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Journal articles on the topic 'International broadcasting. Radio journalism'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Algan, Ece. "Local Broadcasting as Tactical Media." Middle East Journal of Culture and Communication 12, no. 2 (2019): 220–35. http://dx.doi.org/10.1163/18739865-01202005.

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Abstract Against the backdrop of struggles that local broadcasters in Turkey who advocate for Kurdish minority rights have endured, I discuss local broadcast journalists’ tactics for creating and maintaining programming that caters to the ongoing Kurdish conflict. Local ethnic broadcasting in Kurdish provinces has long strived to offer an alternative discourse than that of the state propaganda and to mobilize political support within and outside Turkey. In order to illustrate the role of Kurdish activist journalism in political mobilization, I analyze examples of local radio programming from 2010 to 2013, a period during which broadcasters in Kurdish provinces enjoyed relative freedom. I aim to illustrate the instrumentality of activist journalism in an authoritarian regime, and the ways in which local broadcasting is utilized as tactical media by both activist journalists and the community they serve.

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2

Zweifel, Walter. "Reporting war: Covering the Pacific – Radio NZ International and West Papua as a case study." Pacific Journalism Review : Te Koakoa 16, no. 1 (2010): 68–71. http://dx.doi.org/10.24135/pjr.v16i1.1008.

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Commentary: Publicly funded, Radio New Zealand International has a broadcasting role that is not ratings-driven; it has no circulation figures or advertising revenue to worry about. The broadcaster’s work is simply to produce the first draft of history. Or, as the advertisement of a national television network in New Zealand says, ‘It’s all about the story’. This commentary was one of a series in a panel of journalists at the Reporting War conference, jointly organised by the International Committee of the Red Cross (ICRC) and Massey University's Department of Communication, Journalism and Marketing in Wellington on 22 May 2009.

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3

Merzagora, Matteo. "Science in Radio Broadcasting." Journal of Science Communication 03, no. 04 (2004): C01. http://dx.doi.org/10.22323/2.03040301.

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The international symposium Science on air: the role of radio in science communication was held in Trieste on 1 and 2 October, 2004. To our knowledge, it is the first conference ever specifically held on science in radio, and it is certainly the first time science radio journalists, researchers, and media experts from 16 different countries met to discuss their journalistic practice and the role of radio in science communication. The main results are presented in this section.

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4

Dwan, David, and Emilie Morin. "Introduction: Yeats and Mass Communications." International Yeats Studies 3, no. 1 (2018): 1–13. http://dx.doi.org/10.34068/iys.03.01.01.

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W. B. Yeats’s pursuit of an audience led him into the world of mass media—a landscape populated first by newspapers and later by radios, which he learned to navigate with shrewdness and skill. The purpose of this special issue is to examine Yeats’s various ventures in mass communication. Enlisting a broad range of critical approaches, contributors to this volume show how the demands of print journalism and radio broadcasting informed Yeats’s poetics, his thinking about the social vocation of art, and his ideas about how literature might be best received and structured. The essays also examine the reception and legacies of Yeats’s experiments with mass media, showing how he was at once self-consciously archaic and exultantly avant-garde. This article provides an introduction to this special volume of International Yeats Studies and attendant critical concerns.

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5

Schwarzer, Marjorie. "Broadcasting Dialogue: Citizen Journalism, Public Radio, and Museums." Museums & Social Issues 2, no. 2 (2007): 221–32. http://dx.doi.org/10.1179/msi.2007.2.2.221.

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6

Wilson, Helen. "Review: International Radio Journalism." Media International Australia 94, no. 1 (2000): 189–90. http://dx.doi.org/10.1177/1329878x0009400122.

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7

Boyd, Douglas A. "International Radio Broadcasting in Arabic." Gazette (Leiden, Netherlands) 59, no. 6 (1997): 445–72. http://dx.doi.org/10.1177/0016549297059006003.

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8

Campbell, John C., Lawrence C. Soley, and John S. Nichols. "Clandestine Radio Broadcasting." Foreign Affairs 65, no. 4 (1987): 891. http://dx.doi.org/10.2307/20043103.

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9

Backhaus, Bridget. "News by any other name: community radio journalism in India." Journal of Alternative & Community Media 4, no. 2 (2019): 91–104. http://dx.doi.org/10.1386/joacm_00051_1.

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Community radio journalism is a cultural resource that offers a voice to local communities and works to democratise media landscapes. Despite its indisputable value, community radio journalism in India faces a unique set of challenges: the foremost being that, officially, it does not exist. According to government policy, community radio stations are prohibited from broadcasting any news and current affairs content. The situation is further complicated by the presence of a development discourse underpinning the entire rationale for the sector. Instead of serving their listeners, community radio stations are beholden to a nebulous development agenda. Under such circumstances, it is unsurprising that community radio journalism in India is relatively unexplored in the literature. This paper aims to address this gap by exploring how community radio practitioners in India source content and work around their restrictions in order to provide their listeners with relevant information and news.

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10

Tikhonova, Olga V. "“Mayak” (1964-2019) in history and modernity: fragments of the chronicle of the VII Ruzhnikov Readings." RUDN Journal of Studies in Literature and Journalism 24, no. 4 (2019): 800–805. http://dx.doi.org/10.22363/2312-9220-2019-24-4-800-805.

