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Journal articles on the topic 'Intellectual property Intellectual property Copyright Authorship'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Cerbino, Ana Beatriz. "Dance, Reconstruction, and Intellectual Property." Congress on Research in Dance Conference Proceedings 2016 (2016): 50–53. http://dx.doi.org/10.1017/cor.2016.9.

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The objective is to initiate a investigation between dance, authorship, intellectual property, and choreography. For this, a look at what is meant by authoring in dance with the publication of Chorégraphie, ou l'art de décrire la danse par caracteres (1700) by Raoul-Auger Feuillet and the dispute with Pierre Beauchamp for the authorship of dance notation and recent discussions about copyright and choreography will be made; I will also discuss some cases of revival/reconstruction. It's not only understanding such procedures as “embodied textual practices” (Thomas 2004), from the perspective of

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2

Fredriksson, Martin. "Authors, Inventors and Entrepreneurs: Intellectual Property and Actors of Extraction." Open Cultural Studies 2, no. 1 (2018): 319–29. http://dx.doi.org/10.1515/culture-2018-0029.

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AbstractThe ideas and ideals of authorship and the discourse on property rights that emerged in parallel since the 18thcentury have come to form the bedrock of copyright law. Critical copyright scholars argue that this construction of authorship and ownership contributes to individualisation and privatisation of artistic works that disregards the collective aspects of creativity. It also embodies a certain kind of authorial character-or “author function” as Michel Foucault puts it-imbued with racial and gendered powers and privileges. While the gendered and racialised biases of intellectual pr

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3

Spitsyna, Hanna, and Alla Hordeyuk. "Features of modern classification of intellectual property items." Naukovyy Visnyk Dnipropetrovs'kogo Derzhavnogo Universytetu Vnutrishnikh Sprav 3, no. 3 (2020): 58–64. http://dx.doi.org/10.31733/2078-3566-2020-3-58-64.

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This article determines modern classification of intellectual property objects, which identified in international regulations and presumed by scientists, studding problematic issues in sphere of intellectual property. The defined, which the most common is classification, with distribution criterion of objects in group to the institutions of intellectual property: copyright and related rights; industrial property law. The individual scientists have their own approach regarding inclusion in different classification groups. The offered with given the content of international law and scientific re

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Sotirova-Valkova, Kalina. "Technological and Legal Aspect in Digitalization of Movable Cultural Assets. Copyright and Intellectual Property Rights." Cultural and Historical Heritage: Preservation, Representation, Digitalization 5, no. 2 (2019): 35–45. http://dx.doi.org/10.26615/issn.2367-8038.2019_2_004.

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The article presents the cycle of digitization of cultural heritage objects (movable cultural values stored in museums and galleries) with its three main stages: preparation, conversion and access. The focus is on the technological aspect, the preparation of the museum team and the standards used. In parallel, the legal framework of digitization is viewed as a serious, nationally specific and rarely presented topic related to copyright and intellectual property over the original and its digital derivative Keywords: digitization, cultural heritage, authorship and copyright, intellectual propert

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Search, Patricia. "Electronic Art and the Law: Intellectual Property Rights in Cyberspace." Leonardo 32, no. 3 (1999): 191–95. http://dx.doi.org/10.1162/002409499553226.

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The dematerialization of art that began in the 1960s has reached new heights with the use of electronic media. We are at an important crossroads in defining intellectual property rights that will have a direct impact on the way we create and disseminate electronic art in the future. This paper examines the historical evolution of the definition of “author” in copyright law. The paper shows how current copyright legislation and recent court decisions do not address the plasticity of the medium and the new forms of authorship that are defined by the artistic use of techniques such as virtual rea

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Ismanjanov, Akbar. "INTELLECTUAL PROPERTY LAW OF COMPUTER-GENERATED WORKS DERIVING FROM ARTIFICIAL INTELLIGENCE." International Journal of Legal Studies ( IJOLS ) 5, no. 1 (2019): 339–48. http://dx.doi.org/10.5604/01.3001.0013.3243.

