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Relevant bibliographies by topics / Intermedialidad / Dissertations / Theses

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Dissertations / Theses on the topic 'Intermedialidad'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Páez, Muñoz Dennis. "Poesía y video. El poema en la pantalla-esfera: poetas y poéticas en registros audiovisuales: el caso de Chile: 1967-2016." Doctoral thesis, Universitat Autònoma de Barcelona, 2017. http://hdl.handle.net/10803/458693.

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El siguiente trabajo explora las tensiones entre la poesía, el cine y el video, como la presencia del poeta en estos formatos, bajo tres géneros o vías de estudio que sirven para entrelazar el mundo poético con el universo de los medios audiovisuales. El estudio del poema, tanto como la figura del vate en estas obras intemediales, nos acercará hacia algunas plataformas contemporáneas donde el poeta y el poema surgen bajo diferentes prismas, apropiándose de las virtudes tecnológicas de la era digital para su (re) presentación en pantalla. Para desarrollar la investigación, se recopilaron

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2

Gutiérrez, García-Huidobro Julio. "Reescritura gráfica: una teoría de la adaptación de textos literarios al cómic a partir de las obras de Alberto Breccia." Doctoral thesis, Universitat Pompeu Fabra, 2015. http://hdl.handle.net/10803/313456.

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El presente trabajo pretende proponer un modelo de análisis de adaptaciones de textos literarios al cómic. Por medio de la articulación de cuatro ejes dinámicos planteados como la base sobre la que se construye la enunciación discursiva de la versión, pretendemos indagar la posibilidad de que dicha obra, en su calidad de reescritura de una fuente determinada, deje entrever la lectura del adaptador, inscrita en las estructuras que dan forma a la adaptación. Por medio de este análisis, queremos identificar los recursos propios del medio secuencial empleados para “resolver” las incompatibilidades

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3

Soldera, Natália Perosa. "O processo de composição da cena a partir da noção de intermedialidade." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/122542.

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A pesquisa discute o processo de criação teatral, a partir de uma pesquisa empírica, tendo como mote a noção de intermedialidade. Para desenvolver essa investigação foram realizados dois experimentos cênicos curtos, intitulados Dispositivo Linha e Dispositivo Bolha. Estes dispositivos de prática cênica são estruturados a partir do conceito de intermedialidade, e de princípios de criação relacionados a esse conceito. Seus princípios foram articulados a partir de referências de práticas cênicas, como os ciclos RSVP e Repère e fundamentos do devinsing e environmental theater. Os processos de expl

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4

Mohring, Agatha. "Les dispositifs de l'intime dans le roman graphique espagnol contemporain : une approche intermédiale." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20040.

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Les romans graphiques contemporains abordent des thématiques intimistes telles que l’autobiographie et le récit de la vie quotidienne. Ils se confrontent aux problématiques de représentation de l’indicible, de l’intériorité qui résiste à la monstration directe face auxquelles ils doivent inventer des modalités de dévoilement qui ne risquent pas de dénaturer l’intime. Pour ce faire, les artistes ont fréquemment recours à des procédés propres à d’autres médias, ou à des références à ceux-ci, qui créent une brèche dans la narration et la figuration, et permettent de laisser entrevoir l’intime. Le

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Šmídová, Monika. "Choreografie mezi intermedialitou a interaktivitou." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-253847.

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This work defines the term interactive media and explains how it differs from the till now known term “new media”. It leans on the history of technology progression and the theory of new media. For better understanding of how one views new perception, it touches the basics of esthetics. It maps the development of dance visual forms labeled as digital dance and it lists the main pioneers and their methods. In the final part of the thesis, three current artists who use interactive projections in their performances are listed and their work is analyzed.

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Vas, Laura Terezia. "Orbis pictus intermedialitat zwischen Berliner Stadtmalerei und literarischer Stadterfahrung dargestellt anhand der Werke von E.T.A. Hoffmann und Wilhelm Raabe /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204518503.

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7

Berger, Carolina Dias de Almeida. "O princípio das modalidades de presença poética: da performatividade à formação da mente corporificada no audiovisual." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-22092016-144544/.

