Relevant bibliographies by topics / Installation (arts)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Installation (arts)'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Installation (arts)"

1

Dunne, Aidan. "Visual Arts: South: Infrastructures and Installation." Circa, no. 71 (1995): 6. http://dx.doi.org/10.2307/25562765.

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Vickery, Jonathan. "INSTALLATION ART." Art History 29, no. 5 (November 2006): 957–63. http://dx.doi.org/10.1111/j.1467-8365.2006.00528_7.x.

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Adéagbo, Georges. "INSTALLATION REVIEW." Performance Research 12, no. 3 (November 30, 2007): 146–55. http://dx.doi.org/10.1080/13528160701771394.

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Kabakov, Ilya, Margarita Tupitsyn, and Victor Tupitsyn. "About Installation." Art Journal 58, no. 4 (1999): 62. http://dx.doi.org/10.2307/777912.

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Kabakov, Ilya, Margarita Tupitsyn, and Victor Tupitsyn. "About Installation." Art Journal 58, no. 4 (December 1999): 62–73. http://dx.doi.org/10.1080/00043249.1999.10791966.

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Gray, Timothy, and Michael Williams. "redBARN Installation." Journal of Architectural Education 59, no. 4 (May 2006): 41–47. http://dx.doi.org/10.1111/j.1531-314x.2006.00052.x.

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MANRESA, GEMMA ARGÜELLO, and ELISA CALDAROLA. "Installation Art." Journal of Aesthetics and Art Criticism 78, no. 3 (June 2020): 331–32. http://dx.doi.org/10.1111/jaac.12747.

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DAVIS, RANDAL. "‘… and what they do as they're going …’: sounding space in the work of Alvin Lucier." Organised Sound 8, no. 2 (August 2003): 205–12. http://dx.doi.org/10.1017/s1355771803000116.

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This paper considers the early work of Alvin Lucier and its often problematic positioning between concert and installation work as a means of questioning how installation might be defined. Following an introductory survey of Lucier's work, a history of installation in the visual arts is traced through the debate, initiated by Michael Fried, on the ‘theatricality’ of minimalism. Fried's condemnation of the role of the viewer in what he termed ‘literalist’ art became, contrary to his intentions, a central element in thinking about installation work. Fried's position was recently engaged again by Hal Foster in positing a particular phenomenology of minimalist work, which is seen to be directly relevant to the example of Lucier. Having thus established the relevance of this phenomenology to the consideration of sound installations, whether they are themselves minimal works or not, discussion returns to the problematic example of Lucier, and the conclusion that the boundary between concert and installation works may always be permeable, that a precise morphology of installation will remain elusive.
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Eiko, Koma, and Matthew Yokobosky. "Movement as Installation." PAJ: A Journal of Performance and Art 22, no. 1 (January 2000): 26. http://dx.doi.org/10.2307/3245908.

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Davis, Tom. "On Listening to Installation." Performance Research 15, no. 3 (September 2010): 66–71. http://dx.doi.org/10.1080/13528165.2010.527207.

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Dissertations / Theses on the topic "Installation (arts)"

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Giguère, Danielle. "EMMA. Installation sonore." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24277/24277.pdf.

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Brunet, Paul. "Sur la peinture-installation." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25068/25068.pdf.

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Papararo, Jenifer. "Installation arts, toward a questioning of boundaries." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30682.pdf.

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Larocque, Marie-Claire. "Installation architectonique : trilogie "topophonique"." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1996. http://theses.uqac.ca.

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Lough, Alex Joseph. "Sonic Activation: a Multimedia Performance-Installation." FIU Digital Commons, 2016. http://digitalcommons.fiu.edu/etd/2632.

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Sonic Activation is a multimedia performance-installation featuring sound sculptures, video projections, and performance with live electronics for solo and mixed ensembles. The work aims to unpack the nature in which we hear and interact with sound, space, and gesture. It is a project that recontextualizes the typical practice of performance and installation modes of music and art. The event uses 12 loudspeakers spaced around a gallery to create a densely layered sonic atmosphere that gently fluctuates and slowly evolves. Throughout the event, the audience is encouraged to freely navigate the gallery and experience the subtle changes in sound as they manifest in the space.
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Mercille, Catherine. "Chromatisme végétal : vers une installation picturale : ornementation et beauté." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24993/24993.pdf.

