Journal articles: 'Intaglio'

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Saleh, Dennis. "Intaglio." Psychological Perspectives 58, no. 1 (January 2, 2015): 108–9. http://dx.doi.org/10.1080/00332925.2015.1004987.

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Crawford, Steve. "Janus-headed intaglio." Northern Ireland Legal Quarterly 68, no. 3 (November 7, 2017): 305–16. http://dx.doi.org/10.53386/nilq.v68i3.42.

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The traditional use of research methods is to provide a framework for constructing a project to address particular questions or interests. The idea behind this is that, by utilising these frameworks, research will be assessable by other researchers who are then able to judge any given research output through a common framework, while still allowing each project to stand (or fall) on its own merits. At risk of getting lost, or silenced, in this process is any attention to how the individual researcher understands their own project. This article explores the potential for developing a self-reflective research method. How does the researcher engage with, and understand, their own work? How does this provide a new pathway for disseminating research to others within the academic community? How does an object-centred approach to this self-reflection aid in engaging both the researcher and the audience in a shared experience?

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Henig, Martin. "An Inscribed Intaglio." Britannia 16 (1985): 241. http://dx.doi.org/10.2307/526404.

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Son, Keunbada, Jung-Ho Lee, and Kyu-Bok Lee. "Comparison of Intaglio Surface Trueness of Interim Dental Crowns Fabricated with SLA 3D Printing, DLP 3D Printing, and Milling Technologies." Healthcare 9, no. 8 (August 3, 2021): 983. http://dx.doi.org/10.3390/healthcare9080983.

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This study aimed to evaluate the intaglio surface trueness of interim dental crowns fabricated with three 3-dimensional (3D) printing and milling technologies. Dental crown was designated and assigned as a computer-aided design (CAD) reference model (CRM). Interim dental crowns were fabricated based on CRM using two types of 3D printer technologies (stereolithography apparatus and digital light processing) and one type of milling machine (n = 15 per technology). The fabricated interim dental crowns were obtained via 3D modeling of the intaglio surface using a laboratory scanner and designated as CAD test models (CTMs). The alignment and 3D comparison of CRM and CTM were performed based on the intaglio surface using a 3D inspection software program (Geomagic Control X). Statistical analysis was validated using one-way analysis of variance and Tukey HSD test (α = 0.05). There were significant differences in intaglio surface trueness between the three different fabrication technologies, and high trueness values were observed in the milling group (p < 0.05). In the milling group, there was a significant difference in trueness according to the location of the intaglio surface (p < 0.001). In the manufacturing process of interim dental crowns, 3D printing technologies showed superior and uniform manufacturing accuracy than milling technology.

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Sanda, Koma, Noriyuki Yasunami, Maki Okada, Akihiro Furuhashi, and Yasunori Ayukawa. "Accuracy of the Intra- and Extra-Oral Scanning Technique for Transferring the Intaglio Surface of a Pontic of Provisional Restorations to Definitive Restorations." Materials 14, no. 21 (October 29, 2021): 6489. http://dx.doi.org/10.3390/ma14216489.

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When taking the final impression for a three-unit fixed partial denture (FPD), the intaglio surface of the pontic of provisional restoration cannot be transferred accurately to that of definitive restoration. The intra- and extra-oral scanning (IEOS) technique, a method for accurately reproducing the submucosal morphology of the superstructure of an implant, has been reported using an intraoral scanner. In the present study, we evaluated the difference between the conventional impression method using impression material and the IEOS technique in reproducing the morphology of the surface of the pontic of a definitive FPD. There was a significant difference in the trueness of the intaglio surface morphology of the pontic between the conventional method and the IEOS technique; however, no significant difference in precision was observed. As a result, the intaglio surface of the pontic of the three-unit FPD could be transferred to definitive restorations more accurately with the IEOS technique than with the conventional method. These results suggest that the IEOS technique can duplicate the intaglio surface of the pontic more reproducibly to the definitive restorations compared with the conventional method.

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Mohsin, Abdul Habeeb Bin. "Obturator with favorable intaglio extension." International Journal of Case Reports and Images 8, no. 12 (2017): 834. http://dx.doi.org/10.5348/ijcri-201728-cl-10138.

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Anami, LC, JMC Lima, LF Valandro, CJ Kleverlaan, AJ Feilzer, and MA Bottino. "Fatigue Resistance of Y-TZP/Porcelain Crowns is Not Influenced by the Conditioning of the Intaglio Surface." Operative Dentistry 41, no. 1 (January 1, 2016): E1—E12. http://dx.doi.org/10.2341/14-166-l.

