Relevant bibliographies by topics / Intellectual property; Copyright law

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Intellectual property; Copyright law'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Intellectual property; Copyright law"

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Kamal, Mustofa, and Efridani Lubis. "Legal Protection of Government Agency Logo: Intellectual Property Law Versus State Financial Law." JURNAL ILMIAH LIVING LAW 12, no. 1 (January 31, 2020): 87. http://dx.doi.org/10.30997/jill.v12i1.2124.

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This study aims to determine the legal protection of the government agency logo according to intellectual property law according to state financial law and to find out the harmonization strategy of legal protection of government agency logos between according to intellectual property law and according to state financial law. Qualitative research is carried out using the applied law research approach. The results showed that the logo of government agencies is the result of intellectual property that can become a trademark or copyright. Repressive intellectual property legal protection can be done if preventive legal protection has been done through trademark registration or copyright. While legal protection for state finances can be done if the logos of government agencies become part of intangible assets. Government agencies are required to safeguard intangible assets through administrative safeguards, in the form of bookkeeping in financial statements, and legal safeguards, in the form of registering and storing proof of trademark certificates or copyrights. If these two safeguards are carried out, harmonization between legal protection according to state financial law and intellectual property law has taken place. Preventive and repressive protection of agency logos as intangible assets can be optimized. Keywords: agency logos, intangible assets, legal
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Chatterjee, Mala. "Lockean Copyright versus Lockean Property." Journal of Legal Analysis 12 (January 1, 2020): 136–82. http://dx.doi.org/10.1093/jla/laaa002.

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Abstract Locke’s labor theory, the most familiar of property theories, has faced centuries of philosophical criticism. Nonetheless, recent legal scholars have applied it to intellectual property while overlooking these philosophical critiques. Philosophers, on the other hand, are largely absent in IP theorizing, thus not asking whether Locke’s resilient intuition is salvageable in copyright’s domain. This Article argues that Lockean copyright is actually far more plausible than Lockean property, for it avoids the most devastating objections the latter faces. It then defends a surprising doctrinal implication of this theoretical conclusion: a workable Lockean copyright favors rights far more limited than present law.
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Al Nusair, Fayez, and Firas Massadeh. "Analytical Study of United Arab Emirates Copyright Federal Law No. 7, 2002." Arab Law Quarterly 32, no. 3 (May 22, 2018): 281–97. http://dx.doi.org/10.1163/15730255-12323010.

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Abstract This article presents a comprehensive examination and analysis of copyright protection under the provisions of the United Arab Emirates’ Federal Law No. 7, 2002 concerning copyrights and neighbouring rights in preparation for the accession of relevant international conventions. The law revoked Federal Law No. 40, 1992 regarding intellectual property copyright. The nature of copyright and its economic justification, the scope of its protection in the United Arab Emirates’ legal framework, the concepts of originality and creativity, and the author’s moral and economic rights are scrutinized in comparison with the provisions of related international intellectual property treaties and conventions (i.e. the TRIPS Agreement and the Berne Convention for the Protection of Literary and Artistic Works 1886, last revised in Paris, 24 July 1971).
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Singleton, Rebecca. "Architecture and intellectual property." Architectural Research Quarterly 15, no. 3 (September 2011): 294–96. http://dx.doi.org/10.1017/s1359135511000893.

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For architects, intellectual property (IP) law is vital. Without it plans, building designs and models would have no value as others could copy them without payment. But what are an architect's rights and how are those rights retained in order to avoid commercial exploitation?The legislation for this area of law comes from the Copyright, Designs and Patents Act 1988 (CDPA), the Registered Designs Act 1949, the Trade Marks Act 1994 and the Patents Act 1977. IP itself is divided into those rights that are registrable at the Intellectual Property Office (IPO) and those that are not. Rights that must be registered before the work is protected include trademarks, patents and registered designs; IP rights that cannot be registered include copyright and unregistered design rights.
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Ncube, Caroline B. "The Creative Industry and South African Intellectual Property Law." Law and Development Review 11, no. 2 (June 26, 2018): 589–607. http://dx.doi.org/10.1515/ldr-2018-0030.