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King, Donald V. "(Frame) /-bridge-\ !bang! ((spill)) *sparkle* (mapping Mogadore) /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1216759724.

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Thesis (M.F.A.)--Kent State University, 2008.
Title from PDF t.p. (viewed Oct. 19, 2009). Advisor: Paul O'Keeffe. Keywords: Sculpture, Installation Art, Video Art. Includes bibliographical references (p. 25).
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Bacon, Julie. "La performance-installation et les relations d'acte-archivage." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2001. http://theses.uqac.ca.

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Ballard, Heather. "Unfixed." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524065963902847.

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Toth, Ibojka Maria. "Borderland American - Hungarian video installation /." [Kent, Ohio] : Kent State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1165764619.

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Thesis (M.F.A)--Kent State University, 2006.
Title from PDF t.p. (viewed March 27, 2008). Advisor: Martin Ball. Keywords: American - Hungarian Video Installation, 1956 Hungarian Revolution, Budapest, Hungary, Documentary - Style Production Process, Fragmented Memories of Time and Place, American - Hungarian Struggles with Personal and Cultural Identities, Discourse about Mul.
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Books on the topic "Installation (arts)"

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Merz, Mario. Mario Merz: Iglu-Installation "8-5-3" von 1985. [Duisburg]: Wilhelm Lehmbruck Museum Duisburg, 1996.

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Harte, Lawrence. Fiber optic installation basics. Fuquay-Varina, NC: Althos Pub., 2006.

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Digital performance: A history of new media in theater, dance, performance art, and installation. Cambridge, Mass: MIT Press, 2007.

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Palais des beaux-arts (Brussels, Belgium), ed. Auf dem Dach =: On the roof : installation, Paleis voor Schone Kunsten Brussel, Palais des beaux-arts de Bruxelles, 1996. Ds̈seldorf: Richter Verlag, 1997.

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Flaig, Ulrike. Ulrike Flaig, Soundcheck: Installationen = Installations. Ostfildern: Hatje Cantz, 2000.

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Muñoz, Juan. The nature of visual illusion. Humlebæk, Denmark: Louisiana, 2000.

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Fahlström, Öyvind. Öyvind Fahlström: Die Installationen = the installations. Ostfildern: Cantz, 1995.

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Ilya Kabakov: The man who flew into space from his apartment. London: Afterall, 2006.

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Arts Council of Great Britain. Arts Council collection acquisitions, 1989-2002: An illustrated catalogue of sculpture, painting, drawing, photography, video and installation, artists' prints and multiples acquired for the Arts Council of England between 1989 and 2002. London: Hayward Gallery, 2003.

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Majerus, Michel. Michel Majerus: Installationen 92-02 = installations 92-02. Köln: König, 2005.

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Book chapters on the topic "Installation (arts)"

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Caldarola, Elisa. "Improvisation and Installation Art." In The Routledge Handbook of Philosophy and Improvisation in the Arts, 617–30. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-48.

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Loar, Josh. "Performing Arts Venues and Houses of Worship for Permanent Installation." In The Sound System Design Primer, 423–32. New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315196817-45.

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Flach, Sabine. "Moving is in Every Direction." In Bewegungsszenarien der Moderne, 165–76. Heidelberg, Germany: Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-10.