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SUMMARY Objectives The objective of this study was to investigate the effects of treatments of the intaglio surface of Y-TZP frameworks and luting agents on the fatigue resistance of all-ceramic crowns. Methods A research design was chosen that attempted to reduce the likelihood of Hertzian cracking and to increase the probability of fracture initiation at the intaglio surface of the framework. Ninety identical preparations were machined in a dentin-like epoxy composite. Each preparation was restored with a Y-TZP framework made by a CAD/CAM system and veneered using feldspathic ceramic. Prior to cementation the intaglio surface of the ceramic was treated using one of four treatments: 1) cleaning with isopropyl alcohol; 2) application of an overglaze; 3) sandblasting with 125 μm aluminum oxide powder; and 4) sandblasting with 30 μm silica powder (CJ). One of three luting cements were used: 1) zinc phosphate; 2) glass ionomer; and 3) adhesive resin cement (PN). All three cements were tested against frameworks that were alcohol cleaned. Only the PN cements were tested against frameworks that had been sandblasted or glazed. Altogether, six groups of 15 specimens each were tested. Fatigue resistance was evaluated using stepwise loads at 1.4 Hz until failure: 5000 cycles at maximum load of 200 N, followed by 10,000 cycles at maximum loads of 800, 1000, 1200, and 1400 N. The cement thickness and failure modes were analyzed using a stereomicroscope and scanning electron microscopy. The results were analyzed using the Kaplan-Meier and Mantel-Cox log rank tests (5%), a one-way analysis of variance, Tukey multiple comparison test, and Weibull nonparametric test. Results The predominant failure mode was chipping of the veneer. The crowns cemented with the adhesive resin cement exhibited chipping failure at higher mean loads than did crowns cemented with cements that usually do not bond strongly with dentin. When the adhesive cement was used, glazing and sandblasting intaglio framework surface treatments exhibited lower mean loads at chipping than did crowns whose intaglio surface was only cleaned with alcohol. Weibull analysis indicated that all specimens had a high ratio of late-to-early failures. Conclusions The fatigue experiment produced a pattern of failures that is very similar to that observed in clinical trials of Y-TZP crowns that are veneered with feldspathic porcelain. Crowns cemented with an adhesive resin cement exhibited chipping at a significantly higher mean load than those cemented with luting cements that do not usually form strong bonds with dentin. When cemented with adhesive resin cement, glazing or sandblasting the intaglio surface of the framework significantly reduced the mean fatigue loads at which chipping of veneers occurred, as compared to crowns whose intaglio surface had only been cleaned with alcohol. For this cement glazing or sandblasting the intaglio surface of the crown is not recommended.

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Zwierlein-Diehl, Erika. "Intaglio mit Saturnus und Inschrift Mythunim." Pallas, no. 83 (October 1, 2010): 251–66. http://dx.doi.org/10.4000/pallas.11141.

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O'Brien, T. "Electron beam curing of intaglio inks." Radiation Physics and Chemistry (1977) 25, no. 4-6 (January 1985): 609–15. http://dx.doi.org/10.1016/0146-5724(85)90140-2.

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Peleg, Orit. "Roman Intaglio Gemstones from Aelia Capitolina." Palestine Exploration Quarterly 135, no. 1 (January 2003): 54–69. http://dx.doi.org/10.1179/peq.2003.135.1.54.

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Travčić, Anita. "Intaljo s rta Ploče u svjetlu novih saznanja." Ars Adriatica 8, no. 1 (December 28, 2018): 7–16. http://dx.doi.org/10.15291/ars.2752.

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During the archaeological excavations in Cape Ploča conducted from 1996 to 1998, numerous personal items were found besides the ceramics, including eight engraved gems. One of them, worked in the intaglio technique, is made of carnelian and oval shaped, and for the lack of analogies hitherto interpreted as a “highly stylized chimera”. The article brings new insights that are primarily based on stylistic analysis and iconographic reinterpretation. The intaglio’s origin has been redefined: instead of the previous assumption about its Egyptian provenance, the author has identified it as stemming from central Italy. Moreover, a new date of origin has been proposed, namely the 2nd century BC, which complements the hypothesis on Greek seafarers as the visitors of Diomedes’ shrine and, more precisely, the inhabitants of Greater Greece as its potential users.

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Nayif, Ma’an M., Nadia H. Hasan, and Amer A. Taqa. "FTIR and SEM of a novel chemical conditioning on the zirconia intaglio surface." Journal of Oral Research S, no. 1 (April 30, 2019): 19–23. http://dx.doi.org/10.17126/joralres.2019.085.

