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Journal articles on the topic 'Interior monologue'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Chen, Lisa. "Interior Monologue." Iowa Review 28, no. 1 (1998): 78–79. http://dx.doi.org/10.17077/0021-065x.4956.

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2

Raoufzadeh, Narges, Fatemeh Sadat Basirizadeh, and Shahrzad Mohammad Hosein. "The Study of Interior Monologue in Houshang Golshiri’s Shazdeh Ehtejab, Virginia Woolf’s Two Selected Novels, Mrs. Dalloway and to the Lighthouse; A Comparative Study." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 3, no. 2 (2020): 761–67. http://dx.doi.org/10.33258/birci.v3i2.888.

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This paper aims to compare interior monologue which is a modern technique in three selected novels. Comparing Houshang Golshiri’s Shazdeh Ehtejab with Virginia Woolf’s Mrs. Dalloway and To the Lighthouse. Golshiri has made use of both direct and indirect interior monologues in his master piece, Shazdeh Ehtejab. An early example in Persian fiction which has a great emphasis on form and techniques of narrating the story. The present study will examine, in detail the creation of interior monologue through the minds of characters with reference to Golshiri’s Shazdeh Ehtejab and Virginia Woolf’s tw

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3

Reynolds, Meredith. "Interior Monologue in Malory." Arthuriana 24, no. 3 (2014): 79–98. http://dx.doi.org/10.1353/art.2014.0033.

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4

Kakavoulia, Maria. "Interior Monologue in Melpo Axioti." Journal of Modern Greek Studies 13, no. 1 (1995): 163–64. http://dx.doi.org/10.1353/mgs.2010.0408.

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5

Söderlind, Johannes. "The interior monologue: A linguistic approach∗." Studia Neophilologica 61, no. 2 (1989): 169–73. http://dx.doi.org/10.1080/00393278908588027.

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6

Gast, Volker, Christian Wehmeier, and Dirk Vanderbeke. "A Register-Based Study of Interior Monologue in James Joyce’s Ulysses." Literature 3, no. 1 (2023): 42–65. http://dx.doi.org/10.3390/literature3010004.

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While fictional orality (spoken language in fictional texts) has received some attention in the context of quantitative register studies at the interface of linguistics and literature, only a few attempts have been made so far to apply the quantitative methods of register studies to interior monologues (and other forms of inner speech or thought representation). This article presents a case study of the three main characters of James Joyce’s Ulysses whose thoughts are presented extensively in the novel, i.e., Leopold and Molly Bloom and Stephen Dedalus. Making use of quantitative, corpus-based

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7

Aguilar Ávila, Josep Antoni. "La «coberta volta» de Bernat de Rocafort: en torno al uso del monólogo interior de tipo deliberativo en la Crònica de Muntaner." Zeitschrift für romanische Philologie 139, no. 3 (2023): 639–90. http://dx.doi.org/10.1515/zrp-2023-0025.

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Abstract This article focuses on the use of the deliberative interior monologue in Ramon Muntaner’s Crònica and is based mainly on an analysis of Chapter 230 of the work. In this chapter, Muntaner employs this narrative technique in order to convey the thoughts of Bernat de Rocafort, one of the key characters in his account of the Catalan expedition to Byzantium (1303–1311). Other examples of similar monologues in the Crònica, attributed to characters such as King Charles of Anjou (Chapter 72) or Roger de Flor (Chapter 199), are also taken into account. In all these cases, the article provides

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8

Izutsu, Mitsuko Narita, and Katsunobu Izutsu. "On and off the common ground: Japanese final particles as (un)grounding devices." Lingua Posnaniensis 63, no. 2 (2021): 7–32. http://dx.doi.org/10.14746/linpo.2021.63.2.1.

