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Books on the topic 'Instruments en architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Weinstock, Michael. TS, artefacts and instruments: [material forms and formulations of thought. London: Architectural Association, 1998.

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2

Nandagopal, Choodamani. Dance and music in the temple architecture. Delhi: Agam Kala Prakashan, 1990.

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3

Hennaut, Eric. Old England and the Musical instruments museum, Brussels. [Brussels]: AAM Éditions, 2001.

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4

Wakerly, John F. Microcomputer architecture and programming: The 68000 family. New York: Wiley, 1989.

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5

Microcomputer architecture and programming: The 68000 family. New York: Wiley, 1989.

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6

Instrumenten van de architectuur: De compositie van gebouwen. Amsterdam: SUN, 2004.

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7

Joint Workshop on High Confidence Medical Devices, Software, and Systems and Medical Device Plug-and-Play Interoperability (2007 Cambridge, Mass.). 2007 Joint Workshop on High Confidence Medical Devices, Software, and Systems and Medical Device Plug-and-Play Interoperability: HCMDSS//MD PnP 2007 : improving patient safety through medical device interoperability and high confidence software : proceedings : 25-27 June 2007, Cambridge, Massachusetts. Piscataway, N.J: IEEE, 2007.

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8

Bertocci, Stefano, Marco Bini, and Saverio Mecca, eds. Documentation for conservation and development. Florence: Firenze University Press, 2006. http://dx.doi.org/10.36253/8884534933.

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Documentation for conservation and development. New heritage strategy for the future collects the contributions to the 11th International Seminar (Florence 11-15 september 2006). The seminar showed the research realized on specific themes regarding the analysis, documentation and exploitation of both architectural properties and material and immaterial heritage with the purpose of its conservation and future development. Scientific knowledge, work and documentation about architecture and urban environment, the relationship with territory, as well as material and immaterial heritage, become formidable instruments for the comprehension and exploitation of the universe of data and signs given by history and culture, regarding in substance human life that founds and takes place in a certain geographic area.
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9

L'habitat crétois: Instrument et symbole de la société. Paris: L'Harmattan, 2011.

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10

Monnier, Gérard. La porte: Instrument et symbole. Paris: Alternatives, 2004.

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11

Shteĭnberg, A. I͡A. Metody i instrumenty arkhitekturnogo proektirovanii͡a. 2nd ed. Moskva: Stroĭizdat, 1992.

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12

Fuchs, Guillermo L. El auditorium como instrumento musical integrador. Córdoba, R.A: Facultad de Arquitectura y Urbanismo, Universidad Nacional de Córdoba, 1989.

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13

Wawrik, Gunther. Gunther Wawrik: Architektur zwischen Bricolage und Instrument. Edited by Fachhochschule München (Germany). Fachbereich Architektur. Salzburg: Pustet, 2000.

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14

Rushby, John. Partitioning in avionics architectures: Requirements, mechanicsms, and assurance. Hampton, VA: Langley Research Center, National Aeronautics and Space Administration, 1999.

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15

Heywood, Brian. PC music handbook. 2nd ed. Tonbridge: PC Publishing, 1996.

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16

Prabhakar, A. Economic analysis of local area augmentation system and alternative architectures. [Washington, D.C.]: Dept. of Transportation, Research and Special Programs Administration, 1996.

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17

Doornbos, Richard. From scientific instrument to industrial machine: Coping with architectural stress in embedded systems. Dordrecht: Springer Netherlands, 2012.

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18

De kleur van de stad: Kleur als instrument van ruimtelijke ordening, stedenbouw en architectuur. Amsterdam: SUN, 2012.

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19

The royal temple of Rajaraja: An instrument of imperial Cola power. New Delhi: Abhinav Publications, 2003.

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20

Tipología: Apuntes para una investigación : la arquitectura considerada como instrumento biológico : Programa Helios. [Buenos Aires?]: Miniediciones Helios, 2003.