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The VII Ruzhnikov Readings, the annual scientifi c round table, took place at the Faculty of Journalism at Lomonosov Moscow State University on September 26, 2019. The fi rst time it were initiated in 2013 by the Associate Professor of the Department of Television and Radio Broadcasting O.V. Tikhonova in memory of Professor V.N. Ruzhnikov, a well-known theorist and historian of Russian radio journalism, author of many scientifi c publications. Based on the materials of the Ruzhnikov Readings, many scientifi c publications were published

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11

Turpin, Jennifer, and Philo C. Wasburn. "Broadcasting Propaganda: International Radio Broadcasting and the Construction of Political Reality." Contemporary Sociology 23, no. 3 (1994): 378. http://dx.doi.org/10.2307/2075323.

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12

Graber, Doris A., and Philo C. Wasburn. "Broadcasting Propaganda: International Radio Broadcasting and the Construction of Political Reality." Political Science Quarterly 108, no. 3 (1993): 563. http://dx.doi.org/10.2307/2151717.

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13

Handziuk, Vitalii. "BROADCASTING PRODUCTS OF THE RADIO STATION «LVIVSKA KHVYLYA»: THE GENRE AND THEMATIC CHARACTERISTICS." Integrated communications 25242644 (2019): 54–57. http://dx.doi.org/10.28925/2524-2644.2019.7.8.

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The main principles of developing of a program concept, target, genre-thematic and audience intended purposes of the Ukrainian FM-radio station «Lvivska khvylya» radio series are considered. It’s concluded that the radio «Lvivskа khvylya» successfully creates the actual, original content of the broadcast, hold onto the genres of radio journalism and the formula of radio success – a beautiful and cheerful mood, a friendly and relaxed atmosphere, a lively conversation; promptly informs the audience about current and important events in the country and in the world; journalists create high-quality content – informational, analytical, entertainment and musical radio series.

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14

Turpalov, Lema A. "North Caucasian Radio Journalism during the Strengthening of Bolshevik Totalitarianism: Finding its own Voice." Proceedings of Southern Federal University. Philology 2021, no. 2 (2021): 230–40. http://dx.doi.org/10.18522/1995-0640-2021-2-230-240.

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The importance of ideological support for the processes of establishing Soviet power in the North Caucasus increased due to the fact that socialist ideas were little known and incomprehensible to local peoples. The main tool of the Leninist party to propagate socialist transformations – the press – was not effective due to the fact that the mountain population was nearly illiterate. Under these conditions, the only nascent radio became the main tool for manipulating the mass consciousness. The article is a continuation of the publication in the third issue of Proceedings of SFedU for 2020 “Radio Journalism as a Component of the Bolshevist System of Authoritary Journalism of Autonomies of the North Caucasus: the Stage of Formation” and is devoted to the little-studied issues of transformation of a new type of media, relatively independent at the initial stage of Soviet power. It was during this period that the actual radio forms and methods of work of regional radio editions, genres of programs, took shape. Meanwhile, in the historical and journalistic literature, even published in the post-Soviet period, the activities of regional radio broadcasting at the stage of socialist construction are still assessed from the standpoint of communist ideology. It is the time to revise some of the assessments and theses of research carried out in the age of communist authoritarianism. The article attempts to reveal the role of the regional radio journalism in the formation of the dictatorship of the Bolshevik party secretariat, to outline the main trends in the development of the North Caucasian radio, to show the evolution of forms and genres of broadcasting.

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15

Fulton, Janet, Paul Scott, and Christina Koutsoukos. "A push from the bush: An introduction to the Australian Broadcasting Corporation’s Remote Communities Project." Australian Journalism Review 42, no. 1 (2020): 77–92. http://dx.doi.org/10.1386/ajr_00020_1.

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In early 2018, the Australian Broadcasting Corporation (ABC) launched a ‘slow journalism’ initiative, funded by the ABC’s Remote Communities Project (RCP). Reporters and producers from regional and local ABC radio stations were invited to pitch for funding that would facilitate up to two weeks in remote, rural and regional communities to create stories that would provide audiences with insight into life outside of metropolitan cities. The ABC labelled this project ‘slow journalism’ because the reporters were working without the time constraints highly influential in contemporary work practices associated with delivering bulletins, online updates and fast turnarounds of workflows. Through interviews undertaken with personnel involved in the initiative, including reporters, producers and ABC management, this article analyses the pilot project carried out in December 2017. The article also examines the pilot project’s influence in shaping project implementation as well as its relationship to ‘slow journalism’, as defined in previous academic studies. We contend that while the RCP contains elements commonly associated with slow journalism, it also adds to the understanding of slow journalism as both a practice and a concept by discovering characteristics specific to public broadcasting models such as that reflected by the ABC.

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16

Critchlow, James. "Western Cold War Broadcasting." Journal of Cold War Studies 1, no. 3 (1999): 168–75. http://dx.doi.org/10.1162/152039799316976841.

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In the 1940s and 1950s, Western governments turned to radio as the most effective means of countering the Soviet information monopoly. U.S. and West European radio stations attempted to provide listeners with the kind of programs they might expect from their own radio stations if the latter were free of censorship. For most of these listeners in the Soviet Union and Eastern Europe, the broadcasts were their only contact with the outside world. The importance of the foreign radio programs was confirmed not only by audience estimates, but also by the considerable efforts the Communist regimes made to jam the transmissions. Given the importance of foreign broadcasting for the political life of the Soviet bloc, it is remarkable that these broadcasts have received scant scholarly attention in the Western countries that sponsored them. The three books reviewed here help to fill that gap.

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17

Ivie, Robert L. "Book Review: Broadcasting Propaganda: International Radio Broadcasting and the Construction of Political Reality." Armed Forces & Society 20, no. 3 (1994): 490–92. http://dx.doi.org/10.1177/0095327x9402000311.