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Traditionally, art history divided the arts into four genres: painting and sculpture, poetry and music. Hence the art-historical canon was dominated by a strict division into the arts of space and those of time. Movement (both of an internal and externalized kind) did not find a place within this classificatory corset. In 1766, Gotthold Ephraim Lessing framed the classical art-theoretical approach through his famous text ‚Laocoon: An Essay on the Limits of Painting and Poetry‘, in which he splits the arts into those unfolding in time and those unfolding in space. Lessing’s ‚Laocoon‘ is the founding text defining poetry and music as time-based, sculpture and painting as space-orientated. By 1900, this strict system of classification and hierarchization began to dissolve, giving way to cross-border experiments in the arts of the twentieth century up to the present day. This overturning of classical genre divisions between the static and the dynamic arts, between sculpture, installation, and performance enables us to examine artworks as variations of movement in terms of ‚constellations between scene and scenario‘. Furthermore, the development of movement as an artform implies the activation of the audience in participatory arts practice.
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Herruzo, Ana, and Nikita Pashenkov. "Collection to Creation: Playfully Interpreting the Classics with Contemporary Tools." In Proceedings of the 2020 DigitalFUTURES, 199–207. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4400-6_19.

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AbstractThis paper details an experimental project developed in an academic and pedagogical environment, aiming to bring together visual arts and computer science coursework in the creation of an interactive installation for a live event at The J. Paul Getty Museum. The result incorporates interactive visuals based on the user’s movements and facial expressions, accompanied by synthetic texts generated using machine learning algorithms trained on the museum’s art collection. Special focus is paid to how advances in computing such as Deep Learning and Natural Language Processing can contribute to deeper engagement with users and add new layers of interactivity.
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Xu, Hantian, and Lin Zhang. "Urban Interactive Installation Art as Pseudo-Environment Based on the Frame of the Shannon–Weaver Model." In Culture and Computing. Interactive Cultural Heritage and Arts, 318–36. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77411-0_21.

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Ianniciello, Celeste. "Installations." In Migrations, Arts and Postcoloniality in the Mediterranean, 55–80. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351061940-4.

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Huemer, Birgit. "Coherence in multimodal arts installations." In The Pragmatics of Discourse Coherence, 179–206. Amsterdam: John Benjamins Publishing Company, 2014. http://dx.doi.org/10.1075/pbns.254.07hue.

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Earnshaw, Rae. "Installation ArtWorks." In Art, Design and Technology: Collaboration and Implementation, 31–36. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58121-7_4.

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Franke, Herbert W. "Installations and Methods." In Computer Graphics — Computer Art, 1–92. Berlin, Heidelberg: Springer Berlin Heidelberg, 1985. http://dx.doi.org/10.1007/978-3-642-70259-4_1.

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Nathanson, Alex. "Sculpture and Installation." In A History of Solar Power Art and Design, 156–87. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003030683-8.

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Conference papers on the topic "Installation (arts)"

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Alves, Ricardo. "FATIMA REVISITED: AN INTERACTIVE INSTALLATION." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s13.016.

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Smolin, Lydia, and Katrin Wolf. "Who’s Watching? A feminist urban video installation." In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.27.

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Estadieu, Gérald, Filipa Martins de Abreu, and Alvaro Barbosa. "3D Printing Objects as Installation Art." In ARTECH2017: Eighth International Conference on Digital Arts. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3106548.3106588.

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Hartono, Patrick G., and Bayu P. Dirgantoro. "‘Trapped’: An Interactive Gamified Audiovisual Installation." In 1st International Conference on Intermedia Arts and Creative. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008526600560061.

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Gingrich, Oliver, Evgenia Emets, Alain Renaud, and Stephen Alfred Stansfeld. "KIMA : Noise: A visual sound installation on urban noise." In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.72.

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Houser, Thomas. "CONNECTING WITH OBSERVERS, CONNECTING WITH SELF: SYMBOLIC INTERACTIONISM AND INSTALLATION ART." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s13.013.

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Konstas, Sotiris. "Audiovisual Installation: Interactive imprinting of sound in water." In Electronic Visualisation and the Arts (EVA 2012). BCS Learning & Development, 2012. http://dx.doi.org/10.14236/ewic/eva2012.31.

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Gong, Yuwei. "The Evolution of the Installation of Yayoi Kusama. How Did the Evolution of the Installation of Yayoi Kusama Proceed?" In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.205.