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21

Groenewoud, Co. Klinkend langs de duinvoet: Kerkelijke bouwkunst, orgels en klokken in Heiloo, Egmond, Bergen en Schoorl. Schoorl: Pirola, 1987.

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22

Davidson, C. H. Sir John Sutton: A study in true principles. Oxford: Positif Press, 1992.

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23

Malavolta, Mariano. La Chiesa dell'Annunziata. 2nd ed. Cossignano: Comune di Cossignano, 2010.

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24

Łyjak, Wiktor Z. Organy na Mazowszu w diecezji płockiej od XIV wieku do 1818 roku. Płock: Towarzystwo Naukowe Płockie, 2005.

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25

Könner, Klaus. Der süddeutsche Orgelprospekt des 18. Jahrhunderts: Entstehungsprozess und künstlerische Arbeitsweisen bei der Ausstattung barocker Kirchenräume. Tübingen: E. Wasmuth, 1992.

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26

Andrzej, Szypowski, ed. Oliwa: Muzyka wieków. [Warszawa]: Wydawnictwo Interpress, 1987.

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27

Szypowska, Maria. Oliwa: Muzyka wieków. 2nd ed. Warszawa: Fundacja Artibus-Wurlitzer oraz, 1991.

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28

Klaus, Moessner, Presser Mirko, Meissner Stefan, and SpringerLink (Online service), eds. Smart Sensing and Context: 4th European Conference, EuroSSC 2009, Guildford, UK, September 16-18, 2009. Proceedings. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009.

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29

Yangquan miao hui: Yang quan miao hui. Beijing Shi: Fang zhi chu ban she, 2010.

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30

Nettleton, Sarah, Christina Buse, and Daryl Martin. Materialities of Care: Encountering Health and Illness Through Artefacts and Architecture. Wiley & Sons, Incorporated, John, 2018.

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31

Nettleton, Sarah, Christina Buse, and Daryl Martin. Materialities of Care: Encountering Health and Illness Through Artefacts and Architecture. Wiley & Sons, Incorporated, John, 2018.

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32

Stevens, Darren W. Design and architecture of an improved microcomputer-controlled perturbed angular correlation spectrometer. 1992.

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33

/Pirlot, Hennaut /Liesens. Old England et le Musée des Instruments de Musique. Bruxelles. Bruxelles, Belgium: Éditions Archives d'Architecture Moderne, 2000.

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34

Erscheinungen aus dem Jetzt: Technologische Instrumentierung in Musik, Design, Architektur, Kunst = Images now : instruments oftechnology in music, design, architecture, art. Mu nchen: BMW AG O ffentlichkeitsarbeit (Hg.), 1992.

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35

Jones, Wes. Instrumental Form: (Boss Architecture). Princeton Architectural Press, 1998.

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36

Schrijver, Lara, ed. The Tacit Dimension. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461663801.

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Within architecture, tacit knowledge plays a substantial role both within the design process and its reception. This book explores the tacit dimension of architecture in its aesthetic, material, cultural, design-based, and reflexive understanding of what we build. Much of architecture’s knowledge resides beneath the surface, in nonverbal instruments such as drawings and models that articulate the spatial imagination of the design process. Tacit knowledge, described in 1966 by Michael Polanyi as what we ‘can know but cannot tell’, often denotes knowledge that escapes quantifiable dimensions of research. Beginning in the studio, where students are guided into becoming architects, the book follows a path through the tacit knowledge present in models, materials, conceptual structures, and the design process, revealing how the tacit dimension leads to craftsmanship and the situated knowledge of architecture-in-the-world. Awareness of the tacit dimension helps to understand the many facets of the spaces we inhabit, from the ideas of the architect to the more hidden assumptions of our cultures.
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37

Lopotenco, Viorica. DEVELOPMENT OF THE NEW INTERNATIONAL FINANCIAL ARCHITECTURE AT THE NATIONAL FINANCIAL SYSTEMS LEVEL. RS Global S. z O.O., 2020. http://dx.doi.org/10.31435/rsglobal/027.