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A presente pesquisa teórico-prática apresenta uma análise interdisciplinar da poética de obras de performance audiovisual, multimídia e intermídia, com ênfase em como a performatividade e a presença do artista na execução de sua obra estão imbricados na forma do trabalho, cuja composição é permeada por questões relacionadas ao seu dispositivo técnico. Ao abordar situações específicas de obras que imprimem movimento à forma final, a partir das quais consideramos evidenciarse a manifestação da \"mente corporificada\" do criador e inventor como ponto de conexão entre poética e meios empregados pa

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8

Molina, Lora Luis Eduardo. "Narrativa de drogas: una investigación transatlántica en la producción cultural de España, México y Colombia." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20003.

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This dissertation explores the theme of drugs in Spanish, Colombian and Mexican cultural production. A first part of this investigation consists of establishing the historical contexts of these cultural products within their respective country. In a second part, I theorize about the space that characterizes the drug narratives. A third part consists of analyzing the important recurrent characters in these narratives and, based on this analysis, developing a descriptive catalogue of archetypes.

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Wolkoff, Gisele Giandoni. "Composições pictóricas na obra de Eavan Boland: paisagens interiores." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-03122008-163001/.

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Ao apresentar criticamente ao público de língua portuguesa a obra da escritora irlandesa contemporânea Eavan Boland, por meio de uma seleção poética traduzida, que privilegia a visualidade e a ekphrase, este trabalho tece uma leitura intermediática (artes visuais e literárias) e verifica os efeitos de sentido da intermedialidade na construção do lirismo poético. Pressupondose a inevitável incomunicabilidade da linguagem, esta tese examina a intermedialidade, presente no processo de escrita entre as fronteiras do nacional e do cosmopolita e, sobretudo, do privado ao público e deste àquele, enqu

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Pinzon, Jacqueline. "Montagem revelada : As Poéticas de Isadora. Orb - A metáfora final, de Ricky Seabra e a Un certo punto della vita dovresti impegnarti seriamente e Smettere di fare il ridicolo, de Rodrigo García." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/35395.

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O objetivo desta dissertação é examinar as articulações entre o teatro e as mídias digitais no âmbito dos espetáculos Isadora.Orb- A Metáfora Final (2005), do brasileiro nascido nos Estados Unidos Ricky Seabra, e A Un Certo Punto Della Vita Dovresti Impegnarti Seriamente I Smetteredi Fare Il Ridicolo (2007), do argentino radicado na Espanha Rodrigo García. Considerando o espetáculo teatral como um espaço intermedial por excelência, a análise das obras permitiu a identificação dos procedimentos de composição da cena onde se destacam os princípios operatórios aqui denominados como montagem revel

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11

Felcman, Jakub. "Imaginární kino." Doctoral thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-373531.

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Schmitter, Gianna. "Estrategias intermediales en literaturas ultracontemporáneas de América Latina. Hacia una TransLiteratura." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030016.

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L’objectif général de cette thèse est d’étudier les stratégies inter- et transmédiales des littératures latino-américaines émergentes en lien avec les nouvelles technologies. Le corpus se compose de livres (prose et poésie) d’écrivains et écrivaines d’Argentine, du Chili et du Pérou qui ont été publiés en format papier entre 2000 et 2015 et qui introduisent internet et/ou l’image  la photographie, la vidéo et la visualité du texte lui-même qui émule des interfaces. Dans la première partie, nous proposons d’abord un état des lieux sur la relation entre technologie et littérature en Amérique La

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13

Costa, Ana Cláudia Oliveira. "De la competencia literaria a la transmedial: una propuesta de unidad didáctica para ELE." Master's thesis, 2020. http://hdl.handle.net/1822/68555.

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Trabalho de projeto final em mestrado de Espanhol Língua Segunda, Língua Estrangeira<br>En este Trabajo de Proyecto se pretende presentar una unidad didáctica, que, partiendo de las nociones de transmedialidad y competencia literaria, ofrezca, para el alumnado de ELE, una propuesta práctica desde un enfoque por tareas. La cultura transmedial en que nos encontramos ha modificado sustancialmente los hábitos de consumo cultural y la relación hegemónica entre medios. Estas alteraciones deben tener, necesariamente, un impacto dentro del corpus que se ofrece en un determinado ámbito educativo, para

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Balvín, Jaroslav. "Intermedialita a komiks." Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-278952.

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This masters thesis is concerned with the intermediality as the approach which particularly defines the interrelations between media, focusing on the contemporary visual theories and visual semiotics, in oder to further apply the theories of intermediality to the analysis of the morphology of comics. It studies words, pictures, time and other phenomena related to comics, the form where all these media are integrated into a functional unity. At the same time it deals with the characteristic features of the present situation of comics and its changes.