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Abstract This paper seeks to provide a more nuanced view of the creative industry that goes beyond assertions of its contribution to economic growth, which, it is then further argued, requires stringent copyright protection to ensure development. It argues that a critical first step is to optimize an existing copyright framework by addressing its inherent entrepreneurial challenges to better enable authors to garner economic returns. These challenges are identified before the paper delineates the creative industries in South Africa and related policies. It then turns to the ongoing copyright policy formulation process before setting out current and proposed copyright legislative provisions. The paper contends that essential aspects regarding both the creative and commercial aspects must be tackled first. At the creative stage, authors’ inability to use a large range of source works because of the fear of copyright infringement claims can be addressed by elaborating exceptions and limitations. On the commercial front, entrepreneurial capacity building for authors and curbing unfair author, publisher and intermediary contracts is vital. The use of statutory devices such as the reversionary interest, to recover lost or diminished opportunities to obtain direct financial gain from copyright work, could also be considered. Enhancing the viability of collecting societies and ensuring that royalties are paid to authors would also be a critical intervention.
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Cornish, W. R. "The International Relations of Intellectual Property." Cambridge Law Journal 52, no. 1 (March 1993): 46–63. http://dx.doi.org/10.1017/s0008197300017232.

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Intellectual Property is not a term with a standard meaning. Traditionally it was used to describe the copyright protection of authors and to distinguish this from industrial property, i.e., Patents for inventions, industrial design rights, plant variety rights, trade marks and the like. Recently it has become an umbrella for copyright, rights related to it and the various forms of industrial property. The new generic grouping has been needed for a world where demand for these rights has risen to an altogether new pitch. In part this is the consequence of extraordinary advances in technologies which make recorded information easily and precisely reproducible; and partly it supports the quest of advanced economies to conserve superior knowledge as a weapon in international trade.
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Tulzapurkar, Veerendra. "Intellectual Property Law – Transfer of Technology." International Journal of Legal Information 36, no. 2 (2008): 338–41. http://dx.doi.org/10.1017/s0731126500003103.

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The law of patent, trademark law, copyright law and the law relating to industrial designs are the statutory enactments forming part of intellectual property law which have a bearing on the transfer of technology. There is one more branch of intellectual property law which also has a bearing on the transfer of technology and that is the law relating to confidential information or law relating to confidentiality. This law is not a written law; it is judge made law, in the sense that it is developed through cases.
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Tanwir S. H., M. H., Dr Ranti Fauza Mayana, and Daniel Hendrawan, S. H., M. Hum., M.Kn. "ALTERNATIVE RESOLUTION OF INTELLECTUAL PROPERTY DISPUTES AS PART OF INVESTMENT IN THE CREATIVE INDUSTRY SECTOR UNDER INDONESIAN LAW." Humanities & Social Sciences Reviews 7, no. 5 (September 28, 2019): 93–97. http://dx.doi.org/10.18510/hssr.2019.7512.

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Purpose: The amount of investment in Indonesia both foreign and domestic increases in number each year. One of the growing investment in Indonesia is the creative industry. Creativity from this creative industry produces a variety of works protected by intellectual property. The development of intellectual property law advanced rapidly. One form of intellectual property is copyright. The many interests in the implementation of this copyright cause some problems and disputes. Indonesia itself recognizes some non-court settlement disputes namely arbitration and mediation so that intellectual property may remain protected. Methodology: This research study gathered secondary data from literature review, online article, dialogues and different document available on the internet regarding the copyright law. In addition, this research study has analysed different Indonesian law regarding copyright. Main Findings: There are rights in copyright protected by law. In-Law No. 28 of 2014 it is possible to settle disputes outside the court through several methods. Article 95 of Law No. 28 of 2014 on Copyright stipulates that Settlement of Copyright disputes may be made through alternative dispute resolution, arbitration, or courts. Implications/Applications: The findings of the study are helpful in gaining knowledge regarding law available regarding copyright and settlement of Copyright disputes through alternative dispute resolution, arbitration, or courts, etc.
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Spitsyna, Hanna, and Alla Hordeyuk. "Features of modern classification of intellectual property items." Naukovyy Visnyk Dnipropetrovs'kogo Derzhavnogo Universytetu Vnutrishnikh Sprav 3, no. 3 (September 30, 2020): 58–64. http://dx.doi.org/10.31733/2078-3566-2020-3-58-64.

