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Books on the topic 'Interior monologue'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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1

Tonnard, Elisabeth. Interior monologue. Acquoy (Netherlands): E. Tonnard, 2009.

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2

Anglés, Eduardo Aznar. El monólogo interior: Un análisis textual y pragmático del lenguaje interior en la literatura. Barcelona: EUB, 1996.

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3

Chardin, Philippe. Autour du monologue intérieur. Paris: Sacuteeguier, 2004.

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4

Dujardin, Edouard. The bays are sere ; and, Interior monologue. London: Libris, 1991.

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5

Kakavoulia, Maria. Interior monologue and its discursive formation in Melpo Axioti's Dyskoles nychtes. München: Institut für Byzantinistik und Neugriechische Philologie der Universität, 1992.

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6

Staay, Elisabeth van der. Le monologue intérieur dans l'œuvre de Valéry Larbaud. Paris: Champion-Slatkine, 1987.

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7

Tumanov, Vladimir. Mind reading: Unframed interior monologue in European fiction. Amsterdam: Rodopi, 1997.

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8

Martin-Achard, Frédéric. Voix intimes, voix sociales: Usages du monologue romanesque aujourd'hui. Paris: Classiques Garnier, 2017.

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9

Niehaus, Michael. Ich, die Literatur, ich spreche--: Der Monolog der Literatur im 20. Jahrhundert. Würzburg: Königshausen & Neumann, 1995.

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10

Zimmermann, Silke Cathrin. Das Ich und sein Gegenüber: Spielarten des Anderen im monologischen Erzählen : dargestellt an ausgewählten Beispielen der europäischen Erzählkunst des 20. Jahrhunderts. Trier: WVT Wissenschaftlicher Verlag, 1995.

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11

Kakavoulia, Maria. Interior monologue and its discursive function in Melpo Axioti's Dyskoles nychtes. München: Institut für Byzantinistik und neugriechische Philologie der Universität, 1992.

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12

Kakavoulia, Maria. Interior monologue and its discursive formation in Melpo Axioti's "Dyskoles nychtes" (1938). Birmingham: University of Birmingham, 1991.

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13

Santone, Laura. Voci dall'abisso: Nuovi elementi sulla genesi del monologo interiore. Bari: Edipuglia, 1999.

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14

Nöller, Jens. "The hero as voice": Die halluzinierte Stimme im Umbruch der Gattungen in der europäischen Literatur der Jahrhundertwende bis zur Gegenwart. Würzburg: Königshausen & Neumann, 1998.

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15

Surowska, Barbara. Die Bewusstseinsstromtechnik im Erzählwerk Arthur Schnitzlers. Warszawa: Wydział Neofilologii UW, 1990.

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16

Entre monologue et dialogue. Paris: Hermann, 2022.

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17

Franklin, Catherine. Interior Monologue and Other Plays. Independently Published, 2018.

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18

New World Monologues: Soliloquy · Speech · Address · Lecture · Oration · Sermon · Homily · Dramatic Monologue · Interior Monologue · Spiel. Independently Published, 2021.

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19

Direkte Rede: LXXVII Selbstversuche. Wien: Passagen Verlag, 2016.

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20

Soliloquium: Theorie und Geschichte des Selbstgesprächs in der europäischen Literatur. München: Wilhelm Fink, 2008.

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21

Egger, Dujardin, Joyce: Microscopia della voce nel monologo interiore. Roma: Bulzoni, 2009.

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22

She loves me. Evanston, Ill: Northwestern University Press, 1997.

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23

Keller, Tsipi. Prophet of Tenth Street: A Novel. State University of New York Press, 2012.

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24

Untersuchungen zum Problem der Erlebten Rede: Der ursächliche Kontext der Erlebten Rede, dargestellt an Romanen Robert Walsers. Bern: P. Lang, 1987.

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25

Every Day in the Morning (slow). New Star Books, Limited, 2010.

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26

Komfortable Wüsten: Das Interieur in der Literatur des europäischen Realismus des 19. Jahrhunderts. Köln: Böhlau Verlag, 2015.

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27

Komfortable Wüsten: Das Interieur in der Literatur des Europäischen Realismus des 19. Jahrhunderts. Bohlau Verlag, 2015.

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28

Funk, Laura C. People and Places of Sacred Interior Spaces: Midrashic Monologues and Guided Meditations. FriesenPress, 2021.

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29

Funk, Laura C. People and Places of Sacred Interior Spaces: Midrashic Monologues and Guided Meditations. FriesenPress, 2021.

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30

Marjoleine Boonstra / Willem van Zoetendaal / Anouk la Verge and Boonstra, Marjoleine / Zoetendaal, Willem van / la. Marjoleine Boonstra - Monologue Interieur I en II | Fotokabinetten Gemeentemuseum Den Haag. Van Zoetendaal, 2003.

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31

Marjoleine Boonstra / Willem van Zoetendaal / Anouk la Verge and Boonstra, Marjoleine / Zoetendaal, Willem van / la. Marjoleine Boonstra - Monologue Interieur I en II | Fotokabinetten Gemeentemuseum Den Haag. Van Zoetendaal, 2003.

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32

Marjoleine Boonstra / Willem van Zoetendaal / Anouk la Verge and Boonstra, Marjoleine / Zoetendaal, Willem van / la. Marjoleine Boonstra - Monologue Interieur I en II | Fotokabinetten Gemeentemuseum Den Haag. Van Zoetendaal, 2003.

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33

Marjoleine Boonstra / Willem van Zoetendaal / Anouk la Verge and Boonstra, Marjoleine / Zoetendaal, Willem van / la. Marjoleine Boonstra - Monologue Interieur I en II | Fotokabinetten Gemeentemuseum Den Haag. Van Zoetendaal, 2003.

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34

Basta un no: Zavattini e le carte inedite di un monologo interiore. Livorno]: Edizioni Erasmo, 2022.

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35

Frattarola, Angela. Modernist Soundscapes. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056074.001.0001.

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Modernist Soundscapes questions how early twentieth-century auditory technologies altered sound perception, and how these developments shaped the modernist novel. As the phonograph, telephone, talkie, and radio created new paths for connectivity and intimacy, modernist writers such as Dorothy Richardson and Virginia Woolf were crafting characters intimately connected by the prosody of voice, music, and the soundscape. As headphones piped nonlocal sounds into a listener’s headspace, Jean Rhys and James Joyce were creating interior monologues that were shaped by cosmopolitan and bohemian sounds. As the phonograph and tape recorder aestheticized noise through mechanical reproduction, Virginia Woolf and Samuel Beckett were deploying onomatopoeia and repetition to aestheticize words and make them sound out. Modernist Soundscapes encourages us to listen to these auditory narratives in order to grasp how the formal and linguistic experiments we have come to associate with modernism are partially a consequence of this historical attentiveness to sound. This heightened awareness of audition coincided with an emerging skepticism toward vision. Indeed, modernist writers turned to sound perception as a way to complicate the dominance of vision—a sensibility rooted in Greek philosophy that equated seeing with knowledge and truth. Without polarizing vision and audition, this book reveals how modernists tend to use auditory perception to connect characters, shifting the subject from a distanced, judgmental observer to a reverberating body, attuned to the moment.
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36

Buskirk, Todd Van. Six Groups (of Two Interior Monologues) Are Located at Six Different Locations, with Group 1 and 2 Separated by 206 Pages, 2 and 3 Separated by 30 Pages, 3 and 4 Separated by 230 Pages, 4 and 5 Separated by 160 Pages, and 5 and 6 Separated... Lulu Press, Inc., 2015.

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