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Objectives: The aim of this study was to evaluate chemical and topographical changes in the intaglio zirconia surface induced by chemical conditioning solutions using FTIR and SEM analysis. Material and method: twelve plates for each FTIR and SEM tests from each zirconia materials (UPCERA HT White, BruxZir® Solid Zirconia, and Copran® Multilayer), milled by a Yenadent CAD/CAM system, sintered and divided randomly into a three groups. A different surface conditioning was applied to the intaglio surface of each group: 30% hydrogen peroxide, 30% citric acid and control group. Result and discussion: by using of the FTIR spectroscopy, an evidence of new bands formation appeared at 1637cm-1 and 3352cm-1 due to the high oxidizing effect of hydrogen peroxide, and at 630cm-1 and 1663cm-1 due to the chelating action of citric acid, and simultaneously, SEM assessment of the surface topography took place, to identify lines, scratches, or surface dissociation that appeared on the intaglio zirconia surface after conditioning. Conclusion: such analysis provides an enhancement of new convenient, less expensive, reliable trials to improve micro-bond strength of luting cement to Y-TZP ceramics.

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Muhamad, Noor A'yunni, Azian Tahir, and Noor Enfendi Desa. "Art Appreciation: The Expression of Etching in Printmaking through Mohd Fawazzie Arshad’s Artwork." Idealogy Journal of Arts and Social Science 6, no. 1 (April 28, 2021): 35–42. http://dx.doi.org/10.24191/idealogy.v6i1.252.

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In art world, Intaglio is one of the printmaking techniques that focuses on incising metal surfaces such as copper, steel or zinc plate. By using intaglio technique in producing printmaking artworks, that includes etching, drypoint or even mezzotint approach, the only thing that matters is the development of form through the understanding of lights and dark which leads to the exploration of value in art and design. On 14th September 2020, an artwork exhibition titled SI+SA was held at Galeri Shah Alam, with the aim of this exhibition is celebrating art from the different backgrounds of artistes during Covid-19 pandemic phenomenon. Mohd Fawazzie Arshad is one of the featuring artistes who participated in this exhibition and presented his remarkable intaglio artwork which emphasises the value of element and principle in arts. In this writing, the author was granted with the opportunity to conduct an interview with Mohd Fawazie Arshad to discuss the insight in his artworks and how does his artwork embark a different perspective in intaglio printmaking. This interview scrutinised on what are the elements that inspired the artist to produce his artwork and what are the references that artist has used in terms of developing idea and style in his artwork making. In this writing also, Mohd Fawazie Arshad will also explain the process of his artwork making based on his studio practises. It is important to understand the artist’s studio environment in order to explore the techniques and medium which has been practised by the artist in his artwork making. Findings from this research will produce a complete exclusive write up about Mohd Fawazie Arshad past and present artwork. It will enliven the art industry and academic writing especially in the field of Malaysian Printmaking art scene.

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Charoenphol, Kanyakorn, and Chaimongkon Peampring. "An In Vitro Study of Intaglio Surface, Periphery/Palatal Seal Area, and Primary Bearing Area Adaptation of 3D-Printed Denture Base Manufactured in Various Build Angles." International Journal of Dentistry 2022 (November 17, 2022): 1–6. http://dx.doi.org/10.1155/2022/3824894.

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Statement of Problem. The influence of various building angles on the tissue surface adaptation of complete denture bases fabricated using digital light processing is lacking. Purpose. The objective of this research was to compare the adaptation in the overall intaglio surface, peripheral/posterior palatal seal area, and primary bearing area of the 3D-printed complete denture produced in 0, 45, and 90° build angles. Materials and Methods. A reference edentulous maxillary arch model was scanned to design virtual denture bases with computer-aided manufacturing (CAD) software with standard tessellation language (STL) files as output. Denture bases were fabricated by printing with a digital light processing (DLP) technique and divided into 3 groups according to build angles of 0°, 45°, and 90° (n = 10). To assess the adaptation, each STL file of the intaglio denture base was superimposed on the STL file of the reference model using surface-matching software. The adaptation was reported in root mean square error (RMSE) values and statically compared using one-way analyses of variance (ANOVA) and followed by the Turkey’s test for multiple comparisons with a significance level of α = 0.05. Results. Overall, intaglio surface adaptation of denture bases printed from three angles had no significant difference in adaption. In the peripheral/posterior palatal seal area, denture bases printed at a 90° build angle showed significantly better adaption than other groups. In the primary bearing area, denture bases printed at 45° and 90° had no significant difference in denture adaptation; however, they exhibited better denture base adaptation than the 0° group significantly. Conclusions. The build angle has no effect on adaptation in the overall intaglio surface area. The build angle of 90° provided the best adaptation in the peripheral/posterior palatal seal area. The 45° and 90° build angles provided better adaptation than 0° in the primary stress-bearing area.

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Suryadi, Indra, and Ariusmedi Ariusmedi. "PENYU DALAM KARYA SENI GRAFIS INTAGLIO PRINT." Serupa The Journal of Art Education 10, no. 4 (December 28, 2021): 307. http://dx.doi.org/10.24036/sr.v9i3.112255.

