Academic literature on the topic 'International Broadcasting Association'

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Journal articles on the topic "International Broadcasting Association"

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Urazova, Svetlana Leonidovna. "A Competitive Model of Commercial TV Broadcasting." Journal of Flm Arts and Film Studies 4, no. 1 (February 15, 2012): 136–42. http://dx.doi.org/10.17816/vgik41136-142.

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Russian TV industry is now undergoing a stage of impetuous reforming. Alongside with the introduction of the digital platform of nation-wide terrestrial broadcasting with free analogue programs other demanded segments of TV market - cable and satellite TV, IPTV, webcasting, mobile TV - are rapidly developing. The article surveys the International Exhibition CSTB’2012, (organized by MIDEXPO and Russian Association of Cable Broadcasting) as an example of the dynamics of the processes in Russian television.
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Badenoch, Alexander, and Kristin Skoog. "Lessons from Lilian." Feminist Media Histories 5, no. 3 (2019): 9–35. http://dx.doi.org/10.1525/fmh.2019.5.3.9.

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Scholarship has long demonstrated how a focus on women's roles can reveal vital new elements of broadcasting history, adding critical perspectives on institutional, aesthetic, communicatory, and participatory media narratives. This article asks: What happens if we stop looking at the stories of women in broadcasting as “media history”? What other interpretive lenses and disciplinary traditions might we draw on, and how might we insert media fruitfully within them? The work derives from research on the early years of the International Association of Women in Radio and Television (IAWRT) as read from the correspondence of founder Wilhelmina (Lilian) Posthumus-van der Goot (1897–1989), and builds on IAWRT's example to develop methodological considerations for writing entangled transnational histories of gender and broadcasting, absorbing insights from studies of international organizations, collective biographies, and reconsiderations of the archive in the digital age.
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Goian, Oles, and Vita Goian. "First Commercial Private Radio Stations in Ukraine: From Experiments to Business." Current Issues of Mass Communication, no. 25 (2019): 33–50. http://dx.doi.org/10.17721/2312-5160.2019.25.33-50.

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The article concerns the first two years (1992-1993) of the formation of commercial broadcasting in Ukraine. It studies the factors that influenced the creation of the first commercial radio stations, which gradually attempted to switch from a “game mode” to the broadcasting business and business entrepreneurship. The activity of the first ten commercial radio companies is studied by means of systematization, content analysis, generalization and other methods. The authors of the article offer the documented time of the first airwaves of each company mentioned (from the authors‟ personal archives). The role that these stations played in the formation of commercial private broadcasting in Ukraine is analyzed. Additional information is given about the creation of the Association of Private Radio Stations in Ukraine which was intended to unite commercial radio stations. The minute of the seminar “Local Radio” is published for the first time. The meeting with the head officers of the radio stations present was organized by the public organization International Media Center – Internews (Ukraine) and by the training center British Broadcasting Corporation (BBC, England) from May 20 to June 3, 1994 in Pushcha-Vodytsia near Kyiv. It was there where they decided to create the association. One of the radio projects of MMC-Internews “Interview from Internews” is examined. It may be considered as the first radio project unifying commercial radio stations, and also the first student radio project at the private radio station in Ukraine. Therefore, the purpose of the article is to study facts and documents (from the authors‟ personal archive) certifying the dialectic progress of Ukrainian commercial broadcasting from the so-called “musical patchwork” to the transformation into a profitable means of mass communication.
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Hazlett, Thomas W., and Matthew L. Spitzer. "Digital Television and the Quid Pro Quo." Business and Politics 2, no. 2 (August 2000): 115–59. http://dx.doi.org/10.2202/1469-3569.1006.

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The recent zero-priced award of $11–70 billion in digital TV (DTV) licenses by the federal government occurred when auctions had been initiated for non-broadcast licenses and when the seven decade-old regime of ‘public trusteeship’ in broadcasting had become famous for licensee reneging on promised obligations. Policymakers nonetheless declined to auction DTV licenses when enacting the Telecommunications Act of 1996, rejecting a plea from the Senate Majority Leader. This paper provides an overview of the episode and investigates three basic questions. (1) Why does Congress continue a regulatory system that routinely fails to provide the benefits it is supposed to generate? (2) Why did the National Association of Broadcasters propose high definition television as a way of keeping land mobile operators off an unused spectrum? (3) Why did Congress delegate to the FCC the decision to award licenses for digital television broadcasting?
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Holovanova, Natalia Viktorivna. "VALUES OF INFORMATION POLICY IN THE SPACE OF UKRAINE-EU (IN THE LIGHT OF PLOTIN, LEVINAS AND SYNCRETIC APPROACHES IN THE PHILOSOPHY OF ANCIENT KYIV)." UKRAINIAN ASSEMBLY OF DOCTORS OF SCIENCES IN PUBLIC ADMINISTRATION 1, no. 14 (June 16, 2018): 87–100. http://dx.doi.org/10.31618/vadnd.v1i14.101.

