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Journal articles on the topic 'Intermezzon'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

RICE, JOHN. "The Roman intermezzo and Sacchini's La contadina in corte." Cambridge Opera Journal 12, no. 2 (2000): 91–107. http://dx.doi.org/10.1017/s0954586700000914.

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The origins of the Roman intermezzo, an important and influential sub-genre of Italian comic opera, can be traced back to the 1730s, when the composer and librettist Benedetto Micheli wrote several two-part intermezzi for the Teatro Valle and other theaters in Rome for performance during the intermissions of spoken plays. The Valle cultivated the intermezzo with particular consistency during the next six decades, presenting works by many distinguished composers, including Sacchini, Paisiello, and Cimarosa. Sacchini's La contadina in corte, on a libretto derived from Giacomo Rust's three-act co

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2

Chachulski, Jakub. ""Echo w lesie" Józefa Elsnera i Wojciecha Pękalskiego – późny pogłos włoskiego intermezza na warszawskiej scenie narodowej?" Muzyka 65, no. 2 (2020): 105–46. http://dx.doi.org/10.36744/m.449.

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Przedmiotem artykułu jest jednoaktowa opera Echo w lesie Józefa Elsnera z tekstem Wojciecha Pękalskiego, rozpatrywana w kluczu określenia gatunkowego „intermezzo” nadanego jej oryginalnie przez obu twórców, podobnie jak kilku innym – dziś zaginionym – utworom Elsnera powstałym w latach 1808–1810, w większości z myślą o małżeństwie aktorów-śpiewaków Janie Nepomucenie i Joannie Szczurowskich. Tło historyczne uzasadnia uznanie tego określenia za sygnalizujące intencje nawiązania dla włoskich intermezzów buffa z końca XVIII w.; pod tym kątem zanalizowane zostają fragmenty opisywanego utwóru, ujawn

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3

. "Intermezzo." Huisarts en Wetenschap 44, no. 13 (2001): 42. http://dx.doi.org/10.1007/bf03082323.

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4

. "Intermezzo." Huisarts en Wetenschap 44, no. 12 (2001): 138. http://dx.doi.org/10.1007/bf03082367.

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. "Intermezzo." Huisarts en Wetenschap 44, no. 12 (2001): 139. http://dx.doi.org/10.1007/bf03082368.

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. "Intermezzo." Huisarts en Wetenschap 44, no. 12 (2001): 142. http://dx.doi.org/10.1007/bf03082370.

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. "Intermezzo." Huisarts en Wetenschap 44, no. 12 (2001): 144. http://dx.doi.org/10.1007/bf03082372.

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. "Intermezzo." Huisarts en Wetenschap 44, no. 12 (2001): 145. http://dx.doi.org/10.1007/bf03082373.

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9

Brenner, Miriam. "Intermezzo." Magma 1, no. 5 (1998): 141. http://dx.doi.org/10.11606/issn.2448-1769.mag.1998.87440.

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10

Blei, Andres T. "Intermezzo." Hepatology 44, no. 1 (2006): 2. http://dx.doi.org/10.1002/hep.21278.

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11

Клименко, Олена. "Intermezzo." Дніпро, no. 10 (2009): 102–22.

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12

. "Intermezzo." Huisarts en Wetenschap 45, no. 5 (2002): 570. http://dx.doi.org/10.1007/bf03083020.

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. "Intermezzo." Huisarts en Wetenschap 45, no. 4 (2002): 623. http://dx.doi.org/10.1007/bf03083046.

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14

. "Intermezzo." Huisarts en Wetenschap 45, no. 4 (2002): 635. http://dx.doi.org/10.1007/bf03083049.

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. "Intermezzo." Huisarts en Wetenschap 45, no. 4 (2002): 655. http://dx.doi.org/10.1007/bf03083054.

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16

. "Intermezzo." Huisarts en Wetenschap 45, no. 3 (2002): 728. http://dx.doi.org/10.1007/bf03083090.

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. "Intermezzo." Huisarts en Wetenschap 45, no. 3 (2002): 729. http://dx.doi.org/10.1007/bf03083091.

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18

. "Intermezzo." Huisarts en Wetenschap 45, no. 3 (2002): 730. http://dx.doi.org/10.1007/bf03083092.

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. "Intermezzo." Huisarts en Wetenschap 45, no. 3 (2002): 731. http://dx.doi.org/10.1007/bf03083093.

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. "Intermezzo." Huisarts en Wetenschap 45, no. 2 (2002): 791. http://dx.doi.org/10.1007/bf03083123.

