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Relevant bibliographies by topics / Intermediality / Dissertations / Theses

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Dissertations / Theses on the topic 'Intermediality'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Brozic, Ivana. "Forms of intermediality in theatre." Thesis, University of Reading, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553084.

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The aim of the thesis is to argue for inherent intermediality of the theatre medium and explore some of its interactions with other media. The argument is positioned alongside the existing approaches to intermediality, in theatre as well as in other fields of study, most of which tend to focus on exploring the effects of the presence of new media technologies in the contemporary culture. Whilst considering a number of existing approaches to intermediality and their bearing on the phenomenon of theatre, this thesis emphasises a necessity to re-examine the received notions of the concepts involv

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Vellai, Micayla Tamsyn. "Intermediality in the novels of Lauren Beukes." University of the Western Cape, 2021. http://hdl.handle.net/11394/8111.

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Magister Artium - MA<br>There is the growing recognition that literary works are not independent, but have often been impacted on by various other media. Complex intersections arise between printed text and other media such as photography, film, music and visual arts. The central theoretical concept underpinning this thesis is a study of intermediality, which interrogates the various ways non-literary media are used as a resource or reference. This analysis will be explored in the novels of Lauren Beukes, and will focus on the intermedial meaning-making and influences of both analogue photogra

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3

Petersen, Kjell Yngve. "A dramaturgy of intermediality : composing with integrative design." Thesis, University of Plymouth, 2009. http://hdl.handle.net/10026.1/2506.

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The thesis investigates and develops a compositional system on intermediality in theatre and performance as a dramaturgical practice through integrative design. The position of the visual/sonic media in theatre and performance has been altered by the digitalisation and networking of media technologies, which enables enhanced dynamic variables in the intermedial processes. The emergent intermediality sites are made accessible by developments in media technologies and form part of broader changes towards a mediatised society: a simultaneous shift in cultural contexts, theatre practice and audien

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Morrison, Simon A. "'Discotext' : musico-literary intermediality in dancefloor-driven literature." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/20885/.

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This thesis uses the ‘rave’ subculture as a route into an analysis of literary representations of a music scene. Almost as soon as this sonic subculture took hold – during the Second Summer of Love in 1988 – and the socio-political impact of the nascent rave scene became clear, it quickly appeared on the radar of journalists, filmmakers and authors, all keen to use society’s cultural preoccupations as source material for their output. Firstly defining, and then expanding, on the neologism re/presentation, the thesis questions why such cultural artefacts appear – secondary representations that

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Mack, Jonathan. "(Indie)mediality : intermediality in contemporary American independent film." Thesis, Northumbria University, 2015. http://nrl.northumbria.ac.uk/31604/.

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Intermediality has become an umbrella term for a heterogeneous group of concepts as diverse as the creation of an entirely new medium and the mere quotation of a work from one medium in another. Intermedial analyses of specific film texts have appeared sporadically but have shed remarkable light on the influence of other media on film narrative, structure and visual style. This PhD takes intermediality to be, as Irina Rajewsky describes it, instances in which film ‘thematises, evokes or imitates elements or structures of another, conventionally distinct medium through the use of its own media-

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Scott, Joanne. "Live intermediality : a new mode of intermedial praxis." Thesis, Royal Central School of Speech & Drama, 2014. http://crco.cssd.ac.uk/466/.

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This Practice as Research thesis is a contribution to and intervention in the fields of intermedial performance studies and live media practice. Its arguments are formulated through live intermediality, a mode of practice whereby the solo performer activates image, sound, object and body in the presence of and sometimes with the ‘experiencers’ (Nelson 2010), in order to compose a series of shifting intermedial combinations. The thesis interrogates current discourses around intermediality in performance, the role and actions of the live media performer and the generation of events in intermedia

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Borcak, Fedja. "Överskridanden : En tematisk studie av verklighetsproblematiken i Karl Ove Knausgårds Min kamp 1-6." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-19965.

