Academic literature on the topic 'Intellectual property Intellectual property Copyright Authorship'

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Journal articles on the topic "Intellectual property Intellectual property Copyright Authorship"

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Cerbino, Ana Beatriz. "Dance, Reconstruction, and Intellectual Property." Congress on Research in Dance Conference Proceedings 2016 (2016): 50–53. http://dx.doi.org/10.1017/cor.2016.9.

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The objective is to initiate a investigation between dance, authorship, intellectual property, and choreography. For this, a look at what is meant by authoring in dance with the publication of Chorégraphie, ou l'art de décrire la danse par caracteres (1700) by Raoul-Auger Feuillet and the dispute with Pierre Beauchamp for the authorship of dance notation and recent discussions about copyright and choreography will be made; I will also discuss some cases of revival/reconstruction. It's not only understanding such procedures as “embodied textual practices” (Thomas 2004), from the perspective of
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Fredriksson, Martin. "Authors, Inventors and Entrepreneurs: Intellectual Property and Actors of Extraction." Open Cultural Studies 2, no. 1 (2018): 319–29. http://dx.doi.org/10.1515/culture-2018-0029.

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AbstractThe ideas and ideals of authorship and the discourse on property rights that emerged in parallel since the 18thcentury have come to form the bedrock of copyright law. Critical copyright scholars argue that this construction of authorship and ownership contributes to individualisation and privatisation of artistic works that disregards the collective aspects of creativity. It also embodies a certain kind of authorial character-or “author function” as Michel Foucault puts it-imbued with racial and gendered powers and privileges. While the gendered and racialised biases of intellectual pr
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Spitsyna, Hanna, and Alla Hordeyuk. "Features of modern classification of intellectual property items." Naukovyy Visnyk Dnipropetrovs'kogo Derzhavnogo Universytetu Vnutrishnikh Sprav 3, no. 3 (2020): 58–64. http://dx.doi.org/10.31733/2078-3566-2020-3-58-64.

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This article determines modern classification of intellectual property objects, which identified in international regulations and presumed by scientists, studding problematic issues in sphere of intellectual property. The defined, which the most common is classification, with distribution criterion of objects in group to the institutions of intellectual property: copyright and related rights; industrial property law. The individual scientists have their own approach regarding inclusion in different classification groups. The offered with given the content of international law and scientific re
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Sotirova-Valkova, Kalina. "Technological and Legal Aspect in Digitalization of Movable Cultural Assets. Copyright and Intellectual Property Rights." Cultural and Historical Heritage: Preservation, Representation, Digitalization 5, no. 2 (2019): 35–45. http://dx.doi.org/10.26615/issn.2367-8038.2019_2_004.

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The article presents the cycle of digitization of cultural heritage objects (movable cultural values stored in museums and galleries) with its three main stages: preparation, conversion and access. The focus is on the technological aspect, the preparation of the museum team and the standards used. In parallel, the legal framework of digitization is viewed as a serious, nationally specific and rarely presented topic related to copyright and intellectual property over the original and its digital derivative Keywords: digitization, cultural heritage, authorship and copyright, intellectual propert
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Search, Patricia. "Electronic Art and the Law: Intellectual Property Rights in Cyberspace." Leonardo 32, no. 3 (1999): 191–95. http://dx.doi.org/10.1162/002409499553226.

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The dematerialization of art that began in the 1960s has reached new heights with the use of electronic media. We are at an important crossroads in defining intellectual property rights that will have a direct impact on the way we create and disseminate electronic art in the future. This paper examines the historical evolution of the definition of “author” in copyright law. The paper shows how current copyright legislation and recent court decisions do not address the plasticity of the medium and the new forms of authorship that are defined by the artistic use of techniques such as virtual rea
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Ismanjanov, Akbar. "INTELLECTUAL PROPERTY LAW OF COMPUTER-GENERATED WORKS DERIVING FROM ARTIFICIAL INTELLIGENCE." International Journal of Legal Studies ( IJOLS ) 5, no. 1 (2019): 339–48. http://dx.doi.org/10.5604/01.3001.0013.3243.