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Michlová, Lucie. "Intermedialita v moderní literatuře." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-311022.

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The thesis outlines one type of intermediality in literature, musical composition transformed into the structure of the modern novel. The theme is based on the philosophical and aesthetic ideas of the sovereign status of music within the other arts. The relationship between literature and music is described on the basis of this specific status. In the sphere of these various relations, attention is paid to the connection between musical composition and the composition of a novel (the manifestation of musical composition in a novel is named here as the musicality of literature). In the central

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Basovníková, Eva. "Intermedialita znaků elektronické komunikace - Využití emotikonů jako nových výrazových prostředků." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-284926.

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The diploma thesis The Intermediality of Signs in Electronic Communication: the Use of Emoticon as New Means of Expression provides the medial and semiotic view of electronic communication as non-verbal means of expression. In addition to that, it also tries to reveal its specific features. The diploma thesis presents emoticon not only as a feature of the Internet but it also refers to its intermedial dimension which is apparent in printed media. The purpose of the research is firstly set into the broader thematic context to familiarize the reader with the character of the Internet setting. Fu

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Šámalová, Veronika. "Intermedialita v dětské knize (na příkladech tvorby Petra Nikla, Františka Skály, Květy Pacovské a Petra Šmalce)." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-277016.

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This thesis deals with intermedial play with words and pictures in author's book for children and teens. In he first theoretical chapter, reader learns the specific attributes of literature for children and teenagers from the literary and art point of view, it means he will get to know rules of the play with word and picture and their functions in the literature for children and teenagers. Second chapter is dedicated to the game, the basic attributes of the game and game in the literature for the children and teenagers that is best represented by the intermediate author's book, by a book-toy.

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Kovaříková, Olga. "Reflexe hudebního díla v literatuře evropské moderny." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-327862.

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This paper focuses on intermedial relations between music and literature of European Modernism and early Avant-garde, and monitors the impact of music on literary texts, literature as a whole, and the essentially literary medium - the book. "Musical work", in this case, refers to Richard Wagner's music dramas and theoretical texts that outlined Wagner's artistic-aesthetic concept of Gesamtkunstwerk as a total work of art uniting all the arts. This paper follows the meta-aesthetic line of intimate, synaestheticly oriented intracompositional literary Gesamtkunstwerk in selected literary texts by

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Ramos, Hilária Alexandra da Costa. "Crimson Peak: estudo comparativo do filme e da sua novelização." Master's thesis, 2021. http://hdl.handle.net/10316/96959.

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Dissertação de Mestrado em Estudos de Cultura, Literatura e Línguas Modernas apresentada à Faculdade de Letras<br>Since cinema became the seventh art, it has had a very proximate relationship with literature, be it by inspiration or recreation. The most known process of this relationship is adaptation in which a book, often times popular and well-known, is transformed into a movie. However, there is another process that, in most cases, goes unaware: the novelization. Even though it gained a fast-increasing popularity in the entertainment world, this phenomenon has less visibility in comparison

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Chiquete, Almerindo Adriano. "Agostinho Neto: aproveitamentos crítico, didático e metodológico para o ensino da literatura em Angola." Master's thesis, 2020. http://hdl.handle.net/10316/93776.

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Dissertação de Mestrado em Literatura de Língua Portuguesa apresentada à Faculdade de Letras<br>António Agostinho Neto is certainly the hero of Angolan politics and literature. Engaged from a very early age, his art has always been compromised with Angola and its people, and beyond, as the poet says "to you, black anyone/my brother of the same blood/I salute!". In his texts, his determination to fight is demonstrated, texts that do not surprise us if we think that they were only an initial stage of his determination in the Angolan Armed Independence Struggle, that is, his desire for a New Ango

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Palha, Joana da Silva Fernandes. "Monstruosidades e biomorfismos: figurações contemporâneas na literatura e nas séries televisivas (a partir da poesia de Luís Miguel Nava e da série Black Mirror)." Master's thesis, 2019. http://hdl.handle.net/1822/64218.

