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Journal articles on the topic 'Interior design'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 June 2025

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1

Dagli, Zeynep. "Corporate identity in interior design." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 318–27. http://dx.doi.org/10.18844/gjhss.v2i1.314.

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Lakshmi, R. Vijaya, V. Sai Kartheek Reddy, and M. Gnaneshwar. "Augmented Reality Interior Design Application." International Journal of Research Publication and Reviews 6, no. 4 (April 2025): 4018–29. https://doi.org/10.55248/gengpi.6.0425.1454.

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3

Krishnaswamy, Revathi. "Interior Design." Wasafiri 29, no. 1 (January 2, 2014): 39–44. http://dx.doi.org/10.1080/02690055.2014.861265.

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4

Maneella, Carmen A. "Interior design." Current Biology 7, no. 10 (October 1997): R599. http://dx.doi.org/10.1016/s0960-9822(06)00306-x.

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5

Stoddart, Alison. "Interior design." Nature Materials 11, no. 10 (September 24, 2012): 829. http://dx.doi.org/10.1038/nmat3445.

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Maturakarn, Charlie, and Chumporn Moorapun. "Design Thinking: Interior Architecture and Interior Design in Thailand." Environment-Behaviour Proceedings Journal 2, no. 6 (November 6, 2017): 71. http://dx.doi.org/10.21834/e-bpj.v2i6.980.

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This research aims to explore the aspects of design thinking of students from two different curricula: Interior Architecture (five years) and Interior Design (four years) to see what different aspects of design thinking. The research method is a survey based on quantitative approach. A questionnaire is developed from Perry scheme of intellectual development and Kolb’s Experiential Learning Theory (ELT) model. Then, both aspects were compared to see the difference. The findings indicate that the pattern of design thinking and learning style from two curricula are different and can be improved the thinking and learning styles of design students in Thailand.

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TEMNIKOVA, Elena A. "METHODOLOGICAL ASPECTS OF INTERIOR DESIGN PROJECT WITHIN THE DISCIPLINE OF “INTERIOR DESIGN”." Urban construction and architecture 6, no. 2 (June 15, 2016): 75–78. http://dx.doi.org/10.17673/vestnik.2016.02.14.

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Development of discipline Design of interior is a key aspect of learning interior design students and forms the fundamental theoretical knowledge about basic laws and characteristics of the project activities of the interior designer of the practical skills needed for the presentation and implementation of project ideas. The main stages of the project are considered such as: drawing up terms of reference, the composition of the customers portrait, holding of measurements, perform preliminary design, with the possible variability of the images, the performance of working drawings, possession handmade graphics and computer modeling. On the basis of the given information the following conclusion is made:in the process of learning the design of interiors for various purposes should be considered primarily psycho-emotional aspects of the proposed project in the perception of subjects, the quality of the analytical immersion and detailed baseline data collection.

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GONG, Jiping, and Lili WANG. "Thematic Construction and Aesthetic Design trategies of Domestic Cruise Interior Designs." Academic Frontiers Publishing Group 2, no. 3 (March 31, 2025): 138–55. https://doi.org/10.62989/jss.2025.2.3.138.

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Turikova, E., O. Nedoshytko, and A. Akopova. "ARCHITECTURAL DESIGN METHODS OF RENOVATION OF INTERIORS OF HISTORICAL BUILDINGS." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 272–80. http://dx.doi.org/10.31650/2519-4208-2020-20-272-280.