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The award-winning Norwegian novelist Karl Ove Knausgård achieved great success with his latest book, Min kamp. Both commercially and critically, the novel was praised for its seemingly successful attempt to transcend the boundary between fiction and real life. Focusing on the auto-fictional narrator’s struggle to balance his daily life with his ever so demanding aesthetic ambitions, the novel gives high-detail descriptions of the most basic day-to-day chores, intimately mixed with philosophical reflections on topics such as painting, literature and postmodern civilisation. This essay proposes

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8

RIBEIRO, ANA LUCIA AMADO SARAIVA. "THE GUTTER READING: AN ANALYSIS OF THE INTERMEDIALITY IN COMICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36134@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>A presente pesquisa busca compreender os quadrinhos como expressão que recria conteúdos e formas de outras artes. Em perspectiva interdisciplinar, assume-se o viés da intermidialidade, segundo a qual a relação entre as artes é também uma relação entre mídias, para analisar os quadrinhos como forma de expressão que se constitui historicamente a partir de processos que recriam e reapresentam os procedimentos de outras artes, como a literatura e a pintura - e, não, como um sistema autônomo, cujas zonas de contato com outras artes constituem me

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9

Megarrity, David R. "Musicalising theatre, theatricalising music: Writing and performing intermediality in composed theatre." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/88953/1/David_Megarrity_Thesis.pdf.

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This investigation combined musicality and theatricality in the creation of four shows: Bear with Me, The Empty City, Gentlemen Songsters and Warmwaters. Led by creative practice, the research identified four polyvalences that characterise Composed Theatre, a transformational artistic domain which offers distinct challenges for performance makers. These include tensions and resolutions between compositional and theatrical thinking; music and words; setlist and script; and finally persona and character. The research finds that these interplays not only lend Composed Theatre its distinct qualiti

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10

Páez, Muñoz Dennis. "Poesía y video. El poema en la pantalla-esfera: poetas y poéticas en registros audiovisuales: el caso de Chile: 1967-2016." Doctoral thesis, Universitat Autònoma de Barcelona, 2017. http://hdl.handle.net/10803/458693.

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El siguiente trabajo explora las tensiones entre la poesía, el cine y el video, como la presencia del poeta en estos formatos, bajo tres géneros o vías de estudio que sirven para entrelazar el mundo poético con el universo de los medios audiovisuales. El estudio del poema, tanto como la figura del vate en estas obras intemediales, nos acercará hacia algunas plataformas contemporáneas donde el poeta y el poema surgen bajo diferentes prismas, apropiándose de las virtudes tecnológicas de la era digital para su (re) presentación en pantalla. Para desarrollar la investigación, se recopilaron

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Fenton, David Raymond. "Unstable acts : a practitioner's case study of the poetics of postdramatic theatre and intermediality." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16527/1/David_Fenton_Thesis.pdf.

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This practice-led research enquiry examines the form and experience of postdramatic theatre and intermediality. Through three practice-led enquiry cycles, the performance, Unstable Acts, was created. The study was designed to introduce the practitioner to a new process of practice within a postmodern aesthetic and to investigate the theory and practice of intermedial performance. Accordingly, Unstable Acts generated moments of praxis concerning postdramatic theatre and intermediality. By analysing this praxis an increasingly complex understanding of de-representational performance, the liminal

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Fenton, David Raymond. "Unstable acts : a practitioner's case study of the poetics of postdramatic theatre and intermediality." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16527/.

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This practice-led research enquiry examines the form and experience of postdramatic theatre and intermediality. Through three practice-led enquiry cycles, the performance, Unstable Acts, was created. The study was designed to introduce the practitioner to a new process of practice within a postmodern aesthetic and to investigate the theory and practice of intermedial performance. Accordingly, Unstable Acts generated moments of praxis concerning postdramatic theatre and intermediality. By analysing this praxis an increasingly complex understanding of de-representational performance, the liminal

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Carlsson, Beatriz. "Ghostly Bells and Monstrous Drumming : An Exploration of Intermediality and Supernatural Strangeness in "Especially Heinous"." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104347.