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With the proliferation of artificial intelligence, the significant domain forming the copy-rightable works autonomously created by the computer, without significant expenditure of human effort and skill. The reality of today is that information content is predominantly coming from the computer, where the idea-expression dichotomy of originality is rather referring to the computer than a human author. However, the copyright is revolving around the human-centered authorship its showing resistance to non-human creativity. In the context of authorship, the artificial category of a corporation owni

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H., Rajendra Babu. "Awareness of Copyright and its Policies among the PG Teaching Faculty: A Study." Indian Journal of Information Sources and Services 8, no. 3 (2018): 26–32. http://dx.doi.org/10.51983/ijiss.2018.8.3.552.

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Copyright is a form of intellectual property protection granted under Copyright Act to the creators of original works of authorship. Libraries are the backbone of any organization or an institution. Alongside, libraries are also the torch bearers, in the creating awareness of the IPR aspects to its user community. A study on finding the awareness levels in the area of intellectual property rights in general and copyright in specific is the need of the hour in the universities, as they grooming the next generation of workers happens in there. Here is a study aimed at to see how the faculties in

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8

Austin, Graeme W. "Copyright’s Modest Ontology—Theory and Pragmatism in Eldred v. Ashcroft." Canadian Journal of Law & Jurisprudence 16, no. 2 (2003): 163–78. http://dx.doi.org/10.1017/s0841820900003672.

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Focusing on the recent U.S. Supreme Court decision, Eldred v. Ashcroft, which held that the U.S. Congress acted constitutionally when it extended copyright terms by twenty years, this article argues that copyright law in the United States for the most part responds to pragmatic imperatives. The article examines the theoretic/pragmatic distinction at an institutional level and argues that intellectual property lawmaking is at its most pragmatic in the legislative realm. While there is greater potential for theoretical concerns to influence intellectual property law-making in the judicial review

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Kedia, Yuliia. "Work of collaboration in the creation of literary works under the legislation of Ukraine and France." Theory and Practice of Intellectual Property, no. 6 (June 16, 2021): 24–30. http://dx.doi.org/10.33731/62020.233885.

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Kedya Y. Work of collaboration in the creation of literary works under the legislation of Ukraine and France. This article highlights particular legal frameworks, definition and practice of applicability of co-authorship (works done in collaboration) by publishers and co-authors. In addition, we will cover the differences between the co-authorship upon creation of a work and collective works. The analysis is based, inter alia, on comparison of French Ukrainian laws, thus, giving an opportunityto crystalize particular shortcomings and advantages of set forth by Ukrainian laws related to above m

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Zaitseva, N. V. "Ghostwriters as a Legal Phenomenon: Features and Perspectives of Legal Regulation of Their Activity." Lex Russica, no. 5 (May 25, 2021): 19–27. http://dx.doi.org/10.17803/1729-5920.2021.174.5.019-027.

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The paper is devoted to the problem of using the work of another person in the intellectual field, primarily in literary activity. The involvement of ghostwriters in writing literary works has created a legal phenomenon when the subject matter of contractual relations represents the inalienable non-property right, namely: the right of authorship the transfer of which is not possible in many jurisdictions, and in others, despite the absence of an explicit prohibition, there is no legal regulation of such alienation. However, the existence of ghostwriters cannot be assessed as a unique phenomeno

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JUMABAYEVA, Karlygash Asilkhanovna, Lola Furkatovna TATARINOVA, Gulnaz Tursunovna ALAYEVA, Saule Zhusupbekovna SULEIMENOVA, and Danila Vladimirovich TATARINOV. "Specific Notarial Protection of the Testator's Exclusive Rights: Kazakh and International Experience." Journal of Advanced Research in Law and Economics 10, no. 3 (2019): 770. http://dx.doi.org/10.14505//jarle.v10.3(41).11.