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In this article specific examples of historical interiors are identified and characterized, environment-forming factors determining the individuality of the historic interior and its renovation strategy are highlighted; shows the methods of renovation andreprofiling of historical interiors, their selection and testing in real environmental conditions.The historical buildings that make up the golden fund for the development of old cities often carry a bunch of contradictions: their interiors do not alwaysmeet today's requirements for the geometry of interior spaces, their hygiene, lighting, acoustics; the structural basis does not allow to increase the load; they are not designed for new functions, modes of operation, flows of people, etc.; the existing aesthetic system contradicts modern materials and stylistic priorities. Incorrect adaptation of historical interiors to a foreign function leads to irreplaceable cultural and artistic losses. Therefore, it is relevant to identify techniques for the renovation of historical interiors, architectural and design tools to ensure consistent interaction of the historical foundation and modern equipment.The study allowed to clarify the concept of “interior of a historic building”; to reveal the factors that determine the design approaches to the renovation of the interior: initial geometry, hue-color certainty and potential, artistic and stylistic integrity, scenographic potential, sanitary-hygienic and ergonomic, safety, human factor, compositional reality and potential. The identified factors made it possible to formulate the tasks and means of renovating aspecific historical interior. The methods of renovation are: the introduction of a contrasting accent; creation of alternative environmental and stylistic scenarios, points and perspectives of perception; use of environmentalinstallations from equipment; the formation of a single visual field of the interior and exterior through the use of font, elements of historical style.The article “Architectural and design techniques for renovating the interiors of historical buildings” clarifies the concept of “interior of a historical building”. The features of such interiors were identified and characterized, environment-forming factors determining the individuality of the historical interior and the strategy for its renovation, as well as design approaches to interior renovation: initial geometry, light-color certainty and potential, artistic and stylistic integrity, scenographic potential, sanitary-hygienic and ergonomic, were identified, security, human factor, compositional givenness and potential. The methods of renovation and reprofiling of historical interiors are shown, they are selected and tested in real environmental conditions. The identified factors made it possible to formulate the tasks and means of renovating aspecific historical interior. The methods of renovation are: the introduction of a contrasting accent; creation of alternative environmental and stylistic scenarios, points and perspectives of perception; use of environmental installations from equipment; the formation of a single visual field of the interior and exterior through the use of font, elements of historical style. The article is illustrated with graphic materials from the course student work (Art. Yulia Shtyrbu).

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10

Jain, Karan. "Sustainable Design Practices for Eco-Interiors." International Journal for Research in Applied Science and Engineering Technology 11, no. 1 (January 31, 2023): 1053–55. http://dx.doi.org/10.22214/ijraset.2023.48732.

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Abstract: This research paper aims to explore sustainable design practices for eco-interiors. The increasing environmental impact of the built environment has led to a growing interest in the use of sustainable design principles in the construction of interior spaces. The focus of this study is on the application of sustainable design strategies for eco-interiors, with the goal of reducing the environmental impact of these spaces while also promoting energy efficiency and comfort for the occupants. The paper begins by reviewing the current state of sustainable design in the construction industry, including the various approaches and principles that are used to create eco-friendly interiors. The literature review also examines the key challenges and barriers to the implementation of sustainable design practices in the interior design industry. The research methods used in this study include a combination of qualitative and quantitative data collection techniques, including online surveys, case studies, and interviews with industry experts. The results of the study provide insight into the most effective sustainable design practices for eco-interiors, as well as the key considerations that must be taken into account when designing these spaces. The discussion section of the paper explores the findings in greater detail and highlights the key takeaways for practitioners in the interior design industry. The conclusions of the study suggest that sustainable design practices for eco-interiors can have a significant impact on the environmental performance of interior spaces, and that these practices should be more widely adopted in the industry.

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11

Gardner, Kathleen. "Creativity Levels of Interior Design and Non-interior Design Majors." Journal of Interior Design 16, no. 1 (May 1990): 53–56. http://dx.doi.org/10.1111/j.1939-1668.1990.tb00029.x.

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12

陈, 彦冰. "Child-Friendly Kindergarten Renovation Design—Interior Space Renovation Design." Design 09, no. 06 (2024): 837–45. https://doi.org/10.12677/design.2024.96756.

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Sumorok, Aleksandra. "Socrealizm od środka. Design, sztuka wnętrza i modernizacja." Artium Quaestiones, no. 32 (December 15, 2021): 187–227. http://dx.doi.org/10.14746/aq.2021.32.8.