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Various contemporary female authors deploy supernatural motifs portrayed through or alongside diverse forms of intermediality in texts which thematise the patriarchal oppression of women. In order to throw light on this phenomenon, this thesis investigates the intermedial relations and supernatural motifs of Carmen Maria Machado’s novella “Especially Heinous: 272 Views of Law & Order: SVU”, and their relation to the political themes of the text. The analysis is based on the method of intermediality, primarily on Lars Elleström’s and Irina O. Rajewsky’s categorisations of intermedial relati

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14

Frank, Petra. "Das Bildzitat Eine Untersuchung von Paul Klees Die Revolution des Viaduktes in drei Texten der deutschprachigen Prosa." Thesis, Högskolan Dalarna, Tyska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-22476.

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Ziel dieser Arbeit ist die Untersuchung des Bildzitates und seiner Form. Ausgangspunkt ist ein Kunstwerk, Paul Klees Revolution der Viadukte, und dessen Versprachlichung, dem sognannten Bildzitat, in drei Texten der deutschen Prosa. Als literaturwissenschaftliche Methode wurde ein intermedialer Ansatz nach Rajewsky, sowie von Berndt, Tonger-Erk gewählt. Eine Auswahl des Kunstwerkes und der Texte, die das Kunstwerk zitieren, wurde basierend auf dem Material der Datenbank über literarische Bildzitate in Wien getroffen. Die Analyse der Bildzitate in SAID: Das Rot lächelt, das Blau schweigt. Gesch

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15

Ekström, Björn. "Nya toner inom styckena : Medietransformation i Kazuo Ishiguros Nocturnes." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-44150.

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Barnes, Kenton Emery Verfasser], and Rüdiger [Akademischer Betreuer] [Heinze. "Intertextuality, Intermediality and Mediality in Benjamin Britten’s Nocturne, Op. 60 / Kenton Emery Barnes ; Betreuer: Rüdiger Heinze." Braunschweig : Technische Universität Braunschweig, 2017. http://d-nb.info/1175817473/34.

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Håkansson, Jens. "Ytans djup : Visuell ikonicitet i den grafiska konstformen lyrik." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-35110.

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This thesis revolves around an obvious fact: printed (or otherwise two- or three-dimensional) poetry is always and inevitably visual. By analysing a representative selection of poems, including conspicuously experimental and image-like poems as well as examples of more conventional poetry, the thesis points out that visual iconicity is an equally inevitable consequence of the visuality of printed poetry. The analysis applies terminology relating to iconicity and intermediality (presented by Lars Elleström, whose theoretical basis is the semiotics of Charles Sanders Peirce) to the selected poem

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de, Toro Alfonso. ""Transversalidad", "hibridez", "transmedialidad" en las performances de Alberto Kurapel." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-159257.

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En el contexto del proyecto nuestro trabajo tiene dos finalidades fundamentales. La primera es contribuir a las ciencias del teatro desde un punto de vista de la teoría de la cultura (postcolonial y postmoderna) enfrentando problemas teóricos de la transversalidad, hibridez y transmedialidad así como sus relaciones entre ellas y, al mismo tiempo, tratar también el fundamental problema del cuerpo como lenguaje sui generis, un campo en el que la teoría aún está realmente en sus comienzos. Como segunda finalidad aplicamos la descripción del fenómeno tratado teóricamente a un performer, Alberto Ku

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Carletti, Elena. "The Photographic Eye: Poetry and the Visual in 1950s and 1960s Italian Experimental Writers." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/22076.

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This PhD thesis argues that, in the 1950s and 1960s, several Italian experimental writers developed photographic and cinematic modes of writing with the aim to innovate poetic form and content. By adopting an interdisciplinary framework, which intersects literary studies with visual and intermedial studies, this thesis analyses the works of Antonio Porta, Amelia Rosselli, and Edoardo Sanguineti. These authors were particularly sensitive to photographic and cinematic media, which inspired their poetics. Antonio Porta’s poetry, for instance, develops in dialogue with the photographic culture of

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Goltz, Wanja Matthias von der [Verfasser], Josef [Akademischer Betreuer] Raab, and Jens Martin [Akademischer Betreuer] Gurr. "Functions of Intertextuality and Intermediality in The Simpsons / Wanja von der Goltz. Gutachter: Jens Martin Gurr. Betreuer: Josef Raab." Duisburg, 2011. http://d-nb.info/1017289700/34.

