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Dissertations / Theses on the topic 'Intermezzon'

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1

Domeij, Karin. "Tvillingbrorsan som ett annat jag : En studie av tonårstjejers maskulinitetskonstruktioner genom fotografiska självporträtt." Thesis, Konstfack, IBIS - Institutionen för bild- och slöjdpedagogik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5335.

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Syftet med denna studie är att undersöka vilka konstruktioner av maskulinitet som uttrycks av några tonårstjejer genom deras omförhandlingar av begreppet. Jag vill undersöka vilka subjektspositioner som prövas i förhållande till rådande normer och ideal i en didaktisk situation. Studiens teoretiska perspektiv är socialkonstruktionistisk med genusperspektiv och inspirerad av etnografiska verktyg. I analysarbetet har bildsemiotiska, diskursteoretiska, maskulinitetsteoretiska begrepp och verktyg använts. Undersökningen gjordes på ett Estetprogram på ett gymnasium i Stockholms län, där jag utgick
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Halbrštátová, Lada. "Intermezzo - Centrum pro rodiče a děti." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-240276.

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Abstract The main purpose of creating this object was to create a place where people having bad living situation will meet people who live regular lives. This is the reason why two floors were projected. The first floor is designed for social activities whereas the second floor is a housing part with apartments. The advantage of irregular but compact shape of the building is perfect connection between its functional parts. The object does not have any basement and it is placed in a little slopy bulit-up surroundings on the crossing of Tyršova and U Distance streets in Letohrad town. On the fir
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SHELLARD, CARLOS ANDREAS DE ARAUJO. "THE NOMAD DICTIONARY: A CARTOGRAPHY OF INTERMEZZO." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=24769@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>O presente trabalho tem como objetivo formular reflexões acerca de aspectos e modulações do conceito e da prática do nomadismo, relacionando-os às viagens no mundo contemporâneo. Uma travessia de oito meses de duração, realizada pelo autor no ano de 2011 através de alguns países da África e Ásia, serve de fio condutor do trabalho. Impressões, experiências e acontecimentos vividos vão-se construindo, em contraponto a cit
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Håkansson, Sofi. "The [Post]industrial Intermezzo : - The Wave, Ripple and Current." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-171038.

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5

Heinrich, David Klinger Max. "Max Klinger's Intermezzi : a critical analysis /." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09ARM/09armh469.pdf.

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6

Mohr, Lutz. "Eine nordische Macht wird Nachfolger – das Brandenburger Intermezzo und danach …" Lutz Mohr, 2017. https://slub.qucosa.de/id/qucosa%3A7963.

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Nedorostová, Klára. "J.Brahms - Drobné klavírní skladby s přihlédnutím k intermezzům." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79435.

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this master´s thesis J. Brahms - small piano pieces deals with last piano compositions, especially with the opus 117. The work is divided into sic chapters. In the first one I outline the author´s life and his most important compositions. Then I concentrate on the value and sense of the term piano within the author´s work, also on the Brahms´ characteristic musical expression. I present the complex overview of the production dedicated to the instrument as well, of which the petite forms are focused on in more detail. Three intermezzi, op. 117 is dealt with the most widely, and I describe its p
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Smykowski, Adam. "Heinrich Heines Lyrisches Intermezzo in Vertonungen von Robert Schumann und Robert Franz /." Frankfurt am Main ; Bern ; Paris : P. Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb388348041.

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Maluf, Shireen. "Paths not taken : structural-harmonic ambiguities in selected Brahms Intermezzi." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23342.

