Relevant bibliographies by topics / Intaglio

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Intaglio'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Intaglio"

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Saleh, Dennis. "Intaglio." Psychological Perspectives 58, no. 1 (January 2, 2015): 108–9. http://dx.doi.org/10.1080/00332925.2015.1004987.

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Crawford, Steve. "Janus-headed intaglio." Northern Ireland Legal Quarterly 68, no. 3 (November 7, 2017): 305–16. http://dx.doi.org/10.53386/nilq.v68i3.42.

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The traditional use of research methods is to provide a framework for constructing a project to address particular questions or interests. The idea behind this is that, by utilising these frameworks, research will be assessable by other researchers who are then able to judge any given research output through a common framework, while still allowing each project to stand (or fall) on its own merits. At risk of getting lost, or silenced, in this process is any attention to how the individual researcher understands their own project. This article explores the potential for developing a self-reflective research method. How does the researcher engage with, and understand, their own work? How does this provide a new pathway for disseminating research to others within the academic community? How does an object-centred approach to this self-reflection aid in engaging both the researcher and the audience in a shared experience?
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Henig, Martin. "An Inscribed Intaglio." Britannia 16 (1985): 241. http://dx.doi.org/10.2307/526404.

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Son, Keunbada, Jung-Ho Lee, and Kyu-Bok Lee. "Comparison of Intaglio Surface Trueness of Interim Dental Crowns Fabricated with SLA 3D Printing, DLP 3D Printing, and Milling Technologies." Healthcare 9, no. 8 (August 3, 2021): 983. http://dx.doi.org/10.3390/healthcare9080983.

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This study aimed to evaluate the intaglio surface trueness of interim dental crowns fabricated with three 3-dimensional (3D) printing and milling technologies. Dental crown was designated and assigned as a computer-aided design (CAD) reference model (CRM). Interim dental crowns were fabricated based on CRM using two types of 3D printer technologies (stereolithography apparatus and digital light processing) and one type of milling machine (n = 15 per technology). The fabricated interim dental crowns were obtained via 3D modeling of the intaglio surface using a laboratory scanner and designated as CAD test models (CTMs). The alignment and 3D comparison of CRM and CTM were performed based on the intaglio surface using a 3D inspection software program (Geomagic Control X). Statistical analysis was validated using one-way analysis of variance and Tukey HSD test (α = 0.05). There were significant differences in intaglio surface trueness between the three different fabrication technologies, and high trueness values were observed in the milling group (p < 0.05). In the milling group, there was a significant difference in trueness according to the location of the intaglio surface (p < 0.001). In the manufacturing process of interim dental crowns, 3D printing technologies showed superior and uniform manufacturing accuracy than milling technology.
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Sanda, Koma, Noriyuki Yasunami, Maki Okada, Akihiro Furuhashi, and Yasunori Ayukawa. "Accuracy of the Intra- and Extra-Oral Scanning Technique for Transferring the Intaglio Surface of a Pontic of Provisional Restorations to Definitive Restorations." Materials 14, no. 21 (October 29, 2021): 6489. http://dx.doi.org/10.3390/ma14216489.

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When taking the final impression for a three-unit fixed partial denture (FPD), the intaglio surface of the pontic of provisional restoration cannot be transferred accurately to that of definitive restoration. The intra- and extra-oral scanning (IEOS) technique, a method for accurately reproducing the submucosal morphology of the superstructure of an implant, has been reported using an intraoral scanner. In the present study, we evaluated the difference between the conventional impression method using impression material and the IEOS technique in reproducing the morphology of the surface of the pontic of a definitive FPD. There was a significant difference in the trueness of the intaglio surface morphology of the pontic between the conventional method and the IEOS technique; however, no significant difference in precision was observed. As a result, the intaglio surface of the pontic of the three-unit FPD could be transferred to definitive restorations more accurately with the IEOS technique than with the conventional method. These results suggest that the IEOS technique can duplicate the intaglio surface of the pontic more reproducibly to the definitive restorations compared with the conventional method.
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Mohsin, Abdul Habeeb Bin. "Obturator with favorable intaglio extension." International Journal of Case Reports and Images 8, no. 12 (2017): 834. http://dx.doi.org/10.5348/ijcri-201728-cl-10138.

