Relevant bibliographies by topics / Intellectual freedom – drama

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Academic literature on the topic 'Intellectual freedom – drama'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Intellectual freedom – drama"

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Miller, Nick. "Mihiz in the Sixties: Politics and Drama between Nationalism and Authoritarianism." Nationalities Papers 30, no. 4 (2002): 603–21. http://dx.doi.org/10.1080/00905992.2002.10540509.

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Between 1981 and 1991, Serbian intellectual and political life were energized by a movement to overcome the legacies of the Tito regime. Tito himself had died in 1980, but his political heirs, insecure and unimaginative, had proclaimed that even though Tito was gone, his image would continue to guide and bind the peoples of Yugoslavia: “After Tito—Tito!” In Belgrade, the anti-Titoist movement began as a struggle for free expression. As Borislav Mihajlović Mihiz, one of the leaders of the Committee for the Protection of Artistic Freedom (founded in 1982), said later, all political freedom flows
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Zhukovska, H. M. "POETICS OF MYTH IN LESYA UKRAINKA’S DRAMATIC POEM “CASSANDRA”." Literary Studies, no. 61 (2021): 37–51. http://dx.doi.org/10.17721/2520-6346.2(61).37-51.

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The article deals with the original author’s interpretation of the myth of the Trojan prophetess Cassandra in Lesya Ukrainka’s drama of the same name. It is observed that the reproduction of the ancient myth is based on the aesthetics of neo-romanticism, artistic tragedy and psychologism. It has been proved that Lesya Ukrainka’s dramatic poem “Cassandra” is a “drama of ideas” in which important issues of human existence are raised. The artistic embodiment of the myth of Cassandra occurs through the understanding of the problems of human destiny, choice, faith / despair, truth / falsehood, free
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Ageyeva, Vira. "Freedom of Spirit and Fatality of Embodiment: Intellectual Controversies of Valerian Pidmohyl’ny’s Prose." NaUKMA Research Papers. Literary Studies 3 (September 2, 2022): 26–35. http://dx.doi.org/10.18523/2618-0537.2022.3.26-35.

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The article focuses on the analysis of philosophic and existentialist collisions of Valerian Pidmohylny’s prose. He appeared to be the most consistent urbanist in the Ukrainian prose of the 1920s, as in Tretia Revolutsia (The Third Revolution) and Misto (The City) he showed two scenarios of the relationship between representatives of rustic and urban culture. The main theme of the novel is the brutal city occupation, its submission, and desecration. This path of fair revenge is anyway desperate for both winners and losers. The novel encompasses the process of a village-born person’s understand
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Bybyk, Svitlana. "Linguosophy “slavery – freedom” in drama of Lesia Ukrainka “in the catacombs”." Culture of the Word, no. 93 (2020): 48–62. http://dx.doi.org/10.37919/0201-419x-2020.93.4.

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The article offers a stylistic analysis of Lesia Ukrainka’s drama “In the Catacombs”. The basis of the research methodology is the linguosophical approach, ie the projection of the topic – the main idea – issues, features of social and ideological conflicts on the linguistic basis of the work. Emphasis is placed on the lexical and grammatical manifestations of the interaction of rhetoric of “high”, “neutral” and “low” registers for the advantages of the first two. In this regard, communication with theological, evangelical and everyday topics is differentiated. Emphasis is placed on the stylis
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LaRue, James. "Speech and Consequences." Journal of Intellectual Freedom and Privacy 1, no. 4 (2017): 3. http://dx.doi.org/10.5860/jifp.v1i4.6315.

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This issue begins with the moving story of intellectual freedom champion Gordon Conable. The drama plays out like this: a principled and outspoken defender of First Amendment rights stands up for a controversial book in accordance with library policy and federal law. Then, his community vilifies, harasses, and punishes him for this defense until his death. One lesson is the inescapable truth that although we have the right to free speech, there can be consequences, whether in Michigan, or in Russia (see this issue’s review of Garden of Broken Statues).
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Rogers, Lizzie. "Reading will not find you a husband: Eloise Bridgerton, accomplishment and the ‘thinking woman’ in the early nineteenth-century period drama." Journal of Popular Television, The 11, no. 1 (2023): 27–43. http://dx.doi.org/10.1386/jptv_00091_1.