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One of the remarkable features of Brahm's B-flat major Intermezzo for piano, Op. 76, no. 4 is the ambiguity of its tonal definition. The work disclosed a contrapuntal tension between its fundamental structural-harmonic organization, which is based on an incomplete harmonic progression (V7-I), and its more remote intermediary tonal areas, which Brahms implies throughout the Intermezzo but to which he never wholly commits.<br>The aim of this investigation is to illustrate how tonal ambiguity is achieved though recurrent "incompletions" of the expected (or at least the more likely) harmonic progr
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Campos, Luana Pereira Brant. "Hibridizações no cinema digital : Peter Greenaway no espaço intermezzo e nas potências do falso." reponame:Repositório Institucional da UnB, 2009. http://repositorio.unb.br/handle/10482/4283.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Departamento de Artes Visuais, Programa de Pós-Graduação em Arte, 2009.<br>Submitted by Larissa Ferreira dos Angelos (ferreirangelos@gmail.com) on 2010-04-05T15:13:09Z No. of bitstreams: 1 2009_LuanaPereiraBrantCampos.pdf: 5393645 bytes, checksum: 4e178b4345c44f66a8c341c796cd3846 (MD5)<br>Approved for entry into archive by Daniel Ribeiro(daniel@bce.unb.br) on 2010-04-19T18:51:03Z (GMT) No. of bitstreams: 1 2009_LuanaPereiraBrantCampos.pdf: 5393645 bytes, checksum: 4e178b4345c44f66a8c341c796cd3846 (MD5)<br>Made available i
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Struck, Michael. "Pasticcio: Intermezzo historironico: Wie man im 21. Jahrhundert immer noch über Robert Schumanns ‚Spätwerk‘ streitet." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23355.

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12

Noh, Kyung-Ah. "Gordon Binkerd’s “Intermezzo” From Essays for the Piano (1976): a Comprehensive Analysis of Brahmsian Compositional Influences and Stylistic Elements." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699944/.

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Gordon Binkerd (1916-2003) was an influential and well-known twentieth century composer. While his choral works are renowned worldwide, his piano music is rather unfamiliar to present-day scholars and performers. Binkerd’s Essays for the Piano (1976) is a set of six pieces that was greatly influenced by Brahms’ music. Especially noteworthy is the first piece of the set, titled “Intermezzo,” which is based on Brahms’ “Intermezzo” Op. 118, No. 1. The fact that Binkerd’s compositional procedures allow for a “recasting” of Brahms’ piece in a way that disguises the original source of his work are i
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Bernardes, José Antônio Branco 1965. "Os recitativos em Le Devin du Village de Rousseau." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283946.

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Orientador: Eduardo Ostergren<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-16T23:58:05Z (GMT). No. of bitstreams: 1 Bernardes_JoseAntonioBranco_M.pdf: 6682447 bytes, checksum: 0a76b37323e7c504fdb7e3d911a327d5 (MD5) Previous issue date: 2008<br>Resumo: Este trabalho procura tratar de questões práticas concernentes a uma realização historicamente informada dos recitativos do intermezzo Le Devin du Village de Jean-Jacques Rousseau (1712-1778). Não tem pretensão de responder todas as questões suscitadas pela partitura or
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Stawström, Annelise. "Studien zur Menschwerdungsthematik in Irmtraud Morgners Leben und Abenteuer der Trobadora Beatriz nach Zeugnissen ihrer Spielfrau Laura : Roman in dreizehn Büchern und sieben Intermezzos." Doctoral thesis, Stockholms universitet, Avdelningen för tyska, 1987. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-83284.

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Stawström, Anneliese. "Studien zur Menschwerdungsthematik in Irmtraud Morgners "Leben und Abenteuer der Trobadora Beatriz nach Zeugnissen ihrer Spielfrau Laura" : Roman in dreizehn Büchern und sieben Intermezzos /." Stockholm : Almqvist och Wiksell, 1987. http://catalogue.bnf.fr/ark:/12148/cb35515143w.

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16

Easterling, Douglas. "Authorial Voice and Agency in the Operas of Richard Strauss| A Study of Self-Referentiality." Thesis, University of Cincinnati, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1561131.

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<p>Self-referentiality plays an important, but often overlooked, role in the works of Richard Strauss. The broad category of self-reference includes works of metafiction, which literary critic Patricia Waugh has defined as fiction that &ldquo;self-consciously and systematically draws attention to its status as an artifact in order to pose questions about the relationship between fiction and reality&rdquo; and &ldquo;explores the <i>theory </i> of writing fiction through the <i>practice</i> of writing fiction.&rdquo;<sup>1</sup> Additionally, Werner Wolf has conceptualized self-reference to inc
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17

Olivier, Ryan K. "Musica speculativa| An exploration of the multimedia concert experience through theory and practice part I| Imaginary cognition| Interpreting the Topoi of intermedia electroacoustic concert works part II| Musica speculativa| A multimedia concert work in five movements and three intermezzi." Thesis, Temple University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3703038.