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The notion of “common ground” (Clark & Brennan 1991; Clark 1996) presupposes communication or conversation as “the basic setting for language use” (Clark 1996: 11). The serialisation of Japanese sentence-final particles is highly sensitive to the likelihood of the relevant utterance being part of the common ground. This paper reconsiders the conception of common ground and grounding processes, investigating monologic as well as conversational discourse. A case study of two modernist texts which contain internal monologue (interior monologue) illustrates how three facets of grounding activi

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9

Sorrell, Martin, Edouard Dujardin, and Anthony Suter. "'The Bays Are Sere' and 'Interior Monologue'." Modern Language Review 88, no. 2 (1993): 480. http://dx.doi.org/10.2307/3733841.

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10

TAHİRİ, Lindita, and Nuran MUHAXHERİ. "Linguistic criticism of the interior monologue in fiction." Dil ve Dilbilimi Çalışmaları Dergisi 17, no. 2 (2021): 899–910. http://dx.doi.org/10.17263/jlls.904085.

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11

Tiến Dũng, Đoàn. "Interior monologue language in Ma Van Khang’s prose." Journal of Science, Social Science 60, no. 10 (2015): 99–105. http://dx.doi.org/10.18173/2354-1067.2015-0064.

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12

Marks, Kent. "The Interior Monologue in Earl Kim's Violin Concerto." Perspectives of New Music 34, no. 2 (1996): 106. http://dx.doi.org/10.2307/833473.

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13

Germoni, Karine. "From Joyce to Beckett: The Beckettian Dramatic Interior Monologue." Journal of Beckett Studies 13, no. 2 (2004): 137–49. http://dx.doi.org/10.3366/jobs.2004.13.2.11.

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14

Segal, E. "Mind Reading: Unframed Direct Interior Monologue in European Fiction." Poetics Today 22, no. 3 (2001): 708–9. http://dx.doi.org/10.1215/03335372-22-3-708.

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15

Barry, Angela. "Interior Monologue: Reflections on a Journey into Guyana's Heartland." Anthropology and Humanism 35, no. 1 (2010): 47–65. http://dx.doi.org/10.1111/j.1548-1409.2010.01052.x.

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16

Mereuta, Vera. "Interior monologue in cinematographic art as a way to convey the character’s thoughts and feelings." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 99–103. http://dx.doi.org/10.55383/amtap.2022.2.17.

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Cinematographic art uses various and multiple expressive methods, including those borrowed from literature and theater, one of which is the inner monologue. In a film, the inner monologue is usually short, succinct, like a flash of the mind reflecting on what is happening, or a thought about certain possible consequences, or some evocations… Since, the purpose of a film is not just to present the characters’ world of actions and passions, but also their spiritual life.

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17

TOUIL, Khalida. "Monólogos y Polifonía en Tiempo de silencio de Luis Martin Santos." ALTRALANG Journal 1, no. 02 (2019): 191–200. http://dx.doi.org/10.52919/altralang.v1i02.34.

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ABSTRACT: Our article entitled "The Polyphony in the Monologues of Tiempo de Silence by Luis Martin Santos" aims at the descriptive analysis of the phenomenon of polyphony in monologues, on the one hand, and the way in which this polyphony is constitutive of the literalism of another. The presence of monologues in Tiempo de silencio is very particular, not because it is the sole or main narrative device, but because it reflects the interior, the intimacy of the characters, and the crossing of many voices that create complex architectures. Therefore, we can say that Tiempo de silencio is

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18

Karo, Hasan. "Dramatic Monologue in T. S. Eliot’s The Love Song of J. Alfred Prufrock." Humanities Journal of University of Zakho 10, no. 1 (2022): 245–47. http://dx.doi.org/10.26436/hjuoz.2022.10.1.831.

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This paper discusses the use of ‘dramatic monologue’ and ‘stream of consciousness’ in T. S. Eliot’s “The Love Song of J. Alfred Prufrock”. It highlights the history of the two terms with references to certain lines of the poem. It unveils the effect of using such a technique by Eliot. The paper investigates how the speaker ‘J. Alfred Prufrock’ is trying to communicate with the reader in dramatic monologue. Furthermore, it examines how J. Alfred Prufrock’s brain and process of thoughts is working through the use of stream of consciousness and interior monologue to achieve such process of though

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19

Fournillier, Janice. "Making the Ancestors Proud:." Cultural and Pedagogical Inquiry 12, no. 2 (2021): 60–72. http://dx.doi.org/10.18733/cpi29583.