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From the very opening scenes of Bridgerton (), Eloise Bridgerton, the second-eldest daughter, takes centre stage as a character entrenched in a Regency London world, yet immediately identifiable to a modern audience. Her desire to learn and live beyond a conventional path sets her apart in a way that provides hope to a viewing audience that desires from her a myriad of things, including the intertwining of her reticence to marry, her close friendship with Penelope Featherington and intellectual aspirations with longed-for queer representation. This article will explore how the building of Eloi
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Timár, András. "Revival of A’ özvegy Karnyóné (The Widow of Mr Karnyó) : A Survey of József Ruszt’s Interpretation of Csokonai." Uránia 3, no. 2 (2023): 47–63. http://dx.doi.org/10.56044/ua.2023.2.3.eng.

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József Ruszt was a significant theatre director, teacher and company organiser in the second half of the 20th century. It is the task of contemporary theatre historiography to study his life’s work and his approach to theatre. In Ruszt’s entire oeuvre, the programmatic staging of Hungarian dramas, including Csokonai’s works, was of outstanding importance. As Ruszt explains: “I love old Hungarian literature. I do not only love its language and its intellectual landscape, but also its undertakings, which are unparalleled in Europe, and I feel that this undertaking is still relevant today, althou
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Muse, Amy. "Teaching The Portrait of a Lady as a Tale of Two Travelers." Frontiers: The Interdisciplinary Journal of Study Abroad 25, no. 1 (2015): 47–56. http://dx.doi.org/10.36366/frontiers.v25i1.344.

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I had long considered Henry James’s The Portrait of a Lady the quintessential study abroad novel, not just for the extensive travel that takes place within the storyline but for the “drama of the perceiving mind” (to use Michael Gorra’s words) that James presents us with in his heroine, Isabel Archer. If the most important outcome of education abroad is intellectual development, we must attend to what happens to students’ consciousness, and therefore The Portrait of a Lady, despite what might seem old-fashioned in its setting and plot, still benefits American students venturing out into the wo
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Hickman, Jared. "Douglass Unbound." Nineteenth-Century Literature 68, no. 3 (2013): 323–62. http://dx.doi.org/10.1525/ncl.2013.68.3.323.

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This essay tests what we might call the racialization-as-secularization thesis through an examination of a year in the intellectual and literary life of Frederick Douglass—from the summer of 1854, when he delivered his commencement address at Western Reserve College, “The Claims of the Negro Ethnologically Considered” (his direct response to the American School of Ethnology), to the summer of 1855, when his second autobiography, My Bondage and My Freedom, was published. “Claims” reveals that Douglass apprehended in the American School of Ethnology a distillation of the problem of race past int
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Peleshenko, Nataliia. "“Skovorodian” Text in Ukrainian Drama and Theatre of the 1980s and 1990s." NaUKMA Research Papers. Literary Studies, no. 4-5 (March 17, 2025): 116–30. https://doi.org/10.18523/2618-0537.2024.4-5.116-130.

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The article considers “Skovorodian text” in Ukrainian drama and theatre of the 1980s and 1990s, the actualization of which marks a return to a non-mimetic type of artistic thinking that coincides in time with the manifestation of postmodern tendencies based on conventionality, openness, freedom, experimentation, and reinterpretation. This phenomenon was in line with artistic practices of modernist, predominantly unrealistic, drama the development of which was artificially interrupted by the repressive totalitarian machine in the 1930s.The processes of changing the artistic language that starte
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Books on the topic "Intellectual freedom – drama"

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Goldfarb, Jeffrey C. Persistence of Freedom: The Sociological Implications of Polish Student Theater. Taylor & Francis Group, 2019.

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Durham, Clarice. Richard Durham's Destination Freedom. Praeger, 1989. http://dx.doi.org/10.5040/9798216985167.

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The discrimination and stereotyping that black Americans have experienced in the popular arts in the twentieth century is a familiar story to students of popular culture. In literature, music, film, and television the barriers to black characterization and talent created pervasive distortions and stereotypes; yet in no artistic field was the racist pressure against blacks more prevalent than in radio, and into this cultural dimension the least amount of scholarship has been directed. In the light of such discriminatory traditions, the appearance in the late 1940s of the programDestination Free
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Persistence of Freedom: The Sociological Implications of Polish Student Theater. Taylor & Francis Group, 2019.

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4

Sierhuis, Freya. Politics, Imagination, and Desire in the Work of Fulke Greville. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.142.

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This article examines a number of the key political and philosophical questions in the poetry, drama, and philosophical treatises of Fulke Greville, first Lord Brooke (1554–1628), arguing that the philosophical complexity and linguistic obscurity for which Greville’s style is known offer an appropriate tool for the examination of some of his enduring intellectual preoccupations: the paradoxes of political power and the rise and fall of empires, examined in the choruses of his Ottoman closet drama Mustapha; and the examination of the mechanisms of idolatry and spiritual servitude that link the
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More, Mabogo Percy. Looking Through Philosophy in Black. The Rowman & Littlefield Publishing Group, 2018. https://doi.org/10.5040/9798881811549.

