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Journal articles on the topic 'Intermedial references'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Melnikova, Irina. "Intermedial references and signification: Perception versus conception." Semiotica 2020, no. 236-237 (2020): 231–50. http://dx.doi.org/10.1515/sem-2018-0098.

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AbstractThe paper focuses on the issue of intermedial references, the matters of conditions, necessity and relevance of their interpretation. It discusses the question of semantic value of an intermedial reference rather than of its aesthetic, pragmatic, modal or other aspects. It considers the lack of coherence between the theoretical propositions of intermedial studies, grounded in the studies of intertextuality, and the practice of analysis. In theory, every intermedial reference configures semantic dialogue between qualified media (configurations), thus requires conceptualisation. Yet, the practice of analysis reveals that some of them perform exclusively aesthetic function and invite to keep reception within the limits of perception. Therefore I make an attempt to define the criteria of textual request for conceptualisation/interpretation set up in a text as such. I propose to revise the relevant insights of different intertextual and semiotic approaches, to perform their revision, modification and extension, to articulate possible solution and exemplify it by filmic references to painting.

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Drăgan, Cristian Eduard. "Decoding Tableaux Vivants: the Metareferential Potential of Painterly References in Cinema." Acta Universitatis Sapientiae, Film and Media Studies 19, no. 1 (2021): 99–116. http://dx.doi.org/10.2478/ausfm-2021-0007.

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Abstract The article focuses on the intermedial relationship between cinema and painting, viewed as a self-referential process, and tries to determine various ways in which this type of signifying process can be used to “encode” various messages (within the work itself), or become an integral part of this (meta)communicative operation. Starting from a broad definition of intermedial references and continuing with a brief recontextualized detour through Gérard Genette’s taxonomy of transtextual instances, the author narrows down a specific technique that exemplifies this type of “codifying” procedure, namely the tableau vivant. In accordance with Werner Wolf’s proposed terminology, he attempts to determine the metareferential potential of this extra-compositional self-referential technique. The case studies focus on films by Peter Greenaway and Lars von Trier.

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Nelson, Robin. "After Brecht: the Impact (Effects, Affects) of Intermedial Theatre." Mettre en scène, no. 12 (February 19, 2010): 31–48. http://dx.doi.org/10.7202/039230ar.

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Abstract This article addresses claims made about the impact of intermedial theatre with reference to examples of contemporary practice. In particular it makes references to Brecht in this context and differentiates between Brechtian politics and aesthetics. The professed aim of intermedial practitioners to dislocate the bearings of experiencers of their work and to afford new perceptions by means of a radical play between mediums appears to resonate, at the level of principles of composition, with Brecht’s “radical separation of the elements.” However, at the level of politics, Brecht’s drama sought a broader understanding of isolated individuals by inviting audiences to see their experience in connection with a total historical process. But, regarding the Marxist trajectory in which Brecht’s practice was located, the context changed markedly post-1968, and beyond recognition post-1989. The article thus proposes that a new formulation is required of the impacts of new perceptions elicited by contemporary intermedial practices and ends with a brief consideration of Rancière’s account of the clash of heterogeneous elements in intermedial practice.

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Király, Hajnal. "Arrested and Arresting: Intermedial Images and the Self-Reflexive Spectator of Contemporary Cinema." Acta Universitatis Sapientiae, Film and Media Studies 18, no. 1 (2020): 57–71. http://dx.doi.org/10.2478/ausfm-2020-0003.

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AbstractThe paper departs from the assumption that while the analysis of the systematic effect that popular cinema (genres like melodrama, horror or action movies) has on its spectators has been largely discussed by film theorists, little has been written on the affective dimensions of arthouse cinema. The lasting effect of visually compelling films on the individual spectator’s emotions has been addressed only sporadically by cognitive film theory, film phenomenology and aesthetics. Therefore, the author proposes to bring together terms and concepts from different discourses (film and literary theory, intermediality studies and empirical psychological research of the literary effect) in order to elucidate how intermedial, painterly references in midcult and arthouse films mobilize the associative dimensions of film viewing and may have an impact on spectatorial self-reflexion and emotional growth. Moreover, films that rely on the associative power of still(ed) images, painterly references bring into play the personal and cultural experiences of the viewer. As such, they can be effectively used in professional and cultural sensitivization.

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Pethő, Ágnes. "The Vertigo of the Single Image: From the Classic Narrative “Glitch” to the Post-Cinematic Adaptations of Paintings." Acta Universitatis Sapientiae, Film and Media Studies 6, no. 1 (2013): 65–90. http://dx.doi.org/10.2478/ausfm-2014-0005.

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Abstract As a possible cross section of cinematic narratology and the theory of intermediality the following essay assesses some of the effects of foregrounding the single, intermedial image within film. Specific figurations of intermediality that are experienced via the consciousness of single images, or some kind of “imageness” (i.e. as “intermedial references”) are presented as well as the modes in which they can interact with the narrative structure of a film. This interaction ranges from a momentary interference with the narrative structure of a film to disrupting it altogether; it may consist in constituting the gravity centre of a plot, or even in becoming the “canvas” for a palimpsest of narrative modes and narratives

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Baelo-Allue, S. "The Depiction of 9/11 in Literature: The Role of Images and Intermedial References." Radical History Review 2011, no. 111 (2011): 184–93. http://dx.doi.org/10.1215/01636545-1268794.