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This study is concerned with one of the most burning issues of intellectual property rights, namely the notarial protection of the testator's exclusive rights. The article analyzes the Kazakh and international experience in solving this issue. In the course of the study, the authors obtained the following results: - In legal practice, the non-acceptance of inheritance and refusal to inherit exclusive rights have their specific features; - It is proposed to supplement the existing civil legislation on the protection of the testator's copyrights. ‘Kazakhstan Authors' Society’ conduct

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12

Castillo, Larisa T. "Natural Authority in Charles Dickens's Martin Chuzzlewit and the Copyright Act of 1842." Nineteenth-Century Literature 62, no. 4 (2008): 435–64. http://dx.doi.org/10.1525/ncl.2008.62.4.435.

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This essay argues that Charles Dickens's Martin Chuzzlewit (1843) challenges the legal justifications underpinning Sergeant Talfourd's 1842 Copyright Extension Act. The novel does so by problematizing the logic of natural right, a logic adopted by proponents of copyright to defend further copyright extensions. Martin Chuzzlewit's narrator attacks natural right through his representations of inheritance, repeatedly demonstrating how heirs subvert and appropriate testators' natural rights, and thus proving natural right to be a subjective, and even fictional, construct that can be adopted in pot

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Fedorova, Nadiia. "Legal regulation of advertising agencies in the context of intellectual property law." Theory and Practice of Intellectual Property, no. 3 (September 7, 2021): 5–10. http://dx.doi.org/10.33731/32021.239562.

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Keywords: advertising, legal regulation, subjects of advertising activity, consumerrights, advertising legislation, hidden advertising, comparative advertising The main prerequisite for the rationalization of advertisingactivities in all its scale is the methodological and planned preparation of advertisingmessages and their correct use at all stages of the advertising process. Advertisingagencies play an important role in being qualified coordinators between trade(distribution) and marketing, for the benefit of consumers.The specificity of legal relations arising in connection with the

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Sousa, Rosilene Paiva Marinho de, Marckson Roberto Ferreira de Sousa, and Guilherme Ataíde Dias. "Entre o acesso aberto e a proteção autoral: os limites autorais nas decisões judiciais." Páginas a&b : Arquivos & Bibliotecas, esp. (2020): 137–41. http://dx.doi.org/10.21747/21836671/pagnesppk15.

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Information and communication technologies have revolutionized traditional forms of production of intellectual property with a view to the diversity of creations of the human intellect. However, the institutes of copyright protection do not always allow the resolution of certain peculiarities of the protected assets, and the control is the responsibility of judicial decisions. In this sense, this work aims to discuss the authorial limits in judicial decisions, between open access and copyright protection. For this, it seeks to present the main characteristics of authorial regulation in Brazil

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Díaz-Noci, Javier. "Artificial Intelligence Systems-Aided News and Copyright: Assessing Legal Implications for Journalism Practices." Future Internet 12, no. 5 (2020): 85. http://dx.doi.org/10.3390/fi12050085.

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Automated news, or artificial intelligence systems (AIS)-aided production of news items, has been developed from 2010 onwards. It comprises a variety of practices in which the use of data, software and human intervention is involved in diverse degrees. This can affect the application of intellectual property and copyright law in many ways. Using comparative legal methods, we examine the implications of them for some legal categories, such as authorship (and hence required originality) and types of works, namely collaborative, derivative and, most especially, collective works. Sui generis and n

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Sadek, Gaafar. "Considerations for translation rights 2.0." Translation Spaces 1 (August 13, 2012): 81–100. http://dx.doi.org/10.1075/ts.1.04sad.

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As the contours of the globalized digital information society become apparent, so does the need for a reform of translation rights within the intellectual property regime. The history of translation rights provides insights that help us understand the underlying economic and political tensions in copyright negotiations today. The various versions of agency in translation studies, which run parallel to recent interactive technologies, destabilize important notions in copyright law, such as authorship, originality, and the idea-expression dichotomy. Finally, translational ethics can perhaps cont

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17

Vásquez Leal, Luis. "¿Autoría algorítmica? Consideraciones sobre la autoría de las obras generadas por inteligencia artificial." Revista Iberoamericana de la Propiedad Intelectual 13, no. 00 (2020): 207–33. http://dx.doi.org/10.26422/ripi.2020.1300.vas.

