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Books on the topic 'Institute of Incorporated Photographers'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Arene, E. O. Nigeria's shapers of policy and strategy: Members national institute, mni, NOT Mafia Nigeria Incorporated, MNI. Victoria Island, Lagos, Nigeria: Arnet Ventures (Nigeria), 1996.

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2

Brown, William A. Howard L. Worner: The Wean Collection at the Butler. Youngstown, Ohio: Butler Institute of American Art, 1997.

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3

Powell, Rob. Photographers in education: A report on a one-day conference organised by the Arts Council of Great Britain at the University of London Institute of Education on 28 March 1985. London: Arts Council of Great Britain, 1985.

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4

Royal Institute of the Architects of Ireland. A framework for registration for the architectural profession in Ireland: Prepared by the Royal Institute of the Architects of Ireland at the request of the Department for the Environment and in agreement with the Architects & Surveyors Institute, the Group of Independent Architects in Ireland, the Incorporated Association of Architects & Surveyors, and the Irish Architects Society. Dublin: RIAI, 1999.

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5

The Lady Stanley Institute for Trained Nurses: Incorporated 1890. Ottawa: Free Press, 1985.

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6

Canadian Division of the Institute of Journalists: (incorporated by royal charter). [Montréal?: s.n., 1997.

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7

Associated Medical Services Incorporated: A history. Boston Mills Press, 1987.

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8

Catalogue of books of the Guelph Farmers' and Mechanics' Institute: Instituted 1850, incorporated 1853. [Guelph, Ont.?: s.n.], 1987.

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9

Oxford University Press and Getty Conservation Institute. Picture Mumbai: Landmarks of a New Generation (Getty Conservation Institute). Getty Trust Publications: Getty Conservation Institute, 1997.

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10

So the Story Goes: Photographs by Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan (Art Institute of Chicago). Art Institute of Chicago, 2006.

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11

(Editor), Glenda Anne Gibson, Jason Cope (Photographer), Andrea Eden (Photographer), Dominique Johnson (Photographer), Yvette Kruger (Photographer), Marwaan Manuel (Photographer), and Jolene Martin (Photographer), eds. Picture Cape Town: Landmarks of a New Generation (Getty Conservation Institute). United States of America: Getty Trust Publications: Getty Conservation Institute, 1997.

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12

Catalogue of books, with the regulations for the reading room and library of the Saint John Mechanics' Institute: Incorporated Anno Domini 1839. [Saint John, N.B.?: s.n.], 1986.

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13

Abst[r]act of the act of incorporation, by-laws, and catalogue of books of the Toronto Mechanics' Institute: Instituted 1830, incorporated 1847. Toronto: Printed for the Institute, 1987.

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14

The Underground Tank Risk Management (TANKS) model: User's guide / prepared by Decision Focus Incorporated ; principal investigators D. Cohan ... [et al.] ; prepared for Electric Power Research Institute. Palo Alto, Calif: The Institute, 1989.

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15

Żydowski Instytut Historyczny w Polsce. and Muzeum Więzienia Pawiak, eds. Getto Warszawskie 1940-1942: Zdjęcia wykonane przez ludność żydowską : Żydowski Instytut Historyczny i Muzeum Więzienia "Pawiak"--oddział Muzeum Niepodległości, marzec-kwiecień 1996 = The Warsaw Ghetto 1940-1942 : photographs taken by Jewish photographers : The Jewish Historical Institute and The Pawiak Prison Museum, a division of the Museum of Independence, March-April 1996. [Warsaw]: Żydowski Instytut Historyczny, 1996.

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16

Lindsey, Rachel McBride. Documentary Photography and the Visual Politics of Race and Religion. Edited by Paul Harvey and Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.5.

