting. Traditional brush and ink painting blended with Western painting colors and concepts to present new forms of painting. Following the peak of Ming and Qing Dynasties’ development in Minxi (the western of Fujian) painting, a group of freehand flower-and-bird painters represented by the “four Masters of Shanghang” Li Shaoqi, Luo Xiaofan, Qiu Tian, and Song Shengyu, who inherited the Minxi painting style of the Ming and Qing Dynasties, learned the new painting language combines the styles of Paintings o

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Ma, Caixia. "Morphological Structural Element Optimization for Automatic Line Characterization of Ink Drawings." Security and Communication Networks 2022 (May 11, 2022): 1–7. http://dx.doi.org/10.1155/2022/8595203.

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As a traditional Chinese art, the tools of Chinese ink painting are mainly brushes, ink, and rice paper and ink stone. As an important form of ink painting, ink landscape painting consists of ink lines that first outline the overall trend of the mountain and then complete the basic process of painting with rich chapping techniques. The article proposes a process to draw water animation based on Chinese painting style; this method first perceives the position of water form in Chinese painting and enhances it by morphological structural elements used to automatically draw the line feature analys

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Chen, Feifei. "Opera Figures in Ink and Wash Scene — Analysis of Guan Liang and Han Yu’s Ink and Wash Opera Figures." Studies in Art and Architecture 2, no. 4 (2023): 50–57. http://dx.doi.org/10.56397/saa.2023.12.08.

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In the long history of records, China is a big country, has a complete set of its own cultural system, and these systems will always reveal a subtle connection. The combination of Chinese painting and Chinese opera is enough to reflect the extensive and profound Chinese culture. In the folk tradition, there are a lot of folk art to stage opera characters for the performance of the theme, while opera art has become more and more popular. In the form of painting to describe the opera, in the Ming and Qing Dynasties, some artists began to use this way to express the opera, but the number is very

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Hu, Manran. "A Study of the Development History and Stylistic Features of Chinese Ink Painting." Pacific International Journal 6, no. 1 (2023): 71–76. http://dx.doi.org/10.55014/pij.v6i1.310.

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The modern ink painting in China started in the 1980s and it didn't become popular until the late 1990s. Up till now, it has become a major branch of Chinese art and painting. This paper makes a brief review on the historical development of Chinese ink painting based on the current studies on the topic. Compared with the western painting, the Chinese ink painting enjoys a special position in terms of spiritual forms, Artistic function, Language Structure, ink and brush form. The study finds that ink painting has a strong philosophical conception of Chinese cultural traditions and an ideology t

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Qian, Xingyu. "Oriental Consciousness in André Masson’s Automatic Paintings." SHS Web of Conferences 183 (2024): 03001. http://dx.doi.org/10.1051/shsconf/202418303001.

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André Masson has long been regarded as a representative figure of surrealist and automatism painting, but a closer look at his works makes it easy to find a dialogic nature with ancient Chinese calligraphy and painting. Influenced by Breton's concept of automatic writing, his works also draw on Chinese ink paintings of the Song Dynasty, abandoning perspective and playing the important role of white space. This paper tries to sort out the lineage of the emergence of Oriental consciousness in Masson's automatic paintings and explains the specific expression of Chinese painting in his art.

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Dissertations / Theses on the topic "Ink painting"

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Ng, Yuk-lan. "Mid-Muromachi flower and bird painting in Ashikaga painting circles /." View the Table of Contents & Abstract, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38030962.

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Lai, Mei Lin. "Lui Shou Kwan & modern ink painting." Phd thesis, Department of Art History and Theory, 2011. http://hdl.handle.net/2123/9258.

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Ng, Yuk-lan. "Sesshu and Chinese academic painting." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20565653.

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Ng, Yuk-lan, and 吳玉蘭. "Mid-Muromachi flower and bird painting in Ashikaga painting circles." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B45015624.

