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Books on the topic 'Intermediality'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 March 2025

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1

Grishakova, Marina, and Marie-Laure Ryan, eds. Intermediality and Storytelling. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110237740.

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2

Díaz, Lily. Adaptation and convergence of media: 'high' culture intermediality versus popular culture intermediality. Espoo, Finland: Aalto University, 2018.

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3

Elleström, Lars, ed. Media Borders, Multimodality and Intermediality. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230275201.

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4

Bruhn, Jørgen. The Intermediality of Narrative Literature. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57841-9.

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5

Bruhn, Jørgen, Asunción López-Varela, and Miriam de Paiva Vieira, eds. The Palgrave Handbook of Intermediality. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-91263-5.

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6

Association, Mid-Atlantic Popular/American Culture, ed. Sound fabrics: Studies on the intermedial and institutional dimensions of popular music. Trier: WVT Wissenschaftlicher Verlag Trier, 2009.

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7

Durcan, Sarah. Memory and Intermediality in Artists’ Moving Image. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-47396-9.

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8

Moreira, Maria Elisa Rodrigues. Cruzando fronteiras: Literatura, interartes, intermídia. Cuiabá, MT: EdUFMT, 2020.

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9

Larrue, Jean-Marc. Théâtre et intermédialité. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2015.

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10

1946-, Semali Ladislaus, and Pailliotet Ann Watts, eds. Intermediality: The teachers' handbook of critical media literacy. Boulder, Colo: Westview Press, 1999.

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11

1949-, Wagner Peter, ed. Icons, texts, iconotexts: Essays on ekphrasis and intermediality. Berlin: W. de Gruyter, 1996.

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12

Sabine, Flach, and Tholen Georg Christoph 1948-, eds. Mimetische Differenzen: Der Spielraum der Medien zwischen Abbildung und Nachbildung. Kassel: Kassel University Press, 2002.

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13

Louvel, Liliane, Leena Eilittä, and Sabine Kim. Intermedial arts: Disrupting, remembering, and transforming media. Newcastle upon Tyne: Cambridge Scholars Pub., 2012.

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14

Vieira, Célia, and Isabel Rio Novo. Inter Media: Littérature, cinéma et intermédialité. Paris: Harmattan, 2011.

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15

Semali, Ladislaus. Intermediality. Edited by Ladislaus M. Semali and Ann Watts Pailliotet. Routledge, 2018. http://dx.doi.org/10.4324/9780429499722.

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16

Pailliotet, Ann Watts, and Ladislaus Semali. Intermediality. Taylor & Francis Group, 2019.

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17

Knowles, Kim, and Marion Schmid, eds. Cinematic Intermediality. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.001.0001.

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As a fundamentally hybrid medium, cinema has always been defined by its interactions with other art forms such as painting, sculpture, photography, performance and dance. Taking the in-between nature of the cinematic medium as its starting point, this collection of essays maps out new directions for understanding the richly diverse ways in which artists and filmmakers draw on and reconfigure the other arts in their creative practice. From pre-cinema to the digital era, from avant-garde to world cinema, and from the projection room to the gallery space, the contributors critically explore what happens when ideas, forms and feelings migrate from one art form to another. Giving voice to both theorists and moving image practitioners, Cinematic Intermediality: Theory and Practice stimulates fresh thinking about how intermediality, as both a creative method and an interpretative paradigm, can be explored alongside probing questions of what cinema is, has been and can be.

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18

Knowles, Kim, and Marion Schmid. Cinematic Intermediality. Edinburgh University Press, 2021. http://dx.doi.org/10.1515/9781474446365.

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19

Mediality/intermediality. Tübingen: Gunter Narr, 2008.

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20

Rippl, Gabriele, ed. Handbook of Intermediality. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110311075.

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21

Elleström, Lars. Adaptation and Intermediality. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.29.