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Sea turtles (Chelonioidea) can be found in all oceans except for the polar regions. Sea turtles have a pair of front limbs as rower legs which make swimming easier. Althought it stays in the water for the rest of its life, it occasionally has to go on surface of the water to take a breath.Sea turtles, in this artwork aims to visualizes an expression of the writer's anxiety about the endangered turtle population. This artwork made by the intaglio print technique as one of the graphic art techniques. After various observations and long steps of work, these 10 artworks created and displayed namely : 1) Pemangsa, 2) Pencurian telur, 3) Ancaman, 4) Abnormal, 5) Harapan, 6) Terdampar, 7) Memakan plastik, 8) Korban, 9) Impian, 10) Terjerat. This is the result of sea turtles artwork which illustrates the writer's anxiety about the current phenomenon. Besides, this graphic work is expected to be a source of encouragement for other creators.Keywords: Sea Turtles, Graphic Art, Intaglio Print

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Voordouw, Johan. "Hybrid Representation: Intaglio Etching of Digital Models." International Journal of Architectural Computing 13, no. 3-4 (December 2015): 237–56. http://dx.doi.org/10.1260/1478-0771.13.3-4.237.

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Cravinho, G., and S. Amorai-Stark. "A Jewish Intaglio from Roman Ammaia, Lusitania." Liber Annuus 56 (January 2006): 521–46. http://dx.doi.org/10.1484/j.la.2.303657.

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Milošević, Ante. "Un intaglio ligneo altomedievale proveniente da Spalato." Hortus Artium Medievalium 17 (January 2011): 235–42. http://dx.doi.org/10.1484/j.ham.1.102284.

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Choi, Hyun-Seok, Su-Jeong Suh, Sang-Woo Kim, Hyun-Joong Kim, and Ji-Won Park. "Transparent Electromagnetic Shielding Film Utilizing Imprinting-Based Micro Patterning Technology." Polymers 13, no. 5 (February 27, 2021): 738. http://dx.doi.org/10.3390/polym13050738.

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Utilization of methods involving component integration has accelerated, owing to the growth of the smart mobile industry. However, this integration leads to interference issues between the components, thereby elucidating the importance of the electromagnetic interference (EMI) shielding technology to solve such issues. EMI shielding technology has been previously implemented via the reflection or absorption of electromagnetic waves by using conductive materials. Nevertheless, to tackle the recent changes in the industry, a transparent and flexible EMI shielding technology is necessitated. In this study, a transparent and flexible EMI shielding material was fabricated by filling a conductive binder in a film comprising an intaglio pattern; this was achieved by using the ultraviolet (UV) imprinting technology to realize mass production. Subsequently, changes in the aperture ratio and shielding characteristics were analyzed according to the structure of the pattern. Based on this analysis, a square pattern was designed and a film with an intaglio pattern was developed through a UV imprinting process. Furthermore, it was confirmed that the transmittance, conductivity, and EMI shielding rate of the film were altered while changing the coating thickness of the conductive particles in the intaglio pattern. The final film prepared in this study exhibited characteristics that satisfied the required EMI shielding performance for electric and electronic applications, while achieving flexible structural stability and transparency.

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Wale Oloidi, Igwe O Ewona, and David O Fakorede. "Design and development of a hybrid flat-bed relief printmaking machine – A review." World Journal of Advanced Research and Reviews 13, no. 1 (January 30, 2022): 552–55. http://dx.doi.org/10.30574/wjarr.2022.13.1.0068.

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Printmaking is an area of visual arts which deals with different processes in the multi-production of art works. The study discusses the various methodologies and processes involved in printmaking such as the linocut technique, etching, line engraving, aquatint and deep etching techniques otherwise known as intaglio. Of particular interest is the intaglio technique of printmaking, from design conceptualization to details of printing processes. Teaching and training in this field has metamorphosed into a fast digital lane. This has been difficult for the developing parts of the world to catch up. A hybrid flat-bed relief printmaking machine is proposed in this work. The machine employs both manual and electric motor technology for running the rolling parts. In this way a smooth transition is envisage from the conventional manual machine to the digital machines that are used in the industrialization of the textile industry.

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Rowe, Ignacio Márquez. "Ceramic stamp-seal amulets in the shape of the head of Pazuzu." Iraq 71 (2009): 151–59. http://dx.doi.org/10.1017/s0021088900000802.

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AbstractA new look at five stamp-seal amulets prompts the author to consider a particular type of Pazuzu-head amulet that has so far gone unnoticed and to publish for the first time the intaglio design on the reverse of one of them.