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<p> <i>Musica Speculativa</i> is a final project in two parts in which I explore, through both theory and practice, the role of metaphors in our understanding of reality with special attention given to the use of visual representation in multimedia concert works that employ electroacoustics. Part I, entitled, "Imaginary Cognition: Interpreting the Topoi of Intermedia Electroacoustic Concert Works," explores how metaphors play a core role in our musical experience and how aural metaphors can be enhanced by and ultimately interact with visual metaphors to create a contrapuntal intermedia experie
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18

Voss, Carl. "Intermezzo /." 2004. http://digitalcommons.libraries.columbia.edu/dissertations/AAI3147286/.

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Thesis (D.M.A.)--Columbia University, 2004.<br>For chamber orchestra. Duration: 9 min. Title from caption of v. 2 (score). Department: Music. Proquest Digital Dissertations Online ; Also available via the World Wide Web; Subscription required.
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"A Textual and Musical Commentary on J. Guy Ropartz’s Quatre Poèmes après l’Intermezzo d’Henri Heine (1899)." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53808.

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abstract: Heinrich Heine’s collection of poems, Lyrisches Intermezzo, is well-known in music circles, largely due to Robert Schumann’s settings of sixteen of these poems in his masterwork Dichterliebe. Because of Dichterliebe’s place of importance in art song literature, many other settings of Heine’s sixty-five poems are often overlooked. Breton-born composer Joseph Guy Marie Ropartz composed Quatre Poèmes d’après l’Intermezzo d’Henri Heine in 1899, after having collaborated on a new French translation of the entire Lyrisches Intermezzo in 1890. This cycle is rarely performed, largely due
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20

Tang, Wen-Hsien, and 黨雯嫻. "The Production Report of Short Film “Intermezzo”." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/56773576896317581568.

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碩士<br>國立臺灣藝術大學<br>應用媒體藝術研究所<br>100<br>In music, an intermezzo is an independent and complete composition which fits between movements in a larger work, and serves as a musical connecting material for a play or an opera. The film is named intermezzo, referring to a transformation of a relationship in someone’s life. Intermezzo is a story about a brother and a sister, Jie-Wei and Chun. They have always been in the opposite positions and argued with each other in everything since they were little. However, when their beloved grandfather passed away, they started to care about each other’s weakne
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LI, YUAN-CHEN, and 李元貞. "Intermezzo ─ The Conseptions of My Musical Compositions." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/2946pt.

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Bessa, Ana Rita Barreira Duarte. "Intermezzo na melhoria : o papel das lideranças intermédias." Master's thesis, 2013. http://hdl.handle.net/10400.14/14708.

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A presente dissertação situa-se na temática abrangente da melhoria das escolas enquanto organizações, concentrando-se na dimensão das estruturas intermédias de coordenação que são, na verdade, os braços que operam ou resistem à mudança no quotidiano. Começamos por percorrer o pensamento científico publicado, partindo do conceito de escola enquanto organização e prosseguindo até aos fatores que explicam algum grau de imobilismo que genericamente nelas se verifica. Particularizamos a situação em Portugal, procurando demonstrar que conceptualmente está definido um enquadramento de governança, e
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Lai, Ting-Kai, and 賴亭愷. "Robert Schumann: Intermezzi, Op.4." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/398h5m.

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Heinrich, David. "Max Klinger's Intermezzi : a critical analysis." 2002. http://web4.library.adelaide.edu.au/theses/09ARM/09armh469.pdf.

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Bibliography: leaf 83-86. A critical analysis of Intermezzo, a portfolio of twelve etchings published in 1881 by the German printmaker, Max Klinger (1857-1920) and held by the Art Gallery of South Australia. Recorded as Opus IV, Intermezzi is a relatively unknown and unusual work in Klinger's printmaking oeuvre. It is unlike Klinger's other graphic cycles in that it does not appear to be a related set of prints but a series of free fantasies without associative or thematic connection.
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Liu, Fang-I., and 劉芳宜. "The Study of Poulenc’s “Three Intermezzi”." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/78158583435277569587.