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The article focuses on interior design from the first half of the 1950s. The interior spaces realized at that time in Poland elude unambiguous classifications, both in terms of formal and ideological aspects. I propose to look at the interiors from this time not in terms of style (difficult, complex, hybrid), but in a broader sense, as a political, socio-cultural phenomenon. The interiors were supposed to favor social modernization (assumed in the communist project), especially the idea of promotion and changing class habitus. They precisely modeled new forms of social life (cultural spaces), as well as family life, as they defined the way of eating, “being” (gastronomic interiors), spending free time and holidays. The leap into modernity was particularly noticeable in the architecture and interiors with which everyone interacted on a daily basis. Indicating the participation of interiors in the multifaceted modernization process can make us realize the complexity of the post-war reality, including the interior design from the first half of the 1950s, which was related to many spheres of social and cultural life.

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Juergen, Gottfried, and Hartini Laswandi. "APPLICATION OF TIMELESS DESIGN IN APARTMENTS." International Journal of Application on Social Science and Humanities 1, no. 1 (February 20, 2023): 756–62. http://dx.doi.org/10.24912/ijassh.v1i1.25941.

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The use of timeless as a topic has never been done in interior design or study for private residences, which is why this research was done. This study employs a quantitative approach with two stages and eight analyses that is based on Rosemary Kilmer's theory. The fast-paced changes and advances in the realm of interior design will undoubtedly have an impact on the current design. As more and more design upgrades appear, user ennui will rise. As a result, he developed a timeless interior design concept that can be used in a private residence and endure throughout the ongoing growth of interior design. This study demonstrates that maximizing interior The topic will be carried out to its fullest potential by using design elements including materials, colors, shapes, patterns, and lighting. This study is helpful for students working on practical projects, designers looking at how timeless design can be applied to interiors, and designers creating works with timeless design as a guiding principle.

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15

Sari, Sriti Mayang, Poppy Firtatwentyna Nilasari, and Purnama Esa Dora Tedjokoesoemo. "Implementation of Interior Branding in Retail Interior Design." GATR Journal of Management and Marketing Review 7, no. 1 (March 30, 2022): 13–22. http://dx.doi.org/10.35609/jmmr.2022.7.1(2).

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Objective - The purpose of this research is to discover the ways to implement aspects of interior branding in the interior of commercial and retail spaces. It seeks to articulate how space as an interior branding medium can convey the message of retail owners to visitors through retail interior design. Methodology/Technique - This study uses the descriptive qualitative method with the Tiara Handycraft Store as a case study. Data collection was achieved by conducting interviews with retail managers and visitors, and field observations. The data were analyzed descriptively to elaborate on how to apply every aspect of interior branding in the interior design of the Tiara Handicraft Store. Data analysis in this study was performed based on Kim Kuthteubl's aspects of interior branding, namely: clear vision, unique story, and energy. Findings - The results of this study indicate that the interior design of the Tiara Handicraft Store has implemented the interior branding aspects of clear vision, unique story, and energy. The combination of these three aspects in the interior design of this store has supported the construction of the identity or brand of the store through the media of its interior space. This application can be seen in the selection of shapes, colors, materials for interior elements, organization of space, and arrangement of furniture and displays. An ambiance of cheerfulness, fun, and comfort has been formed with the play of bright color compositions, patterns, and materials of the interior spatial elements. In this design, space as an interior branding medium conveyed stories, messages from shop owners to visitors through the ambiance, logos, signage, and other interior elements such as the decorative Tiara Handicraft's wall of fame. Through this wall, visitors were entertained with the idea that every item created has its own story, that there is a creative process behind every artwork, and that there are job opportunities for people with disabilities, encouraging a call for social awareness. It is this story or message that uniquely distinguishes Tiara Handicraft Store from other stores in general. Novelty - This study provides insight and is expected to bring awareness to interior designers about the importance of implementing holistic interior branding in retail interior design to increase the value of their designs. Type of Paper - Review Keywords: Commercial interiors; Interior Branding; Retail space; Commercial Space, Clear Vision, Unique Story, Energy JEL Classification: D02, M31, M39.