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18

van Vuuren, Kitty. "A Newsroom of Our Own? Community Radio and News." Media International Australia 99, no. 1 (2001): 77–90. http://dx.doi.org/10.1177/1329878x0109900112.

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Current media policy regarding rural and regional community broadcasting favours a competitive environment, which constrains the potential for community radio to meet its founding principles. These include the provision of alternative programming and the development of a new relationship between broadcasters and their audiences. Part of the problem stems from widespread adoption of dominant media codes and practices. A reorientation towards development journalism could offer a way forward, both in terms of facilitating community development and in terms of developing a true ‘community’ perspective for community radio news.

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19

Goian, Oles, Vita Goian, Tetiana Biletska, Anastasiia Bessarab, and Natalia Zykun. "Communicative Strategies of Professional Development of a TV and Radio Journalist: Psychotypology and Social Model." Academic Journal of Interdisciplinary Studies 9, no. 5 (2020): 147. http://dx.doi.org/10.36941/ajis-2020-0093.

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The whole world undergoes significant changes in communication, television and radio. Therefore, journalism education also alters. Television companies and radio stations hire former students, who already perceive the development of modern media in a different way, and thus try to communicate differently and influence large audiences. It is applied to all societies and countries developing their own media and caring about the future of television and radio industry. Such a new complex problem on communication via television and radio is caused primarily by the changes of information technology and communicative strategies in the field of media, online educational techniques in world schools of journalism, and is now being discussed by theorists and practitioners of journalism on various media platforms or global forums. The purpose of the article, that is based on the long-term research of scientists at Taras Shevchenko National University of Kyiv, is to set and prove the hypothesis about the future of television and radio broadcasting, in particular, those who will come to work on television or are already working, combining studying with practical activity. Within the period of 2012-2019 the authors of the article interviewed 760 students of the Institute of Journalism, Taras Shevchenko National University of Kyiv, on the basis of their statements about the choice of specialization, and collected the data on their attitude to modern media, including television and radio. As a result of the research, the authors have developed the psychotypology of students who will work for television and radio companies in Ukraine, and form the public opinion on social, sociocultural and political processes in the country. Consequently, this psychotypology (classics, jazzmen, rockers and conformists) can be used in schools of journalism in other countries as a technological approach to model the matrices of the educational process for training the TV and radio journalists.

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20

Turpalov, Lema A. "Radio Broadcasting as a Component of the Bolshevist System of Authoritary Journalism of Autonomies of the North Caucasus: Stage of Formation." Proceedings of Southern Federal University. Philology 2020, no. 3 (2020): 215–26. http://dx.doi.org/10.18522/1995-0640-2020-3-215-226.

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During the consolidation of Soviet power in the North Caucasus, the Bolshevik leadership considered broadcasting as the most important tool for introducing Marxist ideology into the consciousness of the mountain masses. This was caused by the fact that the local population was almost completely illiterate and print propaganda was not very effective. Meanwhile, the processes of formation of regional broadcasting are studied only fragmentarily. The article attempts to identify the main trends in the development of North Caucasian radio, to show the evolution of forms and genres of broadcasting, its transformation into the mouthpiece of the Bolshevik authoritarian regime.

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21

Forde, Susan. "The lure of the local: ‘News’ definitions in community broadcasting." Pacific Journalism Review : Te Koakoa 16, no. 1 (2010): 178–91. http://dx.doi.org/10.24135/pjr.v16i1.1016.

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Journalists and media researchers globally are increasingly expressing concern about trends in the news media industry which would appear to suggest a dire future for quality journalism, and thus democracy, in many developed democratic nations. The US State of the News Media report, now produced annually, regularly reports concerns by journalists and editors—and those who study them—about decreasing investment by news corporations in quality journalism (Pew Centre, 2005; 2006; 2007; 2008). The Australian Press Council has presented its own study to mirror that of the Pew Centre in an effort to report on the Australian context (APC, 2006; 2007). The author has, with colleagues from Griffith University, conducted research into the Australian community broadcasting sector for the past nine years. The research conducted since 1999 has been broad but this article will focus on one element of the research—the news and information services of community broadcasting. The community broadcasting sector is worthy of close investigation, because it is one of the few areas of the Australian media landscape that continues to grow. Importantly, quantitative research into the community sector indicates that 57 percent of the Australian population tune in at least monthly to a community radio station—and more than one in four listen at least weekly (McNair Ingenuity, 2008, p. 4). This article investigates the nature of community news offered by the Australian community radio sector through the perspectives of journalists and producers who deliver the news, and the audiences who access it.

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22

Risso, Linda. "Radio Wars: Broadcasting in the Cold War." Cold War History 13, no. 2 (2013): 145–52. http://dx.doi.org/10.1080/14682745.2012.757134.

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23

Cyzewski, Julie. "Broadcasting Nature Poetry: Una Marson and the BBC's Overseas Service." PMLA/Publications of the Modern Language Association of America 133, no. 3 (2018): 575–93. http://dx.doi.org/10.1632/pmla.2018.133.3.575.

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Although the nature poems of the Jamaican writer Una Marson are usually set against her transnational projects, they are inextricable from the cosmopolitan vision described in her radio broadcasts and journalism. Studies of transnational modernism have brought to the fore Marson's participation in pan- Africanist political and literary networks, her poems' mediation of the black West Indian woman's experience, and her work promoting West Indian literature in the metropolitan institution of the BBC. Analyses of Marson as a transnational igure, however, have obscured aspects of her literary production—speciically, her nature poetry. Placing Marson's West Indian nature poetry that was broadcast by the BBC in the context of the original programs reveals the efects of moving from print publication to radio broadcast. And, along with her editorials for the Jamaican literary magazine The Cosmopolitan (1928–31), Marson's BBC broadcasts (1939–45) make the case for the ongoing relevance of the pastoral tradition to public life.

