Academic literature on the topic 'Instrumental Orchestration Theory'

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Journal articles on the topic "Instrumental Orchestration Theory"

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Feitosa, Francisco Eteval da Silva, Sonia Barbosa Camargo Igliori, and Luc Trouche. "The Teaching Professional Knowledge Formation by an Instrumental Meta-Orchestration." PNA. Revista de Investigación en Didáctica de la Matemática 18, no. 1 (2023): 35–56. http://dx.doi.org/10.30827/pna.v18i1.25961.

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This investigation explores the combination of Instrumental Meta-Orchestration (IMO) and the Lesson Study methodology (LS) in teacher training. Under the Theory of Instrumental Orchestration (IO) and the knowledge domains of Ball and colleagues, and of Koehler and Mishra, the knowledge mobilized by mathematics undergraduates from a Brazilian public university was analyzed following a research-action-training design. The results indicate the relevance of combining the IMO and the LS to foster both future teachers’ development on mathematics topics and their knowledge on preparing and implementi
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Crisci, Rosamaria, Umberto Dello Iacono, and Eva Ferrara Dentice. "A Computer Programming-Based Digital Artifact to Introduce Axial Symmetry in Primary School: An Instrumental Approach." International Journal for Technology in Mathematics Education 30, no. 3 (2023): 115–22. http://dx.doi.org/10.1564/tme_v30.3.1.

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In this paper, we describe an educational activity involving the use of a digital artifact, implemented in a visual programming environment, for mediating the learning of axial symmetry in primary school through algorithmics and computer programming. The educational activity was designed with the aim of bringing out increasingly “advanced” utilization schemes and solving strategies by students. We use an instrumental approach for analyzing how the systematic and intentional choice of technological artifacts and tools, i.e. the instrumental orchestration, guided instrumental genesis by the stud
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Bohatyrov, Volodymyr. "The conceptional system of orchestration in the works of European and American authors of the 19th and 20th centuries." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 140 (November 28, 2024): 171–87. https://doi.org/10.31318/2522-4190.2024.140.318664.

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Relevance of the study. A review of sources on the theory of orchestration is necessary because the knowledge of this art is extensive. This issue is complicated by the fact that each of the musical traditions (including English, American, French, German, Polish and Ukrainian) has its own terminological system, which may not always be consistent. Analysing the concepts of orchestration from the linguistic and historical perspectives allows us to form a unified system that can be used in educational and musicological discourse. Main objective of the study is to analyze and systematize the basic
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Malyi, Dmytro. "“Four words about kolomyika”: author’s experience of orchestration." Aspects of Historical Musicology 34, no. 34 (2024): 157–81. http://dx.doi.org/10.34064/khnum2-34.07.

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Statement of the problem. Orchestration is one of the spheres of a composer’s professional activity, and its ways and principles are a special subject of scientific research. There are a sufficient number of examples, when the composer turns to the orchestration of self-own piano works (F. Liszt, C. Saint-Saëns, M. Ravel, H. Villa-Lobos, M. Skoryk and others), but the orchestration of violin works is not widespread phenomenon. The proposed work reveals the ways of orchestrating the four parts of the cycle “Seven words about the kolomyika” for solo violin, written by the author of the
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Alekseeva, Irina V. "THE SOUND IDEAL IN INSTRUMENTAL MUSIC AND ITS EVOLUTION: RESEARCH PROBLEMS." Arts education and science 1, no. 34 (2023): 46–53. http://dx.doi.org/10.36871/hon.202301046.

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The article raises questions about the methodology of studying the phenomenon and concept of the sound standard of instrumental music. An attempt is made to determine the role of acoustic and psychological factors in its evolution. The desire to substantiate and clarify the ideas formed in musicology about the a priori properties of instrumental sound caused the author to turn to significant and promising ideas of scientists, which have not yet developed into a theory. The sound value orientations of the musicians of the second half of the XXth — early XXIst centuries in working with the sound
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Luo, Luo. "Practical Exploration on the Construction of Theoretical Courses of Composition Technology in the Age of Artificial Intelligence." Mobile Information Systems 2022 (August 31, 2022): 1–14. http://dx.doi.org/10.1155/2022/3099312.

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The theory of composition technology is to study the basic knowledge and skills of musicology, instrumental music, composition, and composition technology, including harmony, polyphony, musical form, orchestration, and so on, and then to analyze, create, and edit music. The current theory of composition technology has resulted in the phenomenon of relatively single form. The current method is the traditional way of composing music through the creation of composers. The defect is that various elements cannot be integrated together, and the meaning of music cannot be perfectly presented. In orde
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Hu, Yixin, Mansoor Ahmed Koondhar, and Rong Kong. "From Traditional to Smart: Exploring the Effects of Smart Agriculture on Green Production Technology Diversity in Family Farms." Agriculture 13, no. 6 (2023): 1236. http://dx.doi.org/10.3390/agriculture13061236.

