Books: 'Intangible art'

1

Hirsch, Antonia. Intangible economies. Vancouver: Fillip Editions, 2012.

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2

1946-, Saccidānandan, Ajīta Kaura, Miśra Dineśa, Foundation of SAARC Writers and Literature (India), and Academy of Fine Arts and Literature (India), eds. Folklore, the intangible cultural heritage of SAARC Region. New Delhi: Foundation of SAARC Writers and Literature, 2009.

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Trejos, Cecilia Dobles. Boyeros, bueyes y carretas: Por la senda del patrimonio intangible. San José, Costa Rica: Editorial Universidad de Costa Rica, 2008.

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4

Intangible spirits and graven images: The iconography of deities in the pre-Islamic Iranian world. Leiden: Brill, 2014.

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5

Unesco, ed. 2007 Bali Zhongguo fei wu zhi wen hua yi chan yi shu jie: 2007 China intangible cultural heritage art festival in Paris. Beijing Shi: Wen hua yi shu chu ban she, 2011.

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6

Ben tu jing shen: Fei wu zhi wen hua yi chan yu min jian mei shu yan jiu wen ji = A native spirit : the research collection of intangible cultural heritage and folk arts. Nanchang Shi: Jiangxi mei shu chu ban she, 2008.

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7

Di er pi guo jia ji fei wu zhi wen hua yi chan ming lu jian jie. Beijing Shi: Wen hua yi shu chu ban she, 2010.

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8

Zhong yuan ji yi: Henan shou pi fei wu zhi wen hua yi chan dai biao zuo = The memory of central plains : the first batch of intangible cultural heritage in Henan. Zhengzhou Shi: Da xiang chu ban she, 2013.

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Hunan Sheng fei wu zhi wen hua yi chan ming lu. Changsha Shi: Hunan ren min chu ban she, 2009.

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10

Low, Jonathan. Invisible advantage: How intangibles are driving business performance. Cambridge, MA: Perseus Pub., 2002.

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11

Cohen, Kalafut Pam, ed. Invisible advantage: How intangibles are driving business performance. Cambridge, MA: Perseus Pub., 2002.

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12

Culture, Unesco Sector of. Representative list of the intangible cultural heritage of humanity. Paris, France: UNESCO, Sector for Culture, 2009.

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13

Art of selling intangibles: How to make your million($) by investing other people's money. New York, N.Y: New York Institute of Finance, 1988.

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14

The art of selling intangibles: How to make your million($) by investing other people's money. New York, N.Y: New York Institute of Finance, 1985.

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15

Kou shu li shi: Wo yu fei yi de gu shi = Oral history : I and the intangible cultural heritage of China. Beijing: Zhongguo she hui ke xue chu ban she, 2012.

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16

author, Wan Baoning, Wang Luming, and Wang Luming, eds. Nanjing fei wu zhi wen hua yi chan quan lan: Overview of Nanjing intangible cultural heritage. Nanjing: Nanjing chu ban she, 2012.

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17

Connecticut. Office of Ombudsman for Property Rights. Goodwill study: Report to the Judiciary Committee, Planning & Development Committee, in response to Public Act no. 07-207, section 3. Hartford, Conn: Office of Ombudsman for Property Rights, 2008.

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18

Farina, Annick, and Fernando Funari, eds. Il passato nel presente: la lingua dei beni culturali. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-250-8.

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As a sign, tangible heritage is the most visible trace of the past in our daily life. In constant dialectic with the intangible heritage, it constitutes a physical presence that forces us to take concrete awareness. Knowledge of texts and stories, which for Vitruvius is the high road for the design and construction of a building, is also fundamental in the processes of deconstruction, according to the various stages and different perceptions, through ages and customs, up to retrace the process that transformed it into 'heritage'. The lexicon and the terminology of cultural heritage are in this sense the most important vector of knowledge, enhancement and dissemination. The volume seeks to bring together those who study the language of heritage, from different countries and through different methodologies, and those involved in its management, in order to offer points of view and ideas on the narration and perception of tangible and intangible heritage, in mediation across eras, cultures and identities.