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Wong, Shan Elaine, and 黃山. "Flaring brush and ink: Chinese calligraphy and painting centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986870.

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Wong, Shan Elaine. "Flaring brush and ink : Chinese calligraphy and painting centre /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25949834.

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Ng, Yuk-lan, and 吳玉蘭. "Sesshu and Chinese academic painting." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hdl.handle.net/10722/210304.

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王苾芬. "Perceivable Ink Painting, Affective Books—Exposition of Wang Pi-Fen’s Ink Paintings." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/knj3v9.

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碩士<br>國立臺灣師範大學<br>美術學系在職進修碩士班<br>101<br>This study aims to present human thinking, perceive the underlying sound of humanity, retrace the understanding orginated from reality, and explore the relationship between human mind and ink paintings. By means of association with different patterns and images of books, inspiration to achieve a free artistic conception for painting is aroused. Life, the origin of creation, requires its accumulation for creation. In the pattern of books, art symbols are applied to express feelings, discover social problems and various phenomena in daily lives, and we he

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Xin-Meng, Tian, and 田欣孟. "Imagery of Aboriginal Ink PaintingA Creativce Study of Ink Painting for Self-statement." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/36335142620027696732.

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Rio, Aaron Michael. "Ink Painting in Medieval Kamakura." Thesis, 2015. https://doi.org/10.7916/D8NP23RP.

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This dissertation reconsiders the early history of ink painting in Kamakura- (1185-1333) and Muromachi-period (1336-1573) Japan, focusing on art in the former administrative capital of Kamakura, the cradle of Chinese-style monastic Zen and the Sinocentric cultural apparatus that accompanied it. I examine the early reception of Chinese painting by the city’s political and ecclesiastical elites and subsequent artistic production by priest-painters active at local Zen monasteries. My study reveals Kamakura as the nucleus of a heretofore disregarded cultural sphere in medieval eastern Japan, one i

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Books on the topic "Ink painting"

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Yasuhiro, Sato, Kuwayama George, Los Angeles County Museum of Art., and Japan Bunkachō, eds. Japanese ink painting. The Museum, 1985.

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N, Newland Joseph, ed. Chinese ink painting now. Produced by Marquand Books, 2010.

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Rio, Aaron Michael. Ink Painting in Medieval Kamakura. [publisher not identified], 2015.

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Kabushiki Kaisha. Shuppan Henshūbu ART BOX Intānashonaru. 現代日本の水墨: Ink painting : contemporary ink painting in Japan. ART BOX Intānashonaru, 2005.

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Contemporary, Goedhuis, ed. Ink. Goedhuis Contemporary, 2005.

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Dodard, Philippe. Philippe Dodard: Painting, ink, and sculpture. Impr. H. Deschamps, 1997.

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(Firm), Sebastian Izzard LLC. Japanese ink paintings, 1300-1700. Edited by Laing Mary and Rondon Gyararī (Tokyo Japan). Sebastian Izzard LLC, 2004.

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Mikami, Takahiko. Japanese brush painting: The art of Sumi painting. David & Charles, 1985.

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Severson, Corrine. Ink & scrub country landscapes. Herr Publications, 1986.

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Nice, Claudia. Painting nature in pen & ink with watercolor. North Light Books, 1998.

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Book chapters on the topic "Ink painting"

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Tsai, Ching-tsorng, Chishyan Liaw, Cherng-yue Huang, and Jiann-Shu Lee. "Synthesizing the Artistic Effects of Ink Painting." In Image Analysis. Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11499145_37.

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Chen, Ge. "Research on the Reference of Traditional Ink Painting Elements in Chinese Watercolor Painting." In Proceedings of the 2nd International Conference on Culture, Design and Social Development (CDSD 2022). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-018-3_53.

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Kang, Mingi. "The Search for Modernity in Korean Ink-Wash Painting." In Interpreting Modernism in Korean Art. Routledge, 2021. http://dx.doi.org/10.4324/9780429351112-7.