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Galanter, Philip. "Mini-XEPA: An Installation of Collaborating Intelligent Light and Sound Sculptures." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.80.

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Zheng, Ying, and Peng Zhang. "Interactive Video Installation Art Under New Media Art." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.018.

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Reports on the topic "Installation (arts)"

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Gauntt, Nathan E., Kevin Duvall Davis, Jason John Repik, James M. Brandt, Ann C. Gentile, and Simon David Hammond. Design Installation and Operation of the Vortex ART Platform. Office of Scientific and Technical Information (OSTI), September 2019. http://dx.doi.org/10.2172/1562796.

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Wright, A. L. Primary system fission product release and transport: A state-of-the-art report to the committee on the safety of nuclear installations. Office of Scientific and Technical Information (OSTI), June 1994. http://dx.doi.org/10.2172/10161670.

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Pevey, Jon M., William B. Rich, Christopher S. Williams, and Robert J. Frosch. Repair and Strengthening of Bridges in Indiana Using Fiber Reinforced Polymer Systems: Volume 1–Review of Current FRP Repair Systems and Application Methodologies. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317309.

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For bridges that are experiencing deterioration, action is needed to ensure the structural performance is adequate for the demands imposed. Innovate repair and strengthening techniques can provide a cost-effective means to extend the service lives of bridges efficiently and safely. The use of fiber reinforced polymer (FRP) systems for the repair and strengthening of concrete bridges is increasing in popularity. Recognizing the potential benefits of the widespread use of FRP, a research project was initiated to determine the most appropriate applications of FRP in Indiana and provide recommendations for the use of FRP in the state for the repair and strengthening of bridges. The details of the research are presented in two volumes. Volume 1 provides the details of a study conducted to (1) summarize the state-of-the-art methods for the application of FRP to concrete bridges, (2) identify successful examples of FRP implementation for concrete bridges in the literature and examine past applications of FRP in Indiana through case studies, and (3) better understand FRP usage and installation procedures in the Midwest and Indiana through industry surveys. Volume 2 presents two experimental programs that were conducted to develop and evaluate various repair and strengthening methodologies used to restore the performance of deteriorated concrete bridge beams. The first program investigated FRP flexural strengthening methods, with a focus on adjacent box beam bridges. The second experimental program examined potential techniques for repairing deteriorated end regions of prestressed concrete bridge girders. Externally bonded FRP and near-surface-mounted (NSM) FRP were considered in both programs.
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Rich, William B., Robert R. Jacobs, Christopher S. Williams, and Robert J. Frosch. Repair and Strengthening of Bridges in Indiana Using Fiber Reinforced Polymer Systems: Volume 2–FRP Flexural Strengthening and End Region Repair Experimental Programs. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317310.

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For bridges that are experiencing deterioration, action is needed to ensure the structural performance is adequate for the demands imposed. Innovate repair and strengthening techniques can provide a cost-effective means to efficiently and safely extend the service lives of bridges. The use of fiber reinforced polymer (FRP) systems for the repair and strengthening of concrete bridges is increasing in popularity. Recognizing the potential benefits of the widespread use of FRP, a research project was initiated to determine the most appropriate applications of FRP in Indiana and provide recommendations for the use of FRP in the state for the repair and strengthening of bridges. The details of the research are presented in two volumes. Volume 1 provides the details of a study conducted to (i) summarize the state-of-the-art for the application of FRP to concrete bridges, (ii) identify successful examples of FRP implementation for concrete bridges in the literature and examine past applications of FRP in Indiana through case studies, and (iii) better understand FRP usage and installation procedures in the Midwest and Indiana through industry surveys. Volume 2 presents two experimental programs that were conducted to develop and evaluate various repair and strengthening methodologies used to restore the performance of deteriorated concrete bridge beams. The first program investigated FRP flexural strengthening methods, with focus placed on adjacent box beam bridges. The second experimental program examined potential techniques for repairing deteriorated end regions of prestressed concrete bridge girders. Externally bonded FRP and near-surface-mounted (NSM) FRP were considered in both programs.
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