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Dautel, Katrin. "The Sound of a (New) Generation? Intermedial References to Pop Music in Judith Hermann's Prose." Forum for Modern Language Studies 53, no. 2 (2017): 163–78. http://dx.doi.org/10.1093/fmls/cqw089.

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Nagy, Dániel. "Velázquez, Wagner and the Red Skull. Intermediality and the Genesis of Meaning in a Particular Scene of Captain America: The First Avenger." Acta Universitatis Sapientiae, Film and Media Studies 19, no. 1 (2021): 117–31. http://dx.doi.org/10.2478/ausfm-2021-0008.

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Abstract In the 2011 superhero movie, Captain America: The First Avenger (produced by Marvel Studios, directed by Joe Johnston) the main opponent of the title character is a Nazi officer, Johann Schmidt, who turns out to be a kind of superhuman entity, the Red Skull. Throughout the movie, viewers can follow the process of him gradually leaving behind his identity as a Nazi officer, and presenting himself as the leader of the occult-high-tech terrorist organization, the Hydra. At a certain point we can see him visited by one of the scientists working for him, Doctor Zola, whom he puts wise to his plans. During the conversation a portrait is being painted of the Red Skull, but we cannot see his face, only that the artist uses a huge amount of red paint. In the background, excerpts of Wagner’s operas are being played, which is very unusual in a Marvel movie. The question is, should the viewer recognize the diegetic music and notice the possible reference to the painting Las Meninas by Velázquez? How the detection of these intermedial references and the awareness of the act of trespassing media borders would affect the semiotic processes of interpretation? And also, how would the more precise identification of the cited materials change the semiotic modality of intermediality here? The article tries to answer these questions by interpreting the scene and the role of the references in question within the entire film through the prism of intermedial semiotics.

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Faber, Riemer A. "INTERMEDIALITY AND EKPHRASIS IN LATIN EPIC POETRY." Greece and Rome 65, no. 1 (2018): 1–14. http://dx.doi.org/10.1017/s0017383517000183.

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The concept of intermediality arose in the theoretical discourse about the relations between different systems or products of meaning, such as the relations between music and art, or image and text. The word gained currency in the 1980s in German- and French-language studies of theatre performance, and in scholarship on opera, film, and music, in order to capture the notion of the interconnections between different art forms. For reasons of utility, the concept has been divided into three kinds: intermediality may refer to the combination of media (as in opera, in which music, dance, and song are conjoined into one aesthetic experience); the transformation or transposition of media (as in a film version of a book); and intermedial references or connections, whereby attention is drawn to another system of meaning, as in the references in literature to a work of art. The term has entered the field of classics especially via the study of the relations between the narrative and inscriptional modes in literary epigram.

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Bednarski, Aleksander. "Ekphrastic Insets in Welsh-Language Fiction 1992-2016: An Overview." Lublin Studies in Modern Languages and Literature 44, no. 2 (2020): 27. http://dx.doi.org/10.17951/lsmll.2020.44.2.27-39.

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<p>Compared with Anglophone literatures, Welsh-language fiction has to date received little attention in the context of the rapidly developing intermedial and interart studies. The purpose of the article is to provide a preliminary mapping of pictorial insets in Welsh-language fiction in the period 1992-2016. The novels considered in the article include some of the milestones in the development of Welsh fiction and provide a representative sample of the literary production from the period in question. The article identifies and lists the sources of ekphrastic insets scattered throughout the texts, grouping them into descriptive ekphrases, references, pictorial models and spatio-contextual ekphrases.</p>

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Gehrmann, Susanne. "Emerging Afro-Parisian ‘chick-lit’ by Lauren Ekué and Léonora Miano." Feminist Theory 20, no. 2 (2019): 215–28. http://dx.doi.org/10.1177/1464700119831539.

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This article examines the novels Icône urbaine (2005, Urban Icon) by French-Togolese writer Lauren Ekué and Blues pour Elise (2010, Blues for Elise) by French-Cameroonian/Afropean writer Léonora Miano, with regard to their contribution to chick-lit in a broad sense. With a focus on urban working women, their love lives and consumerism, these novels fulfil a number of criteria of mainstream chick-lit. At the same time, however, a serious concern for structural power relations is inscribed into these texts. Both novelists make ample use of intermedial writing such as structural borrowing from and references to music, TV formats and the fashion press. I will analyse these narrative strategies and address how far Ekué and Miano copy, rewrite and reinvent the Anglo-American chick-lit genre from the transnational perspective of the African Diaspora in France and considering the peculiarities of black Paris as a space.

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Ramos Monteiro, Lúcia. "Remaking a European, Post-catastrophic Atmosphere in 2000s China: Jia Zhangke’s Still Life, Iconology and Ruins." Cinémas 25, no. 2-3 (2016): 97–117. http://dx.doi.org/10.7202/1035774ar.

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Jia Zhangke’s Still Life (Sānxiá hǎorén, 2006) was shot in Fengjie, shortly before its flooding brought about by the construction of the Three Gorges Dam, the world’s largest hydropower station in terms of capacity. The film remakes the post-apocalyptic atmosphere found in European films made after the Second World War. From a web of cinephilic, intermedial and intertextual references, which inscribes Still Life in a local and global history of art and of film, this text compares the way Jia films his characters in a disappearing Fengjie with sequences from Roberto Rossellini’s Germany Year Zero (Germania anno zero, 1948) and Michelangelo Antonioni’s Red Desert (Il deserto rosso, 1964). While remaking the composition of ruins framing Edmund, in the first case, and in the second, a complex relation between background and figure in a deserted industrial landscape, Still Life creates a strange temporality, combining the imminence of a future catastrophe with the memory of past ones.