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This article incorporates experimental writing which combines interior monologue written in Trinidadian Creole and Standard English. As importantly, the article explores personal experiences and responses to issues of assessment, promotion and tenure in an American university within the larger context of the relevant literature.

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20

Anne Holmes. "LAFORGUE'S DERNIERS VERS, x: INTERIOR MONOLOGUE AND ‘VERS LIBRE’." Modern Language Review 108, no. 3 (2013): 802. http://dx.doi.org/10.5699/modelangrevi.108.3.0802.

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21

Enders, Jody. "Memory and the Psychology of the Interior Monologue in Chréétien's Cligéés." Rhetorica 10, no. 1 (1992): 5–23. http://dx.doi.org/10.1525/rh.1992.10.1.5.

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22

Sellew, Philip. "Interior Monologue as a Narrative Device in the Parables of Luke." Journal of Biblical Literature 111, no. 2 (1992): 239. http://dx.doi.org/10.2307/3267542.

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23

Song, Byeongsun. "Rereading of Leaf Storm of García Márquez: Reevaluation of the interior monologue." Hankuk University of Foreign Studies Literature Studies, no. 64 (November 30, 2016): 113–32. http://dx.doi.org/10.22344/fls.2016.64.113.

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24

McKenna, W., and A. Antonia. "'A Few Simple Words' of Interior Monologue in Ulysses: Reconfiguring the Evidence." Literary and Linguistic Computing 11, no. 2 (1996): 55–66. http://dx.doi.org/10.1093/llc/11.2.55.

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25

Oeler, Karla. "A Collective Interior Monologue: Sergei Parajanov and Eisenstein's Joyce-Inspired Vision of Cinema." Modern Language Review 101, no. 2 (2006): 472. http://dx.doi.org/10.2307/20466795.

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26

Oeler, Karla. "A Collective Interior Monologue: Sergei Parajanov and Eisenstein's Joyce-Inspired Vision of Cinema." Modern Language Review 101, no. 2 (2006): 472–87. http://dx.doi.org/10.1353/mlr.2006.0379.

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27

Grisot, Giulia, Kathy Conklin, and Violeta Sotirova. "Who’s afraid of Virginia Woolf? Readers’ responses to experimental techniques of speech, thought and consciousness presentation in Woolf’s To the Lighthouse and Mrs Dalloway." Language and Literature: International Journal of Stylistics 29, no. 2 (2020): 103–23. http://dx.doi.org/10.1177/0963947020924202.

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Woolf’s work has been the object of several studies concerned with her experimental use of techniques of speech, thought and consciousness presentation. These investigated the way in which different perspectives coexist and alternate in her writing, suggesting that the use of such techniques often results in ambiguous perspective shifts. However, there is hardly any empirical evidence as to whether readers experience difficulty while reading her narratives as a result of these narrative techniques. This article examines empirically readers’ responses to extracts from Woolf’s two major novels –

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28

Kacandes, Irene. "Interior Monologue and its Discursive Formation in Melpo Axioti's Δύσκολες νύχτες (review)". Journal of Modern Greek Studies 12, № 2 (1994): 296–97. http://dx.doi.org/10.1353/mgs.2010.0377.

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29

Simpson, Patricia A. "Plastic bodies: Petra Hůlová on the Banality of Desire." Revue des études slaves 95, no. 3 (2024): 349–65. http://dx.doi.org/10.4000/12juq.