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This article determines modern classification of intellectual property objects, which identified in international regulations and presumed by scientists, studding problematic issues in sphere of intellectual property. The defined, which the most common is classification, with distribution criterion of objects in group to the institutions of intellectual property: copyright and related rights; industrial property law. The individual scientists have their own approach regarding inclusion in different classification groups. The offered with given the content of international law and scientific research of scientists, classify of intellectual property objects by several criteria in depending: from the assignment of objects to a specific legal institutions of intellectual property; from the legal nature of objects which without fail subject to patenting or state registration or on them spread of presumption of authorship; from the title of protection, which issued based on patenting result or state registration of specific objects. By these criteria expediently to highlight such groups and subgroups of intellectual property objects: objects of copyright and related rights with separate subgroup copyright objects and subgroup related rights objects; objects of the institution of industrial property law, where to highlight the patent law objects, the objects, where individualize of participants in civil transaction, goods, services and subgroup of unconventional objects. Determined the need in modern realities of virtualization of legal realities to additions to the list intellectual property objects, which is defined in article 420 Civil code of Ukraine, such facilities of domain name and website. The domain name include in subgroups of industrial property law objects, which individualize of participants in civil transaction, goods and services, and website include in group objects of copyright and related rights, guided by the legislator’s position. The legislator secured concept of website in the law of Ukraine «On copyright and related rights».
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Supeno, Supeno. "Hak Cipta dalam Perspektif Hukum Islam." Wajah Hukum 2, no. 1 (May 31, 2018): 125. http://dx.doi.org/10.33087/wjh.v2i1.32.

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Intellectual property (HKI) is one of the rights that have been getting protection by law in Indonesia, there are some regulations that govern on rights that are included in the scope of intellectual kekayan as copyrights, patent rights, trademark rights, trade secret rights and so on. To know more deeply is how copyright in the perspective of Islamic law because Indonesia as the country's largest Islamic religion will greatly affect the understanding and awareness of the importance of the protection of the population of Indonesia against intellectual property.
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Dissertations / Theses on the topic "Intellectual property; Copyright law"

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Marais, Richard. "Investigating musical copyright infringement: Examining International Understandings of Musical Copyright Infringement for Potential Adaptation into South African Copyright Law." Master's thesis, Faculty of Law, 2019. http://hdl.handle.net/11427/31006.

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This thesis examines international approaches to musical work copyright infringement law for the purpose of establishing an approach that can be utilised effectively under the South African copyright infringement framework. In doing so, the importance of the various interactive elements of musical works is investigated as well as the modes of assessment in infringement scenarios. The findings are used to create a robust middle-ground approach to be adapted into the South African copyright infringement framework. Further considerations that impact infringement outcomes are addressed to the extent that they are contextually relevant. These include a discussion of research undertaken on the continent regarding the relationship between creators and the music-related copyright regime as well as the role that exceptions and limitations play in infringement outcomes.
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Mathini, Moses Wanjukia. "Enforceability of digital copyright on the darknet?" Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28031.