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Rajewsky, Irina O. "Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality." Intermédialités, no. 6 (August 10, 2011): 43–64. http://dx.doi.org/10.7202/1005505ar.

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The concept of intermediality has come to be part of a fixed critical inventory in the debate on literature and the other arts and media. Although there is relative agreement with respect to a definition of intermediality in a broad sense, the research spectrum becomes much more complex, and often contradictory, when precise formal distinctions and the specification and definition of any one particular concept of intermediality are needed. Based on the current state of the question, the present essay specifies one particular approach to intermediality, introducing three more narrowly conceived subcategories, medial transposition, media combination, and intermedial references. By comparison with the genealogical “remediation” concept of Bolter and Grusin, it is shown with respect to which objects and specific research objectives this subdivided concept gains heuristic and practical value. This is particularly the case when detailed analyses of specific medial configurations, their respective meaning-constitutional strategies, and their overall signification are considered.

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Strukov, Vlad. "The queer coat: Konstantin Goncharov’s fashion, Russian masculinity and queer world building." Critical Studies in Men???s Fashion 6, no. 1 (2019): 81–102. http://dx.doi.org/10.1386/csmf_00006_1.

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I re-assess Russian sartorial economics of the 1990s by examining fashion by Konstantin Goncharov, who was credited for styling Russian rock stars and making costumes for artistic projects. I focus on the relationship between queer masculinity and sartorial practice. The former relies on a visual code encompassing a range of multi-platform, cross-media strategies and a network of references. The latter refers to a community of individuals engaged in the production of a characteristic style across different sites. The article proposes the concept of queer world-building, which brings together object-oriented and community-oriented practices. Central to Goncharov’s world is ‘the queer coat’, a costume designed for his clientele and a historically grounded metaphor for Russian society. It designates the process of creative re-modelling of pre-Soviet and Soviet aesthetics, producing a complex cultural exchange challenging dominant notions of masculinity. Goncharov’s cross-platform and intermedial work captures the spirit of multi-centric cultural activity of the 1990s.

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Winkler, Daniel. "Intermediale Strategien in Jakob Brossmanns Lampedusa im Winter (2015) und Gianfranco Rosis Fuocoammare (2016)." Romanische Forschungen 132, no. 2 (2020): 193–219. http://dx.doi.org/10.3196/003581220829411419.

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With Lampedusa in Winter ( A / CH / I 2015) and Fire at Sea (I/F 2016), the Italian and Austrian filmmakers Jakob Brossmann and Gianfranco Rosi more or less simultaneously pursue similar projects: for their cinematic long term observations, both films center on the small Sicilian island of Lampedusa, a focus of mass media interest due to current migration processes and the humanitarian crisis in the Mediterranean Both rely on visual traditions of (neo-)realistic cinema in order to avoid documentary cinema's frequently didactic approach Instead of techniques such as voice-over narration and interviews (expository mode), Brossmann and Rossi most notably employ indirect address and contrastive mon tage, thus enabling the audience to experience ’authentic‘ impressions of everyday life on the island (observational mode). At the same time, however, the films themselves are inevitably part of the hype surrounding Lampedusa as the very symbol of the humanitarian crisis in the Mediterranean The article analyses how, by means of different intermedial references, the two films situate Lampedusa between everyday life and emergency, between cinematic traditions of the Italian post-war era and their anthropological and metamedial transgression

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Zhitenev, Aleksandr A. "ON SEVERAL ‘HERMITAGE’ EKPHRASES BY VIKTOR KRIVULIN." Вестник Пермского университета. Российская и зарубежная филология 13, no. 1 (2021): 83–89. http://dx.doi.org/10.17072/2073-6681-2021-1-83-89.

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In the practice of the Soviet literary underground, it was important to restore connections with tradition, hidden or edited according to the ideological models. Dialogue with tradition was recognized as a condition for achieving creative independence and cultural identity. Naturally, many texts created outside official Soviet literature have a wide layer of intertextual and intermedial references, often pointing to cultural layers and semantic areas that are not related to each other. A typical example of such an allusional multilayeredness and polyreferentiality is poetic ekphrasis. One of the most important literary figures of the Soviet samizdat was the poet Viktor Krivulin. In his samizdat books, many texts have obvious markers of ekphrastic descriptions referring to fine art, music, and cinema; a typical feature of his poetry is ‘complex ekphrasis’, which combines references to different works. This article deals with several of his poems related to the collection of paintings at the Hermitage, in particular the texts devoted to the paintings by Bartolomeo Murillo and Tiziano Vecellio. Krivulin’s reception of fine art was found to be influenced by his reading experience: the interpretation of the paintings is correlated with other examples of cultural reception of the same artist. Thus, ekphrasis is not only a description of a particular work but also the experience of reflection on the history of perception of an artist in culture, as well as the experience of self-relation with other ekphrases. The form of ekphrastic text thus appears for the poet as a means of historical and culturological reflection.

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Внукова, Е. В. "МУЗИКА І СЛОВО В РОМАНІ ДІНИ РУБІНОЇ «БІЛА ГОЛУБКА КОРДОВИ»". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 4, № 94 (2019): 15–32. http://dx.doi.org/10.34142/2312-1076.2019.4.94.02.