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16

Avery, T. "Acknowledging Regional Interior Design? Developing Design Practices for Australian Interiors (1880-1900)." Journal of Design History 21, no. 1 (January 1, 2008): 41–58. http://dx.doi.org/10.1093/jdh/epm041.

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17

Prof, (Dr) Nemailal Tarafder. "Interior Design and Interior Decoration with Textiles." Journals of Mechatronics Machine Design and Manufacturing 1, no. 2 (October 4, 2019): 5–14. https://doi.org/10.5281/zenodo.3472272.

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In order to achieve a healthier and more aesthetically sound environment for the people using the space with the help of enhancing art and science is called interior design. The part played by the interior designers is related to the planning, research, coordinating and managing the whole project. Interior design is the process of creating and coordinating with elements inside many kinds of structures. Choosing fabrics that will look beautiful, last and suit life style is supposed to be the important criteria from properly available materials and patterns. Textile fabrics are wonderful option for home furnishing. In many interior decorations, for the design purpose, textiles are thought after wards. Fabrics are generally used to provide a splash of Colour or texture to the room. Functionally and aesthetically, textures hold a large part of our interior space and play significant role. Fabrics add colours to the interior whether home or office.

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18

Song, Wenfang, Xinze Xie, Wenyue Huang, and Qianqian Yu. "The Design of Automotive Interior for Chinese Young Consumers Based on Kansei Engineering and Eye-Tracking Technology." Applied Sciences 13, no. 19 (September 26, 2023): 10674. http://dx.doi.org/10.3390/app131910674.

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The reasonable CMF (Color, Material and Finishing) design for automotive interiors could bring positive psychophysical and affective responses of customers, providing an important guideline for automobile enterprises making differentiated products. However, current studies mainly focus on an aspect of CMF design or a single style of the automotive interior, and examined the design mainly through human visual perception. There lack systematic studies on the design and evaluation of automobile interior CMF, and more scientific evaluation of the design through human visual and touching perception was required. Therefore, this study systematically designed the automobile interior CMF based on Kansei engineering and eye-tracking technology. The study consists of five steps: (1) Product positioning: the Chinese young consumers, the new energy vehicles, and bridge and seat are the target users, the automotive model and the key interior components. (2) Kansei physiological measurement: nine groups of Kansei words and thirty-three interior samples were selected, and the interior samples were scored by the Kansei words. (3) Kansei data analysis: three design types were determined, i.e., “hard and stately”, “concise and technological” and “comfortable and safe”. Meanwhile, the CMF design elements of the automotive interiors under the three styles were obtained through mathematical methods. (4) Design practice: four CMF samples under each design style (12 samples) were developed. (5) Kansei evaluation: the design themes were conducted using eye-tracking technology, and the optimal sample that mostly satisfy the user’s Kansei requirements under each style was obtained. The proposed design process of automotive interior CMF may have great implications in the design of automotive interiors.

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王, 好. "Interior Design of Zhongdian Jianguo Yufuyuan Marketing Center." Design 09, no. 06 (2024): 27–38. https://doi.org/10.12677/design.2024.96663.

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20

Al-Adilee, Salah Mahdi Saleh. "THE ROLE OF LIGHTING IN INTERIOR DESIGN." Frontline Social Sciences and History Journal 04, no. 12 (December 1, 2024): 19–46. https://doi.org/10.37547/social-fsshj-04-12-03.

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In interior design, lighting is crucial because it affects a room's mood, practicality, and beauty. This article delves into the complexities of lighting and its effects on interior spaces, looking at how various lighting methods and technologies can complement or detract from the design. The study highlights the particular contributions of ambient, task, accent, and decorative lighting to creating visually and emotionally engaging spaces by evaluating these types of lighting. The study explores lighting design principles, such as the significance of color temperature, distribution, intensity, and light quality. It demonstrates how well-planned lighting can change how people see a room, draw attention to specific architectural details, and serve the room's function. Natural light and sustainable lighting options, including intelligent lighting systems and LED technology, are also considered potential avenues for enhancing energy efficiency and minimizing environmental impact. The paper shows how lighting may improve spatial experiences and fulfill various functional needs through case studies of homes, businesses, and public areas. The results show that good lighting is more than just a technical factor; it's a crucial part of interior design that significantly impacts people's health and happiness. The article finishes with some recommendations for interior designers on illuminating a space in a way that is both aesthetically pleasing and environmentally friendly. It promotes the idea that designers, architects, and lighting experts should work together in an ever-evolving fashion to make interior spaces that are aesthetically pleasing and functionally sound for their inhabitants.