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The application of smart agriculture is increasingly becoming a critical force in transforming the traditional methods of agricultural production in China. This change, based on technological innovation, is essential to promoting a sustainable production system in family farms. This study is based on the resource orchestration theory to investigate how smart agriculture affects the diversity of green production technologies (GPTs) on family farms. Based on a sample of 563 family farms surveyed in 2022, this study utilizes propensity score matching (PSM) methods and instrumental variables to an
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Wang, Yuzhe. "Corelli’s Concerti Grossi, Opus VI: Bridging Tradition and Innovation in the Baroque Concerto." Art Sciences 2, no. 1 (2025): 1–6. https://doi.org/10.70267/cezcry67.

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This paper explores the significance of Arcangelo Corelli's Concerti Grossi, Opus VI, in the development of the concerto form during the Baroque period. Its primary purpose is to analyze how Corelli's Concerti Grossi influenced the structure and style of subsequent instrumental compositions, particularly within the concerto genre. The research method includes a historical and stylistic analysis of the work, drawing on musical scores and secondary literature, such as the studies by Marc Pincherle and Peter Allsop, to assess Corelli’s contributions to music theory. And the data reviewed focuses
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Jaya, Yanuar Danan, and Pande Made Sukerta. "Komposisi Musik Tetabuhan Sandikala sebagai Interpretasi Suasana Siang Menuju Malam di Yogyakarta." PROMUSIKA 10, no. 2 (2022): 104–12. http://dx.doi.org/10.24821/promusika.v10i2.8157.

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Pada masyaraat Bali berkembang mitos larangan beraktivitas saat perpindahan waktu dari sore ke malam yang dipercaya sebagai terbukanya gerbang alam nyata dan ghaib. Penciptaan komposisi musik Tetabuhan Sandikala adalah wujud doa persembahan yang disajikan pada waktu sakral tersebut untuk mengekspresikan kesatuan kekuatan harmoni jiwa dan raga. Tujuan penciptaan karya ini adalah untuk mengungkap dan menginterpretasikan perubahan waktu tersebut sebagai Sang Waktu. Metode penciptaan karya menggunakan teori Niteni-Niroke-Nambahi (3N). Proses penciptaan meliputi tiga tahap garapan, yaitu penyusunan
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Trouche, Luc. "Managing the Complexity of Human/Machine Interactions in Computerized Learning Environments: Guiding Students’ Command Process through Instrumental Orchestrations." International Journal of Computers for Mathematical Learning 9, no. 3 (2004): 281–307. http://dx.doi.org/10.1007/s10758-004-3468-5.

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Dissertations / Theses on the topic "Instrumental Orchestration Theory"

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Lokuge, Kamburugamuwa Sachithra Prasadi. "Agile innovation: Innovating with enterprise systems." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/89657/1/Kamburugamuwa%20Sachithra%20Prasadi_Lokuge_Thesis.pdf.

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The contemporary organisations are presented with an eclectic collection of technologies that has dramatically shifted the process of innovation. This thesis investigates the nature and the process of attaining innovation through the modern IT portfolio. A qualitative study of nine organizations was conducted. The results identified that the modern IT portfolio innovates through a new innovation process called 'agile innovation,' which differs from the existing innovation types.
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Books on the topic "Instrumental Orchestration Theory"

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Chŏn, In-p'yŏng. Kugak kwanhyŏnakpŏp: Orchestration for Korean traditional instruments. Asia Ŭmak Hakhoe, 2017.

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Pak, Pom-hun. Chakkok, pyongok ul wihan kugakki ihae =: A practical guide, Korean musical instruments for composition and arrangement. Segwang Umak Chulpansa, 1992.

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Matthews, Nathan R. Orchestrators in their Own Words. Edited by Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0009.

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This chapter looks closely at the practice of turning Sondheim’s original scores into fully realized orchestrations. Sondheim delivers his scores to his orchestrators with every note composed. While he has close relationships with his orchestrators and reviews every measure of the music with them, he does not involve himself in terms of specific instruments. The orchestras for the original Broadway productions of his shows had more musicians than producers are willing to fund in the twenty-first century. In the new millennium, Sondheim embraces the evolution of theatrical economics and consequ
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Conference papers on the topic "Instrumental Orchestration Theory"

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Staneva, Valentina, Soham Butala, Landung (Don) Setiawan, and Wu-Jung Lee. "Echodataflow: Recipe-based Fisheries Acoustics Workflow Orchestration." In Python in Science Conference. SciPy, 2024. http://dx.doi.org/10.25080/jxdk4427.

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With the influx of large data from multiple instruments and experiments, scientists are wrangling complex data pipelines that are context-dependent and non-reproducible. We demonstrate how we leverage Prefect (Prefect, 2024), a modern orchestration framework, to facilitate fisheries acoustics data processing. We built a Python package Echodataflow (Echodataflow, 2024) which 1) allows users to specify workflows and their parameters through editing text “recipes” which provide transparency and reproducibility of the pipelines; 2) supports scaling of the workflows while abstracting the computatio
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