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Relevant bibliographies by topics / Interior monologue

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Journal articles

Academic literature on the topic 'Interior monologue'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 June 2025

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Journal articles on the topic "Interior monologue"

1

Chen, Lisa. "Interior Monologue." Iowa Review 28, no. 1 (1998): 78–79. http://dx.doi.org/10.17077/0021-065x.4956.

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2

Raoufzadeh, Narges, Fatemeh Sadat Basirizadeh, and Shahrzad Mohammad Hosein. "The Study of Interior Monologue in Houshang Golshiri’s Shazdeh Ehtejab, Virginia Woolf’s Two Selected Novels, Mrs. Dalloway and to the Lighthouse; A Comparative Study." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 3, no. 2 (2020): 761–67. http://dx.doi.org/10.33258/birci.v3i2.888.

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This paper aims to compare interior monologue which is a modern technique in three selected novels. Comparing Houshang Golshiri’s Shazdeh Ehtejab with Virginia Woolf’s Mrs. Dalloway and To the Lighthouse. Golshiri has made use of both direct and indirect interior monologues in his master piece, Shazdeh Ehtejab. An early example in Persian fiction which has a great emphasis on form and techniques of narrating the story. The present study will examine, in detail the creation of interior monologue through the minds of characters with reference to Golshiri’s Shazdeh Ehtejab and Virginia Woolf’s two selected novels, Mrs. Dalloway and To the Lighthouse. Focusing on the narrative techniques used by these two modernist writers and deals with illustrations from the novel and its explanations. The aim of this study is to show how Golshiri and Woolf try to move deeply into the character’s consciousness. They use the narrative technique, Interior Monologue, in their novels that deals with the flow of ideas, thoughts, feelings, and sensation.

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3

Reynolds, Meredith. "Interior Monologue in Malory." Arthuriana 24, no. 3 (2014): 79–98. http://dx.doi.org/10.1353/art.2014.0033.

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4

Kakavoulia, Maria. "Interior Monologue in Melpo Axioti." Journal of Modern Greek Studies 13, no. 1 (1995): 163–64. http://dx.doi.org/10.1353/mgs.2010.0408.

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5

Söderlind, Johannes. "The interior monologue: A linguistic approach∗." Studia Neophilologica 61, no. 2 (1989): 169–73. http://dx.doi.org/10.1080/00393278908588027.

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6

Gast, Volker, Christian Wehmeier, and Dirk Vanderbeke. "A Register-Based Study of Interior Monologue in James Joyce’s Ulysses." Literature 3, no. 1 (2023): 42–65. http://dx.doi.org/10.3390/literature3010004.

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While fictional orality (spoken language in fictional texts) has received some attention in the context of quantitative register studies at the interface of linguistics and literature, only a few attempts have been made so far to apply the quantitative methods of register studies to interior monologues (and other forms of inner speech or thought representation). This article presents a case study of the three main characters of James Joyce’s Ulysses whose thoughts are presented extensively in the novel, i.e., Leopold and Molly Bloom and Stephen Dedalus. Making use of quantitative, corpus-based methods, the thoughts of these characters are compared to fictional direct speech and (literary and non-literary) reference texts. We show that the interior monologues of Ulysses span a range of non-narrative registers with varying degrees of informational density and involvement. The thoughts of one character, Leopold Bloom, differ substantially from that character’s speech. The relative heterogeneity across characters is taken as an indication that interior monologue is used as a means of perspective taking and implicit characterization.

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7

Aguilar Ávila, Josep Antoni. "La «coberta volta» de Bernat de Rocafort: en torno al uso del monólogo interior de tipo deliberativo en la Crònica de Muntaner." Zeitschrift für romanische Philologie 139, no. 3 (2023): 639–90. http://dx.doi.org/10.1515/zrp-2023-0025.

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Abstract This article focuses on the use of the deliberative interior monologue in Ramon Muntaner’s Crònica and is based mainly on an analysis of Chapter 230 of the work. In this chapter, Muntaner employs this narrative technique in order to convey the thoughts of Bernat de Rocafort, one of the key characters in his account of the Catalan expedition to Byzantium (1303–1311). Other examples of similar monologues in the Crònica, attributed to characters such as King Charles of Anjou (Chapter 72) or Roger de Flor (Chapter 199), are also taken into account. In all these cases, the article provides an examination of the narrative context, the main rhetorical and literary characteristics of the monologue, and its role in the psychological characterization of the character. The analysis reveals a common compositional pattern in the fragments studied, as well as the fact that the deliberative monologue is chiefly employed by Muntaner to describe the plans or schemes of characters who are described as wise or astute in the narrative.

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8

Sorrell, Martin, Edouard Dujardin, and Anthony Suter. "'The Bays Are Sere' and 'Interior Monologue'." Modern Language Review 88, no. 2 (1993): 480. http://dx.doi.org/10.2307/3733841.

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9

Izutsu, Mitsuko Narita, and Katsunobu Izutsu. "On and off the common ground: Japanese final particles as (un)grounding devices." Lingua Posnaniensis 63, no. 2 (2021): 7–32. http://dx.doi.org/10.14746/linpo.2021.63.2.1.

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The notion of “common ground” (Clark & Brennan 1991; Clark 1996) presupposes communication or conversation as “the basic setting for language use” (Clark 1996: 11). The serialisation of Japanese sentence-final particles is highly sensitive to the likelihood of the relevant utterance being part of the common ground. This paper reconsiders the conception of common ground and grounding processes, investigating monologic as well as conversational discourse. A case study of two modernist texts which contain internal monologue (interior monologue) illustrates how three facets of grounding activities (the establishment, confirmation, and cancellation of common ground) are tactfully realised by means of the final-particle marking of a distinction between monologic and conversational discourse. Our analysis reveals that Japanese final particles (specifically, -ne and -na(a)) play an essential role in encoding the speaker’s intention to ground or unground his/her utterance (i.e., to make the utterance on or off the common ground).

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10

TAHİRİ, Lindita, and Nuran MUHAXHERİ. "Linguistic criticism of the interior monologue in fiction." Dil ve Dilbilimi Çalışmaları Dergisi 17, no. 2 (2021): 899–910. http://dx.doi.org/10.17263/jlls.904085.

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