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Стаття присвячена аналізу «музичного» шару роману Діни Рубіної «Біла голубка Кордови». Автор статті дойшов висновку, що цей шар представлений цілою низкою інтермедіальних посилань (intermedial references – І. Раєвська), які реалізовані на різних рівнях тексту. Відповідно до класифікації, запропонованої В. Вульф, їх можна також позначити поняттям «інтермедіальна тематизация». Інтермедіальні посилання виконують у романі Рубіної в першу чергу характерологічну функцію, маючи при цьому найрізноманітніші форми: ім’я персонажа, опис виконання музичного твору або танцювального номера, музичні метафори і порівняння як частина портретної характеристики персонажа тощо. Випадки включення в текст твору слів пісні розглядаються як приклади інтрамедіальності. Музичні прийоми застосовуються для організації художнього світу «Білої голубки Кордови», стають засобом характеристики просторового середовища, у якому розгортається дія. Основу архітектоніки роману становить діалог між головним героєм – художником Кордовіним, який сприймає світ у якості мальовничого полотна, і наратором – професійним музикантом, для якого світ – це гармонія звуків і ритмів. Музичні прийоми визначають будову сюжету, що складається із взаємодії окремих тем, розвиток яких імітує розгортання музичних лейтмотивів і визначає специфіку композиції твору, яку можна порівняти з музичної симфонією. Принципи організації роману, запозичені з інших видів мистецтва – музики, живопису, кінематографу – розглядаються автором статті в якості перспективи подальшого дослідження поетики твору.

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Mozharivska, Iryna. "Intertextuality and intermediality of modern drama-parable (based on play “The academy of laugh” by Koki Mitany)." LITERARY PROCESS: methodology, names, trends, no. 15 (2020): 63–70. http://dx.doi.org/10.28925/2412-2475.2020.15.10.

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The article deals with the problem of finding the manifestations of intertextual reminisces in theEnglish drama of the Renaissance in the context of contemporary drama-parable consideration. In the process of analysing the play, the author draws attention to the context of intermedial connections of literature with theatrical art, considers the implementation of the principle of “game in play”, traces the manifistations of intercultural interaction between Eastern and Western culture. The events in the drama take place against a backdrop of complex historical events — The Japan-China War. The work contains references to the intertextual elements of the dramatic works of the English playwright William Shakespeare (the tragedies “Romeo and Juliet”, “Hamlet” and “Magbeth”. The comic interpretation of the play is a juxtaposition of cultures and literary genres. The author applies the concept «the theatre in the theatre», structures the work minimally through dialogue between the author and the censor. Intermediality acts as a system of interaction of one kind of art in the works of another and reveals mechanisms of mutual influence of kinds of art in the artistic culture of this or that historical period.

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Zhou, Chenshu. "Literature by Other Mediums: Revisiting Lu Xun's Preface to Outcry." positions: asia critique 29, no. 2 (2021): 373–98. http://dx.doi.org/10.1215/10679847-8852137.

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Abstract By recounting how Lu Xun 鲁迅 went from studying medicine in Japan to writing for the magazine Xin qingnian 新青年 (New Youth), the preface to Nahan 呐喊 (Outcry, 1923), Lu Xun's first collection of short stories, not only presents an origin story of an important author but also contains important clues for understanding modern Chinese literature. This article offers a new reading of that canonical text by focusing on the problem of medium. Synthesizing author biography, media history, and textual analysis, it examines three intermedial references in the preface—the famous lantern slide, the modern periodical, and the recurring notion of outcry. As an autobiographical account, the preface contains narrated events that call for more media-centered analysis, including the “slide incident” (renamed “screen incident”) and Lu Xun's failed experiment with the periodical medium. Reading the preface as an act of narration, this article scrutinizes textual choices such as the confusing word dianying 电影 (film) and the outcry metaphor. The emergence of both modern vernacular literature and Lu Xun as a major literary figure, it is argued, should be historicized in a broader transnational media environment, in which diverse media practices intersected.

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Gammelgaard, Lasse Raaby. "Torquato Tasso på (kryds og) tværs." K&K - Kultur og Klasse 47, no. 127 (2019): 131–52. http://dx.doi.org/10.7146/kok.v47i127.114747.

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The article contributes to research into the topos of furor poeticus or poetic madness and its prominence during the romantic period. In particular, it compares how the life story of the mad Italian poet from the Renaissance, Torquato Tasso, was represented in fictionalized versions across media and art forms. Romantic versions of Tasso’s life in drama (Wolfgang Goethe and B. S. Ingemann), poetry (Lord Byron), painting (Eugène Delacroix) and instrumental music (Franz Liszt) are analyzed with the aim of highlighting which aspects of Tasso’s life are portrayed, how the affordances of the medium affect the depiction and how intermedial references and transpositions are in play. In addition to intermediality theory, the transmedial narratology of Werner Wolf is introduced and employed to compare to what degree the different media and art forms can convey prototypical aspects of narrativity. Moving from the most prototypical to the least prototypical narrative genre, the article finds that the more representations of Tasso focus on his time spent in a madhouse, the more the narrative stresses experientiality at the expense of investment in plot development. The affordances of strong narrative media and strong and weak narrative-inducing media may highlight different aspects of the experientiality of furor poeticus, but in all cases the representation of Tasso is performed in an innovative romantic style.