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La, Torre Perregrini Esperanza Luján. "Muerte súbita, el poder de narrar obras pictóricas." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-89322.

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The novel Sudden death /Muerte súbita written by Álvaro Enrigue is analysed in this study, using the theoretical contributions of Werner Wolf and Irina Rajewsky, the typology of intermediality, and the model of modalities and modes of media elaborated by Lars Elleström. The aim of this study lies, first on the blending of different media within the novel, the question of pictorial narrative, and argues that images narratives can generate the diegesis in Álvaro Enrigue's book. Second, to analyze how the mentioned intermedial relations to the paintings can create a meaning in the novel.

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Almgren, White Anette. "Intermedial narration i den fotolyriska bilderboken : Jean Claude Arnault, Katarina Frostenson och Rut Hillarp." Doctoral thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-16690.

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This bipartite thesis presents and implements an intermedial model for co-reading poems and photographs in paper books, a genre I call photo poetry. A survey of the genre in Sweden was carried out and presented in a selected bibliography in my licentiate thesis. Two well-established poets, Katarina Frostenson and Rut Hillarp, made their debut in the genre in the 1980s and have since produced three books each. Frostenson cooperates with photographer Jean Claude Arnault and Hillarp created the poems as well as the pictures herself. Scholarly studies up to now have focused on the poems, however,

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Söderholm, Matillda. "Intermédialité photographie/texte dans Rimbaud le fils de Pierre Michon." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-41455.

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The novel Rimbaud le fils written by Pierre Michon is analysed in this study, using the theoretical model of modalities and modes of media elaborated by Lars Elleström (2010), the typology of intermediality defined by Werner Wolf (2002) and Irina Rajewsky’s (2010) metatheoretical reflections upon the concept of borders. The novel by Michon relates to some famous photos that have become important in creating the understandings of Arthur Rimbaud as a poet and a myth. The guiding question of the analysis has been: How can the intermedial relations to the photos create meaning in the novel? The

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Bochio, Alessandra Lucia. "Entre meios: convergência audiovisual." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-26052015-110221/.

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A presente pesquisa é uma reflexão sobre a relação entre o fazer artístico e sua investigação teórica. Como ponto de partida, buscamos compreender o termo intermídia por meio dos modos operatórios que engendram os relacionamentos entre os meios de expressão artística. Qual a natureza da relação intermidiática? Como esta se realiza operacionalmente? Quais os operadores que induzem tal relação, e como estão presentes, como se relacionam, como delimitam, ou não, uma relação intermidiática? Como ponto de chegada, a aposta de que as noções de convergência audiovisual e de dispositivo nos permitem p

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Raistrick, Tracey Ann. "An insider evaluation of the translation process in use in the BSL Bible Translation Project : explorations in textuality, intermediality and sacrament." Thesis, University of Chester, 2013. http://hdl.handle.net/10034/552891.

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This thesis is a critical account of a qualitative, evaluative study into the translation processes and practices in use within the BSL Bible Translation Project, undertaken as a collaborative doctoral studentship funded by the AHRC/ESRC1. It has proceeded collaboratively, valuing the stories, knowledge and experiences of the participants. The data‐set presented herein was generated by means of participant observation and interviews with Project Team members. It was analysed in its digital, visual form using an inductive, thematic approach, and is presented with minimal commentary (Chapters 4

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de, Toro Alfonso. ""Transversalidad", "hibridez", "transmedialidad" en las performances de Alberto Kurapel: una teatralidad menor." Vervuert, 2004. https://ul.qucosa.de/id/qucosa%3A13098.

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En el contexto del proyecto nuestro trabajo tiene dos finalidades fundamentales. La primera es contribuir a las ciencias del teatro desde un punto de vista de la teoría de la cultura (postcolonial y postmoderna) enfrentando problemas teóricos de la transversalidad, hibridez y transmedialidad así como sus relaciones entre ellas y, al mismo tiempo, tratar también el fundamental problema del cuerpo como lenguaje sui generis, un campo en el que la teoría aún está realmente en sus comienzos. Como segunda finalidad aplicamos la descripción del fenómeno tratado teóricamente a un performer, Alberto Ku

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Löfroth, Mattias. "Vid filmkonstens trösklar : Intermedialitet i Svenska Bios filmer 1910-11." Thesis, Stockholm University, Department of Cinema Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6605.