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Tomina, Olha, and Leonid Gook. "TEXTILES IN THE RESIDENTIAL INTERIOR." Architectural Bulletin of KNUCA, no. 22-23 (December 12, 2021): 178–82. http://dx.doi.org/10.32347/2519-8661.2021.22-23.178-182.

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The relevance of the study is due to new experience in architectural design, new technologies and types of materials and the need to generalize and systematize them to expand the formative possibilities of textiles in the design of residential interiors. Research in the field of interior textile design was carried out by: T.I. Isayeva, Khabibullina, E.V. Zmanovska and others. The purpose of the study is to identify areas, functions and compositional techniques of textiles in residential interiors. The historical reference of development of textile production is resulted. The structural analysis of textiles in the interior by types of textile materials, production technology, types of weave, types of ornaments; identified qualities of textile materials, which determine their widespread use and the main areas of application of textiles in modern residential interiors. According to the results of the research, the main functions of textiles in the interior are revealed: creation of a comfortable microclimate in the room; psychological comfort; space adjustment; visual isolation; protection of surfaces from damage and pollution; hygiene products; decorative; compositional component of interior space design. The description of types of textile wall-paper, curtains is resulted. The compositional function of textiles in the interior is revealed: accent, dominant, background, rhythm. The conclusion is made that at a choice of textiles and reception of placement it is necessary to consider regional natural and climatic conditions; the style decision of an interior is accepted; function, size, orientation on the sides of the horizon of the room; combination of textiles with finishing of surfaces of enclosing designs and subject filling of the room; combination of fabrics in texture, color and pattern; price segment.

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22

Liu, Yi-Ching. "Evaluation and Preference about Interior Design Works." SIJ Transactions on Computer Science Engineering & its Applications (CSEA) 02, no. 03 (June 6, 2014): 01–06. http://dx.doi.org/10.9756/sijcsea/v2i3/0203220402.

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23

Березко, О. В., Р. Я. Галишич та О. П. Черничук. "ОСОБЛИВОСТІ ЗАСТОСУВАННЯ ОПТИЧНИХ ІЛЮЗІЙ В ДИЗАЙНІ ІНТЕР’ЄРІВ". Art and Design, № 1 (3 червня 2020): 57–69. http://dx.doi.org/10.30857/2617-0272.2020.1.4.

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The purpose is to determine the peculiarities of optical illusions usage in interior design. Methodology. The study uses the methods of analysis and systematization of the collected literary and illustrative material, as well as the method of comparative analysis. Results. The paper analyzes the optical illusions used in interior design, namely: art-mimicry, distortion, anamorphosis, art-pareidolia, pseudo gipnosis, ephemeralization, and anti-gravity. Based on the analysis, it is determined that the use of optical illusions in interiors can be conditionally divided into two types in terms of intensity: intense (pronounced illusion) and restrained (weak illusion). According to the types of intensity, the specifics of the use of optical illusions in public and residential interiors are identified. Here are some examples of how these types are used in interior design. It has been determined that art-mimicry, distortion, anamorphosis, ephemerisation and anti-gravity can be effectively used in public interiors. At the same time, in residential interiors there are examples of intensive use of only three optical illusions: distortion, anamorphosis and ephemerisation. Also, the analysis shows that the restrained use of all the considered optical illusions can be applied in the design of both residential and public interiors. The scientific novelty of the research is to analyze optical illusions and to determine the peculiarities of their use in interior design. Practical significance. The results of the study can be used to conduct interior design using optical illusions. The results may also form the basis for further scientific research, namely, to develop recommendations for the use of optical illusions in interior spaces

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Douthitt, Robin A., and Doris E. Hasell. "Correlating Needs of Interior Design Employers with Program Development in Interior Designr." Journal of Interior Design 11, no. 2 (September 1985): 21–26. http://dx.doi.org/10.1111/j.1939-1668.1985.tb00018.x.