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. "Intermezzo." Huisarts en Wetenschap 45, no. 2 (2002): 798. http://dx.doi.org/10.1007/bf03083125.

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22

. "Intermezzo." Huisarts en Wetenschap 45, no. 1 (2002): 856. http://dx.doi.org/10.1007/bf03083152.

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23

Zaat, Joost. "Intermezzo." Huisarts en Wetenschap 47, no. 9 (2004): 365. http://dx.doi.org/10.1007/bf03083791.

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. "Intermezzo." Huisarts en Wetenschap 47, no. 7 (2004): 501. http://dx.doi.org/10.1007/bf03083859.

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25

Hart, B. "Intermezzo (1924)." Opera Quarterly 15, no. 3 (1999): 608–12. http://dx.doi.org/10.1093/oq/15.3.608.

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26

Kuschel, Frank. "Das Straßburger Intermezzo." Nachrichten aus der Chemie 66, no. 7-8 (2018): 758–60. http://dx.doi.org/10.1002/nadc.20184071569.

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27

Cha, Hosung. "A Study on Intermezzo in 19th-century Piano music." Music Theory Forum 22, no. 2 (2015): 57–80. http://dx.doi.org/10.15571/mtf.2015.22.2.57.

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28

Cha, Hosung. "A Study on Intermezzo in 19th-century Piano music." Yonsei Music Research 22, no. 2 (2015): 57–80. http://dx.doi.org/10.16940/ymr.2015.12.57.

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29

Ковальчук, О. ""Intermezzo" (Імпресіонізм + експресіонізм + сюрреалізм? )". Дивослово, № 9 (672) (2015): 51–55.

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30

Schmit, Sabine. "Kurzes Intermezzo der Dentisten." Der Freie Zahnarzt 58, no. 2 (2014): 34–35. http://dx.doi.org/10.1007/s12614-014-1898-6.

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31

Verstappen, Wim. "Intermezzo’s als afscheid." Huisarts en wetenschap 63, no. 10 (2020): 91. http://dx.doi.org/10.1007/s12445-020-0853-9.

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32

Asztalos, Bence. "Richard Strauss’ Forewords to Intermezzo." Studia Universitatis Babeş-Bolyai Musica 62, no. 1 (2017): 233–43. http://dx.doi.org/10.24193/subbmusica.2017.1.16.

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33

Schuster, Heidi. "Der Hackerparagraph — ein kurzes Intermezzo?" Datenschutz und Datensicherheit - DuD 33, no. 12 (2009): 742–46. http://dx.doi.org/10.1007/s11623-009-0195-z.

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Garber, Thorsten. "Vorstandschef-Wechsel nach kurzem Intermezzo." return 6, no. 6 (2019): 9. http://dx.doi.org/10.1007/s41964-019-0179-0.

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35

Mirosnicenko, Svetlana. "The genesis of the genre intermezzo." Godisnjak Uciteljskog fakulteta u Vranju, no. 6 (2015): 391–98. http://dx.doi.org/10.5937/gufv1506391m.

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36

Bergsjo, Per. "African intermezzo: Home birth, Masai style." Acta Obstetricia et Gynecologica Scandinavica 72, no. 8 (1993): 597–98. http://dx.doi.org/10.3109/00016349309021148.

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37

Nikoriak, Nataliia. "Original Minority: The Screenplay Based on the Literary Text (“Intermezzo” by Serhii Parajanov)." Pitannâ lìteraturoznavstva 95 (November 27, 2017): 160–74. http://dx.doi.org/10.31861/pytlit2017.95.160.

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38

Pavlov, Michael Y., Anders Liljas, and Måns Ehrenberg. "A recent intermezzo at the Ribosome Club." Philosophical Transactions of the Royal Society B: Biological Sciences 372, no. 1716 (2017): 20160185. http://dx.doi.org/10.1098/rstb.2016.0185.

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Two sets of ribosome structures have recently led to two different interpretations of what limits the accuracy of codon translation by transfer RNAs. In this review, inspired by this intermezzo at the Ribosome Club, we briefly discuss accuracy amplification by energy driven proofreading and its implementation in genetic code translation. We further discuss general ways by which the monitoring bases of 16S rRNA may enhance the ultimate accuracy ( d -values) and how the codon translation accuracy is reduced by the actions of Mg 2+ ions and the presence of error inducing aminoglycoside antibiotic

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39

FRIEDSON, STEVEN M. "The unbearable weight of music: The intermezzo." Anthropology Today 35, no. 5 (2019): 11–15. http://dx.doi.org/10.1111/1467-8322.12528.