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Technological advances in artificial intelligence are making rethinking the current system of co-pyright protection. The present research work seeks to carry out an approach to the analysis on who owns the copyright works generated by artificial intelligence. It is discussed whether current legislation allows the so-called algorithmic authorship and the different scenarios involved in determining authorship are evaluated on this type of works. It is debated whether the authorship rests with the programmer, the system user or the person commissioning the work. It is conclu-ded that there is cur

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18

Юмашев, Юрий, Yuriy Yumashev, Елена Постникова, and Elena Postnikova. "INTERNATIONAL LAW ASPECTS OF GERMAN COPYRIGHT LAW (GCL)." Journal of Foreign Legislation and Comparative Law 3, no. 4 (2017): 93–98. http://dx.doi.org/10.12737/article_598063fae98166.23072693.

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The article deals with international law aspects of the GCL. To this aim firstly the international conventions on copyright law are analyzed, in particular: the Berne Convention for the Protection of Literary and Artistic Works in the wording of the Paris Act of 1971, the Convention on the Establishment of the World Intellectual Property Organization of 1967, the Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations of 1961 and Aspects of intellectual property rights (TRIPS) 1994. There is also an analysis of the EU copyright law in terms of its co

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Korotiuk, O. "Criminal responsibility for the most basic typical forms of compliance of copyright and associated rights over the foreign legislation." Herald of criminal justice, no. 3 (2019): 110–23. http://dx.doi.org/10.17721/2413-5372.2019.3/110-123.

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The article analyzes the criminal law of foreign countries, which reflect the main types of forms of encroachments on objects of copyright and related rights. It has been established that the criminal responsibility for the above-mentioned acts was foreseen in the most countries of the world. The purpose of the article is to investigate the issue of criminal responsibility for the most basic typical forms of compliance of copyright and associated rights over the foreign legislation. Extremely widespread forms of socially dangerous encroachments on copyright objects are "appropriation of author

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20

Moline, Danae Bacells. "My face is yours: facial recognition software and copyright ownership." Interactive Entertainment Law Review 3, no. 2 (2020): 138–46. http://dx.doi.org/10.4337/ielr.2020.02.06.

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The popular NBA 2K series include a facial recognition software that scans the user's face to generate a lookalike avatar. However, end user licence agreements provide for all intellectual property rights, including copyright, to be licensed or assigned to game publishers or developers. Consequently, the user may have no say whether an avatar with their facial features may be used, for instance in advertising for the game. In addition, the facial features stored in the game may be biometric data, and thus subject to strict data protection rules. This paper will analyse whether the avatar gener

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Moline, Danae Bacells. "My face is yours: facial recognition software and copyright ownership." Interactive Entertainment Law Review 3, no. 2 (2020): 138–46. http://dx.doi.org/10.4337/ielr.2020.02.06.

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The popular NBA 2K series include a facial recognition software that scans the user's face to generate a lookalike avatar. However, end user licence agreements provide for all intellectual property rights, including copyright, to be licensed or assigned to game publishers or developers. Consequently, the user may have no say whether an avatar with their facial features may be used, for instance in advertising for the game. In addition, the facial features stored in the game may be biometric data, and thus subject to strict data protection rules. This paper will analyse whether the avatar gener

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22

Pavis, Mathilde, Charlotte Waelde, and Sarah Whatley. "Who can Profit from Dance? An Exploration of Copyright Ownership." Dance Research 35, no. 1 (2017): 96–110. http://dx.doi.org/10.3366/drs.2017.0185.