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The fundamental purpose of this paper is to analyze the transformations in the international financial architecture and their impact on the national financial system. The analysis of the international financial architecture's functioning mechanism suggests its similarity with the software system structure. It is static in the way the system functionality is decomposed and divided into implementation teams. The efficiency of international financial architecture's functioning depends mainly on how balanced and interconnected its elements are. Thus, according to systems theory, only by overcoming the deformation of the international financial architecture at all its levels, it is possible to increase the financial system's overall performance. In this regard, maintaining a dynamic balance in the development of the international financial architecture as an integral unit of its structural elements and functions is becoming of urgent importance. This aspect of the research allows the creation of an instrumental and methodological basis for forecasting the directions for further developing the international financial architecture in the context of the globalization of the world economy at the national financial systems level. This study concludes that the complex solution of the international financial architecture challenges involves creating the foundations for implementing progressive structural changes in the economy and contributing to sustainable economic development.
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38

1958-, Jones Wes, ed. Instrumental form: Designs for words, building, machines. New York: Princeton Architectural Press, 1998.

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39

Dawson, Mark. New Governance in the EU after the Euro Crisis—Retired or Reborn? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817468.003.0005.

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This chapter explores the place of new modes of governance among the EU’s legal acts ‘after’ the onset of the sovereign debt and euro crises. While the last decade has seen a period of supposed decline in such instruments, the chapter argues that the euro crisis has returned an altered form of new governance to prominence as a way of managing complex, multilevel problems that traditional regulation cannot easily solve. The empirical drift back to new governance instruments is also examined normatively. Analysing the development of the European Semester, the chapter questions the suitability of new governance instruments to the harmonizing tasks to which they are currently being put. By abandoning the earlier focus of new governance on experimental policy learning between states, the EU may also be abandoning the most promising impact of new governance instruments on the EU’s legal architecture.
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40

1949-, Schmidt J. Alexander, and Töllner Martin 1967-, eds. StadtLicht: Lichtkonzepte für die Stadtgestaltung : Grundlagen, Methoden, Instrumente, Beispiele. Stuttgart: Fraunhofer IRB, 2006.

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41

Concept: A Dialogic Instrument in Architectural Design. Jovis Verlag GmbH, 2016.

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42

Instrument bus: An electric system architecture for oceanographic instrumentation. Woods Hole, Mass: Woods Hole Oceanographic Institution, 1986.

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43

City and Wind: Climate As an Architectural Instrument. DOM Publishers, 2014.

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44

L, Allen Cheryl, and United States. National Aeronautics and Space Administration. Scientific and Technical Information Division., eds. Data base architecture for instrument characteristics critical to spacecraft conceptual design. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Division, 1990.

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45

PC Music Handbook. 2nd ed. Cimino Publishing Group, 1996.

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46

Stewart, Lauren, Katharina von Kriegstein, Simone Dalla Bella, Jason D. Warren, and Timothy D. Griffiths. Disorders of Musical Cognition. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0017.

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This article presents an overview of case studies of acquired disorders of musical listening. Like any cognitive faculty, music is multifaceted, and the identification of the neural basis of any complex faculty must proceed, hand in hand, with an elucidation of its cognitive architecture. The past decade has seen an evolution in the theoretical models of musical processing, allowing the development of theoretically motivated instruments for the systematic evaluation of musical disorders. Such developments have allowed reports of musical disorders to evolve from historical anecdotes to systematic, verifiable accounts that can play a critical role in contributing to our understanding of the cognitive neuroscience of music.
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47

Accommodation for Magnetic Resonance Imaging (Health Building Note). Stationery Office Books, 1994.

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48

Giovanni, Battistelli, ed. Organi e cantorie nelle chiese di Roma. Roma: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 1994.

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49

Susan, Piedmont-Palladino, ed. Tools of the imagination: Drawing tools and technologies from the eighteenth century to the present. New York, N.Y: Princeton Architectural Press, 2007.

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50

Doornbos, Richard, and Sjir van Loo. From scientific instrument to industrial machine: Coping with architectural stress in embedded systems. Springer, 2012.

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