Relevant bibliographies by topics / Innuendo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Innuendo'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Innuendo"

1

Bell, David M. "Innuendo." Journal of Pragmatics 27, no. 1 (January 1997): 35–59. http://dx.doi.org/10.1016/s0378-2166(97)88001-0.

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Leventhal, Gloria, and Susan J. Gray. "Can Innuendos in Headlines Affect Perceptions?" Psychological Reports 69, no. 3 (December 1991): 801–2. http://dx.doi.org/10.2466/pr0.1991.69.3.801.

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The effects of innuendos in headlines on the memory and attitudes of 67 male and 81 female college students who read simulated news articles were studied. Analysis indicated no main or interactive effect of headlines containing innuendo on memory, rated responsibility of the accused or victim, or on sentencing. Memory and attitudes were affected by identification and stereotyping.
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Grant, Marcus. "The Tobacco Innuendo." American Journal of Public Health 102, no. 4 (April 2012): 583. http://dx.doi.org/10.2105/ajph.2011.300605.

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Clarke, Bryan. "The art of innuendo." Heredity 90, no. 4 (April 2003): 279–80. http://dx.doi.org/10.1038/sj.hdy.6800229.

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Ventura Nieto, Laura. "Musical innuendo in early modern Europe." Early Music 44, no. 2 (May 2016): 337–38. http://dx.doi.org/10.1093/em/caw030.

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Proschan, Frank. "Review Essay: Rumor, Innuendo, Propaganda, and Disinformation." Bulletin of Concerned Asian Scholars 28, no. 1 (March 1996): 52–64. http://dx.doi.org/10.1080/14672715.1996.10416186.

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Puspita, Dewi, Hasnah Faizah, and Charlina Charlina. "PENGGUNAAN GAYA BAHASA SINDIRAN DALAM DEBAT PEMILIHAN PRESIDEN 2019." SASTRANESIA: Jurnal Program Studi Pendidikan Bahasa dan Sastra Indonesia 9, no. 2 (July 7, 2021): 128. http://dx.doi.org/10.32682/sastranesia.v9i2.1897.

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Penelitian ini bertujuan untuk menentukan mendeskripsikan jenis-jenis dan makna gaya bahasa sindiran dalam debat pemilihan presiden tahun 2019. Dalam penelitian ini, penulis menggunakan metode kualitatif deskriptif. Gaya bahasa sindiran dalam penelitian ini meliputi sinisme, innuendo, ironi, sarkasme, satire, dan antifrasis yang merupakan transkrip dari video Debat Pemilihan Presiden 2019 di Youtube. Teknik pengumpulan data yang digunakan melalui teknik simak, teknik catat dan teknik dokumentasi. Teknik analisis data dengan mengklasifikasi dan menganalisis data yang ditemukan. Hasil penelitian ini ditemukan penggunaan gaya bahasa sinisme, innuendo, ironi, sarkasme, satire, namun tidak ditemukan data antifrasis. Serta ditemukan makna penggunaan gaya bahasa.Kata kunci: Gaya Bahasa Sindiran, Jenis dan Makna, Debat Pemilihan Presiden 2019.
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Fontenot, Holly B., Nadia N. Abuelezam, Joshua G. Rosenberger, David Novak, Kenneth H. Mayer, and Gregory Zimet. "The Impact of Advertisement Messaging on Enrollment of Young Men Who Have Sex With Men for Web-Based Research: Observational Study." Journal of Medical Internet Research 22, no. 1 (January 13, 2020): e16027. http://dx.doi.org/10.2196/16027.

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Background Recruiting young men who have sex with men (YMSM) in community settings is difficult. The use of Web-based social networks and dating apps for recruitment can be successful approaches, although little work has been done on the impact of study advertisement content on recruitment. Objective The aim of this study was to evaluate the effects of advertisement message content on the recruitment of YMSM (aged 18-26 years) for a Web-based focus group study, examining perspectives and preferences for a mobile app that was designed to support sexual health among YMSM. Methods Between March and April 2017, a recruitment campaign to promote human papillomavirus vaccination was launched on a popular social networking and dating app for YMSM, with 3 different text-based advertisement themes (technology, cancer prevention, and sexual innuendo). The campaign recruited YMSM across 3 states (Massachusetts, New York, and Pennsylvania). We examined the click-through rates, conversion rates, and enrollment rates of each of the advertisements and examined differences in views and clicks by age, state, and time of day. Results The sexual innuendo advertisement had the highest click rates when compared with both the technology (click rate ratio [CRR] 2.06, 95% CI 1.74-2.45) and cancer prevention (CRR 1.62, 95% CI 1.38-1.90) advertisements. The sexual innuendo advertisement also had higher study enrollment rates compared with the technology (CRR 1.90, 95% CI 1.23-2.83) and cancer prevention (CRR 2.06, 95% CI 1.37-3.13) advertisements. No differences were observed in clicks or enrollment by age, state, or time of day. Conclusions Our marketing campaign, targeting YMSM, was effective in recruiting participants for a qualitative study, using Web-based focus groups. The sexual innuendo advertisement was the most effective and cost-efficient advertisement of the 3 approaches trialed. Different populations need different targeted strategies for study recruitment. Researchers should work with key representatives to develop and test culturally relevant messaging and approaches that utilize current and popular technologies.
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Shepard, Sanford. "Undercurrent and innuendo in theTroba casurra of Juan Ruiz." Neohelicon 17, no. 1 (March 1990): 281–89. http://dx.doi.org/10.1007/bf02092765.

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Benson, Alex J., Esti Azizi, M. Blair Evans, Mark Eys, and Steven R. Bray. "How innuendo shapes impressions of task and intimacy groups." Journal of Experimental Social Psychology 85 (November 2019): 103854. http://dx.doi.org/10.1016/j.jesp.2019.103854.