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The Czech novelist, playwright, and screenplay author Petra Hůlová breaks social and sexual taboos with a sense of abandon. Her female narrators’ stories unfold within historical narratives inscribed along political binaries of East and West, socialism and capitalism. This article investigates the context of Hůlová’s narrator in Umělohmotný třípokoj (2004), a novel written at the nexus of neoliberalism, postsocialism, and feminism. A sex worker’s sustained interior monologue intensifies tension between economic and political geographies driven by the banality of desire and its virtual

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30

Poriadchenko, Lesia. "Psychological Features of Production the Description by 5-6-Years Old Children." PSYCHOLINGUISTICS 23, no. 1 (2018): 274–92. https://doi.org/10.5281/zenodo.1230200.

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ABSTRACT The article presents the linguistic features of the description as one of the types of monologue. It is determined that the description is a functional-semantic type of speech, which is its typified variety as a sample, a model of a monologue message in the form of recalculation of simultaneous or permanent features of an object in the broad sense and those having a definite linguistic structure for this purpose. Synchronous (simultaneous) connections, which are expressed in this type of speech, are explicit, visible, directly observable and require a logical comprehension. Linguistic

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31

Yixin, Liu. "Enclosed Self-introspection and Camouflage: Interior Monologue in Republican Chinese Women’s Epistolary and Diary Writing." International Journal of Literature and Arts 9, no. 2 (2021): 70. http://dx.doi.org/10.11648/j.ijla.20210902.14.

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32

Perveen, Saima, Shaista Ghazanfar, and Muddasra Nasir. "Interior Monologue as a Stylistic Device in Constructing the Character of Santiago in Hemingway's The Old Man and the Sea." Global Language Review VII, no. III (2022): 9–18. http://dx.doi.org/10.31703/glr.2022(vii-iii).02.

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The current investigation takes up Ernest Hemingway’s The Old Man and the Sea and provides a corpus-based analysis by selecting monologues as data for this study. The focal point of this corpus analysis is to highlight and identify textual features in the construction of the character of Santiago. This study goes for a corpus stylistic analysis of the selected text and unravels textual features which were previously unnoticed. Only monologues are selected as corpus data and AntConc 3.5.8 (Anthony, 2010) is utilized as a tool for corpus analysis. The study displays the significant role of corpu

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33

Md., Lustful Arafat, and Jahan Khan Kalmy Muntaha. "Depression, a Major Theme of Modern Literature as the Culmination Point of the Degradation of Human Feelings Found in Victorian Literature." Depression, a Major Theme of Modern Literature as the Culmination Point of the Degradation of Human Feelings Found in Victorian Literature 6, no. 5 (2024): 158–68. https://doi.org/10.47311/IJOES.2024.6.5.168.

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This study aims to show how life is portrayed in the Victorian age through Victorianliterature and its following effects on modern literature. The paper representsdepression, considered to be the central theme of modern literature, also foundavailable in modern society where degradation of human feelings found in Victoriansociety and literature that acted as the catalysts of depression. A comparison ofVictorian and modern writers' writings and techniques is shown to make this papermore acceptable. To show the writing styles of Victorian and modern novels, it hasbeen described that They hold gr

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34

McKILLIGAN, K. M. "Review. 'The Bays are Sere' and 'Interior Monologue'. Translated and introduced by Anthony Suter. Dujardin, Edouard." French Studies 47, no. 1 (1993): 96. http://dx.doi.org/10.1093/fs/47.1.96.

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35

Nashrullah Ali Fauzi and Nurbaiti Fitriyani. "INTEGRASI MONOLOG INTERIOR DAN INTERTITLE DALAM BAHASA FILM: TELAAH PERSPEKTIF ESTETIKA TERHADAP FILM ADAPTASI “HUJAN BULAN JUNI” (2017)." CrossOver 2, no. 1 (2022): 66–88. http://dx.doi.org/10.22515/crossover.v2i1.5238.