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This dissertation seeks to comparatively analyse different emerging jurisprudence of pioneering jurisdictions on the operability of enforcing digital copyright in light of the growing use of the Darknet. It addresses the legal lacuna in the existing copyright laws with regards to enforcement against the illegal distribution of infringing copies of online digital content. It also seeks to illustrate how the concept of digital copyright protection has been compromised by the inoperability of enforcement laws on illegal distribution via the Darknet. It thereby advocates for a 'digital use' exemption and or free access as a recommendation. Although the advancement of technology created new and advanced forms of distribution or availing copyrighted works to the public, these new advanced channels of distribution have been compromised by rogue online clandestine file sharing networks. Digital copyright protection laws have been advanced so as to respond to illegal online file sharing, however, they have had limited impact due to the vast, flexible and unregulated nature of the internet which transcends the territorial nature of any single state's copyright laws. Currently, online file sharing is effected through peer to peer networks due to their operational convenience. This dissertation suggests that the need to control distribution, legally or technological, is driven by the urge to enable digital copyright owners to benefit financially from their works and get a return on their investment. Technologically, this has been effected through the adoption of Digital Rights Management (DRMs) measures that control access to these works through the use of paywalls on commercial websites that require online consumers to pay/ subscribe first before they gain access to the copyrighted works. (eg Netflix, Showmax, itunes e.t.c) However, since absolute control over one's digital works, online, is impossible, the success of these access-control mechanisms remains debatable and remain vulnerable to technologically sophisticated users who could easily circumvent them and make the protected works available to millions of other users in Darknets. This, in effect, creates a parallel and free market for digital content. Darknets have grown as the new preferred channel of distribution due to their unique features which have rendered any judicial or legislative threat of sanctions, merely academic and detached from practical application. The Darknet essentially provides for user privacy, in anonymity, and security from monitoring and detection. These two primary features have exacerbated online piracy as various Darknets ISPs have now developed more user-friendly Darknet versions for the average mainstream user. This dissertation will highlight how the digital creative industry faces an existential threat with the growing use of Darknets. Darknets have created a virtual environment where illegal digital content distribution continues with impunity, since the burden of the enforceability of copyright rests squarely on the individual copyright holder and the pursuit of liability only begins upon detection of any such infringement of copyright. In effect, copyright owners, most often than not, lack the technological expertise to monitor and detect and thereby cannot enforce their copyright. As such, this dissertation postulates that the legal/ technological effort to maintain any form of monopoly over digital content online is an unattainable objective. As a solution, to end both online piracy and safeguarding the financial interests of copyright owners, a change in the approach to digital copyright is needed. This will be achieved through creating a 'digital use' exemption and or free access. Rather than copyright owners trying to control access, they should provide free access and profit on alternative revenue business models. Free access to digital content will do away with the need of online users to pirate and also save copyright owners the effort and resource to keep monitoring the virtual world for infringement. It will also counter-react to the Darknet's parallel market since users will have free access to digital content from the official distribution websites. This dissertation will interrogate the viability of this option.
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Hsueh, Hsiao-Yin Josephine. "A long journey toward intellectual property protection : a case study of Taiwan's copyright law reform /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3036831.

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Mysoor, Poorna. "Implied licences in copyright law." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:8d5f4169-4f04-4e1f-9600-d93b6adbcd53.

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Copyright licences can be implied when the doing of a restricted act is covered neither by the express licence of the copyright owner, nor by one of the statutory limitations and exceptions. The manner in which copyright licences are implied, therefore, holds the key to broadening the scope of permissible acts. In contrast to the rigidity of statutory limitations and exceptions, implied licences are more malleable in being able to respond to a diverse set of circumstances, as the need arises. Thus, implied licences can serve as a flexible and targeted mechanism to balance competing interests, including those of copyright owners and content users, especially in today’s dynamic technological environment. However, implication as a process is contentious, and there are no established rules for implying a licence. Implication of a copyright licence is even more complicated because the conceptualisation of a copyright licence is unsatisfactory. The resulting uncertainty has prevented implied licences from being embraced more readily by the courts. The objective of this thesis is, therefore, firstly, to reconceptualise a copyright licence that is broad enough to accommodate the diverse circumstances in which copyright licences arise, and certain enough to assist in finding their constituents; secondly, to propose frameworks for implying copyright licences in a methodical and transparent manner, based on three sources: the consent of the copyright owner; an established custom; and state intervention to achieve public policy goals. The frameworks are also customised differently for implied bare and implied contractual licences. The thesis demonstrates the robustness of these frameworks by rationalising them with the existing case law. Underscoring the contemporary relevance of implied licences, in conclusion, the thesis tests and validates the frameworks in relation to three essential and ubiquitous functions on the internet – browsing, hyperlinking and indexing.
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Mudau, Sipho. "The copyright protection of online user-generated content." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/12935.