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Anami, LC, JMC Lima, LF Valandro, CJ Kleverlaan, AJ Feilzer, and MA Bottino. "Fatigue Resistance of Y-TZP/Porcelain Crowns is Not Influenced by the Conditioning of the Intaglio Surface." Operative Dentistry 41, no. 1 (January 1, 2016): E1—E12. http://dx.doi.org/10.2341/14-166-l.

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SUMMARY Objectives The objective of this study was to investigate the effects of treatments of the intaglio surface of Y-TZP frameworks and luting agents on the fatigue resistance of all-ceramic crowns. Methods A research design was chosen that attempted to reduce the likelihood of Hertzian cracking and to increase the probability of fracture initiation at the intaglio surface of the framework. Ninety identical preparations were machined in a dentin-like epoxy composite. Each preparation was restored with a Y-TZP framework made by a CAD/CAM system and veneered using feldspathic ceramic. Prior to cementation the intaglio surface of the ceramic was treated using one of four treatments: 1) cleaning with isopropyl alcohol; 2) application of an overglaze; 3) sandblasting with 125 μm aluminum oxide powder; and 4) sandblasting with 30 μm silica powder (CJ). One of three luting cements were used: 1) zinc phosphate; 2) glass ionomer; and 3) adhesive resin cement (PN). All three cements were tested against frameworks that were alcohol cleaned. Only the PN cements were tested against frameworks that had been sandblasted or glazed. Altogether, six groups of 15 specimens each were tested. Fatigue resistance was evaluated using stepwise loads at 1.4 Hz until failure: 5000 cycles at maximum load of 200 N, followed by 10,000 cycles at maximum loads of 800, 1000, 1200, and 1400 N. The cement thickness and failure modes were analyzed using a stereomicroscope and scanning electron microscopy. The results were analyzed using the Kaplan-Meier and Mantel-Cox log rank tests (5%), a one-way analysis of variance, Tukey multiple comparison test, and Weibull nonparametric test. Results The predominant failure mode was chipping of the veneer. The crowns cemented with the adhesive resin cement exhibited chipping failure at higher mean loads than did crowns cemented with cements that usually do not bond strongly with dentin. When the adhesive cement was used, glazing and sandblasting intaglio framework surface treatments exhibited lower mean loads at chipping than did crowns whose intaglio surface was only cleaned with alcohol. Weibull analysis indicated that all specimens had a high ratio of late-to-early failures. Conclusions The fatigue experiment produced a pattern of failures that is very similar to that observed in clinical trials of Y-TZP crowns that are veneered with feldspathic porcelain. Crowns cemented with an adhesive resin cement exhibited chipping at a significantly higher mean load than those cemented with luting cements that do not usually form strong bonds with dentin. When cemented with adhesive resin cement, glazing or sandblasting the intaglio surface of the framework significantly reduced the mean fatigue loads at which chipping of veneers occurred, as compared to crowns whose intaglio surface had only been cleaned with alcohol. For this cement glazing or sandblasting the intaglio surface of the crown is not recommended.
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Zwierlein-Diehl, Erika. "Intaglio mit Saturnus und Inschrift Mythunim." Pallas, no. 83 (October 1, 2010): 251–66. http://dx.doi.org/10.4000/pallas.11141.

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O'Brien, T. "Electron beam curing of intaglio inks." Radiation Physics and Chemistry (1977) 25, no. 4-6 (January 1985): 609–15. http://dx.doi.org/10.1016/0146-5724(85)90140-2.

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Peleg, Orit. "Roman Intaglio Gemstones from Aelia Capitolina." Palestine Exploration Quarterly 135, no. 1 (January 2003): 54–69. http://dx.doi.org/10.1179/peq.2003.135.1.54.