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24

Zubko, Darya, and Yuriy Klyuev. "Radio Publicism in Russia: Conceptualization, Social Purpose, and Development Trend." Theoretical and Practical Issues of Journalism 9, no. 3 (2020): 431–42. http://dx.doi.org/10.17150/2308-6203.2020.9(3).431-442.

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Nowadays researching socio-political broadcasting of the 21st century is topical. The recent decades have witnessed a significant increase in the number of journalistic radio programs, evolution of their format and genre diversity, and improvement of broadcasting forms and approaches. However, modern radio publicism as independent form of public-oriented journalism has not been studied sufficiently. The article deals with theoretical ambiguity of the concept of publicism (political and topical journalism), determines its general characteristics and patterns, namely, depth of author’s thought, a high level of personification, strong emotion, direct appeal to the society, publicist’s own ideals and values, solemnity, prepossession, worldview forming, and rapid development during transition and crisis periods. The authors analyze correlation between the notions “publicism” and “publicist style”, and determine that the latter, being the journalist’s manner of interpreting a public phenomenon and a way of his/her identification with a particular community, is one of the characteristics of publisism. Meanwhile, the study shows that some media content of publicist-like style only imitates publicism, being in fact pseudo-publicism, whose influence is destructive due to its anti-civil and anti-social orientation, provocative character and intolerant attitude. The authors propose their own scientific definition to the term “radio publicism”, point out essential and functional characteristics of Russian radio publicism, its development trends and prospects, and determine universal features of modern radio publicism. The article also describes its current genre-and-format structure. Documentary publicist and art publicist genre groups, having their own verbal, compositional, structural, and functional features and radio audience, are distinguished as ontological categories of radio publicism. The research methods used by the authors include structure functional analysis, typological analysis, method of observation, comparative analysis, classification, and a systemic approach.

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25

Wigston, David. "South African news in international radio broadcasting: a comparative analysis." Communicatio 19, no. 1 (1993): 63–79. http://dx.doi.org/10.1080/02500169308537727.

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26

Browne, Donald R. "International commercial radio broadcasting: Nation shall speak profit unto nation." Journal of Broadcasting & Electronic Media 30, no. 2 (1986): 195–212. http://dx.doi.org/10.1080/08838158609386619.

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27

Miranti, Adita, Ade Tuti Turistiati, Prita Suci Nurcandrani, Audito Anindya Bayu Aji, Raja Satria Wibawa, and Anggita Ramadisa. "Pelatihan Jurnalistik dalam Membangun Literasi Media pada Anak-Anak di Sanggar Ar-Rosyid Purwokerto." Jurnal Komunitas : Jurnal Pengabdian kepada Masyarakat 2, no. 2 (2020): 111–17. http://dx.doi.org/10.31334/jks.v2i2.732.

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The number of children who overuse the device makes them less creative in writing and telling stories. In addition, children sometimes access news that is not suitable for them, such as scenes of violence, pornography, and porno-action. This condition also occurs in children in Ar-Rosyid Purwokerto. Community Service Program (PKM) in the form of journalistic training is conducted to build media literacy by developing children's creativity in the field of journalism, both in the form of writing and in the form of broadcasts.This training was held by lecturers and students of the Communication Studies Program at Universitas Amikom Purwokerto in mid September and October 2019 (every Saturdays). There were 20 elementary and junior high school students participated in this training. They joined the non-formal activities in Ar-Rosyid Purwokerto. The facilitators assisted the participants and provided them with knowledge and skills related to the journalistic principles and elements. The participants gained knowledge and skills on how to conduct interviews and observation, and write news according to journalistic rules. In addition, the participants gained experience about the radio broadcasting process and making journalism photos. The training started from the orientation, introduction of journalism for children, journalistic practices for children, practice, and evaluation. All steps were carried out at Universitas Amikom Purwokerto.After the training, the participants' interest in writing article and stories are improving. The participants can write free themes using journalistic elements. In additions, they are confident to do deliver their simple speech in front of audience as well as in the radio broadcasting.

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28

Zillich, Arne F., Roland Göbbel, Karin Stengel, Michaela Maier, and Georg Ruhrmann. "Proactive crisis communication? News coverage of international conflicts in German print and broadcasting media." Media, War & Conflict 4, no. 3 (2011): 251–67. http://dx.doi.org/10.1177/1750635211420629.

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This study examines the ambitions of proactive crisis communication in the realm of international conflicts. Based on the concept of peace journalism, the authors analyse whether German media coverage on international conflicts complies with normative demands. So far, most studies have investigated the media’s role during the climactic stages of conflicts and have neglected the pre- and post-escalation phases. Therefore, the study distinguishes four specific phases of a conflict. With regard to news value theory, it shows that international conflicts exhibit different news factors in their particular phases; in addition, it illustrates that the propositions of peace journalism, although considered relevant by journalists, are hardly being fulfilled in their day-to-day conflict reporting. Combining content analytical research with semi-structured interviews proves to be fruitful for critically reflecting the demands of proactive crisis communication.

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29

Wijfjes, Huub. "International Radio Journalism. History, theory and practice - Tim Crook, 1998." TMG Journal for Media History 2, no. 1 (2018): 153. http://dx.doi.org/10.18146/tmg.41.