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White, Herbert S. "The Reference Librarian as Information Intermediary:." Reference Librarian 17, no. 37 (1992): 23–35. http://dx.doi.org/10.1300/j120v17n37_03.

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Adekenova, A. S. "Reference Standards Based on the Grosheimin and Cynaropicrin." Eurasian Chemico-Technological Journal 18, no. 1 (2016): 73. http://dx.doi.org/10.18321/ectj399.

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The aim of this work is the development of effective method for producing the reference standards of Grosheimin and Cynaropicrin for quality control of domestic herbal medicines, as well as project development concerning normative documents on reference standards of Grosheimin and Cynaropicrin, an introduction of reference standards to the Pharmacopoeia of Kazakhstan. This article discusses the method of allocation and purification of reference standards of Grosheimin and Cynaropicrin which are sesquiterpene lactones of guaiane type were obtained from the ethyl acetate extract of <em>Chartolepis intermedia</em> Boiss., using centrifugal distribution chromatography and high performance liquid chromatography, allows to obtain the qualitative target products. The effectiveness of developed technology has reduced the labor contribution in 2.0 times and as a consequence the prime cost of end products come down 3 times. Using of Grosheimin and Cynaropicrin as own<br />reference standard of the Republic of Kazakhstan for monitoring of staged quality control of pharmaceutical production: access control, intermediate control and output control, it means the finished dosage form. There are some chromatographic analysis data of the samples. Such methods as IR and NMR- spectophotometries were applied for determination of molecular structure. Pharmacopoeial methods were used to determine the color, taste, odor and solubility of reference standards in various solvents. Projects for temporary Analytical Normative Documents on reference standards of Grosheimin and Cynaropicrin were developed in accordance with requirement of State Pharmacopeia of the Republic of Kazakhstan. On the basis of obtained results the database for State Pharmacopoeia of the Republic of Kazakhstan will be formed, as well as control over production of new pharmaceuticals from <em>Chartolepis intermedia</em> Boiss. and <em>Saussurea salsa</em> (Pall.) Spreng.

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Armstrong, Michael F., Joseph H. Conduff, John E. Fenton, and Daniel H. Coelho. "Reference Errors in Otolaryngology–Head and Neck Surgery Literature." Otolaryngology–Head and Neck Surgery 159, no. 2 (2018): 249–53. http://dx.doi.org/10.1177/0194599818772521.

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Objective Proper use of citation and quotation is crucial to the integrity of the medical literature. The purpose of this study was to determine the prevalence of quotation and citation errors in otolaryngology–head and neck surgery (OHNS) journals and how they have changed over time. Study Design Literature review. Methods Fifty references were randomly selected from the first published issue of 2017 for 8 leading OHNS journals. These were analyzed for errors in citation (data elements by which the article is referenced) and quotation (factual inaccuracies of the reference). Citation errors were categorized as major, intermediate, or minor. Quotation errors were categorized as major or minor. Results were compared with data from 1997 articles. Results Citation errors occurred in 17% of all references studied, with 34% classified as major. Quotation errors occurred in 9%, with 69% classified as major. There was no association between journal impact factor and total number of errors ( r = −0.33, P = .42). This compares with a 37% citation error rate (32% major) and 17% quotation error rate (65% major) from 1997. Conclusion Citation and quotation errors are still prevalent in the OHNS literature albeit decreased from previously reported data. Improvement in citation errors may be due to technological improvements in reference management. However, it is the continued responsibility of the authors, reviewers, and editors to further reduce error rates to maintain the integrity of our publications.

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Gregorini, L., M. Bondi, L. Feretti, G. Giovannini, and C. P. O'dea. "Magnetic Fields of Radio Galaxies in Abell Clusters 115 and 568." Symposium - International Astronomical Union 140 (1990): 495–96. http://dx.doi.org/10.1017/s0074180900190989.

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25

Rarenko, N. "Postmodernist Literature and Theatre From the Perspective of Intermedial (Meta)reference." Science and Education a New Dimension VIII(241), no. 72 (2020): 51–55. http://dx.doi.org/10.31174/send-ph2020-241viii72-11.

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26

Bass, Alan. "Psychoanalytic Process: the Paradoxes of Self-Reference and Intermediacy." Konturen 3, no. 1 (2010): 135. http://dx.doi.org/10.5399/uo/konturen.3.1.1401.

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Capitaine, N. "Definition and realization of the celestial intermediate reference system." Proceedings of the International Astronomical Union 3, S248 (2007): 367–73. http://dx.doi.org/10.1017/s1743921308019583.

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AbstractThe transformation between the International Terrestrial Reference System (ITRS) and the Geocentric Celestial Reference system (GCRS) is an essential part of the models to be used when dealing with Earth's rotation or when computing directions of celestial objects in various systems. The 2000 and 2006 IAU resolutions on reference systems have modified the way the Earth orientation is expressed and adopted high accuracy models for expressing the relevant quantities for the transformation from terrestrial to celestial systems. First, the IAU 2000 Resolutions have refined the definition of the astronomical reference systems and transformations between them and adopted the IAU 2000 precession-nutation. Then, the IAU 2006 Resolutions have adopted a new precession model that is consistent with dynamical theories and have addressed definition, terminology or orientation issues relative to reference systems and time scales that needed to be specified after the adoption of the IAU 2000 resolutions. These in particular provide a refined definition of the pole (the Celestial intermediate pole, CIP) and the origin (the Celestial intermediate origin, CIO) on the CIP equator as well as a rigorous definition of sidereal rotation of the Earth. These also allow an accurate realization of the celestial intermediate system linked to the CIP and the CIO that replaces the classical celestial system based on the true equator and equinox of date. This talk explains the changes resulting from the joint IAU 2000/2006 resolutions and reviews the consequences on the concepts, nomenclature, models and conventions in fundamental astronomy that are suitable for modern and future realizations of reference systems. Realization of the celestial intermediate reference system ensuring a micro-arc-second accuracy is detailed.