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Dissertations / Theses on the topic "Intaglio"

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Sanders, Joan. "Combined techniques in intaglio printmaking." Virtual Press, 1990. http://liblink.bsu.edu/uhtbin/catkey/834125.

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The artist's imagery mainly consists of carrousel horses and reptiles. The only thing that relates the images of the reptiles and the carrousel horses in the artist's work is the fact that she finds both images fascinating and intriguing, but at the same time, finds both of these images some what repulsive and frightening. As a child, the artist developed a fascination for carrousel horses and reptiles. At this time these images mainly inspired feelings of fear in the artist. In the artist's opinion, carrousel horses seem to be frantic and frenzied. The artist feels that this aspect of carrousel horses makes them an image with expressive possibilities and she attempts to capture feelings of fear, curiosity and fascination in her prints. The artist is amazed at the variety of colors and textures found on reptiles. She finds them interesting images because although most reptiles are menacing creatures, they are also beautiful and exotic. The artist feels that this aspect of the reptile makes it an intriguing subject matter to work with.Intaglio is a form of printmaking in which a metal plate, traditionally copper or zinc, is manipulated by certain techniques such as: line etch (where a dry-point needle is used to scratch the surface of the plate onto which hard ground [an acid resistant, waxy substance] has been applied and the plate is etched in acid to incise the lines and form a line drawing); and aquatint (a technique to achieve a wide range of tones in an intaglio print). Aquatint has an appearance similar to that of a water color wash. To create the aquatint tonal areas, powdered rosin is sprinkled evenly over the plate and the plate is then heated until the rosin melts and adheres to the plate. The areas that are to remain white are covered with a hard ground "block out." The plate is etched in acid for a period of time to be determined by the artist and is then taken out and rinsed with water to stop the acid from etching the plate any further. This process is repeated until a desired range of tones are created. Another technique usually used is a hybrid combination of burnishing and scraping using a burnisher or scraper. A burnisher and a scraper are patented tools that are used to polish (burnish) and scrape (that is, cut/remove metal from the plate) the surface of the plate to create highlights, lighten an area, or to totally erase an incised area of the plate. Embossing is another form of intaglio printmaking in which three layers of illustration board are cut to form a positive image on a piece of dampened arches paper that is pressed into the carved image by means of a printing press. The deeper the embossment, the more elevated the image will be on the paper. Pressing the paper down into the layers of illustration board forms an embossed image. No ink is used to create the image. Thus, this form of intaglio printmaking is known as "blind" printing, that is printing without ink.In the artist's work, all of the intaglio techniques discussed are used in combination with each other on the same plate to create a rich image. Researching different techniques has allowed the artist to have a better understanding and appreciation for the intaglio prints of historically renowned artists, who were printmakers before the artist.
Department of Art
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Birch, Hannah L. "A study of the figure in intaglio." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1318608.

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This project chronicles my explorations of the human figure in intaglio and relief printmaking and in the medium of artists' books. I had very little experience in the field of printmaking prior to my acceptance into the Masters program at Ball State University. I found intaglio, or etching into a metal plate, stimulating and exciting because there are very few limitations in terms of what I can do with this medium. I received a Bachelors of Fine Arts in drawing from SUNY Fredonia. Creating artwork in the printmaking medium has allowed my drawing skills to continue to grow and provided a variety of new technical possibilities. I choose to work with the figure because it is an important subject for an artist to study in order to learn to draw. Since all humans share the same basic structure, it is something that everyone should relate to. It is also something that translates into every possible medium, from cave drawings to fashion design. Many of the artists I have studied, such as Albrecht Durer, and Francisco Goya, worked with the figure in printmaking. Their work provided inspiration while I pursued my own work in this field.
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Pearce, Arthur Blake. "Investigations regarding traditional and contemporary intaglio techniques." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/491452.