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<p>The thesis examines ’intermediality’ in Svenska Bios (Swedish Biograph) first fiction films. Värmlänningarne (1910), Fänrik Ståls Sägner (1910), Bröllopet på Ulfåsa (1910), Regina von Emmeritz och Konung Gustaf II Adolf (1910), Amuletten (1910), Emigranten (1910) and Järnbäraren (1911) are analysed in relation to theatre, literature, music and ‘reality’. A detailed discussion of intermediality is combined with specific theories relating to pictorialism and literary presentation in film. The thesis conclude, that early fiction films in general, and Svenska Bios films in particular, depended

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Polcini, Valentina. "Dino Buzzati and Anglophone culture : the re-use of visual and narrative texts in his fantastic fiction." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/117097.

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This thesis explores the relationship between Buzzati’s fiction and Anglophone culture, particularly the re-use of narrative and visual sources in his works. The analysis of the intertextual stratification in Buzzati brings to the fore the author’s urge to convey the significance of imagination through the fantastic mode. It also reveals an optimistic and playful side of Buzzati, which lies behind a pervading pessimistic tone. Buzzati’s re-working of images from other authors and of generic topoi is aimed at decrying the loss of imagination occurring in the transition to adulthood as well as a

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Askander, Mikael. "Modernitet och intermedialitet i Erik Asklunds tidiga romankonst." Doctoral thesis, Växjö universitet, Institutionen för humaniora, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-386.

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Modernitet och intermedialitet is the first major study of the Swedish modernist writer Erik Asklund (1908-1980) and his works. The thesis consists of an introductory chapter and three close readings of Asklund’s early novels Kvinnan är stor (The Woman is Great, 1931), Lilla land (A Small Country, 1933), and Fanfar med fem trumpeter (A Fanfare with Five Trumpets, 1934). In these novels, Asklund depicts modernity in Sweden in the 1930’s. Exploring the modernity of the 1930’s in Asklund’s novels, especially the contemporary media situation turns out to be one of the most important aspects. Asklu

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Bremmer, Magnus. "Om fototextpoesi : Läsningar av mötet mellan fotografisk bild och poetisk text." Thesis, Södertörn University College, The School of Culture and Communication, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1266.

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<p>What is the relation of image and word, of sentences and pictures? What kind of message does this combination produce when juxtaposed on a single material plane? And how do we read its “infinite” relation? These are the questions at the center of this inquiry. My main interest concerns the exact nature of the relation between photographic images and textual elements of poetic language when these are juxtaposed in what I call Phototext poetry.</p><p>The thesis calls into question the conventional reading habits of the conjunction of photographs and texts, and seeks to understand the more com

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Vaghi, Katja. "The Baroque in Jiří Kylián : intertextual and intermedial references in Kylián’s works." Thesis, University of Roehampton, 2015. https://pure.roehampton.ac.uk/portal/en/studentthesis/the-baroque-in-jirí-kylián(c53edc7a-b9f8-4a7b-9f50-cc8710504cf1).html.

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Some of Jiří Kylián’s later works reveal a distinct detectable baroque influence. They also manifest a baroque quality that resists precise explanation. This partly derives from extensive references to the baroque style and period. However, not all references are the same, and some are more easily recognisable than others. Costumes, music and props openly reference the Baroque, whereas less obvious allusions can be found in lighting design or in the way a performance ‘addresses’ the audience. This thesis thus sets out to offer a terminology to describe these phenomena and provide a framework f

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de, Toro Alfonso. "Avant-propos: Translatio : Transmédialité, transculturalité." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-159290.

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Le volume est le fruit du colloque international Translatio : Transmédialité et Transculturalité qui a eu lieu au Centre de Recherches Ibéro-Américaines et Francophones de l’Université de Leipzig du 29 juin au 3 juillet 2011, avec l’objectif de promouvoir le dialogue transdisciplinaire et transculturel concernant le nouveau domaine de recherches sur la traduction culturelle, la translatio, et sur les stratégies médiales, comme celles de la "transmédialité", et de soumettre en même temps des théories et des champs de recherche actuels et centraux à un examen scientifique critique. La "transdisc

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Sibthorpe, Nathan L. "The effect of embodied metafiction in contemporary performance." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/121498/1/Nathan_Sibthorpe_Thesis.pdf.