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Rettori, C., S. B. Oseroff, D. Rao, et al. "ESR ofGd3+in the intermediate-valenceYbInCu4and its reference compoundYInCu4." Physical Review B 55, no. 2 (1997): 1016–20. http://dx.doi.org/10.1103/physrevb.55.1016.

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29

Yuejian Wu and A. Ivanov. "Single-reference multiple intermediate signature (SREMIS) analysis for BIST." IEEE Transactions on Computers 44, no. 6 (1995): 817–25. http://dx.doi.org/10.1109/12.391180.

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30

Šonská, Alice, Tomáš Kučera, and Gustav Entlicher. "Neurofilaments - the Intermediate Filaments of Neural Cells. A Review." Collection of Czechoslovak Chemical Communications 69, no. 3 (2004): 511–34. http://dx.doi.org/10.1135/cccc20040511.

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Cytoskeleton is one of the basic structures of eukaryotic cells. It is a system of fibrillary or tubular proteins of three classes: microtubules, microfilaments and intermediate filaments. Neurofilaments, a member of the last class, occur in neural cells, where they are necessary for the cell to function properly. They are important in supporting and partly controlling the axon diameter and axonal transport. Neurofilaments are probably involved also in regulatory mechanisms, mainly through their extremely rich phosphorylation potential. This article introduces briefly the cytoskeleton in general and focuses on the structure and function of neurofilaments. A review with 189 references.

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31

Schroeder, Sarah Bartlett. "Graduate Assistants Trained in Reference May Not Consistently Apply Reference Interview and Instructional Strategies in Reference Interactions." Evidence Based Library and Information Practice 15, no. 4 (2020): 164–66. http://dx.doi.org/10.18438/eblip29750.

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A Review of: Canuel, R., Hervieux, S., Bergsten, V., Brault, A., & Burke, R. (2019). Developing and assessing a graduate student reference service. Reference Services Review, 47(4), 527–543. https://doi.org/10.1108/RSR-06-2019-0041 Abstract Objective – To evaluate the effectiveness of a reference training program for graduate student employees that seeks to encourage use of reference interview and instruction techniques in virtual and in-person reference interactions. Design – Naturalistic observation with qualitative content analysis. Setting – A large, public research university in Montreal, Canada. Subjects – Three graduate students in Library and Information Science employed by the university library to provide virtual and in-person reference services. Methods – After completing a training program, the three participants provided virtual and in-person reference training for two consecutive semesters. They self-recorded their desk interactions in a Google form. These self-reports, along with their online chat transcripts from QuestionPoint, were the subject of this study’s analysis. Focusing on the QuestionPoint data, the authors coded the transcripts from these participants’ online reference interactions to reflect the presence or absence of a reference interview and various instructional techniques in their responses to patrons. Also, all in-person and virtual questions were examined and categorized as being either transactional or reference questions. Reference questions were further categorized as basic, intermediate, or advanced questions. Main Results – Of the chat transcripts analyzed, 49% were classified as containing reference questions rather than transactional questions. At the desk, 21.9% of interactions were coded as reference questions. Taking the two semesters together, 232 of 282 virtual reference questions were considered basic, while 41 were labelled intermediate, and 9 classified as advanced. Similarly, of 136 desk reference questions, 120 were classified as basic, 14 as intermediate, and 2 as advanced. In their coding of chat transcripts, researchers indicated whether the interaction contained no reference interview, a partial reference interview, or a complete reference interview. Virtual chat transcripts from both fall and winter semesters showed that no reference interview took place in 77.3% of interactions. Authors noted evidence of partial reference interviews in 19.3% of fall transcripts and 21.5% of winter transcripts. Complete reference interviews took place in 3.4% of fall and 1.2% of winter transcripts. Additionally, authors found that 65.5% of chat transcripts contained elements of instruction, with Modelling and Resource Suggestion being the most prevalent forms. Conclusion – Because the graduate students used complete or partial reference interviews in a small number of their virtual reference questions, the authors of this study determined that more emphasis ought to be placed on reference interviews, particularly virtual reference interactions, in future training programs. Graduate students employed instructional strategies in observed virtual reference interactions, a promising trend.

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McVeigh, Jeffrey S., M. W. Siegel, and A. G. Jordan. "Intermediate view synthesis considering occluded and ambiguously referenced image regions." Signal Processing: Image Communication 9, no. 1 (1996): 21–28. http://dx.doi.org/10.1016/s0923-5965(96)00005-7.

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33

Li, Peiming, Rongjun Qian, Zeyuan Feng, and Xiaoling Yang. "An intermediate reference datum static correction technique and its applications." Applied Geophysics 2, no. 2 (2005): 80–84. http://dx.doi.org/10.1007/s11770-005-0036-2.