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Focusing on UK copyright law, this article explores ownership of the dance by reference to the work of disabled dance artists. Our attention is on this group because their position within the dance workforce has always been precarious and so perhaps have most to gain through greater recognition of authorship in their work. Through an examination of the law as it applies to two different projects featuring Caroline Bowditch, we suggest that, contrary to the views of some, the performers are either authors of the copyright in the arrangement of the dance on their bodies, or joint authors in the

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Utkina, M. S., and K. A. Strutynskyy. "On the Concept and Essential Characters of the Academic Plagiarism as Infringement of a Copyright." Legal horizons, no. 18 (2019): 39–42. http://dx.doi.org/10.21272/legalhorizons.2019.i18.p39.

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The article deals with one of the most pressing issues that is the most acute and vigorously discussed in the scientific community - academic plagiarism. It has become an international problem of the contemporary sphere of intellectual and creative activity. The negative impact of plagiarism is manifested precisely in violation of the legal rights and interests of creators, individuals who are authors of certain intellectual property objects. It is academic plagiarism that is one of the catalysts for reducing the quality of published scientific results and, in a way, the deterioration of the s

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Choi, Ye Jin, Hyung Wook Choi, and Soon Kim. "Compliance of “Principles of transparency and best practice in scholarly publishing” in Korean academic society-published journals listed in Journal Citation Reports." Science Editing 7, no. 1 (2020): 24–33. http://dx.doi.org/10.6087/kcse.186.

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Purpose: The “Principles of transparency and best practice in scholarly publishing” are of increasing importance in an open science environment as a way to increase the transparency and quality of academic society journals. However, little previous research has investigated the application of this new guideline in practice. The aim of this study was to investigate the degree to which this guideline is being applied by Korean academic society– published journals listed in Journal Citation Reports.Methods: The researchers investigated the homepages of 59 Korean academic society– published journa

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Волошина, Наталия Павловна, та Вадим Владимирович Нерубасский. "ОСОБЕННОСТИ АВТОРИЗАЦИИ И ОЦЕНКИ СТОИМОСТИ ВСТРОЕННОГО И ПРИКЛАДНОГО ПРОГРАММНОГО ОБЕСПЕЧЕНИЯ АВИАЦИОННОГО ПРИМЕНЕНИЯ В УКРАИНЕ". Aerospace technic and technology, № 7 (31 серпня 2019): 183–87. http://dx.doi.org/10.32620/aktt.2019.7.27.

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It is stated the increase in the complexity and cost of software in the aviation industry in recent years. It is noted that JSC “Element” actively embodies the ideology of software protection, and extends it to the structural elements of computer programs, including those that are embedded software for aviation, and software-technical complexes for testing GTE. It is revealed the key features that determine the need for registration of authorship for software for aviation applications, among which the main one is the fulfillment of the qualification requirements of KT-178 (American RTCA DO-178

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Sriram, K. P., and Mark Gilbreth. "Intellectual property." GEOPHYSICS 60, no. 4 (1995): 1270–78. http://dx.doi.org/10.1190/1.60040001.1.

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In our last two articles, we discussed various aspects of patents, This article discussed the related issue of copyrights: requirements for obtaining them, infringement, and remedies. The purpose of this article is to provide a basic understanding of the nature of copyright protection and then discuss the availability of patent and copyright protection, it is less clear on the general availability of patent protection fir computer programs. This is a very contentious matter. There are some who advocate strengthening of protection for computer software while there are others who would like to s

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Frølunde, Lisbeth. "Animated war." Convergence: The International Journal of Research into New Media Technologies 18, no. 1 (2012): 93–103. http://dx.doi.org/10.1177/1354856511419918.

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In this feature article two DIY (do-it-yourself) film projects are examined from perspectives of resemiosis (transformations in meaning-making) and the textual production practices of contemporary multimedia authorship. These practices are considered as evolving in a complex media ecology. The two films analysed are Gzim Rewind (Sweden, 2011) by Knutte Wester, and In-World War (USA, expected 2011) by DJ Bad Vegan. The films are currently in production and involve many collaborators. Both films have themes of war and include film scenes that are ‘machinima’ – real-time animation made in 3D grap

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Swijghuisen Reigersberg, Muriel. "Problematizing Digital Research Evaluation using DOIs in Practice-Based Arts, Humanities and Social Science Research." F1000Research 4 (July 7, 2015): 193. http://dx.doi.org/10.12688/f1000research.6506.1.