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Dissertations / Theses on the topic "Innuendo"

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Beale, Samantha. "Gagging for it : irony, innuendo and the politics of subversion in women's comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice." Thesis, Middlesex University, 2018. http://eprints.mdx.ac.uk/23853/.

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This thesis focuses on women performing comedy on the London music-hall stage after 1880, examining performers including Bessie Bellwood, Marie Lloyd, Marie Loftus, Maidie Scott, Vesta Victoria and Nellie Wallace. The work of these women as comedy has been neglected in theatre and performance histories, and their influence on the evolution of popular forms and the development of twentieth and twenty-first century comic traditions has received little scholarly attention. I argue that performing comic material offered them unique opportunities to connect directly with popular audiences, resist censorship and to challenge gender stereotypes and common perceptions of and restrictions on women and women’s roles in Britain during the late-nineteenth and early twentieth centuries. As part of their performances they developed comic approaches and techniques that remain identifiable in contemporary comedy, engaging in a range of strategies, from playful and disruptive ironic representations of familiar female types, to deliberately transgressive acts of crossing the line of decency through the embodiment of comic innuendo. Their knowing interpretations of coded references in the written texts of the material performed and jokes shared with their audiences during performances frequently served as ironic socio-political commentary on their lives and experiences. Making use of a range of critical approaches from areas as diverse as performance history and historiography, contemporary approaches to gender and comedy, performance theory, humour theory and feminist literary theory, I engage in analysis of extensive archive material. Throughout the thesis I also draw direct comparisons with the work of women who use comedy in late twentieth and twenty-first century forms, including stand-up comedy and performance art, to demonstrate a continuum of comic practice existing between these female music-hall artists and their counterparts performing comedy today.
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Holloway, Marilyn June. "Cole Porter : the social significance of selected love lyrics of the 1930s." Diss., 2010. http://hdl.handle.net/10500/4209.

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This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content.
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Books on the topic "Innuendo"

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Zimmerman, R. D. Innuendo. New York: Delacorte Press, 1999.

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Benzoni, Luigi. Luigi Benzoni: Innuendo : glass sculptures and paintings. Venezia: Marsilio, 2000.

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Mexican national identity: Memory, innuendo, and popular culture. Tucson: University of Arizona Press, 2008.

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Brown, David J. Innuendo non troppo: The work of Gregory Barsamian. Cincinnati, Ohio: Contemporary Arts Center, 1998.

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John, Sieger, ed. Something I said?: Innuendo and out the other. Madison: University of Wisconsin Press, Terrace Books, 2004.

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reporter, Maguire Kevin, ed. Great parliamentary scandals: Five centuries of calumny, smear and innuendo. London: Robson, 2004.

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1953-, Prosser David, and Pierce Andrew, eds. Great parliamentary scandals: Four centuries of calumny, smear, and innuendo. London: Robson Books, 1995.

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Parris, Matthew. Great parliamentary scandals: Four centuries of calumny, smear, and innuendo. Edited by Prosser David 1953- and Pierce Andrew. New York: Robson Books Parkwest, 1998.

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9

The Obama haters: Behind the right-wing campaign of lies, innuendo, and racism. Washington, D.C: Potomac Books, 2011.

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The snark handbook: The sex edition : innuendo, irony, and ill-advised insults on intimacy. New York: Skyhorse Pub., 2011.

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Book chapters on the topic "Innuendo"

1

Walton, Douglas. "Innuendo." In Applied Logic Series, 185–220. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-015-8632-0_6.

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Fraser, Bruce. "An account of innuendo." In Perspectives on Semantics, Pragmatics, and Discourse, 321–36. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/pbns.90.24fra.

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Hudis, Norman, and Talbot Rothwell. "Carry on from Institution to Innuendo." In The Screenwriter in British Cinema, 163–83. London: British Film Institute, 2014. http://dx.doi.org/10.1007/978-1-349-92640-4_8.

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Christoph, Siegfried. "The Limits of Reading Innuendo in Medieval Literature." In Sexuality in the Middle Ages and Early Modern Times, 279–92. Berlin, New York: Walter de Gruyter, 2008. http://dx.doi.org/10.1515/9783110209402.279.

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Wingo Shinnick, Julia. "Singing Desire: Musical Innuendo in Troubadour and Trouvère Song." In Sexuality in the Middle Ages and Early Modern Times, 293–324. Berlin, New York: Walter de Gruyter, 2008. http://dx.doi.org/10.1515/9783110209402.293.

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Corcoran-Nantes, Yvonne, and Clare Buswell. "Rumour and Innuendo Witchcraft and Women’s Power in the ‘Colonised’ State." In Balancing Individualism and Collectivism, 415–28. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58014-2_20.

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Beale, Sam. "I Mustn’t Tell You What I Mean: Comic Innuendo as Performed Censorship." In The Comedy and Legacy of Music-Hall Women 1880-1920, 181–217. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47941-1_6.

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Rohr, Zita Eva. "True Lies and Strange Mirrors: The Uses and Abuses of Rumor, Propaganda, and Innuendo During the Closing Stages of the Hundred Years War." In Queenship, Gender, and Reputation in the Medieval and Early Modern West, 1060-1600, 51–75. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31283-5_3.

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Duff, Paul B. "The Rhetoric of Innuendo." In Who Rides the Beast?, 71–82. Oxford University Press, 2001. http://dx.doi.org/10.1093/019513835x.003.0006.

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Slide, Anthony. "Gossip, Scandal, and Innuendo." In Inside the Hollywood Fan Magazine, 144–69. University Press of Mississippi, 2010. http://dx.doi.org/10.14325/mississippi/9781604734133.003.0009.

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