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The adaptation of literary works to film is not new in this era. After undergoing several transformations from poetry to musicals, comics, graphic-novels, and novels, Hujan Bulan Juni as a literary work was then adapted into the film art with the same title. This research focuses on the film Hujan Bulan Juni (2017) directed by Reni Nurcahyo Hestu Saputra which was adapted from the text of the novel and poem Hujan Bulan Juni written by Sapardi Djoko Damono. Although there have been changes from literary works to films, film directors certainly want to maintain fidelity in the works even though

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36

Khan Kalmy, Muntaha Jahan, and Md Lutful Arafat. "Depression, a Major Theme of Modern Literature as the Culmination Point of the Degradation of Human Feelings Found in Victorian Literature." Alford Council of International English & Literature Journal 06, no. 03 (2023): 01–11. http://dx.doi.org/10.37854/acielj.2023.6301.

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This study aims to show how life is portrayed in the Victorian Age through Victorian literature and its effects on modern literature. The paper represents depression, considered to be the central theme of modern literature, also found available in modern society where degradation of human feelings found in Victorian society and literature that acted as the catalysts of depression. To make this paper more acceptable, a comparison of Victorian and modern writers' writing styles and techniques is shown. To show the writing styles of Victorian and modern novels, Victorian novels have been describe

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37

Franco, Katherine. "Staging the Surface: James Joyce’s Theater for Theorization in “Circe”." Journal of Modern Literature 47, no. 3 (2024): 106–23. http://dx.doi.org/10.2979/jml.00035.

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Abstract: James Joyce’s “Circe” episode in Ulysses , by way of its closet drama form, raises questions at the center of ongoing debates on reading practice and method. Joyce uses the closet drama genre, whose name and tradition call attention to depth and concealment, to examine the relationship between surfaces and depths. Instances of free indirect discourse and interior monologue within the “Circe” episode’s stage directions renegotiate reader receptivity and accessibility. Ultimately, “Circe” is not only a consideration of surfaces and depths but also the relationship between action and co

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38

Lianghong, Wu. "Stream of Consciousness in the Sound and the Fury." European Journal of English Language and Literature Studies 12, no. 5 (2024): 16–29. http://dx.doi.org/10.37745/ejells.2013/vol12n51629.

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William Faulkner is a famous American writer and a master of stream of consciousness literature in the 20th century. His novel The Sound and the Fury undoubtedly is one of the most experimental and creative works in the history of modern literary. Faulkner fully uses the stream of consciousness, such as interior monologue, multi-perspective narration, montage, free association, unconsciousness and unlike the traditional narrative characters, he breaks the limits of time and space to let readers fully feel the variety and complexity of the flow consciousness. The Sound and the Fury is not only

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39

Miasoid, Kateryna. "Virginia Woolf: human in being and life as creativity." Psihologìâ ì suspìlʹstvo 90, no. 2 (2024): 95–106. https://doi.org/10.35774/pis2024.02.095.

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The article analyzes the data collected in the field of Woolf Studies, explores the texts of Virginia Woolf’s diary, autobiography, as well as the stylistics and semantics of her novel To the Lighthouse. The research methodology draws on Anna Vezhbitskaya’s theory of linguistic semantics, Vladimir Roments’s theory of deed, and Anatoly Furman’s concept of thought formation. The author asserts that the product of culture represents the attempt of a creative individual to grasp the meaning of being. It is argued that this is an individualized deed, where its logical and psychological shed light o

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40

Dempsey, Shawna, and Lorri Millan. "Target Marketing." Canadian Theatre Review 137 (January 2009): 68–73. http://dx.doi.org/10.3138/ctr.137.012.

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A performer steps onto a stage, bare save for a single microphone. She is dressed in black with a white target printed on the chest of her shirt. This target pattern is a replica of the human targets marksmen use to practice shooting. The everywoman manifests her interior monologue – she talks frankly about what’s been bothering; her in a rambling, free-associative way. As she speaks, from time to time, a prop is lowered from the ceiling to her hand. She stops speaking; as the props descend and reascend. The pulleys that move them creak as they move the objects through space. The only props th

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41

Devi, Dr Rachena, and Dr Shubha Vats. "The Palace of Illusions: A Feminist Reimagining of the Mahabharata in Contemporary Literature." South Asian Research Journal of Arts, Language and Literature 7, no. 03 (2025): 75–79. https://doi.org/10.36346/sarjall.2025.v07i03.003.