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Includes bibliographical references.
Online social networking sites such as Facebook and YouTube allow creative works to be more easily copied and distributed. This type of content is generally referred to as user-generated content and its creation has become a major component of our daily routine. As a result, user-generated content has the potential to influence not just the nature of social interactions but methods of doing business. The advent of user-generated content poses new challenges to copyright law, the conventional medium of protecting these creative works. The global reach of the internet and the increasing ease of access thereto make infringement of original material more likely and more frequent. User-generated content is also surrounded by legal uncertainty in the areas of defamation and privacy. It is beyond the scope of this paper to deal in any depth with these issues. This dissertation will focus on the implications of user-generated content within the realm of copyright. Specifically, this paper examines whether South African copyright law, in its present state, adequately protect the rights and interests of content creators on one end and website owners and proprietors on the other. This assessment will be guided, in part, by judicial precedent and legislative policies adopted in other jurisdictions.
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Pinkepank, Felix. "Streaming Unauthorised Copyrighted Content: Copyright Liability of Streaming Platforms and Streaming Box Distributors. A Comparative EU-US-SA Perspective." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/29709.

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This thesis examines the liability for copyright infringement of streaming platforms and streaming box distributors in the EU, U.S. and in South Africa. As there have been no reported cases in South Africa in which copyright holders have instituted legal proceedings concerning copyright infringement against streaming platforms or streaming box distributors, this thesis analyses and compares the legal context in the EU and the U.S., in order to develop an appropriate approach for lawmakers and courts in South Africa regarding this issue. It concludes that the approach of the European Court of Justice with regard to the communication to the public right leads to legal uncertainty and should not be followed. Instead, it is suggested that South Africa implements into its Copyright Act of 1978 parts of the U.S. approach in terms of secondary liability. Furthermore, the lawmaker should revise the safe harbour provisions in the Electronic Communications and Transactions Act of 2002.
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Christie, Andrew Frederick. "Intellectual property protection for the design of integrated circuits." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385373.

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Al-Kamali, Mohamed Mahmoud Ismael. "The development of intellectual property law in the United Arab Emirates." Thesis, University of Exeter, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260720.

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Rimmer, Matthew Rhys. "The pirate bazaar the social life of copyright law." View electronic text, 2001. http://eprints.anu.edu.au/documents/disk0/00/00/08/14/index.html.

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Available via the Australian National University Library Electronic Pre and Post Print Repository. Title from title screen (viewed Mar. 28, 2003) Includes bibliographical references. Mode of access: World Wide Web.
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Wang, Xiaorong 1979. "International copyright and developing countries : the impact of the TRIPs Agreement." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82674.

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The promulgation of the TRIPS Agreement marks a new direction for international copyright: copyright protection has been put under the auspices of the world trading system. During the arduous negotiations, developing countries played a minor role due to the unilateral trade threats exerted by the United States. As a result, the final text of the TRIPs mainly mirrors the domestic copyright legislations of those developed countries.
The question of what impact the TRIPs will have on developing Member States has triggered hot debates. While acknowledging that a short-term negative impact is likely, the long-term effects of a strengthened copyright regime in those countries are hard to predict at this time. The author uses China as a case study to illustrate the difficulties that developing nations might have in implementing and enforcing such heightened copyright standards. Moreover, possible solutions to minimize any adverse effects of the TRIPs Agreement are discussed.
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Books on the topic "Intellectual property; Copyright law"

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Davis, Jennifer. Intellectual property law. 3rd ed. Oxford: Oxford University Press, 2008.

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Paul, Torremans, ed. Intellectual property law. London: Butterworths, 1995.

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Lee, Mark S. Entertainment & intellectual property law. Eagan, MN: Thomson/Glasser LegalWorks, 2005.

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Siebrasse, Norman. Intellectual property law. [Toronto: Faculty of Law, University of Toronto], 1997.

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Funa, Dennis B. Intellectual property law. 2nd ed. Quezon City, Philippines: Central Book Supply, Inc., 2012.

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Chŏjakkwŏnpŏp: Copyright law. Sŏul T'ŭkpyŏlsi: Pagyŏngsa, 2014.

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Institute, Pennsylvania Bar. Intellectual property law primer. [Mechanicsburg, Pa.]: Pennsylvania Bar Institute, 2006.

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Institute, Pennsylvania Bar. Intellectual property law primer. [Mechanicsburg, Pa.]: Pennsylvania Bar Institute, 2011.