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Henig, Martin. "A two-sided cornelian intaglio from Thurleigh, Bedfordshire, England." Pallas, no. 83 (October 1, 2010): 155–58. http://dx.doi.org/10.4000/pallas.10905.

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Sewell, Ernestine P. "Intaglio: A Novel in Six Stories by Roberta Fernandez." Western American Literature 26, no. 4 (1992): 369. http://dx.doi.org/10.1353/wal.1992.0025.

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Marsden, Adrian, and Martin Henig. "Caracalla as Hercules on an intaglio found near Lincoln." Oxford Journal of Archaeology 21, no. 4 (November 2002): 419–22. http://dx.doi.org/10.1111/1468-0092.00172.

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Marshman, Ian J. "A Roman Tile with an Intaglio Impression from Wallsend." Britannia 45 (May 28, 2014): 284–88. http://dx.doi.org/10.1017/s0068113x14000233.

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Henig, Martin, and Kevin Leahy. "A Medieval Intaglio from Newstead, near Brigg, North Lincolnshire." Journal of the British Archaeological Association 156, no. 1 (January 2003): 167–70. http://dx.doi.org/10.1179/jba.2003.156.1.167.

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Brackett, M. G., A. R. Kious, and W. W. Brackett. "Minimally Retentive Gold Onlays: A Six-Year Case Report." Operative Dentistry 34, no. 3 (May 1, 2009): 352–55. http://dx.doi.org/10.2341/08-50.

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PURPOSE Partial veneer gold restorations, such as gold onlays, have changed little in preparation design over the past 40 years, as evidenced by textbooks that have long been in print.1–2 Such designs must have been based on the assumption that restorations would be luted with zinc phosphate cement but have not altered, despite the introduction of stronger luting cement classes, such as resin composite and resin-modified glass ionomer cements.1 It is well-established that both porcelain and base metal materials, which have been etched on the intaglio surface, can be combined with resin composite luting cements to produce restorations retained largely through adhesion. However, neither of these materials can equal the combination of minimal tooth reduction and margin adaptation that is possible with high noble gold restorative materials. Although high noble gold alloys cannot be etched, air abrasion of the intaglio surface of restorations likely improves micromechanical retention, but it is unknown whether this, along with a strong luting cement, is sufficient to stabilize high noble gold alloys in preparations with considerably less retention and resistance form than traditional designs.

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Semenoff, Nik, and L. W. Bader. "Intaglio Etching on Aluminum and Zinc Using an Improved Mordant." Leonardo 31, no. 2 (1998): 133. http://dx.doi.org/10.2307/1576516.

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MARUYAMA, Seiji, and Takashi AMARI. "Flow properties of Intaglio Inks Using Cone and Plate Viscometer." Journal of the Japan Society of Colour Material 68, no. 11 (1995): 690–95. http://dx.doi.org/10.4011/shikizai1937.68.690.

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Semenoff, Nik, and Christine Christos. "Using Dry Copier Toners and Electro-Etching on Intaglio Plates." Leonardo 24, no. 4 (1991): 389. http://dx.doi.org/10.2307/1575513.

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DUMBRIGUE, HERMAN B. "FACILITATING THE REMOVAL OF TISSUE CONDITIONER FROM THE DENTURE INTAGLIO." Journal of the American Dental Association 128, no. 12 (December 1997): 1707. http://dx.doi.org/10.14219/jada.archive.1997.0135.

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Hoey Middleton, Sheila E. "A Gold Ring from Afghanistan Set with a Garnet Intaglio." South Asian Studies 31, no. 1 (January 2, 2015): 27–37. http://dx.doi.org/10.1080/02666030.2015.1008807.

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Gorman, Catherine M., Daithi de Faoite, David Flannery, Marta Ratajczak, Tomás Kelly, and Kenneth T. Stanton. "Alteration of the intaglio surface of lithium disilicate glass-ceramic." Journal of Prosthetic Dentistry 122, no. 4 (October 2019): 411.e1–411.e10. http://dx.doi.org/10.1016/j.prosdent.2019.06.010.

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Ceyhan, Umut, and S. J. S. Morris. "Meniscus growth during the wiping stage of intaglio (gravure) printing." Journal of Fluid Mechanics 807 (October 20, 2016): 419–40. http://dx.doi.org/10.1017/jfm.2016.618.

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During intaglio (gravure) printing, a blade wipes excess ink from the engraved plate with the object of leaving ink-filled cells defining the image to be printed. That objective is not completely attained. Capillarity draws some ink from the cell into a meniscus connecting the blade to the substrate, and the continuing motion of the engraved plate smears that ink over its surface. By examining the limit of vanishing capillary number ($Ca$, based on substrate speed), we reduce the problem of determining smear volume to one of hydrostatics. Using numerical solutions of the corresponding free-boundary problem for the Stokes equations of motion, we show that the hydrostatic theory provides an upper bound to smear volume for finite $Ca$. The theory explains why polishing to reduce the tip radius of the blade is an effective way to control smearing.