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Properties of modern media space as a superposition of the physical, informational and virtual worlds are specified. Different approaches to the concepts of “media space”, “being”, “otherness”, “context” in the postmodern era are generalized. The questions of European unity in the genesis, the main sources of integration in Europe, the causes of the problem of preserving European identity, dialogue and related topics of understanding and problems of European identity in the metamodern era are presented. The interpretation of these concepts of Plotinus, Levinas and the main features of the philosophy of the Kievan Rus is considered. The main treaties and sources of soft law of the Council of Europe in the information sphere and the values that they carry with their content are analyzed. The joint actions of Ukraine, the European Union and the Council of Europe on implementation of transparency of media ownership, broadcasting of territorial communities, public broadcasting, digital broadcasting, information security measures are considered. The content of the Association Agreement between Ukraine and Ukraine and the emphasis on the protection of human rights in the system of international law are analyzed. The need for flexible approaches and a review of public policy in all areas in the context of globalization are emphasized. The main regulatory mechanisms in European cyberspace are presented. Principles and the history of the development of broadcasting of territorial communities in Europe are mentioned. The priorities of the state policy in the informational sphere are emphasized. The problems of development of modern information policy of Ukraine are determined. Directions of improvement of the concept of modern European media space and information policy in the region are proposed.
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Jagodic, Tone, and Zlatko Mateša. "Some aspects of legal regulation of sports marketing." Zbornik radova Pravnog fakulteta u Splitu 58, no. 1 (February 9, 2021): 1–14. http://dx.doi.org/10.31141/zrpfs.2021.58.139.1.

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There are different marketing activities generating money for sport subjects depending on their properties which are offered for commercial exploitation. Marketing consists of different tools and ways how to generate money for sport such as selling of broadcasting (TV) and media rights, sponsorship, merchandising, licensing, ticketing, charities, donations, patronages. From the legal point of view, it is interesting to explore how different marketing tools are regulated. Certain parts of marketing matters are covered by legal rules. In 2011 Commission on Marketing and Advertising of the International Chamber of Commerce (ICC) issued the latest version of the ICC International Advertising and Marketing Communication Code. The document applies to different forms of sponsorship relating to corporate image, brands, products, activities or events of any kind. It includes sponsorship by both commercial and non-commercial organizations. The basic connection represents association between sports property and sponsor brand as a tool how to transfer image of the sport to the sponsor. The nature of the Code implies good governance in the field of sponsorship. Special attention deserves the principle of respecting the sponsorship property. The Code represents a useful opportunity for companies, business, associations, courts of law, public authorities, self regulatory bodies on national and international level and other institutions which are supposed to solve disputes in sponsorship cases. European Union law together with national legislation of EU members have set up rules for advertising sector of TV broadcast. Television without Frontiers Broadcasting Directive consists with the detailed time and other limitations for different situations. As EU directive does not regulate visual coverage of sponsor logos and other insignia visible during sport competition on TV that means that sponsors and other subjects do not need to respect rules of the directive. In the absence of formal legislation on national and international level the ICC Code represent a very useful tool to handle sponsorship agreements and possible disputes which could arise from them. The Code is designed primarily as an instrument for self-discipline. On the other hand it is also intended for use as an interpretative aid for the parties in the clarification of uncertainties arising under the sponsorship, as well as a reference for courts or arbitrators in sponsorship disputes.
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Rowe, David, and Stephanie Alice Baker. "The “Fall” of What? FIFA’s Public Viewing Areas and Their Contribution to the Quality of Public Life." Space and Culture 15, no. 4 (November 2012): 395–407. http://dx.doi.org/10.1177/1206331212460624.

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Much conventional scholarship considers “the public” to be in decline in the modern Western world, following a range of cultural developments believed to encourage withdrawal into the private domain. Public Viewing Areas devoted to communicating live events may be interpreted as countering such a trend by attracting audiences to the public sphere. This article examines how the world governing body of association football, FIFA, recently aimed to achieve such an objective by broadcasting the 2010 World Cup at six designated international Fan Fest sites. Drawing on theories of “spectacle” and sociality, the implications of FIFA’s initiative are interrogated by examining whether the environment and surveillance measures characterizing the “global spectacle” facilitated social interaction. In the process, established understandings of the “fall” and “quality” of public life are canvassed to propose how these collective fora might engender “meaningful” public communication beyond crowd assimilation through spatial co-presence and shared mediated imagery alone.
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Hackmann, Willem. "James Wood, History of International Broadcasting. IEE History of Technology Series, 19. Stevenage: Peter Peregrinus in association with the Science Museum, London, 1992. Pp. xvix + 258. ISBN 0-86341-281-5. £30." British Journal for the History of Science 27, no. 1 (March 1994): 122–24. http://dx.doi.org/10.1017/s0007087400031794.