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This study seeks to define a particular sub-genre of contemporary performance where self-awareness is a significant factor in the audience's experience. Exemplified in the development of a new performance work ('Spectate'), the term 'embodied metafiction' is proposed as a way of understanding the effect of highlighting an audience's presence and participation in the theatrical experience. Principles of 'embodied metafiction' are observed through 'Spectate' to demonstrate how an audience can be stimulated to experience a more vivid sense of the immediate present when their bodies and minds are

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Jonsson, Zakarias. "Portals drömvärld : en transmedial studie av det psykologiska rummet." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-119588.

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The field of video game studies has through later years shown a growing interest in game's spatialfeatures, along with their narrative implications. By introducing earlier findings of spatialmanifestations of dreams and psychological content in narrative works, with regards to their medialrepresentation into this discussion, I hope to conjoin video game research (better known asludology) with a line of psychoanalytic inquiry, which hitherto seems to have been left unexploredwithin media research. While establishing a viewpoint through the interdisciplinary field of media research andpsychoa

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Brinzová, Marianna. "EX/POZÍCIA." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2017. http://www.nusl.cz/ntk/nusl-295729.

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The diploma work titled Ex/position is a project, exhibition, intervention of space, which determined itself as the topic and object of its research (analysis and interest). The Ex/position is an exhibition about an exhibition, a project about a project and a reflection about a context. The main output of the thesis is a curatorial project created in the concept of collaborative practice. The result of it is a collective work in the form of an exhibition. The thesis as a temporary gallery installation is created on the basis of the curatorial and as well authorial concept in collaboration with

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Oana, Ursulesku. "Intermedijalna priroda pripovedanja u književnom i filmskom stvaralaštvu Pola Ostera." Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2019. https://www.cris.uns.ac.rs/record.jsf?recordId=110032&source=NDLTD&language=en.

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Предмет истраживања ове докторске дисертације су интермедијална преплитања у прозном и филмском стваралаштву савременог америчког аутора Пола Остера(1947). Интермедијалност је термин који описује однос и узајамни утицај присуства више медија у једном уметничком делу на формалном и тематском нивоу (књижевности, фотографије, филма, плеса). Истраживање се фокусира на досадашње стваралаштво овог аутора, са посебним акцентом на последњу деценију 20. века која је за то стваралаштво била пресудна; у дисертацији се тумаче, путем дубинских анализа, дијалошки однос различитих медија у Остеровим романима

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Gaudeaux, Ariane. "Petites lucarnes sur grands écrans. Poétique historique de la télévision au cinéma.États-Unis, 1954-2002." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST0030.

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De même qu’un acteur, lors de chacune de ses apparitions, colore la pellicule cinématographique de toute son histoire, la présence d’une télévision à l’écran d’un film de fiction cinématographique est la source d’une infinité de significations historiques, esthétiques, sociologiques et politiques. De Rear Window (Fenêtre sur cour, Alfred Hitchcock, 1954) à Far From Heaven (Loin du paradis, Todd Haynes, 2002), cette thèse observe la façon dont les cinéastes américains critiquent les effets de la télévision sur le spectateur et sur la société, en adoptant une approche poéticienne, sociologique e

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Furberg, Karolina. "Tintin och framställningen av det främmande : En postkolonial analys av intermedialitet i Tintin au Congo och Tintin en Amérique." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194814.

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This essay examines through a postcolonial analysis of the intermedial aspects of comicbooks how stereotypes and depictions of the Other and the alien are formed in Tintin au Congo and Tintin en Amérique. The aim has been to call attention to the importance of the relationship between text and image to create meaning, as well as to gain a deeper insight into how different stereotypes are created and their function. Hergé illustrated the Tintin-books according to something that would come to be known as ”The Clear Line”, a way of drawing that focused on the readbility of the images. In this ess

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de, Toro Alfonso. "Avant-propos: Translatio : Transmédialité, transculturalité." Harmattan, 2013. https://ul.qucosa.de/id/qucosa%3A13100.

