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Books on the topic 'Instrumento virtual'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Baican, R. Applied virtual instrumentation. Southampton: WIT, 2000.

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2

Bulmer, Russell K. Gestural interfaces to virtual reality musical instruments. Manchester: University of Manchester, Department of Computer Science, 1996.

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3

Barbosa, Lúcio de Oliveira. Duplicata virtual: Aspectos controvertidos. São Paulo: Memória Jurídica Editora, 2004.

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4

Serbinski, Theodore Joseph. Design of electronic experiments using computer generated virtual instruments. Monterey, Calif: Naval Postgraduate School, 1994.

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5

IEEE International Symposium on Virtual and Intelligent Measurement Systems (7th 2002 Girdwood, Anchorage, Alaska). VIMS 2002: 2002 IEEE International Symposium on Virtual and Intelligent Measurement Systems : Distributed intelligent sensing for advanced integrated virtual environments : Alyeska resort, Girdwood, Alaska, USA, 19-20 May 2002. Piscataway, N.J: IEEE, 2002.

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6

IEEE Instrumentation and Measurement Society. and ISA--The Instrumentation, Systems, and Automation Society., eds. VIMS 2001: 2001 IEEE International Workshop on Virtual and Intelligent Measurement Systems : Hotel Gellért, Budapest, Hungary, 19-20 May 2001 : integrating heterogeneous components into composite systems for quantitative intelligent virtual reality. Piscataway, NJ: IEEE, 2001.

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7

Xul Solar, un músico virtual: La música en su vida y obra. Buenos Aires: Gourmet Musical Ediciones, 2007.

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8

Roth, Don J. The new Cloud Absorption Radiometer (CAR) software: One model for NASA remote sensing virtual instruments. [Cleveland, Ohio]: National Aeronautics and Space Administration, Glenn Research Center, 2001.

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9

Gelin, Chrystel. A High-Rate Virtual Instrument of Marine Vehicle Motions for Underwater Navigation and Ocean Remote Sensing. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013.

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10

Gelin, Chrystel. A High-Rate Virtual Instrument of Marine Vehicle Motions for Underwater Navigation and Ocean Remote Sensing. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-32015-6.

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11

How do we want the past to be?: On methods and instruments of visualizing ancient reality. Piscataway, NJ: Gorgias Press, 2015.

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12

Verbeek, Bruno. Instrumental rationality and moral philosophy: An essay on the virtues of cooperation. Dordrecht: Kluwer Academic, 2001.

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13

Verbeek, Bruno. Instrumental rationality and moral philosophy: An essay on the virtues of cooperation. Dordrecht: Kluwer Academic Publishers, 2002.

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14

Emagic Logic Virtual Instruments. PC Publishing, 2003.

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15

Applied Virtual Instrumentation. Great Britain: WIT Press, 2000.

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16

Using Reason's Virtual Instruments: Skill Pack. Thomson Course Technology, 2006.

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17

De Souza, Jonathan. Horns To Be Heard. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190271114.003.0007.

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How do listeners relate to musial instruments that they do not play? This chapter investigates technically mediated modes of listening in the context of Haydn’s horn music. The valveless horns in Haydn’s orchestra had distinctive pitch affordances, which gave rise to several idiomatic figures. This instrumental invariance can shape tonal expectations, affecting how the music appears to listeners. Haydn (and other composers) also used horn calls in compositions for other instrumental forces. If situated listeners are attuned to schematic instrumental textures—if, for example, they can hear virtual horns in a string quartet or piano piece—this implies that their perception is grounded in multimodal experiences of instruments. Like performance, then, listening is both embodied and conditioned by technology.
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18

Interfacing laboratory instruments to multiuser, virtual memory computers. [Washington, D.C.]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Division, 1989.

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19

Buthiau, Didier, and David Khayat. Virtual Endoscopy. Springer, 2002.

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20

1953-, Buthiau Didier, and Khayat David, eds. Virtual endoscopy. Berlin: Springer, 2003.

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21

Virtual Haydn: Paradox of a Twenty-First Century Keyboardist. University of Chicago Press, 2014.

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22

Software Synthesizers: The Definitive Guide to Virtual Musical Instruments. Backbeat Books, 2003.

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23

Blume, Peter A. The LabVIEW Style Book (National Instruments Virtual Instrumentation Series). Prentice Hall PTR, 2007.

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24

Professional Guide to Audio Plug-ins and Virtual Instruments. Focal Press, 2003.

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25

The LabVIEW Style Book (National Instruments Virtual Instrumentation Series). Prentice Hall PTR, 2007.

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26

Travis, Jeffrey. LabVIEW for Everyone (2nd Edition) (National Instruments Virtual Instrumentation Series). Prentice Hall PTR, 2001.

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27

Travis, Jeffrey. LabVIEW for Everyone (2nd Edition) (National Instruments Virtual Instrumentation Series). 2nd ed. Prentice Hall PTR, 2001.