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With the proliferation of artificial intelligence, the significant domain forming the copy-rightable works autonomously created by the computer, without significant expenditure of human effort and skill. The reality of today is that information content is predominantly coming from the computer, where the idea-expression dichotomy of originality is rather referring to the computer than a human author. However, the copyright is revolving around the human-centered authorship its showing resistance to non-human creativity. In the context of authorship, the artificial category of a corporation owni
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H., Rajendra Babu. "Awareness of Copyright and its Policies among the PG Teaching Faculty: A Study." Indian Journal of Information Sources and Services 8, no. 3 (2018): 26–32. http://dx.doi.org/10.51983/ijiss.2018.8.3.552.

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Copyright is a form of intellectual property protection granted under Copyright Act to the creators of original works of authorship. Libraries are the backbone of any organization or an institution. Alongside, libraries are also the torch bearers, in the creating awareness of the IPR aspects to its user community. A study on finding the awareness levels in the area of intellectual property rights in general and copyright in specific is the need of the hour in the universities, as they grooming the next generation of workers happens in there. Here is a study aimed at to see how the faculties in
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Austin, Graeme W. "Copyright’s Modest Ontology—Theory and Pragmatism in Eldred v. Ashcroft." Canadian Journal of Law & Jurisprudence 16, no. 2 (2003): 163–78. http://dx.doi.org/10.1017/s0841820900003672.

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Focusing on the recent U.S. Supreme Court decision, Eldred v. Ashcroft, which held that the U.S. Congress acted constitutionally when it extended copyright terms by twenty years, this article argues that copyright law in the United States for the most part responds to pragmatic imperatives. The article examines the theoretic/pragmatic distinction at an institutional level and argues that intellectual property lawmaking is at its most pragmatic in the legislative realm. While there is greater potential for theoretical concerns to influence intellectual property law-making in the judicial review
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Kedia, Yuliia. "Work of collaboration in the creation of literary works under the legislation of Ukraine and France." Theory and Practice of Intellectual Property, no. 6 (June 16, 2021): 24–30. http://dx.doi.org/10.33731/62020.233885.

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Kedya Y. Work of collaboration in the creation of literary works under the legislation of Ukraine and France. This article highlights particular legal frameworks, definition and practice of applicability of co-authorship (works done in collaboration) by publishers and co-authors. In addition, we will cover the differences between the co-authorship upon creation of a work and collective works. The analysis is based, inter alia, on comparison of French Ukrainian laws, thus, giving an opportunityto crystalize particular shortcomings and advantages of set forth by Ukrainian laws related to above m
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Zaitseva, N. V. "Ghostwriters as a Legal Phenomenon: Features and Perspectives of Legal Regulation of Their Activity." Lex Russica, no. 5 (May 25, 2021): 19–27. http://dx.doi.org/10.17803/1729-5920.2021.174.5.019-027.

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The paper is devoted to the problem of using the work of another person in the intellectual field, primarily in literary activity. The involvement of ghostwriters in writing literary works has created a legal phenomenon when the subject matter of contractual relations represents the inalienable non-property right, namely: the right of authorship the transfer of which is not possible in many jurisdictions, and in others, despite the absence of an explicit prohibition, there is no legal regulation of such alienation. However, the existence of ghostwriters cannot be assessed as a unique phenomeno
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Dissertations / Theses on the topic "Intellectual property Intellectual property Copyright Authorship"

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Simone, Daniela Teresa. "Copyright and collective authorship." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:fba5022d-8647-4deb-91f3-8cd8c536bcfa.

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Many scholars have suggested that current copyright law is ill-equipped to the challenges of determining the authorship of collaborative work. This thesis analyses four case studies of large scale collaboration (Wikipedia, Indigenous art, scientific collaborations and film) in order to consider how best to determine the authorship of the creative works that they produce for the purposes of copyright law. Current scholarship and much of the case law has tended to favour a restrictive approach to the grant of joint authorship status, in order to minimise the number of potential authors of a work
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McSherry, Corynne. "Subjects and objects of knowledge : the production of academic intellectual property /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956452.

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Kanning, Michael A. "A Philosophical Analysis of Intellectual Property: In Defense of Instrumentalism." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4094.