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Le volume est le fruit du colloque international Translatio : Transmédialité et Transculturalité qui a eu lieu au Centre de Recherches Ibéro-Américaines et Francophones de l’Université de Leipzig du 29 juin au 3 juillet 2011, avec l’objectif de promouvoir le dialogue transdisciplinaire et transculturel concernant le nouveau domaine de recherches sur la traduction culturelle, la translatio, et sur les stratégies médiales, comme celles de la "transmédialité", et de soumettre en même temps des théories et des champs de recherche actuels et centraux à un examen scientifique critique. La "transdisc

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Gutiérrez, García-Huidobro Julio. "Reescritura gráfica: una teoría de la adaptación de textos literarios al cómic a partir de las obras de Alberto Breccia." Doctoral thesis, Universitat Pompeu Fabra, 2015. http://hdl.handle.net/10803/313456.

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El presente trabajo pretende proponer un modelo de análisis de adaptaciones de textos literarios al cómic. Por medio de la articulación de cuatro ejes dinámicos planteados como la base sobre la que se construye la enunciación discursiva de la versión, pretendemos indagar la posibilidad de que dicha obra, en su calidad de reescritura de una fuente determinada, deje entrever la lectura del adaptador, inscrita en las estructuras que dan forma a la adaptación. Por medio de este análisis, queremos identificar los recursos propios del medio secuencial empleados para “resolver” las incompatibilidades

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Duneuskaya, Tatsiana. "Castellucci's Tragedia Endogonidia (M.#10 Marseille): Intermedial Image Intervention." Thesis, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20238.

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This study addresses the theatre of Romeo Castellucci’s group, the Socìetas Raffaello Sanzio, and its director’s engagement with visual arts. In particular, the study analyses the tenth episode M#10 Marseille of Castellucci’s major production Tragedia Endogonidia, a work composed of 11 episodes, each dealing with a European capital. Using the notion of intermediality, this thesis demonstrates how an intermedial performance integrates questions and principles connected with visual arts within the framework of a new concept of performance called ‘interformance’. The author introduces Henk Oos

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Berger, Carolina Dias de Almeida. "O princípio das modalidades de presença poética: da performatividade à formação da mente corporificada no audiovisual." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-22092016-144544/.

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A presente pesquisa teórico-prática apresenta uma análise interdisciplinar da poética de obras de performance audiovisual, multimídia e intermídia, com ênfase em como a performatividade e a presença do artista na execução de sua obra estão imbricados na forma do trabalho, cuja composição é permeada por questões relacionadas ao seu dispositivo técnico. Ao abordar situações específicas de obras que imprimem movimento à forma final, a partir das quais consideramos evidenciarse a manifestação da \"mente corporificada\" do criador e inventor como ponto de conexão entre poética e meios empregados pa

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Vas, Laura Terézia. "Orbis pictus: Intermedialität zwischen Berliner Stadtmalerei und literarischer Stadterfahrung dargestellt anhand der Werke von E.T.A. Hoffmann und Wilhelm Raabe." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204518503.

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Morton, David R. "Transcending the inanimate : evoking the sublime in puppet-based performance." Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/61775/1/David_Morton_Thesis.pdf.

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This study investigated how contemporary puppet-based theatre can create deeply imaginative experiences for adult audiences. Designed to interrogate the potential effects of double-vision (Tillis, 1992), the theories of the sublime (Kant, 2008; 2003) and the uncanny (Jentsch, 1906; Freud, 1919) were used to create a series of creative guidelines. As practice-led research, the project embraced an iterative approach consisting of two cycles for creative experimentation, and a third for the creation of the final performance work The Harbinger, presented as a part of La Boite Theatre Company’s mai

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Rauzier, Valérie. "Diamanda Galás et Kathy Acker : contre-pouvoir à corps et à cris." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30051/document.