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Coombe, Rosemary. Intellectual property law. [Toronto, Ont: Faculty of Law, University of Toronto], 1991.

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Katz, Martin F. Intellectual property law. [Toronto, Ont: Faculty of Law, University of Toronto], 1990.

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Book chapters on the topic "Intellectual property; Copyright law"

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Hart, Tina, and Linda Fazzani. "Copyright." In Intellectual Property Law, 129–32. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-14129-6_14.

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Hart, Tina, Simon Clark, and Linda Fazzani. "Copyright." In Intellectual Property Law, 149–52. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-06736-4_12.

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Hart, Tina, and Linda Fazzani. "Ownership and Duration of Copyright and Moral Rights." In Intellectual Property Law, 163–69. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-14129-6_19.

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Hart, Tina, Simon Clark, and Linda Fazzani. "Ownership and duration of copyright, moral rights and artist’s resale right." In Intellectual Property Law, 211–19. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-06736-4_17.

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Aplin, Tanya, and Jennifer Davis. "3. Copyright II." In Intellectual Property Law:. Oxford University Press, 2017. http://dx.doi.org/10.1093/he/9780198743545.003.0003.

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All books in this flagship series contain carefully selected substantial extracts from key cases, legislation, and academic debate, providing able students with a stand-alone resource. This chapter discusses principles relating to the authorship and ownership of copyright, and the significance of this designation. It examines how owners of copyright can exploit their works by either assignment or licence and the circumstances in which courts can imply terms in the absence of parties having agreed as to how a copyright work can be exploited. The chapter discusses the term of copyright protection and also examines exclusive rights, both moral and economic in nature, that authors and owners respectively have in their copyright works.
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Bently, L., B. Sherman, D. Gangjee, and P. Johnson. "2. Introduction to copyright." In Intellectual Property Law. Oxford University Press, 2018. http://dx.doi.org/10.1093/he/9780198769958.003.0002.

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This chapter provides an introduction to copyright and the history and functions of copyright law, as well as international and European trends and developments that have influenced copyright law in the UK. It first considers ‘author’s rights’ and ‘neighbouring rights’ before turning to justifications that have been put forward for copyright, with particular reference to arguments invoking natural rights, rewards and incentives, neoliberal economics, and the ‘democratic paradigm’. The chapter also examines the seven significant treaties that have influenced British copyright law as well as European directives that have had an important and growing impact on British copyright law, including the Software Directive, the Related Rights Directive, and the Cable and Satellite Directive.
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Aplin, Tanya, and Jennifer Davis. "4. Copyright III." In Intellectual Property Law:. Oxford University Press, 2017. http://dx.doi.org/10.1093/he/9780198743545.003.0004.

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All books in this flagship series contain carefully selected substantial extracts from key cases, legislation, and academic debate, providing able students with a stand-alone resource. This chapter discusses the circumstances in which an owner’s economic rights may be infringed; the exceptions and limitations to copyright infringement; changes to the exceptions regime recently introduced into UK copyright law and how technological protection measures interrelate with copyright exceptions; and database right.
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Karapapa, Stavroula, and Luke McDonagh. "2. Subsistence of copyright." In Intellectual Property Law, 29–59. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198747697.003.0002.

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This chapter examines the subsistence of copyright. Subsistence is a central requirement for copyright protection — unless it is established that copyright subsists in one's work, one cannot make a viable claim that someone else has used one's work without permission. Section 1 of the Copyright, Designs and Patents Act 1988 (CDPA) declares that copyright is a property right which subsists in an exhaustive, or closed, list of eight different categories of ‘work’: original literary, dramatic, musical, or artistic works; sound recordings, films, or broadcasts; and the typographical arrangement of published editions. Originality is the paramount criterion of copyright protection. For this reason, there are a great many cases that consider how to define the level of originality required for a piece of literature, drama, music, or art to be protected.
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"Intellectual Property: Copyright." In Digital Media Law, 127–55. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444318197.ch7.

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Aplin, Tanya, and Jennifer Davis. "2. Copyright I." In Intellectual Property Law:. Oxford University Press, 2017. http://dx.doi.org/10.1093/he/9780198743545.003.0002.