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Dissertação de mestrado em Teoria da Literatura e Literatura Lusófonas<br>A seguinte investigação terá um foco duplo de leitura crítica: a produção poética do autor português contemporâneo Luís Miguel Nava, analisada a partir de um corpus constituído por duas obras específicas, O céu sob as entranhas (1989) e Vulcão (1994), obras estas que colocaremos em diálogo, a partir de uma abordagem comparatista intermedial, com a série televisiva britânica Black Mirror (2011), uma produção da provedora Zeppotron, posteriormente comprada pela afamada Netflix, escrita pelo argumentista Charlie Brooke

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Wittlichová, Julie. "Oko básníka: Antické figury v díle Jeana Cocteaua." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-352546.

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The thesis is concerned with the instances of the figures of mythology of the antiquity in the works of Jean Cocteau and their application. It focuses on the character of Narcissus, which is examined in connection to Oedipus and Orpheus, while concentrating mainly on the topic of mirroring and the related motives of the eye and sight. This mirroring is then not examined only on the level of an aesthetic object, but also in relation to the recipient and in mutual interferences between various media. The thesis is methodologically based on selected philosophical theses by Maurice Merlau-Ponty an

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Nunes, Eduardo Manuel Diogo. "Literatura e cinema num jogo (de) duplo(s): o caso da adaptação fílmica de O homem duplicado, de José Saramago." Master's thesis, 2019. http://hdl.handle.net/10316/89987.

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Dissertação de Mestrado em Literatura de Língua Portuguesa apresentada à Faculdade de Letras<br>Nesta dissertação propõe-se analisar a adaptação cinematográfica do romance O homem duplicado (2002), de José Saramago, para Enemy (2013), realizado por Denis Villeneuve e coescrito por este e por Javier Gullón. Inserir-se-á essa abordagem no contexto mais amplo das adaptações de literatura para cinema. Resolvendo-se estas na transferência de material narrativo entre dois textos artísticos pertencentes a meios diversos, serão privilegiadas noções tributárias da narratologia (clássica e pós-clássica)

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FEDROVÁ, Stanislava. "Ekfráze jako modus reprezentace." Doctoral thesis, 2012. http://www.nusl.cz/ntk/nusl-135066.

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The submitted thesis focuses on the use of the traditional ancient genre of ekphrasis (a specific form of description of a work of visual artefact) in modern literature. Individual interpretative perspectives are demonstrated using selected works of Czech poetry and prose from the 19th, 20th and 21th centuries (by Jaroslav Vrchlický, Julius Zeyer, Jiří Karásek ze Lvovic, Alois Jirásek, Jaroslav Durych, Jaroslav Maria, František Langer, Bohumil Hrabal and Miloš Urban). The metodological focus primarily anchors the thesis in the theory of intermediality (Werner Wolf, Irina Rajewsky); concepts fr

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Figueiredo, Júlia Cristina Carapinha dos Santos. "A figuração das personagens de Memorial do Convento: hipótese de leitura." Master's thesis, 2014. http://hdl.handle.net/10316/27558.

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Dissertação de Mestrado em Literatura Portuguesa apresentada à Faculdade de Letras da Universidade de Coimbra.<br>Esta dissertação reflete sobre os processos implicados na construção ficcional de personagens de Memorial do Convento, de José Saramago – D. João V, Bartolomeu Lourenço de Gusmão, Baltasar e Blimunda. Apreciam-se sobretudo os processos semiótico-contextuais, retóricos, narrativos e axiológicos que permitem a criação de figuras ficcionais. As existências destes seres transitam entre o histórico e o ficcional, o real e o insólito, ao sabor da ideologia subversiva do narrador, na tess

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Ungerová, Veronika. ""Fenomén" Večerníček." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-325030.

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The diploma thesis deals with the Czech cultural phenomenon Vecernicek. Three interpretative sections of the thesis show the possibility to place Vecernicek among modern fairytales as well as they prove its continuity to the traditional fairytale output. At the same time, the thesis draws on distictions between traditional and modernized poetics. Choice series are interpreted with respect to intermediality and specific form of Vecernicek as a TV programme designed for pre-school and and primary-school children. .

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Vitorino, Sara Jorge da Silva. "Outras Formas de Ser Juliana: Estudo de Caso na Adaptação da Personagem Queirosiana para o Ecrã." Master's thesis, 2020. http://hdl.handle.net/10316/93653.

