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Books on the topic 'Installations (Art) – Québec (Province)'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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1

Groves, Naomi Jackson. One summer in Québec: A.Y. Jackson in 1925 : a family view. Kapuskasing, Ont., Canada: Penumbra Press, 1988.

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2

Corbo, Claude. Art, éducation et société postindustrielle: Le rapport Rioux et l'enseignement des arts au Québec (1966-1968). Sillery, QC: Septentrion, 2006.

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3

Nadeau, Lisanne. 4 installations pour le Grand Hall du Musée du Québec: Claudie Gagnon, BGL, Ana Rewakowicz, Annie Thibault. Québec: Musée du Québec, 2003.

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4

Jouvancourt, Hughes de. Francesco Iacurto, R.C.A. Montréal: Editions la Frégate, 1988.

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5

Jouvancourt, Hughes de. Francesco Iacurto, R.C.A. Montreal: Éditions La Frégate, 1988.

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6

Létourneau, Lorraine. Petit dictionnaire illustré du patrimoine québécois. Montréal, Qué: Guérin littérature, 1991.

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7

Denis, Farley, Johnson Carl 1958-, Roy Natalie 1963-, Musée d'art contemporain de Montréal., and Musée régional de Rimouski, eds. Denis Farley et Natalie Roy: Du compagnonnage : du 28 janvier au 14 mars 1999, Musée régional de Rimouski, Salle Hydro-Québec, du 2 juin au 5 septembre 1999, Musée d'art contemporain de Montréal. Montréal: Musée d'art contemporain de Montréal, 1999.

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8

Buisson, René. Marc-Aurèle Fortin: Un maître inconnu. Montréal, Québec: Musée Marc-Aurèle Fortin, 1995.

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9

Pencier, Honor De. Posted to Canada: The watercolours of George Russell Dartnell, 1835-1844. Edited by Dartnell George R. 1799-1878. Toronto: Dundurn Press, 1987.

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10

Groves, Naomi Jackson. One summer in Quebec: A.Y. Jackson in 1925 : a family view. Kapuskasing, Ont: Penumbra Press, 1988.

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11

Groves, Naomi Jackson. One summer in Quebec: A. Y. Jackson in 1925, a family view. Kapuskasing, Ont: Penumbra Press, 1988.

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12

Groves, Naomi Jackson. One summer in Quebec: A.Y. Jackson in 1925 : a family view. Kapuskasing, Ont: Penumbra Press, 1988.

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13

Pencier, Honor De. Posted to Canada: The watercolours of George Russell Dartnell, 1835-1844. Toronto: Dundurn Press, 1987.

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14

Québec (Province). Assemblée nationale. Commission permanente de la culture. Conseil des arts et des lettres du Québec et Société de développement des entreprises culturelles: Rapport final, avril 2000. [Québec]: Assemblée nationale, Commission de la culture, 2000.

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15

Musée national des beaux-arts du Québec. The collection of the Musée national des beaux-arts du Québec: A history of art in Quebec. Edited by Landry Pierre, Lacasse Yves 1955-, and Porter John R. [Québec]: Musée national des beaux-arts, 2004.

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16

Sauvageau, Thérèse. Dans le bon vieux temps c'était comme ça--. Sillery, Québec: Éditions Anne Sigier, 1998.

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17

Giroux, Henry. Peindre le Québec avec Henry Giroux: Une méthode unique pour maîtriser rapidement l'art de la peinture à l'huile. Longueuil, Québec]: Éditions Goélette, 2011.

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18

Renaud, Marc. Les Églises de T.X. Renaud... leur histoire, leur destin. [s.l: s.n.], 1991.

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19

Conseil des arts et métiers de la province de Québec. Conseil des arts et métiers: Rapport du comité nommé le 9 novembre, 1875, afin de recueillir les renseignements au sujet des écoles d'arts établis dans les villes de Boston et de New York : rapport du secrétaire et surintendant des écoles des arts et métiers établies dans la province de Québec. [Montréal?: s.n.], 1986.

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20

(Province), Québec. Pour une véritable politique de la culture et des arts au Québec. Québec, Québec: Gouvernement du Québec, Le Conseil, 1991.

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21

Toker, Franklin. The Church of Notre-Dame in Montreal: An architectural history. 2nd ed. Montreal: McGill-Queen's University Press, 1991.

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22

Polish, Library (Montréal Québec). Grafika polska, 1918-1939: Ze zbiorów Biblioteki Polskiej w Montrealu. Montréal: Institut Polonaise des Arts et des Sciences au Canada, 1999.

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23

France, Gascon, and Québec (Province). Musée d'art contemporain., eds. Histoire en quatre temps: Musée d'art contemporain de Montréal, 1er mars-24 mai 1987. Montréal, Québec: Le Musée, 1987.

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24

Multiplier: Points de vue sur l'art actuel des femmes. [Montréal]: Éditions du remue-ménage, 1998.

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25

A History of Art in Quebec. Musée national des beaux-arts du Québec, 2004.

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26

(Montreal, Quebec) Polish Library, and Paul Wyczynski. Grafika Polska: Estampes Polonaises - Polish Prints 1918-1939. Polish Institute of Arts & Sciences of Americ, 2000.

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27

P, Eidelberg Martin, Johnson Paul, Carmel Kate, Musée des arts décoratifs de Montréal., and David A. Hanks & Associates., eds. Design 1935-1965: What modern was : selections from the Liliane and David M. Stewart Collection. Montreal: Musée des arts décoratifs de Montréal, 1991.

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28

Musee Des Arts Decoratifs De Montreal (Corporate Author), David A. Hanks & Associates (Corporate Author), Martin Eidelberg (Editor), Paul Johnson (Editor), and Kate Carmel (Editor), eds. Design, 1935-1965: What Modern Was : Selections from the Liliane and David M. Stewart Collections. Harry N Abrams, 1991.

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29

Dimendberg, Edward, ed. The Moving Eye. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190218430.001.0001.

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Once the province of film and media scholars, today the moving image concerns historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations that no longer presuppose a fixed viewer, urban space becomes envisioned and planned through “fly-throughs,” and technologies such as GPS add data to the experience of travel, images in motion have captured the attention of geographers and scholars across the humanities and social sciences. Mobility studies is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952–2009) was among the first practitioners of visual studies to theorize the experience of mobile vision. Her books Window Shopping and The Virtual Window have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg’s work has never been the subject of an extended study. The Moving Eye gathers together essays by a renowned international group of thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality. These nine essays advance the lines of inquiry begun by Friedberg.
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