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Chapter 29 investigates the relation between adaptation and intermediality and makes the case that adaptation studies would profit from a broad intermedial research context. It discusses ten ways of delimiting the notion of adaptation within the broader field of intermediality. Pinpointing border zones of adaptation that are only partly recognized as such by adaptation scholars, it argues that failing to reflect on these borders ignores relevant neighbor disciplines, and that insufficient attention to related theoretical fields reduces the possibility for adaptation studies to produce research that is relevant for a broader range of phenomena and a broader field of scholars. The essay briefly investigates some core issues of intermedial research, and hence of adaptation studies, and summarizes several notions vital in investigating essential similarities and differences among media and in capturing the material and semiotic conditions for adaptation.

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22

Intermediality and Storytelling. De Gruyter, Inc., 2011.

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23

Intermediality and storytelling. New York: De Gruyter, 2010.

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24

Peth, Ágnes. Cinema and Intermediality. Cambridge Scholars Publishing, 2020.

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25

Grishakova, Marina, and Marie-Laure Ryan. Intermediality and Storytelling. De Gruyter, Inc., 2010.

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26

Grishakova, Marina, and Marie-Laure Ryan. Intermediality and Storytelling. de Gruyter GmbH, Walter, 2010.

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27

Sprache Intermedial: Stimme und Schrift, Bild und Ton. De Gruyter, Inc., 2010.

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28

Sprache Intermedial: Stimme und Schrift, Bild und Ton. De Gruyter, Inc., 2010.

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29

Deppermann, Arnulf, and Angelika Linke. Sprache Intermedial. De Gruyter, Inc., 2010.

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30

Deppermann, Arnulf, and Angelika Linke. Sprache Intermedial: Stimme und Schrift, Bild und Ton. de Gruyter GmbH, Walter, 2010.

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31

Kattenbelt, Chiel, Sarah Bay-Cheng, Andy Lavender, and Robin Nelson. Mapping Intermediality in Performance. Amsterdam University Press, 2010.

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32

Houwen, Janna. Film and Video Intermediality. Bloomsbury Publishing Inc, 2017. http://dx.doi.org/10.5040/9781501321009.

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33

Imagescapes Studies In Intermediality. Peter Lang, 2010.

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34

Linkis, Sara Tanderup. Memory Intermediality and Literature. Taylor & Francis Group, 2021.

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35

Memory Intermediality and Literature. Taylor & Francis Group, 2019.

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36

Mapping intermediality in performance. Amsterdam: Amsterdam University Press, 2010.

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37

Media Borders Multimodality and Intermediality. Palgrave MacMillan, 2010.

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38

Elleström, L. Media Borders, Multimodality and Intermediality. Palgrave Macmillan, 2010.

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39

Azcárate, Asun López-Varela. Intermediality of Contemporary Visual Arts. IntechOpen, 2023.

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40

Vieira, Miriam de Paiva. The Palgrave Handbook of Intermediality. Palgrave Macmillan, 2023.

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41

Cinematic Intermediality: Theory and Practice. Edinburgh University Press, 2021.

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42

Wolf, Werner. Framing Borders in Literature and Other Media (Studies in Intermediality 1) (Studies in Intermediality). Editions Rodopi BV, 2006.

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43

Intermédialité: Pratiques actuelles et perspectives théoriques. Nîmes: Lucie éditions, 2020.

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44

Balestrini, Nassim Winnie, and Ina Bergmann, eds. Intermediality, Life Writing, and American Studies. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110579253.

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45

Lewis, Cara L. Dynamic Form: How Intermediality Made Modernism. Cornell University Press, 2020.

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46

García, Miguel. Queering Lorca's Duende: Desire, Death, Intermediality. Taylor & Francis Group, 2022.

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47

Bruhn, Jørgen, and Anne Gjelsvik. Cinema Between Media: An Intermediality Approach. Edinburgh University Press, 2018.

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48

Bruhn, Jørgen, and Anne Gjelsvik. Cinema Between Media: An Intermediality Approach. Edinburgh University Press, 2018.

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49

Bruhn, Jørgen, and Anne Gjelsvik. Cinema Between Media: An Intermediality Approach. Edinburgh University Press, 2018.

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50

Lewis, Cara L. Dynamic Form: How Intermediality Made Modernism. Cornell University Press, 2020.

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