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Son, Jong Yeog, Yun-Sok Shin, Seung-Woo Song, Young-Han Shin, and Hyun Myung Jang. "Intaglio Nanotemplates Based on Atomic Force Microscopy for Ferroelectric Nanodots." Journal of Physical Chemistry C 115, no. 29 (July 5, 2011): 14077–80. http://dx.doi.org/10.1021/jp2029938.

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Zahrawaan, Amy. "Tetra Pak Printing: Sebuah Model Pengolahan Sampah Berbasis Seni." Urban: Jurnal Seni Urban 6, no. 1 (April 13, 2022): 41–56. http://dx.doi.org/10.52969/jsu.v6i1.55.

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Garbage is often seen as something that cannot be reused and becomes a problem. On that basis, art can be an alternative to respond to these problems. This article will describe a review of the results of the analysis of the use of waste waste that can be an alternative resource in making works of art through the Tetra Pak Printing model using the intaglio technique. This research is reviewed using art-based research methods, namely research on a problem through an artistic approach. This research will specifically examine and show how the waste management model uses graphic art practices carried out by the Huru Hara Graphic artist group (GHH) in the 2020-2022 period through the Tetra Pak Printing model. Tetra Pak Printing uses Tetra Pak branded beverage packaging waste as the main material. The use of alternative media aims to replace or find media that can be easily accessed by the public and are more environmentally friendly. As a comparison, this paper also includes several examples of ecological-based art practices, in addition to the utilization of Tetra Pak packaging waste. The findings of the analysis show that the Tetra Pak Printing model can be an alternative model for the intaglio technique because it is easier, practical, and economical and can be reached by all levels of society. In addition, Tetra Pak Printing can be said to have been able to answer and be a solution to one of the ecological challenges through art, especially in terms of waste management in the community.Sampah sering dianggap sebagai sesuatu yang sudah tidak bisa didayagunakan kembali dan menjadi sebuah masalah. Atas dasar itu, kesenian dapat menjadi salah satu alternatif untuk menanggapi problematika tersebut. Artikel ini akan menguraikan tinjauan hasil analisis terhadap pemanfaatan limbah sampah yang dapat menjadi sumber daya alternatif dalam pembuatan karya seni melalui model Tetra Pak Printing menggunakan teknik intaglio. Penelitian ini ditinjau menggunakan metode riset berbasis seni, yakni penelitian terhadap suatu masalah melalui pendekatan artistik. Penelitian ini secara khusus akan mengkaji dan memperlihatkan bagaimana model pengelolaan limbah sampah menggunakan praktik seni grafis yang dilakukan oleh kelompok seniman Grafis Huru Hara (GHH) dalam kurun waktu 2020-2022 melalui model Tetra Pak Printing. Tetra Pak Printing menggunakan bahan limbah kemasan bekas minuman bermerek Tetra Pak sebagai material utama. Penggunaan media alternatif ini bertujuan untuk mengganti atau mencari media yang dapat dengan mudah diakses masyarakat dan lebih ramah lingkungan. Sebagai pembanding, dalam tulisan ini juga disertakan beberapa contoh praktik seni berbasis ekologi selain pemanfaatan limbah kemasan Tetra Pak. Temuan analisis memperlihatkan bahwa model Tetra Pak Printing dapat menjadi model alternatif teknik intaglio karena lebih mudah, praktis, dan ekonomis serta dapat dijangkau semua kalangan masyarakat. Di samping itu, Tetra Pak Printing dapat dikatakan telah mampu menjawab dan menjadi solusi salah satu tantangan ekologis melalui kesenian, khususnya dalam hal pengelolaan sampah di masyarakat.

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Moleva, N. V. "INTALIA WITH PANTHER IMAGE FROM A SANCTUARY OF KYTA." Scientific Notes of V.I. Vernadsky Crimean Federal University. Historical science 7 (73), no. 1 (2021): 104–9. http://dx.doi.org/10.37279/2413-1741-2021-7-1-104-109.

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A significant part of the materials from the excavations of the Bosporan city of Kyta, especially over the past 10 years, still remain unpublished. Among the most interesting finds at the site, the only intaglio found here stands out. The material, work and the nature of the image on it allow us to significantly replenish our knowledge about the spiritual life of the inhabitants of Kyta in the 4th century. BC.

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Gurprasad, Tiffany. "Remembering Our Leaders." Caribbean Quilt 1 (November 18, 2012): 3. http://dx.doi.org/10.33137/caribbeanquilt.v1i0.19020.