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This paper explores emerging practices in research data management in the arts, humanities and social sciences (AHSS). It will do so vis-à-vis current citation conventions and impact measurement for research in AHSS. Case study findings on research data inventoried at Goldsmiths’, University of London will be presented. Goldsmiths is a UK research-intensive higher education institution which specialises in arts, humanities and social science research. The paper’s aim is to raise awareness of the subject-specific needs of AHSS scholars to help inform the design of future digital tools for impac

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Alfino, Mark. "Intellectual Property and Copyright Ethics." Business and Professional Ethics Journal 10, no. 2 (1991): 85–109. http://dx.doi.org/10.5840/bpej199110221.

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ZINCHENKO, Viktoriia. "Copyright of intellectual property objects." Humanities science current issues 1, no. 39 (2021): 325–29. http://dx.doi.org/10.24919/2308-4863/39-1-53.

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Singleton, Rebecca. "Architecture and intellectual property." Architectural Research Quarterly 15, no. 3 (2011): 294–96. http://dx.doi.org/10.1017/s1359135511000893.

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For architects, intellectual property (IP) law is vital. Without it plans, building designs and models would have no value as others could copy them without payment. But what are an architect's rights and how are those rights retained in order to avoid commercial exploitation?The legislation for this area of law comes from the Copyright, Designs and Patents Act 1988 (CDPA), the Registered Designs Act 1949, the Trade Marks Act 1994 and the Patents Act 1977. IP itself is divided into those rights that are registrable at the Intellectual Property Office (IPO) and those that are not. Rights that m

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Koboldt, Christian. "Intellectual property and optimal copyright protection." Journal of Cultural Economics 19, no. 2 (1995): 131–55. http://dx.doi.org/10.1007/bf01074202.

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Asnis, A. Ya, M. A. Ivanova, and Sh N. Khaziev. "Forensic Valuation of Intellectual Property." Theory and Practice of Forensic Science 14, no. 3 (2019): 40–45. http://dx.doi.org/10.30764/1819-2785-2019-14-3-40-45.

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Valuation of objects of intellectual property can be important when considering civil disputes, criminal cases of copyright and related rights infringements, criminal bankruptcies, cases of administrative offenses (violations of copyright and related rights, inventor’s and patent rights). At present, there is no generally accepted and accessible methodology of forensic valuation of intellectual property items.The main aspects of the forensic valuation of intellectual property are reviewed. It is shown that when assessing the value of intellectual property special knowledge should be applied in

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von Lewinski, Silke. "Intellectual property protection of folklore." Focaal 2004, no. 44 (2004): 35–47. http://dx.doi.org/10.3167/092012904782311272.

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The possible protection of indigenous cultural expressions has reemerged as a topic in international debates in recent years. This article provides a legal perspective on the topic. Existing copyright and neighboring right laws do not apply to such cultural expressions per se, since they do not fulfill the relevant criteria of protection. However, indirect protection is granted to those who record indigenous expressions onto phonograms, films, and photographs, and for those who collect or perform indigenous cultural expressions. Protection concerning authenticity is possible by way of trademar

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Gervais, Daniel. "Protection of intellectual property and copyright: The rôle of the World Intellectual Property Organization." Learned Publishing 6, no. 3 (1993): 21–23. http://dx.doi.org/10.1002/leap/60052.

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John, Bernadette A. "Intellectual property and the internet." Faculty Dental Journal 5, no. 4 (2014): 158–63. http://dx.doi.org/10.1308/204268514x14096686726166.