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Chitra Banerjee Divakaruni’s The Palace of Illusions (2008) reinterprets the Mahabharata from Draupadi’s perspective, challenging the epic’s patriarchal framework and reclaiming female agency. This paper examines how Divakaruni employs feminist narratology and postcolonial discourse to subvert traditional gender roles in mythological literature. Drawing on feminist theory (Showalter, Chakravarti), mythological studies (Doniger, Hiltebeitel), and postcolonial critiques (Spivak, Alexander), the study argues that The Palace of Illusions transforms Draupadi from a silenced victim into a politicall

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42

Moslemi, Amir Abbas. "Philosophic (In)Felicity: Protean Narrativity." International Letters of Social and Humanistic Sciences 56 (July 2015): 15–21. http://dx.doi.org/10.18052/www.scipress.com/ilshs.56.15.

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Philosophic contingency embedded in James Joyce’s avant-garde novel, ranging from Aristotelian notion of mimesis to the possibility of a Marxian reading, stemming from Hegel’s dialectic, added to the linguistic pragmatics, pave the way to focus on the process of realization and mental performance by a leading contemporary philosopher of analytic philosophy, J.L. Austin, as an epistemological triggering in the course of implication through a narrative, here Proteus, teleologically speaking, resulting a meta-utterance in a broader scale, much far from constative type, a metaphorical narration, e

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43

Asst. Lect. Nour Imad Zaki. "Stream of consciousness as a narrative technique in the novel Ulysses." Texas Journal of Multidisciplinary Studies 29 (February 10, 2024): 65–70. http://dx.doi.org/10.62480/tjms.2024.vol29.pp65-70.

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This paper focuses on using a stream of consciousness in James Joyce's novel Ulysses. Stream of consciousness is a narrative technique that depicts the continuous flow of thoughts and sensations experienced by characters' minds. In Ulysses, Joyce masterfully employs this technique to delve into the complex minds of his characters, Leopold Bloom and Stephen Dedalus. By abandoning traditional linear storytelling, Joyce captures the intricacies of human thought processes and immerses readers in the characters' inner worlds. The novel's structure and narrative style are characterized by interior m

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44

Vicars, Mark, and Tarquam McKenna. "In the thick of things: drama as a qualitative methodology." Qualitative Research Journal 15, no. 4 (2015): 416–29. http://dx.doi.org/10.1108/qrj-06-2015-0034.

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Purpose – The purpose of this paper is to consider how the drama space is a way of inquiry in its own right and as a complex “way of knowing” has a capacity to be a profitable location from which to artfully thread and critically interrogate the performances of lives-as-lived. Design/methodology/approach – The autoethnographic discussion has an overlay of histography as it brings the “real-life” word to the drama space and builds on naturalistic and experimental research moving the reader through transformational inquiry to what they name as drama as a post-foundational research method. Findin

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45

K. Habash, Fadi Butrus. "دراسة اسلوبية للجوانب الموحدة لتيار الوعي والمونولوج الداخلي في رواية ويليام فوكنر "ابشالوم، أبشالوم!" وقصيدة أيرفين آلين جينسبرغ "الصرخة"". ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, № 2 (2019): 1–20. http://dx.doi.org/10.36473/ujhss.v58i2.873.

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The present research is a stylistic attempt to study the unified sides of stream of consciousness and interior monologue in selected extracts from Faulkner's and Ginsberg’s: Absalom, Absalom! and “Howl”. Its relevance is to the sophisticated techniques that help unify the two sides in the works. These techniques are linguistic techniques, narrative techniques and metaleptic ones. The purpose of this study is to analyze them in Faulkner's and Ginsberg’s Absalom, Absalom and “Howl”. The problematic case of the two aforementioned works lies in the reader’s involvement in resolving their ambiguity

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46

Cipriani, Anna Maria. "The translator’s presence in (re)translations of To the Lighthouse into Italian: a corpus-driven study." Corpora 17, no. 3 (2022): 423–48. http://dx.doi.org/10.3366/cor.2022.0265.

