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Journal articles on the topic 'Insite art'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Jaramillo Ruiz, Miguel Guillermo. "Pop desde dentro: Diagramas del arte al interiorismo." Economía Creativa, no. 6 (November 15, 2016): 108–39. http://dx.doi.org/10.46840/ec.2016.06.06.

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No existe la arquitectura Pop, tampoco un Pop mexicano, al menos como categorías académicas. Sin embargo, en la Ciudad de México existe un Pop Life Hotel basado en el popular estilo, que puede ser analizado bajo la mirada del posestructuralismo, con puntos de cruce entre textos clásicos de la estética del arte Pop y la revisión de análisis, manifiestos y muestras arquitectónicas contemporáneas al movimiento. La convergencia de ambos frentes para establecer un interiorismo Pop es uno de los resultados, otro es el propio análisis del objeto empírico, llegando a las relaciones del usuario con el

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2

Banerjee, A. K. "Inside art." BMJ 342, feb02 2 (2011): d240. http://dx.doi.org/10.1136/bmj.d240.

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3

Gould, Jason. "Street art inside." Visual Inquiry 7, no. 1 (2018): 50–54. http://dx.doi.org/10.1386/vi.7.1.50_3.

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4

Lippard, Lucy R. "Frank Day: Inside Place, Inside Art." Museum Anthropology 24, no. 2-3 (2000): 30–35. http://dx.doi.org/10.1525/mua.2000.24.2-3.30.

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5

DuFault, Cynthia. "Inside the Dancer’s Art." Journal of Dance Education 18, no. 2 (2018): 87. http://dx.doi.org/10.1080/15290824.2017.1420844.

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6

Martin, C. "Art on the inside." BMJ 342, apr19 2 (2011): d1919. http://dx.doi.org/10.1136/bmj.d1919.

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7

Coombs, Gretchen. "Inside Out:." idea journal 15, no. 1 (2018): 90–101. http://dx.doi.org/10.37113/ideaj.vi0.55.

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   This essay will explore the contemporary intersection of art and interior design on the level of social practice, surveying two projects that deal with pubic participation from a critical art perspective and Jacques Rancie?re's 'art as dissensus'.These 'design activations' offer urban inhabitants a phenomenological exchange that occurs with shifts between art and design, interior and exterior, and the subjective and intersubjective awareness of the city. A manual sewing machine and manual typewriter offer a different representation and experience of the Tenderloin District

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8

Haffmans, Marcia B., and Edward O. McFalls. "Inside Out: Change Through Art." Women's Health Reports 1, no. 1 (2020): 488–99. http://dx.doi.org/10.1089/whr.2020.0092.

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9

Esrock, Ellen J. "Touching art." Consciousness & Emotion 2, no. 2 (2001): 233–53. http://dx.doi.org/10.1075/ce.2.2.04esr.

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Viewers have a way of using their somatosensory system to create temporary boundary changes that bring them into intimate relationships with art objects. Spectators experience this imaginary fusion when simultaneously attending to their own somatosensory sensations, which occur inside the body, and to qualities of the artwork, which exist in the external world. At such moments viewers reinterpret their somatosensory sensations as a quality of the artwork. When inside and outside are reinterpreted, viewers cross the conventional boundary between self and object. This effect can be illustrated i

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10

Darian, Veronika. "The scenario of the map: Discovering documents and performance in East Art Map project by IRWIN." Maska 30, no. 172 (2015): 84–91. http://dx.doi.org/10.1386/maska.30.172-174.84_1.

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“History is not given. Please help to construct it.” Shortly after the turn of the millennium, this speech act performed the onset of the East Art Map project by the Slovenian artist collective IRWIN. Instead of just documenting the realities of (art) history, the project also set out to construct them anew by deconstructing binary configurations, such as West and East, being inside or outside the map(s), as well as by investigating the preconditions for producing art and (art) history. By offering a constellation of artistic documents – respectively, documentary artifacts – EAM explored a spe

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11

Chmelewski, Kathleen, Nan Goggin, and Joseph Squier. "Art as Signal: Inside the Loop." Leonardo 28, no. 2 (1995): 85. http://dx.doi.org/10.2307/1576127.

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12

Bouquet, Mary, and Carol Duncan. "Civilizing Rituals: Inside Public Art Museums." Journal of the Royal Anthropological Institute 4, no. 3 (1998): 559. http://dx.doi.org/10.2307/3034168.