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This thesis argues in favor of an instrumental approach to Intellectual Property (IP). I begin by reviewing justifications for IP that have been offered in recent literature, including Lockean labor theory, Hegelian personality theory, Kantian property theory and utilitarianism. Upon a close and careful analysis, I argue that none of these justifications suffice to ground contemporary IP practice. I review some recent works that offer `pluralist' justifications for IP, which draw from multiple theories in order to account for the diverse field of IP-related laws and practices in existence. I a
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Pavis, Mathilde Goizane Alice. "The author-performer divide in intellectual property law : a comparative analysis of the American, Australian, British and French legal frameworks." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23692.

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Western intellectual property frameworks have at least one feature in common: performers are less protected than authors. This situation knows many justifications, although all but one have been dismissed by the literature: performers are simply less creative than authors. As a result, the legal protection covering their work has been proportionally reduced compared to that of their authorial peers. This thesis investigates this phenomenon that it calls the 'author-performer divide'. It uncovers the culturally-rooted principles and legal reasoning that policy-makers and judges of Australia, Fr
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Berg, Suzanne Valerie Loen. "Knowledge, Cultural Production, and Construction of the Law: An Ideographic Rhetorical Criticism of Copyright." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383594033.

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Marais, Richard. "Investigating musical copyright infringement: Examining International Understandings of Musical Copyright Infringement for Potential Adaptation into South African Copyright Law." Master's thesis, Faculty of Law, 2019. http://hdl.handle.net/11427/31006.

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This thesis examines international approaches to musical work copyright infringement law for the purpose of establishing an approach that can be utilised effectively under the South African copyright infringement framework. In doing so, the importance of the various interactive elements of musical works is investigated as well as the modes of assessment in infringement scenarios. The findings are used to create a robust middle-ground approach to be adapted into the South African copyright infringement framework. Further considerations that impact infringement outcomes are addressed to the exte
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Arancibia, Rafael. "Intellectual Property Protection for Computer Software: A Comparative Analysis of the United States and Japanese Intellectual Property Regimes." Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/9685.

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This thesis explores the reform of intellectual property regulation policies with respect to computer software within two advanced industrial nations after 1980. A comparative case analysis of the United States and Japan will provide insight as to how advanced industrial nations have responded to market forces, competing private interests, and international pressure for policy harmonization in the construction and implementation of intellectual property regulation reforms. This study will show that ideological and structural arrangements of state institutions have influenced the extent of libe
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Trerise, Jonathan. "A justified system of intellectual property rights." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4788.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on December 14, 2007) Vita. Includes bibliographical references.
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Christie, Andrew Frederick. "Intellectual property protection for the design of integrated circuits." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385373.

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Hsueh, Hsiao-Yin Josephine. "A long journey toward intellectual property protection : a case study of Taiwan's copyright law reform /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3036831.

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Books on the topic "Intellectual property Intellectual property Copyright Authorship"

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No trespassing: Authorship, intellectual property rights, and the boundaries of globalization. University of Toronto Press, 2004.

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Sāzmān-i Muṭālaʻah va Tadvīn-i Kutub-i ʻUlūm-i Insānī-i Dānishgāhʹhā (Iran), ред. Ḥuqūq-i mālikīyat-i adabī va hunarī. Sāzmān-i Muṭālaʻah va Tadvīn-i Kutub-i ʻUlūm-i Insānī-i Dānishgāhhā (SAMT), 2008.

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Janke, Terri. Writing up indigenous research: Authorship, copyright and indigenous knowledge systems. Terri Janke & Company, 2009.

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Janke, Terri. Writing up indigenous research: Authorship, copyright and indigenous knowledge systems. Terri Janke & Company, 2009.

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The copywrights: Intellectual property and the literary imagination. Cornell University Press, 2003.

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Ben Jonson and possessive authorship. Cambridge University Press, 2002.

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Negotiating copyright: Authorship and the discourse of literary property rights in nineteenth-century America. Routledge, 2006.

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1949-, Denicola Robert C., ed. Cases on copyright, unfair competition, and related topics bearing on the protection of works of authorship. 9th ed. Foundation Press, 2005.

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1949-, Denicola Robert C., and Brown Ralph S. 1913-, eds. Cases on copyright, unfair competition, and related topics bearing on the protection of works of authorship. 8th ed. Foundation Press, 2002.

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Pérez, Jesús Francisco García. Derechos de autor en Internet. 2nd ed. Universidad Nacional Aut ónoma de México, Coordinación de Estudios de Posgrado, 2013.