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40

Fenech, Giuliana. "Intermezzo: play trajectories in mixed reality worlds." Journal for Cultural Research 21, no. 4 (2017): 383–93. http://dx.doi.org/10.1080/14797585.2017.1370489.

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41

Murray, David. "‘Conversational opera’ chez Strauss." Tempo, no. 210 (October 1999): 7–9. http://dx.doi.org/10.1017/s0040298200007129.

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Richard Strauss is widely believed to have explored, and perhaps to have developed, a new line in ‘conversational opera’, from Intermezzo (1924) to his last opera Capriccio (1942) – with divergences from the path, admittedly, along the way. Yet lengthy consideration has made me conclude that there was never any such path, nor that Strauss ever tried to follow one.

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42

Lenska, S. V. "Impressionistic poetics of the short stories „Kew Gardens” by W. Woolf and „Intermezzo” by M. Kotsyubynsky." Bulletin of Luhansk Taras Shevchenko National University, no. 3 (341) (2021): 114–24. http://dx.doi.org/10.12958/2227-2844-2021-3(341)-114-124.

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The article compares two examples of modernist short stories of the early twentieth century – „Kew Gardens” by the British writer W. Woolf and „Intermezzo” by the Ukrainian writer M. Kotsyubynsky. Such a comparative study has been carried out for the first time. Most researchers associate Woolfe with „stream of consciousness” literature, but in the short story „Kew Gardens” we see signs of impressionist poetics. “Intermezzo” by M. Kotsiubynsky is traditionally regarded as an example of impressionism. In both texts, the narration is in the first person, there are elements of the „stream of cons

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43

Kikkenborg Berg, S., P. Preisler, and B. Pedersen. "188 Poster Infective Endocarditis—an Intermezzo in Life." European Journal of Cardiovascular Nursing 9, no. 1_suppl (2010): S42. http://dx.doi.org/10.1016/s1474-5151(10)60147-8.

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44

Gthlund, Anette, and Ulla Lind. "Intermezzo A performative research project in teacher training." International Journal of Education Through Art 6, no. 2 (2010): 197–212. http://dx.doi.org/10.1386/eta.6.2.197_1.

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45

Berg, Selina Kikkenborg, Pernille Preisler, and Birthe D. Pedersen. "Patients Perspective on Endocarditis — An Intermezzo in Life." European Journal of Cardiovascular Nursing 9, no. 2 (2010): 126–31. http://dx.doi.org/10.1016/j.ejcnurse.2009.11.007.

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46

Schapiro, Melvin. "What to do with the adenoma-carcinoma intermezzo." Gastroenterology 91, no. 1 (1986): 256. http://dx.doi.org/10.1016/0016-5085(86)90473-7.

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47

Brovelli, Maria Antonia, and Fernando Sansò. "Geodatabase updating by new measurements; a Bayesian intermezzo." Applied Geomatics 1, no. 1-2 (2009): 41–47. http://dx.doi.org/10.1007/s12518-009-0003-3.

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48

Ogg, James G. "The mysterious Mid-Carnian “Wet Intermezzo” global event." Journal of Earth Science 26, no. 2 (2015): 181–91. http://dx.doi.org/10.1007/s12583-015-0527-x.

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49

Giard, Anne. "Les interactions verbales dans une scène de Giraudoux." Études françaises 35, no. 1 (2006): 137–46. http://dx.doi.org/10.7202/036130ar.

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Résumé Le fonctionnement du dialogue dans un extrait de Intermezzo de Jean Giraudoux est observé à la lumière des travaux sur l'interaction verbale, tels qu'ils sont récapitulés et prolongés par la «linguistique interactionniste». On montre comment la dynamique de l'échange verbal perturbe les relations interpersonnelles et les rapports de force, dans une situation de communication qui semblait être la moins propice à l'évasion hors des rôles prescrits.

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50

Howell, Tim. "Brahms, Kierkegaard and Repetition: Three Intermezzi." Nineteenth-Century Music Review 10, no. 1 (2013): 101–17. http://dx.doi.org/10.1017/s1479409813000050.

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Schoenberg's ideas about ‘Brahms the progressive’ involve the close study of the composer's use of ‘developing variation’ technique, yet Brahms's music also contains a high incidence of repetition. In 1843, the Danish philosopher Søren Kierkegaard published a book called Repetition under the pseudonym, ‘Constantin Constantius’. As an encryption of his underlying philosophy, this pseudonym encapsulates both the constant nature of repetition – and its more subtle element of change. Thus stasis and dynamism, similarity and difference, are equally (and visibly) represented here. Kierkegaard's idea

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