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The purpose of the Creative Project was to investigate a variety of traditional and contemporary intaglio processes, to relate the processes to other artist's intaglio prints, and to further develop the writer's technical skills by creating a series of intaglio prints using the processes discussed in the research portion of the Creative Project. The Creative Project consisted of a written section containing background information pertaining to technical aspects of the medium and brief discussions of selected works by various artists, and the execution and discussion of a series of prints by the writer using the intaglio techniques separately and in combination with one another.The background information section of the Creative Project consisted of working definitions of technical terms and brief discussions of four prints selected from the Ball State University Art Gallery collection. The prints selected were executed by George Rouault, Susan Rothenberg, Chuck Close, and Jim Dine. The writer also included a brief discussion of some of Stanley William Hayter's contributions to intaglio printing.The execution of the Creative Project resulted in the creation of five intaglio prints. The prints were entitled Highway Aviary, Fish Anatomy, Family, Untitled (Seated Figure), and Dance of the Flightless Bird. Each print utilized different techniques or combinations of techniques on copper and zinc plates. The processes involved in the execution of the prints were engraving, etching, aquatint, mezzotint, and spit biting. The prints were black and white except for the work entitled Fish Anatomy, which was printed with four colors. The print entitled Dance of the Flightless Bird was printed using multiple colors, however the actual edition was black and white. The writer was able to acquire the necessary materials for completion of the project through a grant provided by the Ball State University Office of Research.The completion of the Creative Project resulted in the writer’s improved understanding of intaglio processes and greater technical skills resulting from extensive work in the medium. The Creative Project stressed the importance of intaglio printing in contemporary art and revealed the need for further investigation into experimental techniques in intaglio printing.
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Bastoni, Andrea. "Effetti di intaglio in accoppiamenti albero-mozzo per interferenza." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amslaurea.unibo.it/4848/.

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L’obiettivo dello studio è quello di determinare le cause della rottura a fatica in un accoppiamento albero–mozzo. Nella prima parte si cerca di costruire un modello FEM (attraverso Ansys Workbench 12.0) che simuli il comportamento del provino albero-mozzo sottoposto a una flessione alterna, come nella macchina di Moore. Con esso si cercherà di individuare le variabili del problema e quali potranno influenzare la σy_max e il Kt. Nella seconda parte si cercherà di stabilire se il fretting sia funzione dalle stesse variabili del Kt, se esiste una transizione tra i due fenomeni e la quantità di usura prodotta dal fretting. Infine si realizzeranno delle prove sperimentali per verificare le ipotesi dedotte dall'analisi FEM.
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Addie, Jerrold O. "Development of a training manual for University of Wisconsin-Stout's Graphic Communications program's gravure printing press simulator." Online version, 2003. http://www.uwstout.edu/lib/thesis/2003/2003addiej.pdf.

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Swanson, Karrie. "Natural synthesis /." Online version of thesis, 2010. http://hdl.handle.net/1850/11987.

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Holland, Cort. "Building and testing a gravure paper conformity tester /." Online version of thesis, 1988. http://hdl.handle.net/1850/11536.

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Baglieri, Giulia. "Caratterizzazione a fatica con intaglio di acciai innovativi ultra-alto resistenziali." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017.