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This autobiography is a series of interrelated true-life events and decisions taken by a black philosopher that highlight the human drama unfolding in the inferno of the South African apartheid system. Mabogo More details what it means to be a black philosopher in an anti-black apartheid academic world. More’s life story traces his emergence in philosophy and his pursuit of a philosophical dream, a dream that takes him from his South African black ghetto township to American and British universities and finally to the prestigious Frantz Fanon Lifetime Achievement award. His extraordinary philo
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Book chapters on the topic "Intellectual freedom – drama"

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Rimas, Juozas, and Juozas Rimas Jr. "The Search for Abilities and Characteristics Which Produce Expression of Quality." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_4.

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AbstractA series of sub-chapters summarising the subjective abilities necessary for expression in music: 3.1. A Musical Ear. “Inner hearing” vs. acoustic hearing; perfect pitch. Hearing and understanding (G. Colombero, B. Asaf’ev; C.P.E. Bach, R. Schumann). 3.2. Sound Creation. The method developed by C. Martienssen. “Wunderkind complex”. The author’s recording of the Andante from the Cassation in B flat major (KV 63a) by the 13-year-old W. A. Mozart. Six elements of sound creation: pitch volition (Tonwille); timbre volition (Klangwille) (cf. A. Losev: “the otherness of tone“); line volition (
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Lange, Anne, and Aile Möldre. "Russian Literature in Estonia between 1918 and 1940 with Special Reference to Dostoevsky." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.03.

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This chapter gives a survey of translations from Russian literature made in Estonia in 1918–40 against the backdrop of the latter nation’s cultural development. Translation is understood as a practice affected by social contingencies and cultural exchanges. As former citizens of Tsarist Russia, the older generation of Estonian intellectuals for who shaped the cultural repertoire of Estonia after independence in 1918 drew on their knowledge of Russian. The initial need for drama translations for amateur theatre groups was paralleled by interest in new developments of Russian fiction (reflecting
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Debost, Michel. "Phrasing." In The Simple Flute. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195145212.003.0052.

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Abstract A musical phrase is similar to a spoken sentence. It is an attempt to organize sounds and syllables to give them a direction, a meaning that will make their intellectual, spiritual, and emotional content intelligible. Phrasing is a relationship between freedom and constraint, tension and release, intensity and repose— between time and space, and between sound and silence. It is impossible to load every single syllable of a speech with drama: it becomes quickly emphatic and boring. “The pursuit of the extraordinary is the character of mediocrity. When one despairs of doing a beautiful,
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Wight, Martin. "Some Problems of History." In Faith and the Philosophy of History. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780198905554.003.0008.

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Abstract Wight wrote, “Before the Enlightenment, before the 18th century, what was generally assumed was a theory of degeneration, and men looked back to a Golden Age, the theory of Progress transforming it into a Millennium or Utopia. . . . Also, the question arises, are Old Testament categories of history still applicable? The wrath of God, the apostasy of the faithful, the saving of a remnant. Have we outgrown them? The New Testament still insists on them. . . . We must believe that whatever the meaning of History, it is inherent in History at any moment, and History is therefore complete a
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Horová, Mirka. "The Metaphysical Dramas Playing Against All Odds." In The Oxford Handbook of Lord Byron. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780198808800.013.20.

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Abstract This chapter discusses the ways in which Byron’s trailblazing texts Manfred, Cain, and Heaven and Earth explore the limits of agonism, the traditional essence of dramatic conflict, pitching the quest for political liberty and intellectual freedom against the seemingly unassailable supremacy of assorted metaphysical powers and their authoritarian censure. Byron’s three dramas interrogate the claim of all metaphysical hegemonies to moral authority. The plays disrupt moral closure and perform a radical revision of traditional ethics, demarcating the limits of authoritarianism’s reach, an
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Lavine, Thelma Z. "Philosophy and the Dialectic of Modernity." In The Paideia Archive: Twentieth World Congress of Philosophy. Philosophy Documentation Center, 1998. http://dx.doi.org/10.5840/wcp20-paideia199842779.

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Habermas' social philosophy can now be perceived in its oppositional structures and their symbolic meaning. His repetition of structural opposition finds its expression in the symbolism which pervades The Philosophic Discourse of Modernity in the opposition between the dreaded myth of the Dialectic of Enlightenment and the redemptive fantasy of the path yet to be taken. More significant for the intellectual culture of modernity is the neglect, by erasure on the part of this esteemed philosopher, of the great drama of philosophy in our time. This is the drama occasioned by the dialectical strug
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