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From my recent experience of teaching and assessing, and attending national and international medical education conferences, it has become clear to me that the ease of search and replication, occasional absence of details such as date, copyright notice or an obvious author, coupled with the fact that Google is a search engine and not a repository of free images, is poorly understood by clinical students, clinicians and academics alike. All are arguably aware of the implications of plagiarism and the importance of permission and acknowledgement for the contribution made in research and publicat

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Cornish, W. R. "The International Relations of Intellectual Property." Cambridge Law Journal 52, no. 1 (1993): 46–63. http://dx.doi.org/10.1017/s0008197300017232.

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Intellectual Property is not a term with a standard meaning. Traditionally it was used to describe the copyright protection of authors and to distinguish this from industrial property, i.e., Patents for inventions, industrial design rights, plant variety rights, trade marks and the like. Recently it has become an umbrella for copyright, rights related to it and the various forms of industrial property. The new generic grouping has been needed for a world where demand for these rights has risen to an altogether new pitch. In part this is the consequence of extraordinary advances in technologies

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Wagner, Karen I. "Intellectual property: Copyright implications for higher education." Journal of Academic Librarianship 24, no. 1 (1998): 11–19. http://dx.doi.org/10.1016/s0099-1333(98)90135-5.

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Burrell, Robert. "Colonial Copyright: Intellectual Property in Mandate Palestine." Journal of Legal History 34, no. 2 (2013): 236–41. http://dx.doi.org/10.1080/01440365.2013.810383.

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Omorov, R. O. "Intellectual property and artificial intelligence." E-Management 3, no. 1 (2020): 43–49. http://dx.doi.org/10.26425/2658-3445-2020-1-43-49.

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Issues, arising in the field of intellectual property rights in connection with the development of artificial intelligence systems and their impact on the development of legal relations in the economy and culture of modern society, have been considered. Aspects of mutual policies in the field of intellectual property rights and the development of artificial intelligence systems for the development of innovation and creativity have been examined. Questions of copyright and ownership in the interaction of man, collective and artificial intelligence or artificial intelligence systems have been ra

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Niqresh, Mohammad. "Digital Library and Intellectual Issues—Issues in Copyright and Intellectual Property." International Education Studies 12, no. 1 (2018): 114. http://dx.doi.org/10.5539/ies.v12n1p114.

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The study aims at identifying the concept of digital library, it also tries to shed the light on the most significant intellectual issues by presenting its definition, development, functions (selection and acquisition of information resources from the web, sources indexing, communication and management of intellectual property rights, production of electronic resources and its availability, and digital resources maintaining), characteristics, and the purpose of turning into digital library, passed by the proposed stages of digital library transition, Types of Intellectual Property (Copyright,

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Jankovic, Dijana. "International protection of intellectual property rights." Medjunarodni problemi 65, no. 4 (2013): 509–36. http://dx.doi.org/10.2298/medjp1304509j.

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The protection of intellectual property rights can be of a great importance for the development of a society. It can contribute to strengthening of the economy and improve the standard of living. The international community has established standards for the protection of intellectual property rights through relevant international documents, thus providing guidelines for the improvement of their international protection. The states which are leaders in innovation and creativity establish strong legal mechanisms that provide the protection of intellectual property rights. It is generally accepte

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Pontille, David, Mario Biagioli, and Peter Galison. "Scientific Authorship. Credit and Intellectual Property in Science." Revue Française de Sociologie 45, no. 2 (2004): 374. http://dx.doi.org/10.2307/3323164.

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Polčák, Radim. "Digitisation, Cultural Institutions and Intellectual Property." Masaryk University Journal of Law and Technology 9, no. 2 (2015): 121–41. http://dx.doi.org/10.5817/mujlt2015-2-7.

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Digitisation of cultural content represents one of most challenging problems of contemporary IP law. Cultural artefacts, let it be books, paintings or 3D objects, are often very old, so there are no issues in copyright protection of their content. However, the public availability of such content is in these cases strongly limited namely due to physical conditions of the carriers and subsequent conservation demands.Digitisation might serve here as powerful enabler of re-use of these works that are frequently of enormous cultural value. On the other hand, getting useful (and re-usable) digital i

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Reid, Tom. "Academics and Intellectual Property: Treading the Tightrope." Deakin Law Review 9, no. 2 (2004): 759–74. http://dx.doi.org/10.21153/dlr2004vol9no2art262.