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Ce travail propose d'observer les stratégies d'individualisation, de résistance et de subversion mises en place dans les œuvres d'artistes américaines ces 40 dernières années en me penchant tout particulièrement sur les productions de Kathy Acker et de Diamanda Galás. À travers leur pratique de la performance, de la musique, des textes et divers travaux visuels ancré dans l'expérimentation, je voudrais analyser comment elles révèlent, explorent et déconstruisent les dynamiques de pouvoir<br>In this paper, I wish to explore and discuss the strategies of resistance and of subversion implemented

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Löwe, Corina. "Von Jungen Pionieren und Gangstern : Der Kinder- und Jugendkriminalroman in der DDR." Doctoral thesis, Stockholms universitet, Institutionen för baltiska språk, finska och tyska, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-60269.

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This dissertation examines detective novels for children and young adults written and published in the German Democratic Republic (GDR). The aim of the thesis is to study how the genre developed under the conditions of a socialist society. The analysis of the 66 texts included in the corpus is based on a socio-historical approach assuming that dialogical interdependencies between texts and society exist and can be verified. Central to the analytical work with the texts is the thesis that detective novels written for young readers reflect the socio-political development in East-German society.

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Jürgensen, Inga. "Patrice Chéreaus Inszenierungen von Koltés' Dans la solitude des champs de coton und ihre Filmfassungen als intermedialer Transfer." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2001. http://dx.doi.org/10.18452/14976.

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Die Dissertation behandelt die Frage, wie sich mit dem von der Intertextualität abgeleiteten Theoriefeld der Intermedialität ein Text untersuchen lässt, wenn er als Theaterstück inszeniert und diese Inszenierung wiederum gefilmt wird. Wie verändert sich das Substrat des Texts bei dessen Übertragung auf die Bühne und auf den Bildschirm? Wie funktionieren diese Medien und Kunstformen zusammen im Theaterfilm? Diese grundsätzlichen Fragen stehen vor dem exemplarischen Vergleich von Bernard-Marie Koltès' Theaterstück "Dans la solitude des champs de coton" in Patrice Chéreaus Inszenierungen von 198

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Costa, Ana Paula Vitorio da. "Relações entre estruturas e processos semióticos no fotolivro: estudo dos casos Silent Book e Sí por Cuba." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/219.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-15T10:18:44Z No. of bitstreams: 1 anapaulavitoriodacosta.pdf: 7367912 bytes, checksum: f79d1594bc37af5064e4702097472e58 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-15T11:17:25Z (GMT) No. of bitstreams: 1 anapaulavitoriodacosta.pdf: 7367912 bytes, checksum: f79d1594bc37af5064e4702097472e58 (MD5)<br>Made available in DSpace on 2015-12-15T11:17:25Z (GMT). No. of bitstreams: 1 anapaulavitoriodacosta.pdf: 7367912 bytes, checksum: f79d1594bc37af5064e4702097472e58 (MD5) Previ

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Porto, Thaís Gonçalves Dias [UNESP]. "Entre o cinema e a literatura: sobre a construção identitária no romance Das nackte Auge, de Yoko Tawada." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154239.

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Submitted by Thais Gonçalves Dias Porto (thagdporto@gmail.com) on 2018-06-12T01:11:03Z No. of bitstreams: 1 THAIS PORTO_DISSERTAÇÃO.pdf: 1927385 bytes, checksum: a5d67b9537566ea3debd42e4bc12daef (MD5)<br>Rejected by Priscila Carreira B Vicentini null (priscila@fclar.unesp.br), reason: Solicitamos que realize correções na submissão seguindo as orientações abaixo: 1) Renumerar o trabalho, lembrando sempre que as páginas pré textuais devem ser contadas (com exceção da capa e ficha catalográfica), mas a numeração deverá aparecer somente a partir da introdução no canto superior direito. Em

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Šmídová, Monika. "Choreografie mezi intermedialitou a interaktivitou." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-253847.

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This work defines the term interactive media and explains how it differs from the till now known term “new media”. It leans on the history of technology progression and the theory of new media. For better understanding of how one views new perception, it touches the basics of esthetics. It maps the development of dance visual forms labeled as digital dance and it lists the main pioneers and their methods. In the final part of the thesis, three current artists who use interactive projections in their performances are listed and their work is analyzed.

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