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19

Somut Olmayan Kültürel Mirasın Korunması sözleşmesinin 10. yılında: Gelenekten geleceğe : Türkiye'de somut olmayan kültürel miras = On the 10th anniversary of Convention for the Safeguarding of the Intangible Cultural Heritage : from the tradition to the future : intangible cultural heritage in Turkey. Ankara: Kültür ve Turizm Bakanlığı, 2013.

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20

Nei Menggu da xue. Yi shu xue yuan, ed. Fei wu zhi wen hua yi chan chuan cheng yu yi shu ren lei xue yan jiu: The study of inheritance of intangible cultural heritage and anthropology of arts. Beijing Shi: Xue yuan chu ban she, 2013.

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21

Nicole, Leclercq, and Roisson Laurent, eds. Capturing the essence of performance: The challenges of intangible heritage, 25-29 August 2008 = Capter l'essence du spectacle : un enjeu de taille pour le patrimoine immatériel, Glasgow, 25-29 Août 2008. Brussels: P.I.E. Peter Lang, 2010.

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22

Michigan. Office of the Auditor General. Audit report: Intangibles and Inheritance Tax Division, Department of Treasury, July 1, 1986 through June 30, 1989. [Lansing, Mich.]: The Office, 1990.

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23

Sumin, Hao, and Wen Hua, eds. Qiang jiu, bao hu fei wu zhi wen hua yi chan: Xi bei ge min zu zai xing dong. Beijing Shi: Min zu chu ban she, 2006.

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24

Marcus, Smith, and Leslie Nico. Part I The Nature of Intangible Property, 9 Documentary Intangibles and Negotiable Instruments. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198748434.003.0009.

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This chapter studies documentary intangibles and negotiable instruments. An intangible thing, by its nature, is not a physical object. However, there are instances where intangibles are equated to physical objects. Examples are bills of exchange, promissory notes, bearer shares, depository receipts, and certificates of deposit. There are two different kinds of documentary intangibles: negotiable instruments and transferable instruments. Negotiable instruments are documents embodying obligations which are not only transferable on the transfer of the document, but which have the attribute of ‘negotiability’. Meanwhile, transferable instruments are documents which embody obligations which are transferable, but which do not have the attribute of negotiability. The chapter then considers the implications for documentary intangibles of technological developments such as dematerialization, where paper documents are replaced by electronic documents or electronic systems.

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25

Kwalliguk, Korea (South) Munhwajae, ed. Korean intangible cultural properties. Elizabeth, NJ: Hollym, 2000.

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26

Munhwajaechʻŏng, Korea (South), ed. Korean intangible cultural properties. Elizabeth, NJ: Hollym, 2001.

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27

Korn, Donald, and Leroy Gross. The Art of Selling Intangibles, New Edition. Marketplace Books, 2003.

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28

Kwalliguk, Korea (South) Munhwajae, ed. Korean intangible cultural properties. Seoul: Intangible Cultural Properties Division, Office of Cultural Properties, Ministry of Culture and Sports, 1997.

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29

Marcus, Smith, and Leslie Nico. Part VII Security, 32 Security Over Intangibles. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198748434.003.0032.

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This chapter studies security over intangibles. Security over pure intangibles can only be created by way of mortgage or equitable charge. However, before examining the particular practical demands that are made of the law of security, it is necessary to begin with a consideration of the various forms of security over personal property recognized by English law. English law recognizes four forms of consensual security over personal property: the pledge; the lien; the mortgage; and the charge. Of these, the pledge and the lien are classified as possessory securities, while the mortgage and the charge are non-possessory securities. This distinction is of great importance, for a possessory security cannot be asserted over choses in action, for the simple reason that it is not possible to take physical possession of intangible property.

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30

Administration, Cultural Properties. Korean Intangible Cultural Properties: Tradition Handicrafts. Hollym International Corp., 2001.

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31

Inventory of intangible cultural heritage of Cambodia. Phnom Penh: UNESCO, 2004.

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32

Kwalliguk, Korea (South) Munhwajae, ed. Korean intangible cultural properties: Traditional music and dance. Elizabeth, NJ: Hollym International Corp., 1999.