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Lam, Ng Woon. "Comparison of Chinese Calligraphy and Ink Painting Brushes with Western Water-Media Painting Brushes." In Proceedings of the 2nd International Colloquium of Art and Design Education Research (i-CADER 2015). Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0237-3_56.

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Man, Eva Kit Wah. "Spiritual Rituals of Chinese Ink Painting: The Suggestions of Shitao." In Chinese Contemporary Art Series. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0210-1_1.

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Jiang, Yunyun, and Hefei Wang. "Style Transfer Method Based on Deep Learning for Chinese Ink Painting." In Artificial Intelligence in Data and Big Data Processing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97610-1_37.

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Liu, Liming. "A Study on Symbolic Aesthetics of China’s Splashed Ink Freehand Landscape Painting." In Culture and Computing. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50267-6_27.

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Zhou, Chuanhong, Kunpeng Chen, and Shiyu Pan. "The Research on Image-Based Chinese Ink Painting NPR Based on Deep Learning." In Lecture Notes in Electrical Engineering. Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0572-8_48.

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Xu, Wenyi, Jinbo Xu, and Zhipeng Zhang. "Research on the Aesthetic Connotation of New Media Ink Painting Art Based on Grounded Theory." In Design, User Experience, and Usability. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-35705-3_15.

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Man, Eva Kit Wah. "Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting." In Chinese Contemporary Art Series. Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-46510-3_6.

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Conference papers on the topic "Ink painting"

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Liang, Hao, Shuai Yang, Wenjing Wang, and Jiaying Liu. "Instance-Aware Coherent Video Style Transfer for Chinese Ink Wash Painting." In Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/114.

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Recent researches have made remarkable achievements in fast video style transfer based on western paintings. However, due to the inherent different drawing techniques and aesthetic expressions of Chinese ink wash painting, existing methods either achieve poor temporal consistency or fail to transfer the key freehand brushstroke characteristics of Chinese ink wash painting. In this paper, we present a novel video style transfer framework for Chinese ink wash paintings. The two key ideas are a multi-frame fusion for temporal coherence and an instance-aware style transfer. The frame reordering an

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liao, zixin, and xiafen Zhang. "Real-time ink diffusion simulation in digital ink painting." In Third International Conference on Electronic Information Engineering, Big Data, and Computer Technology (EIBDCT 2024), edited by Jie Zhang and Ning Sun. SPIE, 2024. http://dx.doi.org/10.1117/12.3031372.

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Liang, Lingyu, and Lianwen Jin. "Image-Based Rendering for Ink Painting." In 2013 IEEE International Conference on Systems, Man and Cybernetics (SMC 2013). IEEE, 2013. http://dx.doi.org/10.1109/smc.2013.674.

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Zhang, Yao, Zhenjiang Miao, Yanghua Liu, and Wei Zhou. "An ink-diffusion-based rendering method for Chinese ink painting." In Fourth International Conference on Digital Image Processing (ICDIP 2012), edited by Mohamed Othman, Sukumar Senthilkumar, and Xie Yi. SPIE, 2012. http://dx.doi.org/10.1117/12.976037.

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Ma, Xiangyu, and Chengqi Xue. "Evaluation of Elements Layout Design of Ink Painting Posters Based on Aesthetics Model." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001759.

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With the development of the times, perceptual design, as an important part of humanized design, has received great attention. Through experimental research, people have repeatedly verified the correlation attribute between sensibility and rationality, and confirmed that there is a strong correlation between the beauty and usability of design. Aesthetic evaluation is a calculation method that abstracts the interface elements that affect the user's aesthetic experience from the interface layout by using the theories and methods of perceptual engineering, graphics, system engineering and psychoph

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Liu, Siran, and Ergun Akleman. "Chinese ink and brush painting with reflections." In SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2015. http://dx.doi.org/10.1145/2787626.2792613.