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Lo scopo della presente ricerca è valutare l’idoneità dell’acciaio da utensili innovativo K890, prodotto da Böhler con metallurgia delle polveri, ad essere impiegato per la realizzazione di componenti motore di moto da corsa, quali alberi a camme e a gomiti, in sostituzione dell’acciaio da nitrurazione GKHW, prodotto da Aubert&Duval con processo ESR (Electro Slag Remelting). Lo studio è stato condotto a valle di una precedente sperimentazione condotta su provini non intagliati ed ha previsto l'esecuzione di prove di trazione e prove di fatica a flessione rotante con intaglio oltre a prove di durezza ed analisi microstrutturali e frattografiche. Sono stati testati due lotti di acciaio K890, aventi durezza di 752 e 821 HV rispettivamente. Durante i test di fatica il lotto in K890 a durezza maggiore ha mostrato un limite di fatica con intaglio superiore al GKHW nitrurato. I risultati ottenuti sui due lotti di K890 sono stati impiegati per valutare l’applicabilità di relazioni empiriche per la stima del coefficiente di concentrazione a fatica delle tensioni ad acciai ultra-alto resistenziali. E’ emerso che le relazioni più tradizionali sovrastimano l’effetto dell’intaglio per questa tipologia di acciaio. A conclusione dello studio, considerando l'esito delle stesse prove condotte sull'acciaio GKHW nitrurato attualmente in uso, si può affermare che l'acciaio K890 è un possibile candidato per la produzione di alberi in ambito racing. La disamina dei risultati sperimentali è preceduta da tre capitoli incentrati su un inquadramento teorico, derivanti da ricerche bibliografiche: il primo riporta un’introduzione al funzionamento ed alle caratteristiche degli alberi a camme e a gomiti; il secondo è relativo alle proprietà degli acciai da utensili tradizionali ed innovativi; infine il terzo riguarda una trattazione sul danneggiamento da fatica, con particolare riguardo all’effetto dell’intaglio ed alle caratteristiche del fenomeno negli acciai ultra-alto resistenziali.
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Mynchenberg, JoAnn P. "Under Pressure." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1216148313.

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Thompson, Zelda. "Printmaking pedagogy: a multimodal social semiotic approach to the intaglio hardground process." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/6863.

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This thesis presents a novel approach to printmaking theory and pedagogy, focusing in particular, on the intaglio hardground process. It is a qualitative study that gives an account of a group of second year graphic design students who encounter the hardground process for the first time. A multimodal social semiotic framework is utilised to shed light on the meaning-making practices related to intaglio hardground. This can be a somewhat deterministic process which is hindered by conventions and constraints. This research explores a metalanguage for the intaglio hardground process. This metalanguage is explicated by addressing the practical processes involved during the intaglio process, interrogating the semiotic resources that are available during this process, and the pedagogic practices within the printmaking studio. Meaningmaking is also explored in terms of how students employ the semiotic resources as coping mechanisms when coming to terms with the conventions and constraints associated with the intaglio hardground process. Process-driven disciplines like intaglio hardground are convoluted and the semiotic resources assist the students to navigate between the technical and the creative process of intaglio hardground. The argument is that students engage with semiotic resources according to their needs, in other words, their interest determines the use of semiotic resources at their disposal. The findings show that each student follows a unique and sometimes, unconventional path during the meaning-making process. These different paths to meaning-making encourage students to explore and take ownership of the semiotic resources that they utilise, as well as their own meaningmaking experiences.
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Books on the topic "Intaglio"

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Kemps, Judith. Intaglio. Coral Springs, Fla: Llumina Press, 2005.

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Howard, K. Non-toxic intaglio print-making. (London): Intaglio printmaker, 1998.

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Fernández, Roberta. Intaglio: A novel in six stories. Houston, Tex: Arte Publico Press, 1990.

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Su, Peiquan. Fu zhi xing yu hui hua xing de ping heng: Zi wai xian gu hua you mo ao ban hua zhi zuo ji fa. [Aomen]: Aomen Tebie Xingzhengqu zheng fu wen hua ju, 2012.

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Banister, Manly Miles. Practical guide to etching and other intaglio printmaking techniques. New York: Dover, 1986.

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1952-, Zacharopoulos Denys, and Arts Club of Chicago, eds. Per Kirkeby. Chicago: Arts Club of Chicago, 2007.

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Germany), Künstlerhaus (Göttingen, ed. Per Kirkeby: Malerei und Skulpturen : 11.4.-13.6.2010, Künstlerhaus Göttingen. Göttingen: Künstlerhaus mit Galerie, 2010.

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Banister, Manly Miles. Practical guide to etching and other intaglio printmaking techniques. New York: Dover, 1986.