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33

Administration, Cultural Properties. Korean Intangible Cultural Properties: Traditional Music and Dance. Hollym International Corp., 2001.

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34

Hall, M. A. Approaching Medieval Sacrality. Edited by Christopher Gerrard and Alejandra Gutiérrez. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198744719.013.51.

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Creating, inviting, and repurposing sacrality was a fundamental quest of social behaviour in the medieval period. From the major shrines of cathedrals down to the portable sanctity of amulets, the pursuit of sacredness affected the everyday lives of Christian believers, helping to fashion memories and create heirlooms. Drawing on history, art history, anthropology, and folklore under the broad umbrella of material culture, this contribution takes a socially informed and trans-disciplinary approach to archaeology and seeks a holistic interpretation of the medieval past, one that does not neglect the intangible. This contribution seeks to underline the value of recent, new perspectives in this area and to broaden their application. Three overlapping themes are considered: relics, places, and mobility.

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35

Kaduri, Yael. Introduction. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.38.

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The introduction to this volume describes the rationale behind the overall structure of theHandbook, starting with the question of how music and sound have become so important in recent developments in contemporary art. It discusses three aspects, which are reflected in the division of the volume into three sections. The first is the sensorial distinction between art and music; the second is the intangible physicality of sound waves, the raw material of music; and the third is music as a product of live performance. Suggesting a short survey of historical, aesthetic, theoretical, and technological developments, the introduction shows how these three pivotal cores are also threads that run through much of the volume in many different variations. It thus suggests a conceptual map of an audiovisual cultural space, emphasizing the way it creates physical comprehension of philosophical matters that are at the heart of modern and contemporary art in general.

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36

Low, Jonathan, and Pam Cohen Kalafut. Invisible Advantage: How Intangibles Are Driving Business Performance. Perseus Books Group, 2002.

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37

Administration, Cultural Properties. Korean Intangible Cultural Properties: Folk Dramas, Games and Rites. Hollym International Corp., 2001.

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38

Xinjiang Uygur Zizhiqu (China). Wen hua ting., ed. Zhongguo Xinjiang Weiwuer Mukamu yi shu: "Ren lei kou tou he fei wu zhi yi chan dai biao zuo" shen bao shu = The art of Chinese Xinjiang Uygur Muqam : Masterpieces of the oral and intangible heritage of humanity candidature entry form. Wulumuqi Shi: Xinjiang ren min chu ban she, 2006.

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39

Wu, Ka-ming. Narrative Battle. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039881.003.0003.

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This chapter examines how Xiaocheng Folk Art Village in Yan'an was transformed into a container of tradition and the practice of paper-cutting into an intangible cultural heritage. It first considers the origin narrative of Xiaocheng Folk Art Village before discussing how China's urban intellectuals in the fields of folklore, religious studies, and anthropology have sought to re-understand the meanings of their work in the broader national and international framework. It then explains how Xiaocheng Folk Art Village emerged as a site of local, national, and international interests, with particular emphasis on the birth of creative rural subjects, reconfigured domestic relations, and a new public life in the village. It also describes the village's democratic struggles over folk art and concludes with an analysis of the politics of cultural authenticity and the invention of tradition in the broader context of intense urbanization and agrarian crisis in China. The chapter argues that heritage making in China is a process of “narrative battle” in which various actors construct differentiated meanings of history and tradition against the official party-state narrative.

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40

Marcus, Smith, and Leslie Nico. Part V The Effects of Assignment, The Persistence of Property Rights, and The Vindication of An Owner’s Rights, 26 Consequences and Effects of An Assignment. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198748434.003.0026.

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This chapter discusses the consequences and effects of an assignment. Although the paradigm of transfer applies clearly to multilateral intangible property, it applies much less easily to bilateral intangible property. Interests in multilateral intangible property are fully fledged property rights, good against ‘all the world’. Bilateral intangible property, whilst undoubtedly having some of the characteristics of property, lacks this characteristic of universal enforceability. In the case of bilateral intangible property, the right that is transferred remains, for all its transferability, a personal right as against an identified debtor. There is no question of a right subsisting against ‘all the world’. Rather, there is a right—originally owed by the debtor to the assignor—that is transferred from the assignor to the assignee.