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Liu, Siran, and Ergun Akleman. "Chinese ink and brush painting with reflections." In SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2015. http://dx.doi.org/10.1145/2785585.2792525.

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Tian-ming Yao and Tian-ding Chen. "Black-ink painting synthesis based on brush modeling and ink diffusion algorithm." In 2008 3rd International Conference on Intelligent System and Knowledge Engineering (ISKE 2008). IEEE, 2008. http://dx.doi.org/10.1109/iske.2008.4731104.

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Ren, Ruimin, Yang Cao, and Jia Dong. "The Application and Research of Ink Painting Artistic Characteristics in Ink Animation——." In WSSE 2021: 2021 The 3rd World Symposium on Software Engineering. ACM, 2021. http://dx.doi.org/10.1145/3488838.3488874.

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Chen, Tianding. "Non-photorealistic rendering of ink painting style diffusion." In 2009 IEEE International Conference on Granular Computing (GRC). IEEE, 2009. http://dx.doi.org/10.1109/grc.2009.5255155.

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Reports on the topic "Ink painting"

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Blaskiewicz, M. Momentum Painting in SNS Accumulator Ring. Office of Scientific and Technical Information (OSTI), 2003. http://dx.doi.org/10.2172/1157302.

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Shirley, Margaret. Landscape Painting in the Secondary Classroom. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2575.

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Adams, Carol. Figurative Painting and It's Reverberation in Pairs. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2570.

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Poloboc, Alina. Fancy Fifi. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2996.

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The painting is a fascinating work that captures the essence of extravagance and vibrant lifestyle of Miami through its main character, a confident and fun-loving woman. The artist has depicted a stylish and elegant figure walking through the city streets with a posture that reflects her confidence and determination. The choice of blue as the main color throughout the painting is a bold and impactful decision. Blue is typically associated with tranquility and calmness, but the artist has used it to create an atmosphere full of energy and vitality. Additionally, there are eye-catching details i

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Qian, Zifan. Enhanced realism in the development of my painting. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5803.

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Shotola-Hardt, Christopher. Combining the Historical and the Personal in Painting. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7260.

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Poloboc, Alina. Josh Tampico. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2988.

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Josh Tampico is a painting from the Fancy Collection 2022, portraying a charismatic and creatively charged character with a keen sense of music. This vibrant portrayal depicts the brilliant music composer from Madrid, known for his distinctive blue hair. Having collaborated with numerous internationally renowned singers, Josh Tampico is a noteworthy figure in the music industry. The creation of this artwork is the result of a collaborative artistic project. The strategic use of the color blue by the painter Alina Poloboc in this piece symbolizes strength, trust, and creativity. Notably, the pa

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Perron, E. Figure painting in the high school; experiments and recommendations. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.690.

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Poloboc, Alina. Fancy Pink Goat. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2998.

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"Fancy Pink Goat" is a contemporary art piece from the Fancy Collection, created in Spain in 2022. It is a vividly colorful painting dominated by pink and blue, which are the signature colors of the artist`s style. The painting features a fancy goat walking through the jungle with its elegant collar and abstract, long legs. Surrounding the Fancy Pink Goat are a variety of other unusual creatures inhabiting the jungle and keeping the goat company. The artist`s signature red high-heeled shoes are also present, adding a touch of sophistication and style to the painting. This artwork is an impress

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Bowman, Mark D., Bryan D. Hagan, and William D. Hurdle. Steel Bridge Coating Evaluation and Rating Criteria. Purdue University, 2023. http://dx.doi.org/10.5703/1288284317386.

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The aim of the study is to gather information on three topics: (1) the evaluation and rating of steel bridge protective coatings, (2) coating systems used by various states throughout the United States, and (3) maintenance painting procedures employed by various state department of transportation agencies (DOTs). First, it was found that most state DOTs use either an Element Level type rating of the coating system or a 9–0 NBI type rating; many state DOTs use both methodologies, with one used for state bridges and the other for local bridges. Second, for coating systems, it was found that ther

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