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Dissertação de Mestrado em Literatura de Língua Portuguesa apresentada à Faculdade de Letras<br>Com a presente dissertação propomo-nos analisar a adaptação da personagem Juliana Couceiro Tavira [O Primo Basílio (1878), de Eça de Queirós] para filme e série de ficção. Além de a obra queirosiana se centrar nas personagens, Juliana é uma personagem sem igual que precipita o desfecho da história e é, em parte, responsável por veicular a mensagem da obra. Como suporte ao estudo de caso, começamos por fazer um enquadramento teórico sobre o estudo da personagem e sobre a adaptação da narrativa ao ecr

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PECHOLTOVÁ, Lucie. "Reprezentace děl literárních velikánů v současné popkultuře." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-253048.

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The thesis focuses on how literary texts of the so called "great tradition" can become parts of contemporary pop culture based on intertextual connections (a wide variety of them from explicit quotation to loose inspiration by the original) with the historical canonical texts, and especially on the changes occurring during such actualization in the narrative categories (storyline, space, time, characters, narrator). The theoretical part defines the concept of adaptation and related terms of intertextuality and intermediality and specifies relevant narrative categories. The analytic part focus

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Murár, Tomáš. "Nighthawks in The Age of Anxiety. Dílo Edwarda Hoppera čtyřicátých let 20. století a "barokní ekloga" Wystana Hugha Audena z perspektivy intermediality." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-346912.

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The main aim of the Master Thesis is the work of the 1940s by the American painter Edward Hopper (1882-1967) in a relationship to the long poem by Wystan Hugh Auden The Age of Anxiety. A Baroque Eclogue (1947). The Thesis in ten chapters researches Hopper's painting Nighthawks (1942), which is considered to be one of the most important works by Hopper from the war years. Unique position of this painting is reconstructed through intermedial projections and linkages towards the Auden's poem. Next to the interpretation of the intermedial relations, in the centre of the Thesis are time-space relat

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Boháčová, Kristýna. ""Mé tělo dalo tvar jeho slávě". Dialogická poezie Louise Glückové." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-388021.

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The thesis explores the variety of dialogue in the work of American poetess Louise Glück (*1943). It also points out three options for crossing over the aesthetics of absence. The analysis concerns mainly poems included in the collection The Wild Iris (1992), but it also takes in consideration Gluck's other poetical books such as Averno (2006) and Meadowlands (1996). After naming the nodes which make the contact in the collections, the thesis surpasses the field of literature for creating the dialogue with the aesthetics of absence according to German composer Heiner Goebbels (*1952), with the

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Kopicová, Jiřina. "Současná grafika a výtvarná výchova na základní škole." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-299972.

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KOPICOVÁ, Jiřina. Contemporary Printmaking and Art Education. Prague, 2011. 115 p. Master Thesis. Charles University in Prague - Faculty of Educati- on. Head of the Master Thesis Mgr. Linda Arbanová, PhD. This is a theoretical study investigating the present-day free graphic arts (designs). It describes the main trends, materials and techniques used. The text contains an an- notated selection of several Czech and foreign authors, which illustrates the different mainstreams of contemporary graphic arts. The didactic part of this study contains a research on the topic entitled Relation of Ba- si

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Slouková, Radka. "Ekfráze v díle Karen Blixenové." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-373920.

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This thesis analyses ekphrastic passages in the short stories of the Danish writer Karen Blixen. It points out the various definitions of ekphrasis while drawing on a wider conception of this phenomenon which is based on the current intermediality discourse. The texts are analysed on two levels: 1) Ekphrastic thematization, i.e., the transfer of content elements from visual arts to literature, especially regarding landscape painting, portrait and still life. 2) Ekphrastic realization, i.e., the practical use of painting techniques in literary texts, such as the choice of colours or the depicti

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Eduardo, Pacheco Quiesse Monteiro. "Visualismo narrativo de expressão portuguesa e angolana." Master's thesis, 2018. http://hdl.handle.net/10451/37243.

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A presente dissertação tem por tema a poesia visual enquanto forma específica de produção poética e cultural. Ainda que se verifique, no caso da poesia visual, uma forte componente teórica, é também certo que a ela estão associadas ideias ou (pre)conceitos nem sempre compatíveis entre si. Assim, o nosso primeiro objetivo foi traçar um mapa crítico de referência que permitisse chegar a algumas conclusões sobre as particularidades da poesia visual portuguesa, bem como sobre a forma como esta se articula (ou pode ser integrada), não só na poesia em geral, mas também no contexto das novas artes vi

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