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41

Hang̕uk ing̕an munhwajae chŏntʻong kongye chakpʻumjip =: Traditional handicrafts & important intangible cultural assets of Korea. Sŏul: Yŏllyŏsil, 1985.

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42

Marcus, Smith, and Leslie Nico. Part I The Nature of Intangible Property, 8 Leases. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198748434.003.0008.

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This chapter focuses on leases. Leases are most commonly associated with transactions involving land, and have been a feature of the law of real property since the Middle Ages. However, other forms of lease have become increasingly prominent in modern times. There are now major industries concerned with the leasing of chattels, such as vehicles or aircraft, and leases of intangible rights have become commonplace in the world of intellectual property. The key feature of such leases is that the lessee obtains the right to exclude others from using the relevant chattel or intellectual property. This is in contrast to a mere licence, by which the licensee obtains only the right to use the chattel or property himself. The chapter looks specifically at leases over land—its nature, historical origins, and whether they can be properly classified as choses in action.

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43

Labrador, Angela M., and Neil Asher Silberman. Introduction. Edited by Angela M. Labrador and Neil Asher Silberman. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190676315.013.32.

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The field of cultural heritage is no longer solely dependent on the expertise of art and architectural historians, archaeologists, conservators, curators, and site and museum administrators. It has dramatically expanded across disciplinary boundaries and social contexts and now includes vernacular architecture, intangible cultural practices, knowledge, and language, performances, and rituals, as well as cultural landscapes. Heritage has become entangled with the broader social, political, and economic contexts in which heritage is created, managed, transmitted, protected, or destroyed. Heritage protection now encompasses a growing set of methodological approaches whose objectives are not necessarily focused upon the maintenance of material fabric, traditionally cultural heritage’s primary concern. Rather, these objectives have become explicitly social with methods foregrounding public engagement, diverse values, and community-based action. Thus, we introduce the term “public heritage” as a way of bringing together these emerging practices. This handbook charts major sites of convergence between the humanities and the social sciences—where new disciplinary perspectives are being brought to bear on public heritage. This introduction outlines the potential contributions of development studies, political science, anthropology, management studies, human geography, ecology, psychology, sociology, cognitive studies, and education to the field of public heritage.

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44

Marcus, Smith, and Leslie Nico. Part I The Nature of Intangible Property, 4 Debts. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198748434.003.0004.

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This chapter focuses on debts. A debt is a right to demand payment of money at a stipulated time. That stipulated time may be a future specific date, or the debt may be payable on demand or on the occurrence of some defined future event. In order to be a debt, the money must be due as a matter of legal obligation, that is, arising out of a contract or a deed. At times—particularly for accounting and tax purposes—attempts are made to further classify debts. One classification of debt is known as ‘book debt’. Book debts are best defined as debts in some way connected with the creditor's trade, or debts connected with and growing out of the creditor's trade. The chapter then looks at syndicated loans, where two or more banks severally lend to a single borrower, and the nature of debts as property.

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45

Marcus, Smith, and Leslie Nico. Part II The Transfer of Intangible Property, 11 Conceptual Underpinnings. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198748434.003.0011.

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This chapter examines the manner in which choses in action can be assigned when they are not embodied in a negotiable instrument. Assigning a chose in action involves the transfer of that chose from the assignor to the assignee. Leaving aside the legal consequences of such an act, the legal requirements necessary to effect an assignment ought to be straightforward and easy to state. However, this is not the case. The English law of assignment is highly and unnecessarily complex. This is for a number of reasons: complexity arising out of the number of different ways in which a chose in action can be transferred; complexity arising out of the interrelationship between the various forms of equitable assignment; complexities arising out of the interrelationship between the various different statutory modes of assignment; and complexity arising out of the interrelationship between equitable and statutory assignments.

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46

Hamilton, Kirk, and Gang Liu. Human Capital, Tangible Wealth, and the Intangible Capital Residual. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198803720.003.0011.