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30

Given, Jock. "Curating media history: Lessons from the Oxford Bibliography of ‘Australian Broadcasting’." Australian Journalism Review 42, no. 2 (2020): 225–42. http://dx.doi.org/10.1386/ajr_00037_1.

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This article explores a general question – why and how we do media history – by examining a recent case, the ‘Australian Broadcasting’ entry in Oxford Bibliographies, prepared by this author with research assistance from Rosemary Curtis. Four questions are posed for this bibliography and the wider project of media history: why do we do it? For whom? Where and how do we make resources accessible and comprehensible? And finally, the question that occupies most of this article, what resources do we preserve and curate? The processes used to select and organize the ‘most important sources’ for the Australian Broadcasting entry are discussed, emphasizing the sources most relevant to Australian Journalism Review: News, Currents Affairs, Documentary and Talkback Radio programming.

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31

Bolotova, Ekaterina, and Gennadiy Syrkov. "Information Radio Stations Business FM, Vesti FM and Kommersant FM: a Comparative Analysis of the Morning Air." Theoretical and Practical Issues of Journalism 9, no. 3 (2020): 462–71. http://dx.doi.org/10.17150/2308-6203.2020.9(3).462-471.

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The article presents the results of the second stage of the research titled “Transformation of the content strategies of modern radio and television broadcasting in the digital environment” carried out by a research team of the Department of Television and Radio Broadcasting, Faculty of Journalism, Moscow State University. The authors analyze the content of the morning broadcast of all-news radio stations of Moscow FM band (Business FM, Vesti FM, and Kommersant FM) in the period of 2018.05.14 to 2018.05.20 chosen by the continuous sampling method. The comprehensive study required working out a questionnaire of 25 questions to analyze various parameters from air time, running time, and type of program to interactive communication with audience. The study shows that all the three radio stations demonstrate a stable broadcast schedule and strip programming. Business FM and Kommersant FM broadcast linearly in a continuous information stream. Vesti FM includes long analytical talk-programs with experts and guests interacting with the audience via SMS. The content-analysis of the three radio stations’ morning broadcast enables the authors to confirm a previously advanced thesis that Business FM and Kommersant FM fall into the category of all-news radio stations, whereas Vesti FM does not. The latter, despite its wide variety of interprogram and structural elements, is transforming its format into news talk.

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32

AI LIN, CHUA. "‘The Modern Magic Carpet’: Wireless radio in interwar colonial Singapore." Modern Asian Studies 46, no. 1 (2011): 167–91. http://dx.doi.org/10.1017/s0026749x11000618.

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AbstractWireless radio broadcasting in colonial Singapore began with amateur organizations in the early 1920s, followed by commercial ventures and, finally, the establishment of a monopoly state broadcasting station. Listeners followed local broadcasting as well as international short wave radio. Both participants in and the content of radio reflected the multiracial, cosmopolitan make-up of a colonial port city which functioned through the lingua franca of English. The manner in which early broadcasting developed in Singapore sheds light on the creation of different imagined communities and the development of civil society. There was an increasing presence of non-Europeans, women, and youth, many of whom were drawn by the mystique of this new technology. Wireless radio also brought about a transformation in the public soundscape. These themes contribute to our understanding of the global history of radio as well as the nature of colonial societies within the British empire.

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33

Chubb, Philip, and Chris Nash. "The Politics of Reporting Climate Change at the Australian Broadcasting Corporation." Media International Australia 144, no. 1 (2012): 37–48. http://dx.doi.org/10.1177/1329878x1214400107.

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This article examines a particular moment in journalism at the Australian Broadcasting Corporation, with the aim of elucidating the link between public-sector journalism and political controversy in the recent Australian response to climate change. The particular moment in question involved the reporting of visits to Australia in early 2010 by two international commentators on anthropogenic climate change, Christopher Monckton and James Hansen, and an unprecedented attack by the chairman of the ABC on the professional performance of ABC journalists in reporting on this issue. We use this case study to canvass the explanatory merits of several scholarly perspectives on journalistic bias: the well-known ‘balance as bias’ argument by the Boykoffs (2004), the less well-known but incisive ‘independence/ impartiality couplet’ argument by Stuart Hall (1976) and Bourdieusian field analysis.

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34

Wigston, David. "The challenge of international radio broadcasting – what's in it for Africa?" Communicatio 20, no. 1 (1994): 55–68. http://dx.doi.org/10.1080/02500169408537873.

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35

Woolley, Bruce. "Teaching Undergraduate Journalism Students Foreign Correspondence: Can It Be Done?" Asia Pacific Media Educator 27, no. 1 (2017): 85–102. http://dx.doi.org/10.1177/1326365x17701794.

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The University of Queensland has conducted five international field reporting courses in India and Vietnam since 2012,1 as well as three more courses based on similar work integrated learning principles (i.e., intensive, immersive and experiential) on campus at St Lucia in Brisbane during the same period. Previous research has found them to be valuable pedagogical innovations that have led to solid academic outcomes. The students themselves have also reported enjoying greater self-confidence, better reporting and technical skills, and increased employment prospects as a direct result of taking part in these courses. Some of that research is re-examined in this article but in a new light, given that the main focus here is on whether these courses in fact deliver on another important promise: to teach the core skills required of a foreign correspondent. To discover what those core skills might be, the researcher explored the extensive literature written by former and current correspondents about their experiences and their lessons learned. He also approached 12 former colleagues at the British Broadcasting Corporation (BBC), the Australian Broadcasting Corporation (ABC) and the Canadian Broadcasting Corporation (CBC), all of whom have been high profile international reporters, correspondents and producers, and invited them to offer their unstructured reflections on this question. These insights have then been filtered and assessed through the researcher’s own reflections of working as a foreign correspondent for the ABC in London between 1984 and 1987. The results are both encouraging and challenging. They suggest that while the students and their teachers are largely satisfied with the reporting, technical and personal skills that have been taught and learned, many correspondents consider that their core attributes include extensive experience in senior reporting roles prior to heading overseas, where the basic skills have been honed to the highest degree. That, of course, is something that no undergraduate could ever claim to have achieved.