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Book chapters on the topic "Intellectual property Intellectual property Copyright Authorship"

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Hart, Tina, and Linda Fazzani. "Copyright." In Intellectual Property Law. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-14129-6_14.

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Hart, Tina, Simon Clark, and Linda Fazzani. "Copyright." In Intellectual Property Law. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-06736-4_12.

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Pisacane, Giovanni, and Daniele Zibetti. "Copyright." In Intellectual Property in China. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4558-0_4.

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Hart, Tina, and Linda Fazzani. "Ownership and Duration of Copyright and Moral Rights." In Intellectual Property Law. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-14129-6_19.

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Hart, Tina, Simon Clark, and Linda Fazzani. "Ownership and duration of copyright, moral rights and artist’s resale right." In Intellectual Property Law. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-06736-4_17.

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Olwan, Rami M. "Voluntary Mechanisms, Copyright and Development." In Intellectual Property and Development. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-27907-2_6.

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Karapapa, Stavroula, and Luke McDonagh. "3. Authorship and ownership." In Intellectual Property Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198747697.003.0003.

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This chapter analyses how the law evaluates authorship of copyright works. It is crucial to distinguish between authorship and ownership of copyright works, as the two do not necessarily coincide. The reason for this is that an author may decide to license or assign the ownership of the work to a third party, such as a publisher, in exchange for money, i.e. royalties. In such case, the author would still be classed as the author of the work, but would no longer own the economic rights to control the ‘restricted acts’. Authorship and ownership of copyright works is even more complicated in the case of works that are authored and owned jointly. The definition of a work of joint authorship is very precise — it must not be possible to identify each author's respective contribution. The rights of joint-owners are set out in s. 173(2) CDPA.
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Bently, L., B. Sherman, D. Gangjee, and P. Johnson. "5. Authorship and first ownership." In Intellectual Property Law. Oxford University Press, 2018. http://dx.doi.org/10.1093/he/9780198769958.003.0005.

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This chapter examines the concept of authorship, as it is understood in copyright law, as well as the first ownership of copyright and the various exceptions to this rule. It begins by discussing the author of a work as defined in the Copyright, Designs and Patents Act 1988 before elaborating on the task of determining who the author of a work is. Authorship of literary, dramatic, musical, and artistic works and of entrepreneurial works is then considered, along with joint authorship. The chapter also looks at exceptions to first ownership, including works created by employees, those governed by Crown copyright or made under the direction or control of Parliament, and commissioned works. Finally, it analyses the issue of harmonization with respect to authorship and the position of employed authors.
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Golvan, Colin. "Copyright and the ‘Profession’ of Authorship." In Across Intellectual Property. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108750066.028.

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Aplin, Tanya, and Jennifer Davis. "3. Copyright II." In Intellectual Property Law:. Oxford University Press, 2017. http://dx.doi.org/10.1093/he/9780198743545.003.0003.

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All books in this flagship series contain carefully selected substantial extracts from key cases, legislation, and academic debate, providing able students with a stand-alone resource. This chapter discusses principles relating to the authorship and ownership of copyright, and the significance of this designation. It examines how owners of copyright can exploit their works by either assignment or licence and the circumstances in which courts can imply terms in the absence of parties having agreed as to how a copyright work can be exploited. The chapter discusses the term of copyright protection and also examines exclusive rights, both moral and economic in nature, that authors and owners respectively have in their copyright works.
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Conference papers on the topic "Intellectual property Intellectual property Copyright Authorship"

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Bulavko, Olga Alexandrovna, and Lilia Ravilievna Tuktarova. "INFLUENCE OF INFORMATION AND DIGITAL TECHNOLOGIES ON INTELLECTUAL PROPERTY." In Russian science: actual researches and developments. Samara State University of Economics, 2020. http://dx.doi.org/10.46554/russian.science-2020.03-1-3/8.

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The article is devoted to the consideration of aspects of the influence of information and digital technologies on issues related to copyright and intellectual property. The author considers the possibility of effective development of the economy and the spread of hypercompetitive technologies from the perspective of information-network and intellectual-psychological orientation. solvency assessment on the basis of liquidity.
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Lukinović, Mario, Larisa Jovanović, and Vladimir Šašo. "CHALLENGES IN MANAGING INTELLECTUAL PROPERTY RIGHTS DURING CORONAVIRUS PANDEMIC." In Fourth International Scientific Conference ITEMA Recent Advances in Information Technology, Tourism, Economics, Management and Agriculture. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/itema.2020.239.