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The photographs of twentieth-century photographer Roy DeCarava are a rich case study for mapping the visual theater of race and religion in twentieth-century America. Despite visual similarities in his photographs to contemporary documentary photographers, DeCarava contended that claims to document race in fact worked to invest power in the “madness” of “skin color.” Such a statement echoes the teachings of prophets of black urban religion who incorporated critiques of racial classification into their theological visions. Such visual regimes of race and religion were not limited to persons of African descent. Lewis Hine’s photographs of European immigrants arriving on Ellis Island and Dorothea Lange’s photographs of Japanese American internees were also part of the visual politics of race and religion. By structuring the twentieth century’s ascendant visual regimes around DeCarava, this chapter explores how the technologies, aesthetics, and politics of photography shaped the moral theater of race and religion.
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17

Fox, Robert. Laplace and the Physics of Short-Range Forces. Edited by Jed Z. Buchwald and Robert Fox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199696253.013.14.

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This article focuses on Pierre Simon Laplace’s contributions to the physics of short-range forces. Laplacian physics can be interpreted as an attempt to realize a supposedly Newtonian ideal of a science that would account for all phenomena in terms of attractive or repulsive central forces acting between the particles of matter. Laplace formulated and pursued a programme between the 1790s and his death in1827 based on Isaac Newton’s ideas, but it also incorporated theories with a less direct Newtonian pedigree. The most important of these were the theories of the imponderable property-bearing fluids of heat (commonly known as caloric), light, electricity, and magnetism. Laplace first engaged with questions relating to the imponderable fluids in the context of his early experimental work on heat in the 1770s. This article first discusses Laplace’s programme before considering his association with the First Class of the French Institute and his legacy.
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18

Thomas, Susan. Experimental Alternatives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0003.

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In 1969 the director of Cuba’s film institute, Alfredo Guevara, founded a musical collective whose official purpose was to provide film music for Cuba’s vibrant and experimental new socialist cinema. The resulting Grupo de Experimentación Sonora represented something of a “rescue mission” for artists who for reasons political, aesthetic, or of personality found themselves on the margins of increasingly conservative and restrictive state-run cultural institutions. Under the direction of composer Leo Brouwer, the Grupo incorporated musicians who became some of the Revolution’s most renowned artists. Brouwer declared that the primary mission of the Grupo was not to create film music but “to transform the repertoire of Cuban popular music to the best of our abilities.” The Grupo merged discourses of the artistic avant-garde with those of revolutionary praxis and in doing so, positioned their sonic experiments both aesthetically and politically. The Grupo has had a marked impact on later groups who also struggled on the margins of state institutions. Drawing overt references to the Grupo and appropriating similar avant-garde rhetoric, collectives such as Habana Abierta and Interactivo promoted a new musical and social “revolution from within,” one that advocated from the margins of official discourse for a radically new transnational model of Cuban citizenship and civic participation.
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19

Vincent, Laura, and Carl Waldmann. Rehabilitation from critical illness after hospital discharge. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199600830.003.0386.

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The majority of patients admitted to intensive care units survive to hospital discharge, but then face a long and challenging functional recovery, due to the physical and psychological sequelae of their critical illness. There is associated physical, emotional, and financial strain on families and care-givers, in addition to the ongoing impact on patients themselves. The optimization of post-ICU morbidity and ‘health-related quality of life’ have thus become key components of the critical care treatment pathway. Structured exercise rehabilitation programmes, tailored to the specific needs of individual patients can enhance the long-term recovery from critical illness, but the practical implementation of such programmes remains inconsistent and non-standardized. Validated screening and assessment tools are being developed to identify those patients who would benefit from post-ICU rehabilitation programmes, target the specific needs of individuals and monitor the response to treatment. Ongoing research aims to determine the features of a successful post-ICU rehabilitation programme, with respect to the location and supervision of the regime, and the actual content of the intervention. Rehabilitation commenced as soon as possible after hospital discharge is likely to be most effective, but further evidence is required to identify the timing of treatment that would achieve the optimal therapeutic impact. The National Institute of Clinical Excellence have issued a post-ICU rehabilitation guideline. As well as providing a framework for implementation of such a programme, this further endorses the understanding that exercise rehabilitation can no longer be considered an afterthought and should be fully incorporated into the critical care treatment pathway.
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