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Most Australian universities still uphold the tradition that an academic's work is performed for the greater public good, and that it is therefore necessary to donate back at least the copyright in the academic's scholarly work to the academic, so that the work may be freely disseminated. However, faced with tighter and tighter budgets, the same universities are increasingly turning to commercial partnerships to add to their revenue. The intellectual property created by academics in the course of their employment, if commercially exploited, is potentially a valuable source of revenue to the un

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Zhilskiy, Nicolay, Emma Shariapova, and Marina Matveeva. "Protection of intellectual property of an architect." E3S Web of Conferences 91 (2019): 05029. http://dx.doi.org/10.1051/e3sconf/20199105029.

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In the paper, the authors raise the issue of protecting the copyright of an architect. One of the ways to protect it is the trial. The RF Constitution guarantees judicial protection of rights and freedoms. Recently, in the Russian Federation, the number of appeals to the court for copyright protection has increased, indicating a large number of infringements of intellectual property rights of architects. The study of the authors showed that often the cause of litigation is the discrepancy of the values of the objects of copyright of the architect. To interpret such concepts as “architectural s

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Tulzapurkar, Veerendra. "Intellectual Property Law – Transfer of Technology." International Journal of Legal Information 36, no. 2 (2008): 338–41. http://dx.doi.org/10.1017/s0731126500003103.

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The law of patent, trademark law, copyright law and the law relating to industrial designs are the statutory enactments forming part of intellectual property law which have a bearing on the transfer of technology. There is one more branch of intellectual property law which also has a bearing on the transfer of technology and that is the law relating to confidential information or law relating to confidentiality. This law is not a written law; it is judge made law, in the sense that it is developed through cases.

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Leisten, Susanna, Terry Flew, and Greg Hearn. "Alternative Intellectual Property Systems for the Digital Age." Media International Australia 114, no. 1 (2005): 87–98. http://dx.doi.org/10.1177/1329878x0511400111.

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This paper investigates the current turbulent state of copyright in the digital age, and explores the viability of alternative compensation systems. The paper critically appraises the increased recourse to digital rights management (DRM) technologies, which are designed to restrict access to and usage of digital content. Considerable technical challenges associated with DRM systems have necessitated increasingly aggressive recourse to the law. A number of controversial aspects of copyright enforcement are discussed and contrasted with those arising from alternative levy-based compensation syst

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WILLOUGHBY, KELVIN W. "INTELLECTUAL PROPERTY MANAGEMENT AND TECHNOLOGICAL ENTREPRENEURSHIP." International Journal of Innovation and Technology Management 10, no. 06 (2013): 1340027. http://dx.doi.org/10.1142/s0219877013400270.

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This paper investigates the distinctive technology protection strategies of entrepreneurial technology firms. In contrast with much popular opinion, it is reported that intellectual property features more prominently in the business of small entrepreneurial firms than it does in the business of large, established mature firms. The intellectual property portfolios of technology firms of all sizes and ages exhibit a rich array of instruments in addition to patents for protecting technology, including trade secrets, trademarks and copyright, together with licenses to externally sourced technology

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Chu, Jonathan M. W. W. "When Property Does Not Mean Property: An Analysis of the Existence of International Intellectual Property†." International Journal of Legal Information 39, no. 3 (2011): 328–45. http://dx.doi.org/10.1017/s0731126500006247.

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AbstractThis paper endeavours to dispel the logical conclusion which one may draw from the territorial nature of intellectual property rights and aims to show that the term “international intellectual property” may refer to the underlying products of intellect which give rise to rights granted internationally and which are, themselves, rights of a different sort.To suggest that “there is no such thing as international intellectual property” may have been particularly reasonable prior to the end of the 19thcentury when there was little or no international obligations to protect intellectual pro

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