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13

Bloomgarden, Joan. "Inside Art: Cave Images in France." Art Therapy 15, no. 3 (1998): 203–6. http://dx.doi.org/10.1080/07421656.1989.10759323.

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14

Zellen, Jody. "Inside." Afterimage 36, no. 2 (2008): 45–46. http://dx.doi.org/10.1525/aft.2008.36.2.45.

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15

ORT, THOMAS. "ART: TO BE “INSIDE” OR “OUTSIDE” CULTURE." Modern Intellectual History 15, no. 1 (2017): 243–60. http://dx.doi.org/10.1017/s1479244317000233.

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In the opening pages of his remarkable book about Marcel Duchamp, Jerrold Seigel writes that the French artist “cared more about his personal independence than he did about art itself. Beneath the succession of avant-garde movements there had always lurked an impulse of radical individualism, and no one represented it better than Marcel Duchamp” (PW, 10). Given the subject matter of this essay—the place of art in Seigel's thinking—it may seem odd to say so, but in one respect Seigel's attitude to art mirrors that of Duchamp: he cares less about art itself than about the impulse of radical indi

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16

Garfinkel, Carol. "Art Inside Out: Children's Museum of Manhattan." Curator: The Museum Journal 45, no. 4 (2002): 321–26. http://dx.doi.org/10.1111/j.2151-6952.2002.tb00068.x.

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17

Barbuscia, Serge. "Art et universel." Insistance 8, no. 2 (2012): 109. http://dx.doi.org/10.3917/insi.008.0109.

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18

Drago, V., P. S. Foster, D. Trifiletti, et al. "What's inside the art? The influence of frontotemporal dementia in art production." Neurology 67, no. 7 (2006): 1285–87. http://dx.doi.org/10.1212/01.wnl.0000238439.77764.da.

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19

Pilcher, Jeremy. "State Britain and the Art of (Im)proper Democratic Protest." Law, Culture and the Humanities 15, no. 2 (2016): 477–96. http://dx.doi.org/10.1177/1743872115625433.

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The installation of Mark Wallinger’s State Britain in the Duveen Galleries of Tate Britain recreated Brian Haw’s protest opposite the Houses of Parliament, which had largely been dismantled by the police under the Serious Organised Crime and Police Act 2005. Wallinger’s work bisected a boundary created by the Act inside which the police could be given greater than usual powers to control demonstrations. The intersection exemplified how, when understood in terms of the performative after Jacques Derrida, art may unsettle the ways in which both the law and aesthetics work to protect the politica

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20

Kulnitskiy, B. A., and V. D. Blank. "Iron Carbide Formation inside Carbon Nanotubes." Advanced Materials & Technologies, no. 3 (2017): 034–39. http://dx.doi.org/10.17277/amt.2017.03.pp.034-039.

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21

Yamada, Ayako, and Yukiya Kawaguchi. "An inside Story: African Art of Our Time." African Arts 32, no. 2 (1999): 87. http://dx.doi.org/10.2307/3337610.

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22

Griggs, Jessica. "Brain-bending art: Pictures that turn inside out." New Scientist 207, no. 2778 (2010): 34–35. http://dx.doi.org/10.1016/s0262-4079(10)62279-8.

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23

Swan–Foster, Nora, Melony Lawlor, Laura Scott, Diane Angel, Cristina Maria Ruiz, and Maria Mana. "Inside an art therapy group: the student perspective." Arts in Psychotherapy 28, no. 3 (2001): 161–74. http://dx.doi.org/10.1016/s0197-4556(01)00106-x.

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24

Burke, Gregory. "Inside Mediarena: contemporary art from Japan in context." MEDIANZ: Media Studies Journal of Aotearoa New Zealand 9, no. 1 (2006): 1–8. http://dx.doi.org/10.11157/medianz-vol9iss1id88.

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25

BouJaoude, Saouma. "Inside education: Exploring the art of good learning." International Review of Education 64, no. 5 (2018): 685–88. http://dx.doi.org/10.1007/s11159-018-9713-2.

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26

Syafari, Ahmad. "ANALISIS SEMIOTIK SYAIR KESENIAN SOLAWAT DULANG TUBUAH NAN SALAPAN SINAR BARAPI DAN DC 8." Mozaic : Islam Nusantara 6, no. 2 (2021): 157–78. http://dx.doi.org/10.47776/mozaic.v6i2.151.