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25

Hassanein, Hala. "Utilization of “Multiple Kinetic Technology KT” in Interior Architecture Design as Concept of Futuristic Innovation." Academic Research Community publication 2, no. 4 (January 1, 2019): 331. http://dx.doi.org/10.21625/archive.v2i4.370.

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New trends of interior architectural design aim to maximize available spatial space for flexible and futuristic interiors. Therefore, the design of a facility structure with its fixed and moveable interior components can have a significant impact on human performance leading to efficient interaction with surrounding spatial spaces. Interactive design is constantly proves creating memorable connection and empowering connection with beneficiaries’ participants that can come to life in many forms, one of these many facility structures is implementing the interior architectural design approach of "Kinetic Technology". Interior architecture is the design of a space inside any building that can be fixing. In addition, it can be the initial design and plan for use then later redesign to accommodate a changed purpose, or a significantly revised design for adaptive reuse of the building shell. Generally referred to as the spatial art of environmental design, form and practice, interior architecture is the process through which the interiors of buildings are designed concerned with all aspects of the human uses of structural spatial spaces. Therefore putting simply, Interior Architecture is the design of an interior in architectural terms. The paper presents variety approaches of innovation trends, that utilizing multiple kinetic applications for the scope, benefit of interior design elements. It will give valid benefits to interior planners and designers for efficient enhancement into their practical expertise. That experience will be achieved when implementing this technology of kinetic approach to achieve effective utilization of interior spatial spaces as dynamic quality of the spatial space’s changeable size, continuity and to create a feeling of connectivity through the spatial space, which seems to virtual enlarge the small floor area.

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Tüfekçioğlu, Dilara. "A Historical Comparative Analysis of European and Asian Interior Spaces Through Cultural Background." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 28, 2017): 222–31. http://dx.doi.org/10.18844/prosoc.v4i11.2878.

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Interior design came into existence with the need for housing, and has been developed with respect to several needs. After a certain point of time, the development process led to mulitple branches. Different lifestyles of different communities living in different geographies and cultural differentiation have caused variation in interior design. Throughout the history, culture, by means of its elements, creates different lifestyles in the same period of time, and influences the formation of interiors. The aim of this study is to explore cultural values that play an important role in the process of interior designing, to shape our daily lives and, thus, to assess how they influence interior designs. The study mainly focuses on cultural differences in Asian and European societies, which makes us . understand the similarities and differences of interior design principles. The information obtained by the historical analysis was synthesised, classified and finally interpreted. In conclusion, both in western and far eastern cultures, many elements such as climate, human values, religion, thinking, trade, class distinction, type of management, personal interests, social events, industrial and technological developments were found to have influence on the lifestyle with regard to interior design. Keywords: Culture, European culture, Asian culture, life styles, volume design, dwellings, architecture-interior architecturespace.

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م. م. زينب عبد العالي عبد الباقي. "Integration of interior design elements for interior spaces." Journal of the College of Basic Education 21, no. 89 (December 9, 2022): 317–48. http://dx.doi.org/10.35950/cbej.v21i89.6587.