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28

Collins, Mike. A Professional Guide to Audio Plug-ins and Virtual Instruments. Routledge, 2012. http://dx.doi.org/10.4324/9780080497846.

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29

Di Paolo, Ezequiel A., Thomas Buhrmann, and Xabier E. Barandiaran. Virtual actions and abstract attitudes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198786849.003.0008.

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This chapter discusses the claim that enactivism cannot account for “representation-hungry” cognitive performance. Clusters of sensorimotor schemes suggest a way in which the virtual sensitivities inherent in every act of sense-making can be extended beyond the immediate situation by means of virtual actions. These are regulations performed by the agent that alter the functional relations between potential acts in a given activity. The chapter also reconsiders the question of object perception. Evidence suggests that adopting an abstract perceptual attitude toward an object (seeing it beyond its instrumental use) is a social skill, both in terms of how it develops and in terms of what this attitude entails, particularly as a form of decentering. Both of these analyses sketch viable routes through which enactivism can claim to address complex cognitive phenomena that previously only seemed explainable via the use of internal representations.
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30

Virtual Bio-Instrumentation: Biomedical, Clinical, and Healthcare Applications in LabVIEW. Prentice Hall PTR, 2001.

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31

Trevor C, Hartley. Part III Recognition and Enforcement, 19 Brussels and Lugano: Authentic Instruments and Court Settlements. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198729006.003.0019.

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This chapter deals with the enforcement of two special kinds of legal instruments: authentic instruments and court settlements. Both are contracts and derive their validity from the consent of the parties. They normally acknowledge the indebtedness of one party to the other. Court settlements are usually concluded to put an end to a dispute. The special feature of both instruments is the way in which they are concluded, and it is this which gives them a special status in the country of origin, often equivalent to <i>res judicata</i>. What is striking about the provisions on these instruments in Brussels and Lugano is that the enforcement of an authentic instrument or court settlement originating in one Member State (Lugano State) is virtually automatic in other Member States (Lugano States): public policy is stated to be the only ground on which it may be contested.
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32

LabVIEW interface concepts used in NASA scientific investigations and virtual instruments. [Cleveland, Ohio]: National Aeronautics and Space Administration, Glenn Research Center, 2001.

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33

J, Roth Don, and NASA Glenn Research Center, eds. LabVIEW interface concepts used in NASA scientific investigations and virtual instruments. [Cleveland, Ohio]: National Aeronautics and Space Administration, Glenn Research Center, 2001.

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34

PERES, C. S. As Moedas Virtuais como Instrumento de Redução de Desigualdades. Dialética, 2021. http://dx.doi.org/10.48021/978-65-5956-204-6.

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35

Jurgen, Ronald, ed. Electronic Instrument Panel Displays. SAE International, 1998. http://dx.doi.org/10.4271/9780768002270.

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Electronic instrument panel displays systems covers the many technical considerations of instrument panel display systems including brightness, contrast, temperature sensitivity, space requirements, color capabilities and human factors concepts. As part of the Progress in Technology Electronics Series, this book contains 40 technical papers written in the last eleven years on the progress of instrument panel displays and their corresponding electronic systems. Papers are grouped according to display technology and present the most recent advances in that area plus several of historical interest. Electronic Instrument Panel Display Systems is divided into ten sections: vacuum fluorescent displays; fluorescent indicator panels; liquid crystal displays; electroluminescent displays; light emitting diode displays; electroluminescent displays; light emitting diode displays; cathode ray tube displays; head up displays; virtual and holographic displays; reconfigurable displays; and human factors considerations.
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36

A Highrate Virtual Instrument Of Marine Vehicle Motions For Underwater Navigation And Ocean Remote Sensing. Springer, 2012.

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37

Vims 2002: 2002 IEEE International Symposium on Virtual and Intelligent Measurement Systems : Alyeska Resort Girdwood, Alaska USA 19-20 May 2002. Ieee, 2002.

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38

La empresa virtual : la estructura cosmos. soluciones e instrumentos de transformación de la empresa. Cuesta Fernandez, Felix: McGraw-Hill Interamericana, 1998.

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39

Travis, Jeffrey, and Jim Kring. LabVIEW for Everyone: Graphical Programming Made Easy and Fun (3rd Edition) (National Instruments Virtual Instrumentation Series). Prentice Hall PTR, 2006.

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40

Travis, Jeffrey, and Jim Kring. LabVIEW for Everyone: Graphical Programming Made Easy and Fun (3rd Edition) (National Instruments Virtual Instrumentation Series). 3rd ed. Prentice Hall PTR, 2006.

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41

A, Rapchun David, Jones Hollis H, and NASA Glenn Research Center, eds. The new Cloud Absorption Radiometer (CAR) software: One model for NASA remote sensing virtual instruments. [Cleveland, Ohio]: National Aeronautics and Space Administration, Glenn Research Center, 2001.

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42

Commission, International Joint, ed. Economic instruments for the virtual elimination of persistent toxic substances in the Great Lakes Basin. Windsor: International Joint Commission, 1994.