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34

Tel’nyuk-Adamchuk, V. V., I. I. Kumkova, S. Sadzakov, E. Toma, and M. Yu Volianska. "Intermediate Star Reference Systems in the Vicinity of Radio Sources." International Astronomical Union Colloquium 127 (1991): 363–67. http://dx.doi.org/10.1017/s0252921100064216.

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AbstractIn the framework of CONFOR program the formation of star lists of two intermediate reference star systems is being carried out. The first list, RRS2, contains meridian stars in the fields centered at extragalactic radio/optical sources. The second one is formed on the base of 12-14 magnitude stars. The observations are in progress now. The main purpose of this program is to form a base for investigation of mutual orientation of fundamental reference system and new ones.

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35

Tessmer, Manuel. "Absence of a perfect intermediate reference wavefront for anamorphic systems." Journal of the Optical Society of America A 37, no. 9 (2020): 1423. http://dx.doi.org/10.1364/josaa.399281.

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YOKOSAWA, AKIHIKO. "NEW EXPERIMENTAL RESULTS FOR INTERMEDIATE- AND HIGH-ENERGY POLARIZATION ASYMMETRY." International Journal of Modern Physics A 05, no. 16 (1990): 3089–123. http://dx.doi.org/10.1142/s0217751x90002117.

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We review recent experimental data on polarization asymmetry at intermediate and high energies. We include phenomenological interpretations of the data. In this review we examine the present status of polarization physics at intermediate and high energies. Special attention is directed to controversial experimental results as well as interpretations of the data. Our objective is to contribute toward the planning of future experimental facilities and experiments. For more detailed description and discussion of various experiments and phenomenological interpretations, we provide extensive references. Polarized-beam programs at the SLC (Stanford Linear Collider), HERA (Hadron Electron Ring Accelerator, and EPC (Electron Positron Collider) are not included in this review. Neither do we discuss the technologies of polarized ion sources, polarized targets, polarized beams, or accelerators.

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37

Sung, Yunsick, and Jong Hyuk Park. "Improved Relative Distance Estimation Method Using Intermediate Reference Beacons for UAVs." Advanced Science Letters 22, no. 9 (2016): 2524–26. http://dx.doi.org/10.1166/asl.2016.7786.

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38

Falomo, R., J. M. Bonnet-Bidaud, P. A. Charles, et al. "Optical and UV Observations of the Intermediate Polar 3A0729+103. Modulation with the Orbital Period." International Astronomical Union Colloquium 93 (1987): 631–35. http://dx.doi.org/10.1017/s0252921100105433.

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Abstract3A0729+103 (= BG CMi) is an intermediate polar discovered through its X-ray emission (McHardy et al. 1981, 1984). The orbital period is 3.235 hours and the rotation period is 15.2 minutes, For ephemeris and references on the source we refer to McHardy et al. (1984). We report here on optical (4025 to 5090 A) and ultraviolet (1200 to 3200 A) spectroscopy obtained, respectively, on Dec 1, 1984 and April 21, 1985. Our data show clear modulation of spectral features with the orbital period.

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Aerts, C., M. G. Pedersen, and T. Van Reeth. "Measuring and Decoding Gravito-Inertial Modes in Intermediate- and High-Mass Stars." Proceedings of the International Astronomical Union 14, S339 (2017): 98–103. http://dx.doi.org/10.1017/s1743921318002314.

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AbstractThis talk discussed the basics of gravito-inertial asteroseismology as recently developed for stars born with a convective core. Photometric space missions originally built for exoplanet hunting, notably Kepler, have opened up the low-frequency regime of stellar oscillations and revealed a larger diversity in variability than anticipated prior to the era of high-precision space photometry. The talk explained the basics of forward seismic modelling based on gravito-inertial modes, which probe the deep stellar interior. It described how a hierarchical fitting approach allows us to derive the near-core rotation period, the amount and shape of convective core overshooting, and the level of chemical mixing in the radiative envelope for stars born with a convective core and burning hydrogen in their core. A summary of the current status, covering the mass range 1.4 ≲ M ≲ 5 M⊙, is provided here through references to numerous recent papers.

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40

BOCHKAREVA, NINA, and VALENTINA VISHNEVSKAYA. "CORREGGIO'S SKETCH IN HENRY JAMES' NOVEL «THE PORTRAIT OF A LADY»: FUNCTIONS OF AN INTERMEDIAL REFERENCE." Культурный код, no. 2021-2 (2021): 16–21. http://dx.doi.org/10.36945/2658-3852-2021-2-16-21.

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The article is devoted to the analysis of an intermediate reference to the sketch of the Italian artist of the XVI century Correggio in the 24th chapter of the novel "Portrait of a Woman" by the American writer Henry James. The influence of an intermediate reference on the disclosure of the image of Gilbert Osmond is investigated, which allows the reader to learn his additional characteristics and form a holistic idea of this character of the novel.

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Shimizu, Yugo, Ichiro Yasuda, Kuniaki Okuda, Kimio Hanawa, and Shin-ichi Ito. "ADCP-Referenced Kuroshio and Oyashio Water Transports for North Pacific Intermediate Water Formation*." Journal of Physical Oceanography 33, no. 1 (2003): 220–33. http://dx.doi.org/10.1175/1520-0485(2003)033<0220:arkaow>2.0.co;2.

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Lahiri, Sajal, Anjum Nasim, and Jawaid Ghani. "Optimal second-best tariffs on an intermediate input with particular reference to Pakistan." Journal of Development Economics 61, no. 2 (2000): 393–416. http://dx.doi.org/10.1016/s0304-3878(00)00062-6.