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All books in this flagship series contain carefully selected substantial extracts from key cases, legislation, and academic debate, providing able students with a stand-alone resource. Copyright refers to a set of exclusive rights in relation to cultural works such as literature, newspapers, photographs, drawings, artworks, films, music, and plays, and also extends to less obviously aesthetic creations, such as computer programs and databases. This chapter discusses the history, justifications, and sources of UK copyright law as well as the requirements for copyright protection.
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Conference papers on the topic "Intellectual property; Copyright law"

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"LEARNING AND RETENTION OF LEARNING IN AN ONLINE POSTGRADUATE MODULE ON COPYRIGHT LAW AND INTELLECTUAL PROPERTY." In 3rd International Conference on Web Information Systems and Technologies. SciTePress - Science and and Technology Publications, 2007. http://dx.doi.org/10.5220/0001265802730280.

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Duc, Chu Xuan, Dang Cong Trang, and Pham Nam Thanh. "Terms of Copyright Protection and Inappropriate Rules in the Law on Intellectual Property for Current Folklore Works in Vietnam." In XVII International Research-to-Practice Conference dedicated to the memory of M.I. Kovalyov (ICK 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200321.117.

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Sokendai, Naonori Kato. "An Analysis on Premium Value of Moral Right of Author in Japanese Copyright Law: Based on Intellectual Property High Court Judge from 2005 to 2010." In 2011 IEEE/IPSJ 11th International Symposium on Applications and the Internet (SAINT). IEEE, 2011. http://dx.doi.org/10.1109/saint.2011.41.

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Irish, V. "Intellectual property rights." In IEE Colloquium on `Principles of Law for Engineers and Managers'. IEE, 1996. http://dx.doi.org/10.1049/ic:19961420.

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Allcock, J. P. M. "Intellectual property case study." In IEE Colloquium on `Principles of Law for Engineers and Managers'. IEE, 1996. http://dx.doi.org/10.1049/ic:19961320.

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Takahashi, Timothy T. "Intellectual Property Law and Legacy FORTRAN Code." In 2013 Aviation Technology, Integration, and Operations Conference. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2013. http://dx.doi.org/10.2514/6.2013-4210.

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Janković, Dijana. "DIFFERENT LEGAL ASPECTS OF THE INTELLECTUAL PROPERTY RIGHTS." In PROCEDURAL ASPECTS OF EU LAW. Faculty of Law, Josip Juraj Strossmayer University of Osijek, 2017. http://dx.doi.org/10.25234/eclic/6526.

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Davis, D. "Intellectual property rights: practical issues." In IET Seminar on Railway Law for Engineers: How Legislation, Liability and Legal Issues Affect You. IEE, 2008. http://dx.doi.org/10.1049/ic:20080599.

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Prasetyadji, Kuncoroadi, Witri Aulia Maudy, and Supandi. "Defense Economics Viewpoint of Intellectual Property Rights." In International Conference on Law, Economics and Health (ICLEH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/aebmr.k.200513.030.

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Pinsky, Lawrence. "Aspects of Intellectual Property Law for HEP Software Developers." In XII Advanced Computing and Analysis Techniques in Physics Research. Trieste, Italy: Sissa Medialab, 2009. http://dx.doi.org/10.22323/1.070.0003.

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Reports on the topic "Intellectual property; Copyright law"

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Correa, Carlos M. Intellectual Property and Competition Law. Geneva, Switzerland: International Centre for Trade and Sustainable Development, 2008. http://dx.doi.org/10.7215/ip_ip_20080820.

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Ruse – Khan, Henning Grosse. Sustainable Development In International Intellectual Property Law. Geneva, Switzerland: International Centre for Trade and Sustainable Development, 2010. http://dx.doi.org/10.7215/ip_ip_20101011.

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Abbott, Frederick M. Intellectual Property Provisions of bilateral and Regional Trade Agreements in light of US Federal Law. Geneva, Switzerland: International Centre for Trade and Sustainable Development, 2006. http://dx.doi.org/10.7215/ip_ip_20060201a.

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You might also be interested in the extended bibliographies on the topic 'Intellectual property; Copyright law' for particular source types:
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