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43

Gelin, Chrystel. A High-Rate Virtual Instrument of Marine Vehicle Motions for Underwater Navigation and Ocean Remote Sensing. Springer, 2012.

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44

Giuliani, Luca. Lessing’s Laocoon as Analytical Instrument. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802228.003.0004.

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Luca Giuliani evaluates Laocoon as an ‘analytical tool’ for twenty-first-century classical archaeology. In doing so, he returns to some of the same literary case studies that so engrossed Lessing 250 years ago—and none more so than Homer’s Iliad. By probing Lessing’s theories of the respective workings of art and text, and exploring them in the context of ancient depictions of the Iliad (especially seventh- and sixth-century BC vase-paintings), the chapter explores both the virtues and the problems of Lessing’s account. As Giuliani argues, this historical perspective can help us formulate the analytical importance of Lessing’s framework; at the same time, the perspective of ancient art can help us see how Lessing’s text is as much a treatise against as about the visual arts.
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45

Trevor C, Hartley. Part I General and Introductory, 2 International and Territorial Application. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198729006.003.0002.

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This chapter discusses the scope of the Brussels 2012, Lugano 2007, and the Hague Convention. This is an important issue because if a case is outside their scope, they will not apply. It considers the international and territorial aspects: the rule that the instruments apply only in situations with an international element; and the fact that they apply only to particular territories. All three instruments apply in the European Union as part of EU law. Their territorial scope is, first and foremost, to be determined by looking at the EU Treaties. In the non-EU Parties to Lugano and Hague, the position is different. In those States, the instruments apply by virtue of international law.
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46

Pettigrove, Glen. Alternatives to Neo-Aristotelian Virtue Ethics. Edited by Nancy E. Snow. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199385195.013.31.

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Most contemporary variants of virtue ethics have a neo-Aristotelian timbre. However, standing alongside the neo-Aristotelians are a number of others playing similar tunes on different instruments. This chapter highlights the four most important virtue ethical alternatives to the dominant neo-Aristotelian chorus. These are Michael Slote’s agent-based approach, Linda Zagzebski’s exemplarism, Christine Swanton’s target-centered theory, and Robert Merrihew Adams’s neo-Platonic account. What these four approaches showcase is the range of possible theoretical structures available to virtue ethicists. A virtue ethicist might attempt to define other normative qualities like goodness or rightness in terms of virtuous traits. But she need not. Instead, she might develop a theory in which virtue is fundamental but other normative qualities obey a logic that is at least partially independent of virtue. This chapter draws attention to an exciting range of possibilities for virtue ethics that both critics and advocates alike will want to explore.
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47

Oleskiewicz, Mary. Keyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041488.003.0002.

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Using historical architectural plans, inventories, and images, this study locates and describes the musical spaces and the keyboard instruments upon which Johann Sebastian, Carl Philipp Emanuel, and Wilhelm Friedemann Bach would have performed at the Prussian court. King Frederick II’s many palaces—and those of the king’s close family members—featured from one to five music rooms, in addition to small palace theaters and orangeries. Oleskiewicz takes the reader on a virtual tour of each palace (with help of an illustrated web companion) and solves many long-standing puzzles about enigmatic features of several keyboard works, specific locations of known performances at court by the Bachs, and the numbers and types of organs, fortepianos and other keyboards at court by Marx, Shudi, Silbermann, and others.
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48

Costley White, Khadijah. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190879310.003.0005.

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I conclude that the press played much more than an instrumental role in relaying the Tea Party brand and that this study highlights the specific ways in which the distinctions between campaigners, political strategists, and news media professionals are becoming increasingly irrelevant. At its core, the Tea Party news story was a narrative that questioned authenticity in a branding environment, a cultural text indicative of a period marked by skepticism, terrorism, anxiety, and doubt about both the virtual and physical worlds (and their interplay). These news narratives provide insight into American culture and expose the function of the press and political news in an era marked by advances in digital technology and media segmentation.
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49

Christanus Campililiensis, Opera poetica: Instrumenta lexicologica latina. Turnhout: Brepols, 1993.

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50

Vivian, Bradford. Regret. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611088.003.0004.

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Chapter 3 explores the rhetoric of witnessing that contemporary Western officials regularly employ as an instrument of national and international statecraft. The idea that civic leaders may improve political affairs and enhance their political legitimacy by encouraging the public to bear witness to past injustice and tragedy is a now-commonplace feature of national as well as international politics. Chapter 3 demonstrates how politicians and political institutions have, in recent decades, adopted the rhetoric of witnessing in political address, particularly in order to demonstrate regret, engage in rites of apologia, or participate in somber commemoration. President George W. Bush’s remarks on transatlantic slavery during a 2003 state visit to Gorée Island, Senegal, includes a virtual compendium of tropes and idioms that political officials customarily employ on such occasions. To examine the details of his address is to examine essential aspects of the regretful appeals and rituals of political witnessing that officials now employ routinely in an effort to demonstrate both moral and political legitimacy.
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