Relevant bibliographies by topics / Instruments à percussion

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  1. Journal articles

Academic literature on the topic 'Instruments à percussion'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Instruments à percussion"

1

Traldi, Cesar Adriano. "Exploração tímbrica em composição para tímpanos solo." ouvirOUver 13, no. 1 (2017): 190. http://dx.doi.org/10.14393/ouv20-v13n1a2017-14.

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Apesar de ser o instrumento de percussão mais utilizado no repertório orquestral, os tímpanos foram pouco explorados como instrumento solista até a metade do século XX. A evolução na construção e performance dos tímpanos e o surgimento de novas correntes composicionais no século XX tornaram possível explorações sonoras inovadoras nesse instrumento. Nesse artigo apresentamos uma composição para tímpanos solo onde a exploração tímbrica foi utilizada como principal elemento composicional. As possibilidades aqui descritas demonstram o grande potencial sonoro desse instrumento e a importância da pe
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2

Zekang, Chen. "SYMPHONY CONCERTO FOR PERCUSSION AND ORCHESTRA "SACRED FIRE 2008" BY TANG JIANPING: THE PROGRAM AND ITS INSTRUMENTAL IMPLEMENTATION." Arts education and science 1, no. 4 (2020): 55–62. http://dx.doi.org/10.36871/hon.202004007.

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The article introduces the famous Chinese composer Tang Jianping's "Sacred Fire 2008" Symphony Concerto for percussion instruments for the first time. The composition inherits the principles of a classical concert, in which the idea of a competition between a solo instrument (or a group of instruments) and an orchestra is brought to the fore. The Concerto was written for a triple orchestra with a significant expansion of the percussion instrument group, which are represented by both European varieties and national phono instruments (small Chinese cymbals and Peking Gong), helping the composer
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3

Bielova, Yelyzaveta. "Sound images of percussion instruments: modernity and retrospections." Aspects of Historical Musicology 19, no. 19 (2020): 120–39. http://dx.doi.org/10.34064/khnum2-19.07.

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Introduction. The widespread use of percussion instruments is a worldwide trend in artistic practice of the 20th – early 21st centuries, whose existence is due to the constant development of composer creativity and the performing art of percussion instruments playing. The named vectors of musical activity are linked inextricably, since one direction contributes to the development of another. Nevertheless, there are not still fundamental scientific works would investigate the evolution of wind instruments from the beginnings to the present in the designated context of the interaction between co
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4

Mamcheva, N. A. "Ainu percussion instruments." Languages and Folklore of Indigenous Peoples of Siberia, no. 41 (2021): 32–46. http://dx.doi.org/10.25205/10.25205/2312-6337-2021-1-32-46.

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Ainu people are the indigenous inhabitants of Sakhalin, the Kuril Islands, and Hokkaido. This work aimed to study Russian and Japanese museum funds, analyze musical transcripts performed by the author, and review Russian and Japanese academic literature. The article deals with the percussion musical and sound instruments of the Ainu – idiophones and membranophones. The term “sound instrument” refers to archaic sound instruments that were not usually perceived as musical. They were considered as such only at the moment of their sounding. The author pays special attention to poorly studied instr
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5

Rossing, Thomas D., and Antoine Chaigne. "Science of Percussion Instruments." Journal of the Acoustical Society of America 110, no. 1 (2001): 15. http://dx.doi.org/10.1121/1.1379084.

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Rossing, Thomas D., and Mark French. "Science of Percussion Instruments." American Journal of Physics 69, no. 9 (2001): 1020–21. http://dx.doi.org/10.1119/1.1383603.

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7

Phillips, Robert. "Maerzmusik 2017, Berlin." Tempo 71, no. 282 (2017): 85–87. http://dx.doi.org/10.1017/s0040298217000663.

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One particularly engaging historical inquiry at Maerzmusik 2017 was the concert titled Re-inventing Smetak, a concert with two documentary interludes on Brazil-based composer and instrument builder Walter Smetak, as well as premieres of commissions of living composers to write for his instruments, most notably Liza Lim's Ronda – The Spinning World, which integrated Smetak's conceptualisation of the world as ‘polarities of energy flowing across and spiraling around axes of evolution and he built his instruments or Plásticas Sonoras (sound sculptures) to express his complex symbology of spiritua
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8

Bessell, David. "Dynamic Convolution Modeling, a Hybrid Synthesis Strategy." Computer Music Journal 37, no. 1 (2013): 44–51. http://dx.doi.org/10.1162/comj_a_00159.

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This article outlines a hybrid approach to the synthesis of percussion sounds. The synthesis method described here combines techniques and concepts from physical modeling and convolution to produce audio synthesis of percussive instruments. This synthesis method not only achieves a high degree of realism in comparison with audio samples but also retains some of the flexibility associated with waveguide physical models. When the results are analyzed, the method exhibits some interesting detailed spectral features that have some aspects in common with the behavior of acoustic percussion instrume
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9

Scott, E. K. Ellington. "Drums speak too: An examination of modern percussion instruments in the jazz idiom." Journal of the Acoustical Society of America 151, no. 4 (2022): A183. http://dx.doi.org/10.1121/10.0011036.

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Jazz has been a leading force in the evolution of music in the United States. The complexity of rhythmic and harmonic languages has grown from the birth of jazz improvisation. Modern percussion instruments played a fundamental role in the development of rhythmic language. Improvised figures between the soloist and sectionals have cultivated a vocabulary still utilized by modern drummers and percussionists today. Moreover, evolving styles matured into a more sophisticated language, demanding a more refined instrument. This presentation explores the development of modern percussion instruments w
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10

Huang, Shuai. "Instrumental Performance on Wind and Percussion Instruments in the Context of Traditional Rituals, Accompanying Work in China." Scientific and analytical journal Burganov House. The space of culture 18, no. 1 (2022): 101–17. http://dx.doi.org/10.36340/2071-6818-2022-18-1-101-117.

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The article analyses the principles of using Chinese wind and percussion instruments in the genre of songs accompanying work. The article is devoted to the issue of instrumental accompaniment in the performance of work songs. The focus is on traditional Chinese wind instruments and percussion instruments; issues such as instrumental combinations and musicians are considered. The historical research method and source studies, longitudinal observation, and musicological analysis of audio and video materials were applied. The author concludes that the instrumental accompaniment of work is a rathe
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