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The art is one of many metodes that very used by muslim people to share the Islamic Knowledges or for doing dakwah. With the art, the points of Islamic Knowledge will be more interest and usefull, that because Knowledge of Islamic is will packed to be more fun and to the most something nice. But now in modern era, the art of Islamic is not interesting for modern people, especially the Islamic traditional art is already erased by the time because many people just like tolook the performing don’t to know what the message from that art. One of somany the islamis traditional art that must to under

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27

Byrnes, Corey. "Chinese Landscapes of Desolation." Representations 147, no. 1 (2019): 124–60. http://dx.doi.org/10.1525/rep.2019.147.1.124.

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This essay explores how landscape forms are used by writers, photographers, filmmakers, and other artists from inside and outside of China to represent environmental problems in that country. It considers the “landscape of desolation” as an ecocritical mode designed to change how people see and act in the world in relation to both the shifting status of “Chinese tradition” and to earlier moments in Euro-American landscape art, particularly the so-called New Topographics Movement of the 1970s.

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28

Al Sheikh, Hanan Muneer. "The ontology of resistance between power and knowledge." Global Journal of Sociology: Current Issues 11, no. 1 (2021): 28–39. http://dx.doi.org/10.18844/gjs.v11i1.5455.

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The ontology of human resistance accentuates its existence through several expressive means with the most important being Art; as art transforms the question of resistance into a self-practice that starts with the artists and transfers between the inside and the outside in a continuous, creative and effective mutual relationship in order to emphasise the battle of existence conflict, ideology and Epistemology within the general framework of power. This philosophic analysis is based on the hypotheses of having a multilateral factor that continues with the past legacy on the one hand and interpr

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29

Holtz, Nancy. "How the ‘Inside Out’ of Emotions Affects the Inside of a Mediation." Alternatives to the High Cost of Litigation 34, no. 1 (2016): 3–4. http://dx.doi.org/10.1002/alt.21617.

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30

Guitart-Pont, Rosa. "Art réel et sciences-fictions." Insistance 2, no. 1 (2006): 139. http://dx.doi.org/10.3917/insi.002.0139.

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31

Coutinho Jorge, Marco Antonio. "Art et traversée du fantasme." Insistance 1, no. 1 (2005): 145. http://dx.doi.org/10.3917/insi.001.0145.

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32

Castellano, Carlos Garrido, and Magdalena Lopez. "Inside and Outside the Exhibition Space." Small Axe: A Caribbean Journal of Criticism 24, no. 3 (2020): 31–52. http://dx.doi.org/10.1215/07990537-8749758.

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This essay deals with issues of citizenship, artistic labor, and belonging in the context of the Dominican Republic. It examines the collaborative work of the Colectivo Quintapata to understand how artistic collaboration is used as a way for generating social transformation and reaching audiences beyond the artistic medium. Analyzing art installations, public interventions, and socially engaged art pieces produced by Quintapata between 2009 and 2014, this essay argues that artistic collaboration works in the case of Quintapata, not so much as a formula but rather as a flexible tool employed to

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33

Firmansyah, Imam. "Study of Art Plaza Circulation Theory and Shape of Art Plaza." Journal La Multiapp 1, no. 1 (2020): 36–42. http://dx.doi.org/10.37899/journallamultiapp.v1i1.48.

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The circulation system is a vital linking infrastructure that connects various activities and uses land on an area and inside a building that considers functional, economic, flexibility and comfort aspects. The explanation of this theory emphasizes the uniqueness of the building itself. So that there are various shapes of buildings in an effort to adjust to environmental conditions, climate, and natural surroundings. As a result, the resulting building has a special shapeation in accordance with the idea of an architect.

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34

ISHIDA, Tohru, Naohiro UCHIDA, Jotaro ETO, Akira MIZOBUCHI, and Yoshimi TAKEUCHI. "1108 Arc-Shaped Hole Fabrication inside a Hole by Means of Electrical Discharge Machining." Proceedings of International Conference on Leading Edge Manufacturing in 21st century : LEM21 2015.8 (2015): _1108–1_—_1108–4_. http://dx.doi.org/10.1299/jsmelem.2015.8._1108-1_.

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35

Korenic, Lyn. "Inside the discipline, outside the paradigm: keeping track of the New Art History." Art Libraries Journal 22, no. 3 (1997): 12–18. http://dx.doi.org/10.1017/s0307472200010488.