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translator, Biesalski Petra, Tøjner Poul Erik author, Wetzel Michael (Translator) translator, Paula Modersohn-Becker Museum, and Louisiana (Museum : Humlebæk, Denmark), eds. Per Kirkeby: Werke aus dem Louisiana Museum of Modern Art. Bremen: Museen Böttcherstrasse, Paula Modersohn-Becker Museum, 2016.

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Dohmen, Walter. Der Tiefdruck: Vom Kupferstich bis zur Fotoradierung : Geschichte, Kunst, Technik. Köln: DuMont, 1986.

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Book chapters on the topic "Intaglio"

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Gooch, Jan W. "Intaglio." In Encyclopedic Dictionary of Polymers, 391. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_6364.

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Stijnman, Ad. "The etching of iron before the invention of etched intaglio printing plates, 1200-1500." In Craft Treatises and Handbooks, 207–20. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.dda-eb.5.102156.

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Kondratiev, Andrii, Sergiy Melnikov, Tetyana Nabokina, and Anton Tsaritsynskyi. "Effect of Parameters of Adhesive Application by Intaglio Printing on Honeycomb Core Bonding Strength." In Lecture Notes in Networks and Systems, 221–33. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66717-7_18.

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"Intaglio." In Encyclopedic Dictionary of Polymers, 528. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30160-0_6264.

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"intaglio." In Dictionary Geotechnical Engineering/Wörterbuch GeoTechnik, 737. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-41714-6_91234.

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"intaglio." In The Fairchild Books Dictionary of Interior Design. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365171.2081.

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"intaglio." In The Fairchild Books Dictionary of Textiles. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365072.8098.

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"Intaglio." In Encyclopedic Dictionary of Archaeology, 645. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_90172.

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"Intaglio n." In Wörterbuch GeoTechnik/Dictionary Geotechnical Engineering, 589. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-33335-4_90429.

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"intaglio engraving." In The Fairchild Books Dictionary of Interior Design. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365171.2082.

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Conference papers on the topic "Intaglio"

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Yoo, Kil-Sang, and Won-Hyung Lee. "Real-Time Nonphotorealistic Rendering for Digital Intaglio." In 2008 Third International Conference on Convergence and Hybrid Information Technology (ICCIT). IEEE, 2008. http://dx.doi.org/10.1109/iccit.2008.199.

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Deinhammer, Harald, Franz Loos, Daniel Schwarzbach, and Peter Fajmann. "Direct laser engraving of intaglio printing plates." In Electronic Imaging 2004, edited by Rudolf L. van Renesse. SPIE, 2004. http://dx.doi.org/10.1117/12.526899.

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Grimsley, Max, James E. Hess, Mark Poulsen, Ken Rankin, David Curtis, and Donald Bayer. "Automated inspection of intaglio plate measurement for U.S. currency." In Electronic Imaging 2002, edited by Rudolf L. van Renesse. SPIE, 2002. http://dx.doi.org/10.1117/12.462735.

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Kyrychok, Tetiana, and Olena Korotenko. "3D light interferometry investigation of ink layer formation during intaglio printing." In Fourteenth International Conference on Correlation Optics, edited by Oleg V. Angelsky. SPIE, 2020. http://dx.doi.org/10.1117/12.2553475.

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Deinhammer, Harald, Daniel Schwarzbach, Rudolf Kefeder, and Peter Fajmann. "The implication of direct laser engraved intaglio plates on banknote security." In Electronic Imaging 2006, edited by Rudolf L. van Renesse. SPIE, 2006. http://dx.doi.org/10.1117/12.643902.

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Seo, Young Ho, Doo-Sun Choi, Yeong-Eun Yoo, Tae-Jin Je, and Kyung-Hyun Whang. "Development of Nano-Scale Reusable Quartz Master for the Fabrication of Nickel Stampers." In ASME 2004 International Mechanical Engineering Congress and Exposition. ASMEDC, 2004. http://dx.doi.org/10.1115/imece2004-59144.