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The socio-economic impact of the pandemic on all social spheres is huge, but like any crisis, for some it is an opportunity to create, develop and promote solutions. The coronavirus pandemic has brought many changes. It has forced us all to find new ways of working, interacting and living. The field of intellectual property is particularly affected by the coronavirus pandemic, its strong influence has affected all branches of intellectual property, especially the field of copyright and patents. During the COVID-19 Pandemic, numerous anomalies in the consumption of copyrights were observed, whi
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Handayani, Tri. "Intellectual Property Rights in The Field of Copyright in Indonesia Towards The Globalization Era." In Proceedings of the 3rd Annual International Seminar and Conference on Global Issues (ISCoGI 2017). Atlantis Press, 2019. http://dx.doi.org/10.2991/iscogi-17.2019.15.

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"LEARNING AND RETENTION OF LEARNING IN AN ONLINE POSTGRADUATE MODULE ON COPYRIGHT LAW AND INTELLECTUAL PROPERTY." In 3rd International Conference on Web Information Systems and Technologies. SciTePress - Science and and Technology Publications, 2007. http://dx.doi.org/10.5220/0001265802730280.

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Duc, Chu Xuan, Dang Cong Trang, and Pham Nam Thanh. "Terms of Copyright Protection and Inappropriate Rules in the Law on Intellectual Property for Current Folklore Works in Vietnam." In XVII International Research-to-Practice Conference dedicated to the memory of M.I. Kovalyov (ICK 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200321.117.

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Нинциева, Тамила Магомедовна, and Селима Тимуровна Исламова. "RESPONSIBILITY IN THE FIELD OF COPYRIGHT." In Сборник избранных статей по материалам научных конференций ГНИИ "Нацразвитие" (Санкт-Петербург, Июль 2021). Crossref, 2021. http://dx.doi.org/10.37539/july192.2021.69.13.018.

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В настоящей статье рассматриваются вопросы, связанные с наступлением юридической ответственности за нарушения в области права интеллектуальной собственности, а именно авторского и смежных прав. Отмечается, что в Российской Федерации за нарушения в указанной области предусмотрены гражданско-правовая, административная и уголовная ответственности. Делается акцент на раскрытие диспозиции каждого правонарушения авторского и смежных прав. This article discusses issues related to the occurrence of legal liability for violations in the field of intellectual property rights, namely copyright and relate
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Возкаев, Сайд-Умар Сайд-Алиевич. "VIOLATION OF COPYRIGHT AND RELATED RIGHTS ON THE INTERNET: BASIC MANIFESTATIONS." In Высокие технологии и инновации в науке: сборник избранных статей Международной научной конференции (Санкт-Петербург, Май 2020). Crossref, 2020. http://dx.doi.org/10.37539/vt185.2020.36.60.024.

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Сегодня крайне важное место в нарушении авторских и смежных прав занимает интернет. Осложняет ситуацию также большие объёмы информации, хранящиеся в Сети, и проблемы с обработки этой информации с целью выявления нарушений интеллектуального права. В данной статье рассматриваются наиболее типичные формы нарушения авторских и смежных прав в сети Интернет. Today, the Internet occupies an extremely important place in violation of copyright and related rights. The situation is also aggravated by the large amounts of information stored on the Web, and the problems with the processing of this informat
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Sokendai, Naonori Kato. "An Analysis on Premium Value of Moral Right of Author in Japanese Copyright Law: Based on Intellectual Property High Court Judge from 2005 to 2010." In 2011 IEEE/IPSJ 11th International Symposium on Applications and the Internet (SAINT). IEEE, 2011. http://dx.doi.org/10.1109/saint.2011.41.

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Iglesias Pascual, Juan Manuel, and José Valentin Iglesias Pascual. "Additive Manufacture at Industrial, Aeronautical and Defence Area: How to Control the Production of a Good and Some Questions Related Copyright Intellectual Property Performance at an Embargo Scenario." In The 10th Aerospace Technology Congress, October 8-9, 2019, Stockholm, Sweden. Linköping University Electronic Press, 2019. http://dx.doi.org/10.3384/ecp19162024.

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