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Barbrook, Richard. "Melodies or rhythms?: the competition for the Greater London FM radio licence." Popular Music 9, no. 2 (1990): 203–19. http://dx.doi.org/10.1017/s0261143000003913.

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On 12 July 1989, the Independent Broadcasting Authority (IBA) announced that the Greater London FM licence would go to London Jazz Radio (LJR). This franchise was allocated as part of the expansion of commercial radio in Britain. As in most other countries, the British state owns the electromagnetic spectrum. This allows the government to choose who can broadcast over the airwaves. However, unlike most industrialised countries, the British state chooses not to use all the frequencies made available for broadcasting under international treaties. Instead, there has been a ‘duopoly’ between the radio stations of the state-owned British Broadcasting Corporation (BBC) and commercial stations authorised by the IBA. This limitation on the number of radio stations makes the British broadcasting system seem backward compared not only with the USA, but also the rest of the European Community. However, this oligopoly is now slowly collapsing. The licencing of LJR was a first stage of a period of rapid growth in commercial radio in Britain.

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Horbyk, Roman. "Marta Dyczok. Ukraine’s Euromaidan: Broadcasting Through Information Wars with Hromadske Radio." East/West: Journal of Ukrainian Studies 4, no. 2 (2017): 317. http://dx.doi.org/10.21226/t26w6f.

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Book review of Marta Dyczok. Ukraine’s Euromaidan: Broadcasting Through Information Wars with Hromadske Radio.Preface by David R. Marples, E-International Relations Publishing, 2016, www.e-ir.info/2016/03/22/open-access-book-ukraines-euromaidan-broadcasting-through-information-wars-with-hromadske-radio/. E-IR Open Access, edited by Stephen McGlinchey. vi, 103 pp. Map. $23.51, paper.

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VERNON, DESRENE L. "International Religious Radio Broadcasting: The Reactions of Local Listeners to a Global Message." Michigan Academician 41, no. 3 (2013): 355–76. http://dx.doi.org/10.7245/0026-2005-41.3.355.

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ABSTRACT This paper examines the dialogue of Tanzanian radio listeners in correspondence with Adventist Word Radio (AWR). The study sought to identify the reasons expressed by listeners for corresponding with an international radio network. The study also sought to determine whether listeners expressed preferences for specific radio programs. A historical systematic methodology was used to analyze a variety of sources available from the AWR headquarters, and the Seventh-day Adventist Office of Archives and Statistics located in Silver Spring, Maryland, USA. The study utilized the Diffusion of Innovations theory (Rogers 2003) to examine how receptive the social system of Tanzania was to the religious messages presented by AWR via the medium of radio, over a 25-year period from the inception of AWR-Africa in 1983 to 2008. The findings reveal the regions from which listener correspondences originated, the radio programs popular among AWR listeners, and the reasons given for corresponding with the network. This qualitative study offers insight in the area of media effects research, and can serve as a guide for other assessments of international religious broadcasters and their impact on local listeners.

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Griffen-Foley, Bridget. "Kindergarten of the Air: From Australia to the world." Radio Journal:International Studies in Broadcast & Audio Media 17, no. 2 (2019): 179–99. http://dx.doi.org/10.1386/rjao_00004_1.

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This article considers the radio programme for kindergarten-aged children that the Australian Broadcasting Commission (ABC) launched during the Second World War and continued to broadcast until 1985. Kindergarten of the Air, thought to be the ‘first of its kind in the world’, was to inspire interest from, and similar programmes throughout, the British empire and beyond. The article examines the imperial and international broadcasting networks that enabled the exchange of ideas and initiatives within the field of educational broadcasting, and the export of one of Australia’s most successful radio initiatives, while also considering the willingness of the British Broadcasting Corporation (BBC) to be influenced by a dominion broadcaster.

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Romaniuk, Myroslav. "The shaping of the Ukrainian content on the Polish Radio in 1930s." Proceedings of Research and Scientific Institute for Periodicals, no. 9(27) (2019): 34–50. http://dx.doi.org/10.37222/2524-0331-2019-9(27)-3.

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This paper is devoted to specific features of settling and development of Ukrainian broadcasting on Polish radio and its Lviv branch in 1930s. It is claimed that being launched after building the radio station in Lviv, broadcasting nonetheless didn’t embrace any Ukrainian programs. The author highlighted the role of Ukrainian public and cultural figures, journalists and radio listeners in a struggle for Ukrainian’s right to obtain radio information in Ukrainian language and analyzed distinctive features of Ukrainian radio movement in Halychyna region. The present study, having investigated the issue by examining the publications of newspaper Dilo, showed the reasons for its foundation and indicated the main aspects of Ukrainian Radio Society’s activity as well as of Ukraiinradio publishing house. The author stated that in 1932 it was officially declared a consent between Ukrainian ethnic minority in Poland and Polish Radio’s management. Music, religious and literary topics were outlined as the main for Ukrainian programs. At first they were prepared by polish journalists, who had difficulties with its contents. But even in such a deficient way, the Ukrainian content’s share became a good sign for Ukrainians, since gave an opportunity to introduce Polish citizens with creative work of Ukrainian talented well-known figures. It is pointed out, that Ukrainian professionals — journalists, writers, musicians, literary critics like Mykola Rudnytskyi and Roman Kupchynskyi joined the process in the second half of 1930s. The author identified such features of Ukrainian programs as a lack of political and social programs, so important for Ukrainians. Problems of content’s amount and quality were constantly discussed. Key words: radio journalism, radio programs’ topics, Polish Radio, Ukrainian Radio Society, Ukrainradio publishing House, «Ukrayinska Hazetka», radio listeners.