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碩士<br>臺北市立教育大學<br>音樂學系教學碩士學位班<br>99<br>Francis Jean Marcel Poulenc was one of the most important composers in the 20th century solo piano works. The style of his music is very unique, which is simple with humor; also very elegant and romantic. The author had research on “Deux intermezzi” and “Intermezzo in A-flat Major”, which were composed in 1934 and 1943. The thesis is constructed with six chapters. Chapter one, introduction, expresses the motive, purpose and the research method of this study. Besides the general statement of Poulenc’s background, chapter two also focus on how his style of
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Lin, Chao-hsin, and 林昭欣. "A Study of Brahms’ Three Intermezzi, Op. 117." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/6bks3q.

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碩士<br>國立中山大學<br>音樂學系研究所<br>106<br>Johannes Brahms (1833-1897) composed Fantasies, Op. 116, Three Intermezzi, Op. 117, Piano Pieces, Op. 118, Piano Pieces, Op. 119 during years of 1892 to 1893. There are fourteen of them titled Intermezzo among these twenty pieces in total. In his early compositional period, Brahms had employed the title of Intermezzo within the large-scale forms, such as the fourth movement of F Minor Piano Sonata No. 3, Op. 5, and Four Ballades, Op. 10-3. While compositions of piano character pieces flourishing in the nineteenth century, Brahms chose the simple formal structu
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Johnston, Keith. "È caso da intermedio! Comic Theory, Comic Style and the Early Intermezzo." Thesis, 2011. http://hdl.handle.net/1807/31793.

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This dissertation is a study of the comic intermezzo’s literary origins and musical practice in the years before Pergolesi’s La serva padrona (1733). It begins with a chronological examination of Italian comic plays and operas written between 1660 and 1723. During these years comic playwrights adopted a style of writing speech from the improvised theatre which makes use of what Richard Andrews (1993) refers to as “elastic gags.” This style of comedy flourished under Medici patronage in Florence in the last decades of the seventeenth century and then spread to Venice, Rome and Naples during
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Huang, I.-yun, and 黃憶芸. "A Study of Johannes Brahms’“Three Intermezzi,”Opus 117." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/85664476032523003765.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>99<br>This dissertation presents Johannes Brahms’ three piano pieces from his late year, “Three Intermezzi,” Op. 117, composed in 1892. They were composed in Romantic style by using Classical materials which were considered as Brahms’ mature achievement on his composition and performing techniques. The dissertation contains a brief introduction to music history of Romantic era and a research of the development of intermezzo composed during this time. With Johannes Brahms’ biography provided, the author explores his composition style of piano music. The followed ana
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Chuang, Chih-Chia, and 莊至鎵. "A Study on “ Drei Intermezzi, Op. 117 ” by Johannes Brahms." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/4bvsks.

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碩士<br>中國文化大學<br>音樂學系西洋音樂組<br>102<br>This thesis is on the piano piece, “Drei Intermezzi, Op. 117” of German composer, Johannes Brahms. The thesis consists of six chapters. The first chapter introduces the motivations, objectives, scope, and methods of this study. The second chapter presents an introduction of the composer and his background. The third chapter consists of three sections on the musical characteristic of Brahms’ piano pieces, the piano works periods by Brahms, the style of Brahms’s characteristics pieces and “Drei Intermezzi, Op. 117”. The fourth chapter includes
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Chou, Tzu Jiun, and 周姿君. "The Research and Interpretation of Schumann'' s Intermezzi, Op. 4." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/99099606620149466964.

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HUA, HUANG YU, and 黃郁華. "The Interpretation and Analyze of Johannes Brahms' Drei Intermezzi for Piano, Op. 117 and Klavierstücke, Op. 119." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/33916773028908429046.

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碩士<br>國立臺灣師範大學<br>音樂學系<br>100<br>Under the influence of two respected teachers, Otto Friedrich Willibald Cossel (1813-1865) and Eduard Marxsen (1806-1887), Johannes Brahms’s (1833-1897) works are firmly rooted in a sense of form and order by Baroque and Classical’s compositional techniques. Therefore, at the time of Romantic period, Brahms’s music forms a unique style besides the mainstream of 19th century. Brahms' piano solo pieces can be divided into three periods. In his early years, he focused on composing Sonatas using heavy sound and a huge structure to show the symphony-like moment. Bra
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