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Tiffany Gurprasad is a practicing artist and a Dean'sList scholar at the University of Toronto majoring inVisual Studies and Caribbean Studies. Her work hasbeen featured in various exhibits such as"Deconstruction" at Hart House and the Visual Studiesannual show, "Eyeball". In 2010, Tiffany curated thegroup show "Tracing Sources" at the University ofToronto Art Centre. Focusing mainly on the Caribbeandiaspora, Tiffany has worked extensively with painting,installation and intaglio printmaking.

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Ningsih, Diana Setya, Liana Rahmayani, and Zaki Mubarak. "The duration of using denture againts plaque formation of denture base." Journal of Syiah Kuala Dentistry Society 5, no. 2 (February 15, 2021): 51–55. http://dx.doi.org/10.24815/jds.v5i2.20012.

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The assessment of denture plaque can provide valuable information regarding the status of denture hygiene. Denture hygiene is strongly influenced by the patient's socioeconomic condition and the duration of denture use. The commonly used material is the heat cure acrylic resin, which can naturally increase the surface roughness if used for a long time. To determine the differences in the formation of plaque in the denture intaglio in denture use duration. As many as 14 (fourteen) respondents as research subjects used the heat-cured acrylic resin denture and came to one of the Primary clinics in Banda Aceh between April-May 2020 (During the COVID-19 Pandemic). These subjects were divided into three groups, namely 1 year, 1-3 years, and ≥ three years. In this study, the assessment of denture plaque score was conducted by the visual plaque assessment method. The colored area was the intaglio denture area, which was left for 5 minutes. The images obtained were converted into the Tarbet index (Score 1-4). The study showed that each group's denture plaque scores had different denture plaque scores. The highest denture plaque scores were found in dentures used 1-3 years. Compared to 1 year and 3 years of use. The duration of use can affect the formation of denture plaque

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Nechiporuk, Аlexander А., and Viktoria G. Chernenko. "AN IRON RING WITH INTAGLIO FROM THE NECROPOLIS OF ROSTOV SETTLEMENT." Journal of historical philological and cultural studies 1, no. 63 (March 31, 2019): 79–90. http://dx.doi.org/10.18503/1992-0431-2019-1-63-79-90.

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Sumanth Muthyala, John. "Roberta Fernández’s Intaglio: Border Crossings and Mestiza Feminism in the Borderlands." Canadian Review of American Studies 30, no. 1 (January 2000): 92–110. http://dx.doi.org/10.3138/cras-s030-01-06.

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Kim, Minsoo P., Kang Hee Ku, Hyeong Jun Kim, Se Gyu Jang, Gi-Ra Yi, and Bumjoon J. Kim. "Surface Intaglio Nanostructures on Microspheres of Gold-Cored Block Copolymer Spheres." Chemistry of Materials 25, no. 21 (October 28, 2013): 4416–22. http://dx.doi.org/10.1021/cm402868q.

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Krzemnicki, Michael S., Flavio Butini, Enrico Butini, and Ernesto De Carolis. "Gemmological Analysis of a Roman Sapphire Intaglio and Its Possible Origin." Journal of Gemmology 36, no. 8 (2019): 710–24. http://dx.doi.org/10.15506/jog.2019.36.8.710.

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Negru, Ioan Cristinel, Viorica Vasilache, Ion Sandu, Romeo Iulian Olariu, Petru Ovidiu Tanasa, Daniel Potolinca, and Irina Crina Anca Sandu. "Depth Profiling of Diffraction-based Security Features in Authentic and Counterfeit Banknotes." Materiale Plastice 54, no. 2 (June 30, 2017): 321–25. http://dx.doi.org/10.37358/mp.17.2.4843.

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High printing quality of banknotes and the variety of security features implemented in banknotes make a big difference between the genuine notes and high-quality forgeries. The counterfeiter cannot reproduce or imitate the printing quality and all security features embedded in every banknote, such as Optically Variable Ink, Optically Variable Diffractive Images, or intaglio printing. The present research focused on the examination of optically variable devices embedded on 50Îbanknotes. The altered banknotes were examined using different techniques.

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Çakmak, Gülce, Alfonso Rodriguez Cuellar, Mustafa Borga Donmez, Martin Schimmel, Samir Abou-Ayash, Wei-En Lu, and Burak Yilmaz. "Effect of Printing Layer Thickness on the Trueness and Margin Quality of 3D-Printed Interim Dental Crowns." Applied Sciences 11, no. 19 (October 5, 2021): 9246. http://dx.doi.org/10.3390/app11199246.