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In this paper, we present reusable quartz master fabricated by electron-beam lithography and dry etching process of quartz, and results of injection molding based on the reusable quartz master for the manufacturing of nano-scale information media. Since patterned structures of photoresist can be easily damaged by separation (demolding) process of nickel stamper and master, a master with photoresist cannot be reused in stamper fabrication process. In this work, we have made it possible of the repeated use of master by directly patterning on quartz in nickel stamper fabrication process. We have designed and fabricated four different specimens including 100nm, 140nm, 200nm and 400nm pit patterns. In addition, both intaglio and embossed carving patterns are fabricated for each specimen. In the preliminary test of injection molding, we have fabricated polycarbonate patterns with varying mold temperature. We have experimentally verified the fabrication process of the reusable quartz master and possibility of quartz master as direct stamper.
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Rudenko, Eduard, Tetiana Kyrychok, Valentin Panarin, Mykola Svavilnyi, Denis Polotsky, Mykola Skoryk, Volodymyr Baglai, Nadiia Talimonova, and Anna Novytska. "Influence of helicon discharge treatment on ensuring adhesive strength of protective PVD coating CrN on brass-based forms of intaglio printing." In Fifteenth International Conference on Correlation Optics, edited by Oleg V. Angelsky. SPIE, 2021. http://dx.doi.org/10.1117/12.2615570.

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Reports on the topic "Intaglio"

1

Dickens, Brian. Intaglio ink considerations. Gaithersburg, MD: National Bureau of Standards, 1985. http://dx.doi.org/10.6028/nbs.ir.85-3216.

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2

Wylder, James. Intaglio printmaking in the secondary school. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.562.

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Blair, William R. Chromatographic examination of Intaglio inks, resins and varnishes. Gaithersburg, MD: National Institute of Standards and Technology, 1991. http://dx.doi.org/10.6028/nist.ir.4949.

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Dickens, Brian, Donald L. Hunston, Joseph C. Phillips, and George W. Bullman. Study of intaglio ink mixing and cure and ingredients. Gaithersburg, MD: National Bureau of Standards, 1986. http://dx.doi.org/10.6028/nbs.ir.86-3303.

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Dickens, Brian, Barry J. Bauer, and William R. Blair. Cylinder wipe air-drying intaglio ink vehicles for U.S. currency inks. Gaithersburg, MD: National Institute of Standards and Technology, 1990. http://dx.doi.org/10.6028/nist.ir.4498.

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Roth, Steven C. Development of piezoelectric polymer gauges for measuring pressure on intaglio printing press. Gaithersburg, MD: National Bureau of Standards, January 1986. http://dx.doi.org/10.6028/nbs.ir.86-3400.

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Dickens, Brian, Barry J. Bauer, William R. Blair, and Edward J. Parks. Design and synthesis of prototype air-dry resins for use in BEP intaglio ink vehicles. Gaithersburg, MD: National Institute of Standards and Technology, 1989. http://dx.doi.org/10.6028/nist.ir.89-4110.

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Dickens, Brian, Barry J. Bauer, William R. Blair, and Robert E. Lowry. FY 91 syntheses of liquid prototype air dry resins for use in BEP intaglio inks. Gaithersburg, MD: National Institute of Standards and Technology, 1991. http://dx.doi.org/10.6028/nist.ir.4754.

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9

Bauer, Barry J., and Brian Dickens. Synthesis of prototype resins for use as BEP intaglio ink vehicles curing by electron beam radiation. Gaithersburg, MD: National Institute of Standards and Technology, 1990. http://dx.doi.org/10.6028/nist.ir.4474.

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10

Bauer, Barry J., and Brian Dickens. Synthesis of non-ionic and ionic resins for BEP intaglio inks curing by electron beam radiation. Gaithersburg, MD: National Bureau of Standards, 1988. http://dx.doi.org/10.6028/nist.ir.4752.

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