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In a corpus approach to empirical translation study, I compare three re-translations of Virginia Woolf’s To the Lighthouse into Italian by Nadia Fusini in the 1990s and 2012 with the first translation by Giulia Celenza, published in 1934. The focus is on how and to what degree those translations render the modernist characteristics of the source text. The adopted method is implemented using suitable annotations of the digital texts. All the occurrences of linguistic and extra-linguistic features, including the stream of consciousness, indirect interior monologue and free indirect discourse, ar

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47

Sikorska, Liliana. "In the Labyrinth of Forgetfulness: Charley Grainger’s Joycean Journey in Christine Dwyer Hickey’s Cold Eye of Heaven." Porównania 30, no. 3 (2021): 191–207. http://dx.doi.org/10.14746/por.2021.3.13.

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Cold Eye of Heaven (2011) shows pre-Brexit Dublin steeped in the post-Celtic Tiger anxieties. The novel narrates the life of a contemporary Everyman, Charley Grainger, known as Farley, from his final moments back to his childhood. Thus, Farley’s journey envisages both a Joycean interior monologue depicting his old-age bafflement in the meanders of memory and a realistic description of the character’s bewilderment at the changes in the cityscapes of the Dublin of 2010. The present paper is a comparative study of the first two chapters of the novel in reference to the history of the city present

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Nyagolova, Nataliya. "STEVO ŽIGON AND THE HORIZON OF EXPECTATION OF THE YUGOSLAV PUBLIC DURING THE TUMULTUOUS ‘60S." Челябинский гуманитарий 66, no. 1 (2024): 85–91. http://dx.doi.org/10.47475/1999-5407-2024-66-1-85-91.

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The article examines the place of the Yugoslav actor and director Stevo Žigon in the context of the 1960s – the period of the first upheavals in the post-war history of the Federation. It traces the main socio-political processes and the reaction to them by the artistic intelligentsia through the emergence of the cinematic Black Wave and the BITEF. The text outlines S. Žigon’s place in the context of these processes, as it focuses on three important roles of his from the 1960s – the role of the judge in Z. Berkovic’s film “Rondo» (1966), the Robespierre’s monologue during the student strike at

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Dr., Arvind Chaudhury. "Essence of the Romantic and the Victorian ages in 'My Last Duchess'." Criterion: An International Journal in English 16, no. 1 (2025): 518–30. https://doi.org/10.5281/zenodo.14977404.

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The age, in which a poet or a poetess is brought up, has great impacts on his or her sensibilities. In “My Last Duchess” the poet explored the horrific relationship of the Duke and the Duchess. The Duke narrated to an emissary the entire story of killing her. It seemed that the objective of visit of the emissary was, perhaps, to convey the proposal of marriage to the Duke. In the poem, the Duke and the Duchess became symbols to represent the Victorian and the Romantic ages respectively. It is evident that the scientific inventions and industrial revolutions changed the mindsets of

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Klinger, Eric, and W. Miles Cox. "Dimensions of Thought Flow in Everyday Life." Imagination, Cognition and Personality 7, no. 2 (1987): 105–28. http://dx.doi.org/10.2190/7k24-g343-mtqw-115v.

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To what extent are three criteria of daydreaming–as thought that is fanciful, stimulus-independent, or undirected–equivalent? How are these properties of thought flow distributed during everyday activity? Students ( N = 29) carrying a beeper described properties of their consciousness on a total of 1425 occasions by means of a Thought-Sampling Questionnaire, anxiety and depression measures, and activity report forms. Intrasubject analyses of thought variables identified eight orthogonal factors, including Visual Modality, Auditory Modality, Operantness (directedness), Attentiveness to External

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