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Urazova, Svetlana L. "TV Moves into Virtual Reality as a Projection of Development." Journal of Flm Arts and Film Studies 8, no. 4 (December 15, 2016): 146–51. http://dx.doi.org/10.17816/vgik84146-151.

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The rapid development of digital technologies has a significant impact on the media market and media systems as a whole. Despite the fact that traditional TV has become the first to have mastered the digital platform and still retains leadership among audiences of different countries, it is also experiencing the pressure of evolutionary technologies. One of these areas is the competitive dynamic development of technological tools to create a virtual reality that completely captures the attention of consumers, especially the younger generation, and plunges them into the space of the surreal world. But is TV actually not familiar with virtual reality or is it just a stereotype, established as a result of the existence of analog TV for several decades in the last century? This author considers the terminological backing of virtual reality and the emergence of this definition as exemplified by cinema and TV, as well as analyzes the signing of the cooperation agreement between the Russian TV channel Digital TV (part of the holding VGTRK) and the largest technology company KROK for the purpose of creating a consortium for the development of virtual reality in the Russian market. The author also addresses the issue of possible consumer awareness manipulation, especially among the younger generation, with the abuses of games and other applications of virtual reality, and reveals dissonance in consumer awareness of the virtual and objective realities in the future. Besides, the trend of development in Russian TV broadcasting is considered, identified in the framework of the International Congress of the National Association of Broadcasters. The author rationalizes the involvement of the younger generation in the world of virtual reality, assuming that it will not only improve the profitability and capitalization of TV as the leading media system, but may also attract target audiences to domestic television viewing.
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Göral, Kemal. "Performance analysis of the last champion German National Team in 2014 FIFA World CupSon şampiyon Alman Milli Takımının 2014 FIFA Dünya Kupası performansının analizi." International Journal of Human Sciences 12, no. 1 (April 7, 2015): 1107. http://dx.doi.org/10.14687/ijhs.v12i1.3215.

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<p class="Default">This study has been carried out to analyze the National Team of Germany that had been the winner of the 2014 FIFA World Cup as the most successful team for several variables. Data analyzed in this research were gathered from the official web site of the Fédération Internationale de Football Association and the international TV channels broadcasting the competitions. Technic parameters such as shots, accurate shots, corner kicks, offsides, accurate and non-accurate passes, and variances of goals scored in the matches were analyzed according to the goal times and areas. Statistics were registered through SPSS program and the percentages and frequencies were calculated. Germany National Team, the most successful team of the 2014 FIFA World Cup has scored 18 goals with an average of 2.57 goals per match without conceding a goal in the first periods . This statistic is similar to all previous tournaments. All along the tournament, most (%74) of the first 11 players of the teams starting the matches were consisted of players from Bundesliga. Accurate shots’ percentage has been determined as %73.2, the average percentage of possessing the ball as %56.71 and also the percentage of accurate passes as %81.9 out of 4990 pass attempts. As a conclusion, to achieve great results in top level tournaments such as FIFA World Cup, there are important performance indicators to take into consideration. Regarding the success of the German National Soccer Team in the tournament, it is argued that especially possessing the ball, shooting and passing accurately with a high rate along with other performance indicators are the base elements of success.</p><p class="Default"> </p><p class="Default"><strong>Özet</strong></p><p>Bu çalışma, 2014 FIFA Dünya Kupasında ilk sırada yer alarak en başarılı takım olan Almanya Milli futbol takımının farklı değişkenler açısından analiz edilmesi amacıyla yapılmıştır. Araştırma verileri, müsabakaları yayımlayan uluslararası TV kanalından ve FIFA (Fédération Internationale de Football Association) resmi internet sitesinden elde edilmiştir. Müsabakalarda, atılan ve yenilen gollerin zaman dilimlerine göre dağılımı, bölgelere göre topa sahip olma yüzdeleri, atılan şut, isabetli şut, köşe vuruşu, ofsayt, başarılı ve başarısız pas sayıları gibi teknik parametrelerin dağılımları analiz edilmiştir. Elde edilen veriler SPSS programında kaydedilmiş, frekans ve yüzde değerleri hesaplanarak yorumlanmıştır. 2014 Dünya kupasının en başarılı takımı olan Almanya Milli takımının, turnuva boyunca maç başına 2.57 gol ortalaması ile attığı 18 golün tüm zaman dilimlerinde benzer dağılımlar gösterdiği ve maçların ilk yarılarında hiç gol yenilmediği belirlenmiştir. Turnuva boyunca maçlara ilk 11’de başlayan futbolcuların büyük çoğunluğunu (%74.0) Bundesliga’da oynayan futbolcular oluşturmaktadır. İsabetli şut atma yüzdesinin %73.2 gibi oldukça önemli bir oranda, 7 maçta yapılan 4990 pas girişiminden %81.9’unun başarılı ve topa sahip olma yüzdesi ortalamasının %56.71 olduğu tespit edilmiştir. Sonuç olarak, Futbol Dünya Kupası gibi üst düzey müsabakaların oynandığı turnuvalarda, başarılı performansa ulaşabilmek için gerekli birçok performans göstergesinin olduğu, Almanya Milli takımının başarısında her maçta yüksek oranda isabetli şut atma, topa sahip olma ve başarılı pas yüzdeleri ile birlikte bu unsurların diğer performans göstergelerini de olumlu yönde etkileyerek başarılı performansın temelini oluşturduğu söylenebilir.</p>
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Dissertations / Theses on the topic "International Broadcasting Association"