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From the point of view of a student of art history in the 1980s re-entering the discipline as a graduate student, the ‘new’ art history represents a dramatically wider field of enquiry involving new methodologies, although ‘old’ art history is still pursued by some academics. The ‘new’ art history employs an interdisciplinary approach which embraces materials far beyond ‘traditional’ art historical sources, and so information has to be sought outside the art library and via the Internet. Librarians responsible for supporting art history studies need to keep in touch with teachers, with curricu

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36

Hood, Walter, and Shannon Jackson. "The Inside-Out Museum/The Inside-Out University." Boom 6, no. 3 (2016): 110–19. http://dx.doi.org/10.1525/boom.2016.6.3.110.

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From their origins, the University of California, Berkeley and The Oakland Museum of California (OMCA) were established in different geographical, cultural, and political contexts. In a course sponsored by the Global Urban Humanities Initiative, artist, designer and Landscape Architecture Professor Walter Hood asks students to examine the museum and its neighborhoods in order to come up with proposals for change. He works on projects ranging from city-scale master plans to site plans to art installations and is known for his focus on the human element in design. UC Berkeley Associate Vice Chan

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37

Marshall, David W. "The Making of Middle-earth: A New Look Inside the World of J.R.R. Tolkien by Christopher Snyder." Arthuriana 24, no. 4 (2014): 149–51. http://dx.doi.org/10.1353/art.2014.0056.

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38

Holt, Douglas B., David Halle, Joshua Gamson, and Amelia Simpson. "Inside Culture: Art and Class in the American Home." Journal of Marketing Research 32, no. 4 (1995): 487. http://dx.doi.org/10.2307/3152185.

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39

Ernstrom, Adele M. "Editorial Introduction: Art History Inside and Outside the University." RACAR : Revue d'art canadienne 28 (2001): 1. http://dx.doi.org/10.7202/1069778ar.

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40

Scallan, R. "State of the art inside view, the camera pill." Technology and Health Care 24, no. 4 (2016): 471–81. http://dx.doi.org/10.3233/thc-161149.

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41

Becker, Howard S., and David Halle. "Inside Culture: Art and Class in the American Home." Contemporary Sociology 23, no. 6 (1994): 882. http://dx.doi.org/10.2307/2076105.

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42

Sloan, E. D., C. A. Koh, A. K. Sum, et al. "Hydrates: State of the Art Inside and Outside Flowlines." Journal of Petroleum Technology 61, no. 12 (2009): 89–94. http://dx.doi.org/10.2118/118534-jpt.

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43

Thompson, John B. "Inside the publishing world: The art of interviewing publishers." Logos 16, no. 1 (2005): 20–26. http://dx.doi.org/10.2959/logo.2005.16.1.20.

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44

Oliva, Gaetano. "Education to Theatricality inside Secondary School, Art and Body." Creative Education 05, no. 19 (2014): 1758–75. http://dx.doi.org/10.4236/ce.2014.519197.

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45

Genovese, Barbara J. "Thinking inside the Box: The Art of Telephone Interviewing." Field Methods 16, no. 2 (2004): 215–26. http://dx.doi.org/10.1177/1525822x04263329.

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46

Johnson, Arthur T. "Working from the Inside Out [State of the Art]." IEEE Pulse 8, no. 6 (2017): 58–60. http://dx.doi.org/10.1109/mpul.2017.2750860.

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47

Morgan, Melinda M. "Inside culture: Art and class in the American home." Public Relations Review 21, no. 1 (1995): 81–82. http://dx.doi.org/10.1016/0363-8111(95)90044-6.

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48

Galasso, Regina. "Andrew Wilson: Translators on Translating: Inside the Invisible Art." Publishing Research Quarterly 27, no. 3 (2011): 308–9. http://dx.doi.org/10.1007/s12109-011-9224-5.

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49

Liedtka, Jeanne. "Six Lessons to Unleash Your Inner Catalyst: Growing From The Inside Out." IESE Insight 6 (September 15, 2010): 21–28. http://dx.doi.org/10.15581/002.art-1816.

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50

Fitzmorris, Alan. "The Art Of Systems ArchitectingThird Edition." INSIGHT 12, no. 3 (2009): 64–65. http://dx.doi.org/10.1002/inst.200912364.

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