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يتناول البحث دراسة ( تكامل عناصر التصميم الداخلي) وهي دراسة تحليلية الفضاءات مقاهي الانترنيت وهذا لما تمثله من اهمية على مستخدمين هذا النوع من الفضاءات ولما تحمله من اهمية في نقل المعلومات إلى المستخدمين وما تقدمه من فائدة علمية وكذلك تعتبر مكان للترويح عن النفس والتسلية فكان البحث يحتوي على اربعة فصول تمثلت بالفصل الاول وتضمن مشكلة البحث وهي افتقار فضاءات مقاهي الانترنيت لأفكار تصميمية منفذة من قبل اصحاب الاختصاص مما أدى إلى ضعف للتصاميم الداخلية في هذه الفضاءات، حيث سيتم معالجة هذه المشكلة عن طريق البحث في العنوان (تكامل عناصرالتصميم الداخلي للفضاءات الداخلية ) اما اهمية البحث فكانت في

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Fontaine, Andrea Sosa. "Seaming the Dialect of Space." SPACE International Journal of Conference Proceedings 1, no. 2 (December 26, 2021): 44–50. http://dx.doi.org/10.51596/sijocp.v1i2.26.

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Each discipline in the built environment has a unique dialect for thinking, designing, crafting, and inhabiting space. Words such as tectonics, materiality, and vernacular all hold a specific interpretation in architecture. Even common words have understated complexity, but only when offered under an architectural lens, words such as gesture, negotiate, and scale. Interiors also have their own language, words such as adjacency, identity, surface, and atmosphere. Language from interior design shares most origins with architecture, but arguably, as a discipline, interiors exist at a point of intersection between disciplines. To be classified as an interior, a space needs a boundary, a container, or an expression of an outside; however, the language of interiors does not need to be so contained. Interior design foundationally is interdisciplinary and exists as a point of entry into other disciplines. While interiors and architecture share a dialogue, for architecture to understand interiors means also to use interiors to connect with other disciplines, such as fashion. Interiors offer a means for architecture to speak to fashion and, even more so, to converse with the body. However, existing interior language based primarily on architecture does not acknowledge close ties to other disciplines. Instead of using interiors to translate, imagine what opportunities could unfold if design disciplines were bilingual, understanding their own language but also that of interiors. The paper proposes a method to encourage interdisciplinary dialogue when discussing Design, perhaps even changing how architecture and fashion see each other through a renewed interior dialect. Borrowing words from fashion, like seaming, fit, tailoring, and mending, interior space becomes more fluid, boundaries blur, and ideas are more curious. Making and understanding space starts with remaking the language of interiors.

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Coutinho, Bárbara. "The Modern Gesamtkunstwerk and its Preservation." Global Design, no. 47 (2012): 10–11. http://dx.doi.org/10.52200/47.a.m5zpgg2v.

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Interior design had a major relevance for Modern Movement and Modern Living. Actually, for the fully understanding and experiencing of Modern spatiality, interior design is determinant. Furthermore, the study of interiors is now marked by an increasing interest, with recent literature that emphasizes interior spaces globally and summons architecture, design and fine arts in an interdisciplinary approach. Despite all this, interior design is still a subject that requests a more in–depth study and a more extended debate in order to improve appreciation, understanding and preservation. Questions like modernity, privacy, efficiency, economy, comfort, utility, beauty in daily life or consumption need to be discussed when talking about interior space design. Product design, new materials and techniques, equipment and devices also have to be considered.

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Han, Xiao. "Application of Green Design Concept in Interior Design Practice." Journal of World Architecture 6, no. 3 (May 30, 2022): 56–62. http://dx.doi.org/10.26689/jwa.v6i3.4001.

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Parallel with the increasing development of China’s social economy, many people are paying attention to the high-level design quality of interior design and the aesthetics and environmental protection of interior design. Therefore, the concept of integrating green design has become the focus of designers in the works of interior design. Based on the overview of green interior design concept, the author introduces the role and principles of green design concept in interior design, and discusses in detail the key applications of green design concept in interior design, hoping to provide reference and guidance for interior design practitioners.

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于, 晨. "Jinan Xoffice Co-Working Interior Design of Zone B." Design 09, no. 05 (2024): 1203–15. http://dx.doi.org/10.12677/design.2024.95657.

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程, 薇. "The Application of Cork Materials in Interior Decoration Design." Design 09, no. 03 (2024): 834–45. http://dx.doi.org/10.12677/design.2024.93390.

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李, 雅静. "Design Analysis of White Space Technique in Interior Space." Design 05, no. 01 (2020): 1–4. http://dx.doi.org/10.12677/design.2020.51001.