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Weston, Owen Charles. "Television as an evangelistic tool." 1997. http://hdl.handle.net/10500/16467.

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This thesis is the study of televangelism contextualized within the country of Romania. It seeks to answer six main questions: I} When the Lord Jesus gave Christendom the global, Gospel mandate, he forced his disciples into a two thousand year struggle with, not only the message, but how to spread this message. Is the Gospel message so powerful that it will penetrate through any method of delivery? Can a former communist country be evangelized through television? 2) The next question asked in this thesis: is the message in and of itself, when conveyed through this media, sufficient to accomplish its goals? Does the media encourage the recipient to fulfill the desires of the message? What about Mass Communication Theory which espouses that television is more likely to reinforce then transform a viewer's belief? 3) The third question wrestled with: would the former communistic country of Romania, when turning to the ideals of the West, receive the Gospel message with greater or lesser significance through the media of television, or would other forms of communication be more desirable? Would television, in comparison to Crusade or Film Evangelism, be a more ideal media for the Gospel at this juncture in Romania's history? 4) Television allows large audiences to be reached with staggering efficiency, but does the medium itself impose limits on the kind of evangelism that can be done? What type of church grows out of an electronic medium? Would television gather a church "unto itself?" 5) In fulfilling the great commission, many organizations and mission groups have arisen with the desire to carry the Gospel message to the ends of the earth with whatever means available, including CBN, who uses television. Can television reach the masses, including the poor, in Eastern block countries? 6) The final question addressed in this research: what are the long term effects of televangelism in this former communistic country? Would a one time television program, given in one week, yield results that can be determined two years later? These questions were not only wrestled with, but conclusions were drawn to make evangelism and particularly televangelism more efficacious.
Philosophy, Practical & Systematic Theology
Th. D. (Practical Theology)
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Books on the topic "International Broadcasting Association"

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General Association of International Sports Federations. Congress. Sport and television: General Association of International Sports Federations 29th Congress, 23-26 October 1995, Seoul. Seoul: General Association of International Sports Federations, 1996.

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Communications Law Symposium (4th 1985 Los Angeles, Calif.). International satellite and cable television: Resource manual for the fourth biennial Communications Law Symposium, cosponsored by the UCLA Communications Law Program and the International Bar Association... Edited by Firestone Charles M, Davis Doris W, University of California, Los Angeles. Communications Law Program, and International Bar Association. [Los Angeles]: University of California, 1985.

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Meeting, International Association of Entertainment Lawyers. Collective licensing--past, present and future: Reports presented at the meeting of the International Association of Entertainment Lawyers, MIDEM 2002, Cannes. Antwerpen: MAKLU, 2002.

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International Association of Entertainment Lawyers. Meeting. Digital cable radio--the tensions between the music industry and the broadcasting industry: Reports presented at the meeting of the International Association of Entertainment Lawyers, MIDEM 1994, Cannes. Edited by Allan Robert W. Apeldoorn, Netherlands: Maklu, 1994.