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Since income is the return on wealth, the total wealth of a country should be around twenty times its GDP. Instead, the average observed ratio from the System of National Accounts (SNA) is a factor of 2.6–6.6. Clearly, wealth accounts are incomplete. Estimating the value of the most obvious omission, human capital, using the lifetime income approach for a sample of thirteen (mostly high-income) countries yields a mean share of human capital in total wealth of 63 per cent—four times the value of produced and fourteen times that of natural capital. But for selected high-income countries an average of 25 per cent of total wealth remains unaccounted. This residual intangible is arguably the ‘stock equivalent’ of total factor productivity—the value of assets such as institutional and social capital that augment the capacity of produced, natural, and human capital to support a stream of consumption into the future.

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47

Labrador, Angela M., and Neil Asher Silberman, eds. The Oxford Handbook of Public Heritage Theory and Practice. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190676315.001.0001.

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The field of cultural heritage is no longer solely dependent on the expertise of art and architectural historians, archaeologists, conservators, curators, and site and museum administrators. It has dramatically expanded across disciplinary boundaries and social contexts, with even the basic definition of what constitutes cultural heritage being widened far beyond the traditional categories of architecture, artifacts, archives, and art. Heritage now includes vernacular architecture, intangible cultural practices, knowledge, and language, performances, and rituals, as well as cultural landscapes. Heritage has also become increasingly entangled with the broader social, political, and economic contexts in which heritage is created, managed, transmitted, protected, or even destroyed. Heritage protection now encompasses a growing set of methodological approaches whose objectives are not necessarily focused upon the maintenance of material fabric, which has traditionally been cultural heritage’s primary concern. This handbook charts some of the major sites of convergence between the humanities and the social sciences—where new disciplinary perspectives are being brought to bear on heritage. These convergences have the potential to provide the inter-disciplinary expertise needed not only to critique but also to achieve the intertwined intellectual, political, and socio-economic goals of cultural heritage in the twenty-first century. This volume highlights the potential contributions of development studies, political science, anthropology, management studies, human geography, ecology, psychology, sociology, cognitive studies, and education to heritage studies and management.

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48

Marcus, Smith, and Leslie Nico. Part I The Nature of Intangible Property, 7 Intellectual Property. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198748434.003.0007.

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This chapter examines intellectual property. The governing principles relating to intellectual property are very different from the principles that underlie other choses, like rights under contracts or debts. Like shares, intellectual property rights are characterized by specific statutory rules relating to their creation, as well as to their transfer. Intellectual property rights can be divided under six heads: patents; copyright; moral rights; industrial design rights; trademarks; and confidential information. In each case, the holder of the right is able—by virtue of ownership—to prevent others from doing what they otherwise could do. Each of these intellectual property rights has four different aspects: the intellectual property right itself; rights of action for infringement; validity challenges; and licensing.

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49

Marcus, Smith, and Leslie Nico. Part I The Nature of Intangible Property, 5 Rights Under a Contract. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198748434.003.0005.

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This chapter studies rights under a contract. Contractual rights exist between, and are only enforceable by, the parties to the contract. In other words, contractual rights and obligations are essentially bilateral. Two principles of the common law tend to prevent third parties from enforcing the contract: a contract for the benefit of a third party cannot be enforced directly by that party; the promise cannot be indirectly enforced by the contracting party. The chapter then considers the statutory exception to the rule that exists in the shape of the Contracts (Rights of Third Parties) Act 1999, as well as the nature of contractual rights as property.

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50

Marcus, Smith, and Leslie Nico. Part I The Nature of Intangible Property, 6 Equity and Debt Securities. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198748434.003.0006.

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This chapter discusses securities. Securities are an important and complex category of intangible. A ‘security’ is defined as a fungible financial instrument, offered for sale on identical terms to multiple investors on first issue, and thereafter generally traded in a market that facilitates its free transfer. Securities can broadly be classified into shares, debt securities, and hybrid securities. The chapter then looks at the legal incidents of securities, and how securities are allotted and held. Allotment describes the process whereby the issuer of securities agrees to issue those securities to a particular person and that person agrees to buy those securities. Meanwhile, the question of how securities are held has become an increasing complex area. Originally, securities were held in paper form. Such paper-based systems are increasingly becoming redundant but their operation remains important because they are relevant to the electronic systems by which securities are held today.

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Books on the topic 'Intangible art'

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