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Zhang, James J., Dale G. Pease, and Dennis W. Smith. "Relationship between Broadcasting Media and Minor League Hockey Game Attendance." Journal of Sport Management 12, no. 2 (1998): 103–22. http://dx.doi.org/10.1123/jsm.12.2.103.

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This study assessed the relationship between broadcasting and the attendance of minor league hockey games in terms of 5 media forms: cable television broadcasting, commercial television broadcasting, radio broadcasting, broadcasters, and overall broadcasting media. A random sample of spectators (N= 2,225) responded to a survey on attendance level and media use conducted in the arena during the intermissions of games from 6 second-half 1994-1995 season home games of an International Hockey League (ML) team. CM-square, f-test, and regression analyses revealed that viewing home games on cable television and away games on commercial television, listening to games on radio, and the quality of television and cable broadcasters were all positively associated with attendance, with approximately 6-11% game attendance variance explained. It is concluded that the current broadcasting arrangement is positively related to game attendance in providing information for and increasing the interests of spectators.

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Goian, Oles, and Vita Goian. "First Commercial Private Radio Stations in Ukraine: From Experiments to Business." Current Issues of Mass Communication, no. 25 (2019): 33–50. http://dx.doi.org/10.17721/2312-5160.2019.25.33-50.

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The article concerns the first two years (1992-1993) of the formation of commercial broadcasting in Ukraine. It studies the factors that influenced the creation of the first commercial radio stations, which gradually attempted to switch from a “game mode” to the broadcasting business and business entrepreneurship. The activity of the first ten commercial radio companies is studied by means of systematization, content analysis, generalization and other methods. The authors of the article offer the documented time of the first airwaves of each company mentioned (from the authors‟ personal archives). The role that these stations played in the formation of commercial private broadcasting in Ukraine is analyzed. Additional information is given about the creation of the Association of Private Radio Stations in Ukraine which was intended to unite commercial radio stations. The minute of the seminar “Local Radio” is published for the first time. The meeting with the head officers of the radio stations present was organized by the public organization International Media Center – Internews (Ukraine) and by the training center British Broadcasting Corporation (BBC, England) from May 20 to June 3, 1994 in Pushcha-Vodytsia near Kyiv. It was there where they decided to create the association. One of the radio projects of MMC-Internews “Interview from Internews” is examined. It may be considered as the first radio project unifying commercial radio stations, and also the first student radio project at the private radio station in Ukraine. Therefore, the purpose of the article is to study facts and documents (from the authors‟ personal archive) certifying the dialectic progress of Ukrainian commercial broadcasting from the so-called “musical patchwork” to the transformation into a profitable means of mass communication.

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Glazov, A. A. "THE ORIGINATION OF THE COMMUNIST INTERNATIONAL RADIO BROADCASTING IN THE SPANISH LANGUAGE." RUDN Journal of World History 9, no. 2 (2017): 139–47. http://dx.doi.org/10.22363/2312-8127-2017-9-2-139-147.

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Sumner, Carolyne. "Writing for CBC Wartime Radio Drama: John Weinzweig, Socialism, and the Twelve-Tone Dilemma." Articles 36, no. 2 (2018): 77–88. http://dx.doi.org/10.7202/1051600ar.

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Radio drama was a quintessential source of entertainment for Canadian audiences during the Second World War, and the Canadian Broadcasting Corporation (CBC) used the art form to distribute propaganda and garner support for the Canadian war effort. Similarly, CBC radio drama became an essential artistic outlet for artists and composers to articulate their political beliefs to a national audience. This article frames Canadian composer John Weinzweig’s works for the CBC radio drama series New Homes for Old (1941) within the socio-political climate of the 1930s and 1940s and suggests that radio drama provided Weinzweig with a national soapbox for his radical socialist ideals during a time of political upheaval. My research draws on archival materials from Library and Archives Canada, the CBC Music Library Archives, and Concordia’s Centre for Broadcasting and Journalism Studies to build upon the biographical work of Elaine Keillor and Brian Cherney. I establish Weinzweig’s socialist ties and argue that his political leanings prompted him to simplify his serial language in favour of a simplified modernist aesthetic, which appealed to Canada’s conservative wartime audiences. This study of Weinzweig’s radio works reveals how the composer desired to make serial compositions accessible and palatable, and shows how he incorporated vernacular idioms such as folk songs and national anthems as foils to the elitist European serial aesthetic. In doing so, I show how Weinzweig uses a powerful and pervasive medium to promote his unique compositional style and also to reflect the cultural, political, and aesthetic ideals of leftist socialism.

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Pattanajakr, Adisak, Apirat Siritaratiwat, and Anan Kruesubthaworn. "Automation Broadcast Radio Controlled by Using Audio Mute Clock." Applied Mechanics and Materials 781 (August 2015): 11–14. http://dx.doi.org/10.4028/www.scientific.net/amm.781.11.