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The information in the literature on the effect of printing layer thickness on interim 3D-printed crowns is limited. In the present study, the effect of layer thickness on the trueness and margin quality of 3D-printed composite resin crowns was investigated and compared with milled crowns. The crowns were printed in 3 different layer thicknesses (20, 50, and 100 μm) by using a hybrid resin based on acrylic esters with inorganic microfillers or milled from polymethylmethacrylate (PMMA) discs and digitized with an intraoral scanner (test scans). The compare tool of the 3D analysis software was used to superimpose the test scans and the computer-aided design file by using the manual alignment tool and to virtually separate the surfaces. Deviations at different surfaces on crowns were calculated by using root mean square (RMS). Margin quality of crowns was examined under a stereomicroscope and graded. The data were evaluated with one-way ANOVA and Tukey HSD tests. The layer thickness affected the trueness and margin quality of 3D-printed interim crowns. Milled crowns had higher trueness on intaglio and intaglio occlusal surfaces than 100 μm-layer thickness crowns. Milled crowns had the highest margin quality, while 20 μm and 100 μm layer thickness printed crowns had the lowest. The quality varied depending on the location of the margin.

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Chen, Li, Deli Li, Jianfeng Zhou, Wei-Shao Lin, and Jianguo Tan. "Duplicating Complete Dentures with Conventional and Digital Methods: Comparisons of Trueness and Efficiency." Dentistry Journal 10, no. 3 (March 1, 2022): 35. http://dx.doi.org/10.3390/dj10030035.

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Background: A complete denture (CD) can be duplicated with a conventional or digital protocol. However, there are no comparative studies of these methods. This study aimed to compare the trueness and efficiency of conventional and digital CD duplication methods. Methods: A mandibular CD was digitized as the virtual reference model and duplicated using five methods (n = 10). The trueness (root mean square (RMS)) was calculated for the whole denture and across the dentition, cameo denture extension, and intaglio portions. The manual labor time spent during denture duplication was also recorded at different steps. The trueness and labor time comparisons were statistically analyzed among the five groups (α = 0.05). Results: The conventional group was the least true with the largest RMS (mean, 95% CI) in all of the comparisons. The four digital groups yielded similar trueness values across the dentition, cameo denture extension, and intaglio areas, yet they had a significant difference in the whole denture comparison between the Digital-CBCT-SLA printer (0.17, 0.15–0.19 mm) and Digital-Laboratory Scanner-SLA printer (0.13, 0.11–0.15 mm). The conventional protocol required longer trimming and finishing time (7.55 ± 1.02 min), as well as total labor time (27.64 ± 1.72 min) than the other four digital techniques. Conclusions: The conventional CD duplication method was less true and efficient than digital techniques.

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Kouznetsova, Maria. "hard ground / long road." tba: Journal of Art, Media, and Visual Culture 4, no. 1 (January 6, 2023): 46–55. http://dx.doi.org/10.5206/tba.v4i1.14885.

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My work is anchored in analog technology, found materials, field recordings, and the search for constellations of micro-narratives. In August 2021, I drove from San Francisco, California to London, Ontario. During the seventeen days on the road, I recorded radio noise (AM, FM picket-fencing) as well as my voice describing the environment surrounding the road at the times when I could not stop to take a photo. The sounds collected from the long road are recorded chronologically in an intaglio print. These recordings are the foundation of multidisciplinary sound and visual projects that coalesce as an installation exploring place/no-placeness, transience, precognition, repetition, delays, disappearance, and noise. Works selected for tba journal are pinhole photographs, a double-sided intaglio print, and a sound composition, that are all a part of the series described in my artist statement and share the title hard ground / long road. The print is reproduced at its original scale; the text is followed by the reverse side of the print, which is a line drawing. Two pinhole photographs bookend the works on paper. The sound companion to the visual works is a composition created on and with magnetic tape. The composition foregrounds incidental sounds of the process of making the work: tape splicing and rewinding. recorder fixing, road noise and tape hiss, woven with cut-up radio recordings.

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Chung, Sang-gy. "A Study on the Effectiveness of Psychotherapy of Intaglio Education on Prisoners." Correction Welfare Society of Korea 52 (February 28, 2018): 75–114. http://dx.doi.org/10.35422/cwsk.2018.52.4.

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Henig, Martin, and John Collis. "L'intaille d'Aulnat (Puy-de-Dôme) / The intaglio of Aulnat (Puy-de-Dôme)." Revue archéologique du Centre de la France 26, no. 2 (1987): 207–9. http://dx.doi.org/10.3406/racf.1987.2537.

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Stijnman, Ad. "Experiment and trial: technical developments in 17th-century intaglio printmaking, an overview." In Monte Artium 3 (January 2010): 115–26. http://dx.doi.org/10.1484/j.ima.1.102082.

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Journal articles on the topic 'Intaglio'

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