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International Association of Entertainment Lawyers. Meeting. Music in film, television and advertising: Reports presented at the meeting of the International Association of Entertainment Lawyers, MIDEM 1999, Cannes. Edited by Green Paddy Grafton and Poll Günter. Apeldoorn, Netherlands: Maklu Publishers, 1999.

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Weng, Björn. Die zentrale Vermarktung von Fernsehübertragungsrechten durch nationale und internationale Fussballverbände im Lichte neuester Rechtsprechung und Gesetzgebung. [Tübingen?: s.n.], 2000.

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C, Poff Deborah, Association for Canadian Studies, and International Council for Canadian Studies., eds. Communications in Canada: Papers presented at a conference sponsored by the Association for Canadian Studies and the International Council for Canadian Studies held at Hamilton, May 31-June 2, 1987. Montréal: The Association = L'Association, 1988.

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David, Peeperkorn, Rij Cees van, International Association of Entertainment Lawyers. Meeting., and MIDEM (1989 : Cannes, France), eds. Collecting societies in the music business: Reports presented at the meeting of the International Association of Entertainment Lawyers, Midem, 1989, Cannes. Apeldoorn, Netherlands: MAKLU Pub., 1989.

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Talent in the new millennium: Report presented at the meeting of the International Association of Entertainment Lawyers MIDEM 2001, Cannes. Apeldoorn, Netherlands: MAKLU Publishers, 2001.

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Book chapters on the topic "International Broadcasting Association"

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Kilcline, Cathal. "Plutocrats, Paranoia, Platoche." In Sport and Society in Global France, 261–306. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781781382899.003.0007.

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The Qatar Investment Authority, the sovereign wealth fund of the Persian Gulf Emirate, has chosen Paris as the primary sporting destination for its oil-generated wealth, purchasing the Paris Saint-Germain football club and Paris Handball through Qatar Sports Investment (QSI). QSI’s general director is also in charge of Al-Jazeera Sport, which, through the subscription channel beIN SPORT, presently holds broadcasting rights to the French football league. In this fashion, Qatari investors make use of their association with the Paris ‘brand’ – the city’s international reputation as the ‘city of light’ and its related cultural capital – to project a positive image of Qatar globally. This wielding of ‘soft power’ ultimately serves to legitimise Qatari investment in non-sporting domains and appropriates elements of France’s sporting landscape to further its geopolitical aims.
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Conference papers on the topic "International Broadcasting Association"

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Siles, Francisco. "Temporal segmentation of association football from TV broadcasting." In 2013 IEEE 17th International Conference on Intelligent Engineering Systems (INES). IEEE, 2013. http://dx.doi.org/10.1109/ines.2013.6632843.

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Siles, Francisco. "Shot classification for association football from TV broadcasting." In 2014 IEEE 12th International Symposium on Applied Machine Intelligence and Informatics (SAMI). IEEE, 2014. http://dx.doi.org/10.1109/sami.2014.6822378.

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Siles, Ing Francisco. "Detection of dynamic overlays for association football from TV broadcasting." In 2013 IEEE 14th International Symposium on Computational Intelligence and Informatics (CINTI). IEEE, 2013. http://dx.doi.org/10.1109/cinti.2013.6705165.

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Ratna Shakya, Sarbagya, Chaoyang Zhang, and Zhaoxian Zhou. "Basketball-51: A Video Dataset for Activity Recognition in the Basketball Game." In 11th International Conference on Computer Science and Information Technology (CCSIT 2021). AIRCC Publishing Corporation, 2021. http://dx.doi.org/10.5121/csit.2021.110712.

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In recent years, there has been an increase in the association of technology in sports and live sports broadcasting networks. From score updates, broadcasting commercials, assisting referees for decision making, and minimizing errors, the adoption of technology has been used for fair play and improve results. This has been possible with the advancement in video analysis, classification techniques, and the availability of resources. This paper introduces a new labelled video dataset collected from a live basketball game broadcasted on live TV to determine the type of basket scored in the basketball game. Among different shots, the points the player can score are basically of three types: 3 points, 2 points, which depends on the range of shots taken and 1 point which is the free shots taken after a foul. This dataset consists of labelled video clips collected from the live broadcast of the game from the broadcasting medium to classify different scoring activities. This paper also gives the preliminary analysis of the dataset for different class labels using 3D ConvNet and two-stream 3D ConvNet methods to show the complexity of the dataset.
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Deh, Kofi, Sheila Prasad, and Vera Markovic. "Towards Circuit Design with Auto-Associative Memories." In 2007 8th International Conference on Telecommunications in Modern Satellite, Cable and Broadcasting Services. IEEE, 2007. http://dx.doi.org/10.1109/telsks.2007.4375990.

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