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This paper presents distribution and automation radio broadcasting organization that is operated by international radio stations such as Voice of America (VOA) using the control center that must rely on the cost of the electrical and electronic instruments and the operation and must be very high dependency computer technology that is relative to clock and must be done regularly to ensure the accuracy. The changing schedule of automation radio broadcasting controlled by programmable logic controller, PLC [1] and the master clock [2] is time in second is required to execute the PLC program for every changing of the schedule program. The ideology of silence of sound signal (Audio Mute) is used when each program ends instead using the master clock to execute the PLC program for changing the schedule radio program. The application of audio mute for changing new schedule when each program ends can be compared with the using the master clock controlling the PLC will be also minimum deviation of the time that will impact on automation radio broadcasting.

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Wahl-Jorgensen, Karin, Mike Berry, Iñaki Garcia-Blanco, Lucy Bennett, and Jonathan Cable. "Rethinking balance and impartiality in journalism? How the BBC attempted and failed to change the paradigm." Journalism 18, no. 7 (2016): 781–800. http://dx.doi.org/10.1177/1464884916648094.

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This article reconsiders the concepts of balance and impartiality in journalism, in the context of a quantitative content analysis of sourcing patterns in BBC news programming on radio, television and online in 2007 and 2012. Impartiality is the cornerstone of principles of public service broadcasting at the BBC and other broadcasters modelled on it. However, the article suggests that in the case of the BBC, it is principally put into practice through juxtaposing the positions of the two main political parties – Conservative and Labour. On this basis, the article develops the idea of the ‘paradigm of impartiality-as-balance.’ This paradigm prevails despite the news organisation’s commitment to representing a broader range of opinion. The paradigm of impartiality-as-balance means that only a narrow range of views and voices are heard on the most contentious and important issues. Further, it results in reporting that focuses on party-political conflict, to the detriment of a journalism which provides much-needed context.

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Harumike, Yefi Dyan Nofa. "Manajemen Program Siaran Suara Persada, Radio Persada FM Dalam Mempertahankan Eksistensi di Era Digitalisasi." Translitera : Jurnal Kajian Komunikasi dan Studi Media 10, no. 1 (2021): 113–28. http://dx.doi.org/10.35457/translitera.v10i2.1431.

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Radio is one of the communication media that used to be a primadonna in society. However as media technology grew rapidly, radio became less attractive. Radio had to fight to maintain its existence in the media community. Various efforts are made by radio to reclaim the hearts of its listeners through improving the quality of broadcasting until the renewal, improvement and development of the program. Radio Persada faces the same problem. Radio Persada is a Local Public Broadcasting Institution (LPPL) in Blitar Regency that is independent, neutral, and non-commercial. It produces broadcast programs not solely to meet the demands of capitalism, liberalism, market tastes, or government mouthpiece, but primarily to carry out its function as a mass media serving the interests of the public. Persada is the flagship program of Radio Persada that seeks to realize the function of the service. Programs whose content prioritizes local information or news and live reportage is broadcast since 2018 and still exists today. This research aims to understand the management of Suara Persada program in an effort to maintain its existence in the era of digitization. Research is conducted using qualitative methods with data collection techniques through interviews, observations and documentation studies. This research found several faktors that influence the existence of Suara Persada program, namely; 1) excellence in serious but relaxing packaged local content, 2) community engagement through citizen journalism in Suara Persada program, 3) implementation of program management that follows developments in all stages of planning, organizing, influencing and controling activities, 4) the use of streaming channels and the utilization of social media (Facebook and Instagram), 5) consistency in maintaining a two-way communication system using various communication media including social media.

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Clark, Andrew M. "Radio New Zealand International: The Voice of New Zealand, Broadcasting to the Pacific." Journal of Radio Studies 13, no. 1 (2006): 102–15. http://dx.doi.org/10.1207/s15506843jrs1301_7.

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Stavitsky, Alan G., and Timothy W. Gleason. "Alternative Things Considered: A Comparison of National Public Radio and Pacifica Radio News Coverage." Journalism Quarterly 71, no. 4 (1994): 775–86. http://dx.doi.org/10.1177/107769909407100402.

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This study indicates that National Public Radio and Pacifica, despite their “alternative” origins, produce news programming that is largely grounded in the same journalistic values and routines as “mainstream” commercial broadcast journalism. A content analysis of NPR's All Things Considered and Pacifica Radio News, however, found several significant differences between these two producers of public radio news in the United States. Pacifica broadcast a higher percentage of stories dealing with governance and stories with an international focus, and presented a higher percentage of officials and activists as sources than did NPR.

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Kuitenbrouwer, Vincent. "Radio as a Tool of Empire. Intercontinental Broadcasting from the Netherlands to the Dutch East Indies in the 1920s and 1930s." Itinerario 40, no. 1 (2016): 83–103. http://dx.doi.org/10.1017/s0165115316000061.

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In the interwar years, the colonial powers of the day instantly saw long-range radio technology as an instrument to strengthen their empires as it enabled broadcasters in the European metropoles to reach audiences in the peripheries via the ether. This article focuses on the Dutch colonial station PHOHI, a company that pioneered global radio broadcasting. The station was founded by a group of influential entrepreneurs in order to strengthen ties between the Netherlands and the Dutch East Indies by reaching out to colonial expatriates. This case study shows how geopolitical and ideological considerations shaped both the organisation and the content of Dutch intercontinental broadcasting.

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