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侯, 金科. "The Application of Storage Design in Residential Interior Space." Design 09, no. 03 (2024): 343–48. http://dx.doi.org/10.12677/design.2024.93325.

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Hashimoto, Keiko. "Shiro Kuramata’s Interior Design." International Journal of Arts Theory and History 12, no. 4 (2017): 21–26. http://dx.doi.org/10.18848/2326-9952/cgp/v12i04/21-26.

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Shi, Jing Yuan, and Yan Wang. "On Green Interior Design." Advanced Materials Research 838-841 (November 2013): 2842–45. http://dx.doi.org/10.4028/www.scientific.net/amr.838-841.2842.

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The core concept of the ecological environment is a benign cycle in line with the design of systems, which needs to overcome the difficulties of a few difficult; green design must be the ultimate development of the industry as a strategic goal, only after a long a historical stage of the efforts to achieve the ultimate indoor green design for human dwelling in the land of poetry to the ideal.

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Friedemann, Martin. "EXTERIOR AND INTERIOR DESIGN." ATZextra worldwide 16, no. 7 (July 2011): 12–17. http://dx.doi.org/10.1365/s40111-011-0289-0.

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Hadjiyanni, Tasoulla. "Decolonizing interior design education." Journal of Interior Design 45, no. 2 (April 7, 2020): 3–9. http://dx.doi.org/10.1111/joid.12170.

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Abyzov, Vadym, and Svitlana Kysil. "XXIst century interior design." Środowisko Mieszkaniowe 30 (2020): 82–89. http://dx.doi.org/10.4467/25438700sm.20.009.12212.

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Szuromi, P. "Interior design with nanoparticles." Science 345, no. 6200 (August 28, 2014): 1017. http://dx.doi.org/10.1126/science.345.6200.1017-h.

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Kriebel, Teresa M., Craig Birdsong, and Donald J. Sherman. "Defining Interior Design Programming." Journal of Interior Design 17, no. 1 (May 1991): 29–36. http://dx.doi.org/10.1111/j.1939-1668.1991.tb00060.x.

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Marshall-Baker, Anna. "Knowledge in Interior Design." Journal of Interior Design 31, no. 1 (September 2005): xiii—xxi. http://dx.doi.org/10.1111/j.1939-1668.2006.tb00412.x.

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Cho, Ji Young. "Interior Design: 1st Place." Journal of Interior Design 33, no. 3 (May 2008): 68–70. http://dx.doi.org/10.1111/j.1939-1668.2007.tb00552.x.

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Wyllie, W. Kevin. "Interior Design: 2nd Place." Journal of Interior Design 33, no. 3 (May 2008): 71–73. http://dx.doi.org/10.1111/j.1939-1668.2007.tb00553.x.

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Pease, Charlotte. "Interior Design, 1st Place." Journal of Interior Design 35, no. 1 (September 2009): 39–41. http://dx.doi.org/10.1111/j.1939-1668.2009.01028.x.

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Hill, Caroline. "Interior Design, 2nd Place." Journal of Interior Design 35, no. 1 (September 2009): 44–46. http://dx.doi.org/10.1111/j.1939-1668.2009.01030.x.

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Pilatowicz, Grazyna. "Sustainability in Interior Design." Sustainability: The Journal of Record 8, no. 3 (June 2015): 101–4. http://dx.doi.org/10.1089/sus.2015.28999.

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Hamilton, Olivia. "Commoning Interior Design Pedagogy." Interiors 9, no. 2 (May 4, 2018): 122–39. http://dx.doi.org/10.1080/20419112.2019.1565678.

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BEARD, G. "Encyclopedia of Interior Design." Journal of Design History 11, no. 1 (January 1, 1998): 106–7. http://dx.doi.org/10.1093/jdh/11.1.106.

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Sparke, P. "Frances Elkins: Interior Design." Journal of Design History 19, no. 3 (January 1, 2006): 263–66. http://dx.doi.org/10.1093/jdh/epl013.

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