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Duran, I., A. Ventura, S. Lo Meo, D. Tarrío, L. Tassan-Got, and C. Paradela. "On the search for a (n,f) cross-section reference at intermediate energies." EPJ Web of Conferences 146 (2017): 02032. http://dx.doi.org/10.1051/epjconf/201714602032.

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44

Zhang, Lu, Peng Zhang, Xiuqing Hu, et al. "Radiometric Cross-Calibration for Multiple Sensors with the Moon as an Intermediate Reference." Journal of Meteorological Research 33, no. 5 (2019): 925–33. http://dx.doi.org/10.1007/s13351-019-9008-y.

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45

Vitorio, Ana Paula, and João Queiroz. "Iconic processes and intermediality in the photobooks Silent Book and Sí por Cuba." Semiotica 2019, no. 231 (2019): 39–55. http://dx.doi.org/10.1515/sem-2018-0072.

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Abstract Silent Book and Sí por Cuba are paradigmatic examples of photobooks. Those two works are analyzed in this article based on intermedial studies and on C. S. Peirce’s semiotic. As a result, we observe properties and material components of the book working as iconic processes of the photos and of the relationship between them. It constrains interpretive semiotic behavior and reveals certain characteristics of those photographic images. In addition to identifying and presenting examples of it, we demonstrate how the pairing of two or more photos enables semiosis in which the referenced object is developed by the relations between photographs.

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46

Barenblatt, G. I., A. J. Chorin, and V. M. Prostokishin. "Scaling Laws for Fully Developed Turbulent Flow in Pipes." Applied Mechanics Reviews 50, no. 7 (1997): 413–29. http://dx.doi.org/10.1115/1.3101726.

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Mathematical and experimental evidence is presented to the effect that the velocity profile in the intermediate region of turbulent shear flow in a pipe obeys a Reynolds-number dependent scaling (power) law rather than the widely believed von Ka´rma´n-Prandtl universal logarithmic law. In particular, it is shown that similarity theory and the Izakson-Millikan-von Mises overlap argument support the scaling law at least as much as they support the logarithmic law, while the experimental evidence overwhelmingly supports the scaling law. This review article includes 39 references.

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47

SZCZEPAŃSKI, Paweł. "Probability of an Intermediate (Reduced Operational) State." Problems of Mechatronics Armament Aviation Safety Engineering 12, no. 3 (2021): 71–96. http://dx.doi.org/10.5604/01.3001.0015.2429.

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This work examines with the form of the well-known sum: p + q = 1 – which is the sum of the probabilities of opposite events, in particular: the sum of the probabilities of the operational and non-operational (failure) states of a single element (a creation characterised by one output and any number of inputs). It was found that without significantly compromising the accuracy of the previous analyses, it was possible to introduce an additional component to the sum: iiipq3, a component that embodies the probability of an intermediate state, or a reduced operational state. With a constant value of the sum of the components in question, their variation as a function of probability q was determined, following which in the function of the same variable the variation of the entropy of an element's i state was examined using Chapman-Kolmogorov equations; here the focus was on investigating the intensity of the transition from the operational state to the non-operational state or an intermediate state, and from an intermediate state to the non-operational state. The meaning of intermediate probability was also referenced to the object: its diagnostic program, the entropy of structure, the full set of discriminable states, and the relevant transition intensities. It became indispensable in this respect to describe the object using the language of graph theory, in which the basic concepts are layers and an availability matrix. It should be noted that the subject object is an entity that comprises a set of individual elements, with a number and structure of connections that are consistent with the purpose of this entity.

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Swenson, J. M., K. F. Anderson, D. R. Lonsway, et al. "Accuracy of Commercial and Reference Susceptibility Testing Methods for Detecting Vancomycin-Intermediate Staphylococcus aureus." Journal of Clinical Microbiology 47, no. 7 (2009): 2013–17. http://dx.doi.org/10.1128/jcm.00221-09.

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AYNSLEY-GREEN, A., A. McGANN, and S. DESHPANDE. "Control of Intermediary Metabolism in Childhood with Special Reference to Hypoglycaemia and Growth Hormone." Acta Paediatrica 80 (August 1991): 43–52. http://dx.doi.org/10.1111/apa.1991.80.s377.43.

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50

Detweiler, Mark B. "Organophosphate intermediate syndrome with neurological complications of extrapyramidal symptoms in clinical practice." Journal of Neurosciences in Rural Practice 05, no. 03 (2014): 298–301. http://dx.doi.org/10.1055/s-0039-1700340.

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ABSTRACTOrganophosphates (OPs) are ubiquitous in the world as domestic and industrial agricultural insecticides. Intentional poisoning as suicides attempts are clinical phenomena seen in emergency departments and clinics in agricultural areas. Intermediate syndrome with the neurological complication of extra pyramidal symptoms following acute OP ingestion may occur in pediatric and adult cases. While death is the most serious consequence of toxic OP doses, low levels of exposure and nonfatal doses may disrupt the neurobehavioral development of fetuses and children in addition to bring linked to testicular cancer and male and female infertility. These are disturbing. Chronic and acute toxicity from OPs are barriers to the health of our present and future generations. Symptoms and treatment of acute and chronic OP exposure are briefly referenced with inclusion of the intermediate syndrome. Suggestions for local and systemic reduction of the acute and long term consequences of OP ingestion are opined.

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