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Academic literature on the topic 'International Exhibition (1888 : Glasgow)'

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Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "International Exhibition (1888 : Glasgow)"

MCCONVILLE, P. S. "Notes On Glasgow International Exhibition." Journal of the Society of Dyers and Colourists 17, no. 8 (2008): 197. http://dx.doi.org/10.1111/j.1478-4408.1901.tb00203.x.

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Polyakov, E. N., and T. V. Donchuk. "SCOTTISH MODERN IN DESIGN WORKS OF C.R. MACKINTOSH AND M. MACDONALD." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 5 (October 30, 2018): 9–34. http://dx.doi.org/10.31675/1607-1859-2018-20-5-9-34.

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The article is devoted to the creative heritage of Charles Rennie Mackintosh (1868–1928), the outstanding Scottish architect and Margaret MacDonald Macintosh (1865–1933), his wife, an artist-designer. Their life and main character traits which predetermined the choice of their future profession are considered. A brief overview is given to the main stages of their professional development. In the Glasgow School of arts they organized the famous creative group „The Four‟ which created a unique Glasgow style. They participated in international exhibitions of Art Nouvea, engaged in successful architectural and design practice including the development of unique geometrical pictures and Macintosh style furniture, floral and landscape paintings. The paper describes the tragic end of their creative career, departure from Glasgow, posthumous rehabilitation and international recognition. Their style preferences in the world architecture and design are shown as well specific features of their unique style. The articlepresents three of the most famous design projects of the Macintosh spouses made in the tradition of Glasgow style. Here belong interiors of Cranston tea rooms, Hill House in Helensburgh, Scotland and Bassett-Lowke Northampton house. At present, many Macintoshes works are successfully restored, their museums and exhibitions are organized.

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VEIT-BRAUSE, IRMLINE. "German-Australian Relations at the Time of the Centennial International Exhibition, Melbourne, 1888*." Australian Journal of Politics & History 32, no. 2 (2008): 201–16. http://dx.doi.org/10.1111/j.1467-8497.1986.tb00348.x.

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Matthews, Graham, John Peregrine, and Len Copping. "The BCPC International Congress and Exhibition – Crop Science and Technology 2005 Glasgow – 31 October – 2 November 2005." Outlooks on Pest Management 16, no. 6 (2005): 263–67. http://dx.doi.org/10.1564/16dec07.

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Howard, Pamela. "He Wrote What He Saw: the Visual Language of John McGrath." New Theatre Quarterly 18, no. 4 (2002): 307–12. http://dx.doi.org/10.1017/s0266464x02000416.

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Pamela Howard designed Border Warfare and John Brown's Body at the Tramway, Glasgow, for John McGrath, and Wicked Old Man, which he wrote and directed for West Yorkshire Playhouse in 1992. Here, she recalls the highly distinctive visual language of the playwright, and the differences this made in seeing through a design from initial discussion to practical use in performance. Pamela Howard is a scenographer, director, writer, educator, exhibition curator, and international producer who has created theatre events in many countries and languages. She was awarded a Leverhulme Emeritus Fellowship in 1999 to write What is Scenography? (published by Routledge in 2001), and as adaptor, director, and scenographer created La Celestina at the Hopkins Center, USA, in February 2002, of which the text is forthcoming from Oberon Books.

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Roseveare, Chris. "Setting New Standards for Acute Care." Acute Medicine Journal 6, no. 2 (2007): 85–86. http://dx.doi.org/10.52964/amja.0169.

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The Scottish Exhibition and Conference Centre provided the venue for the first truly International meeting of the Society for Acute Medicine in early October. Almost 600 delegates were treated to some unseasonal Glasgow sunshine and traditional Scottish hospitality, as they enjoyed the varied programme put together by Mike Jones, Derek Bell and Liz Myers. The long distance that the Society has travelled in the past 7 years to reach this size was emphasised repeatedly over the two days; in his inaugural address to the society as incoming President, Dr Rhid Dowdle told us that SAM is now playing in a much bigger league than ever before, but cautioned that the speciality still has a way to go to reach the ‘top division’. Some of the highlights of the meeting are summarised below, but for those delegates who did not make it to the event most of the presentations are now available on the SAM website (www.acutemedicine.org.uk)

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Столяр, О. П. "Scientific activity of prince V.O. Kudashev on the development of theoretical and methodological principles of agronomy and animal husbandry (second half of the XIX century - beginning of the XX century)." ВІСНИК СХІДНОУКРАЇНСЬКОГО НАЦІОНАЛЬНОГО УНІВЕРСИТЕТУ імені Володимира Даля, no. 3(259) (February 18, 2020): 84–91. http://dx.doi.org/10.33216/1998-7927-2020-259-3-84-91.

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The article highlights the research activities of Prince V.O. Kudashev on agronomy and animal husbandry. Both general and special methods of scientific cognition were used in the research. Based on the research, it was found that the results of unique studies conducted by V.O. Kudashev during 1878–1888 were the first in domestic branch science to experimentally prove the advantages of surface tillage as an effective way of preserving soil moisture. The prince proposed a specific plan for the application of agricultural measures aimed at optimizing the physical parameters of the soil to obtain sustainable winter crops in conditions of insufficient moisture, as well as improved the technology of harvesting cereals. The prince's research on animal husbandry is of scientific significance. Thus, in 1886, V.O. Kudashev was the first in the country to breed Karakul sheep. In his estate, the prince also successfully bred horses of the Orlovskyi breed. In 1887, as the owner of a first-class horse factory of 350 heads, he took part in the work of the horse department of the Kharkiv Agricultural Exhibition, as a result of which he received a large silver medal for four horses in the trotting department. His article, published in 1888 in the Journal of the State Horse Breeding, which presented the results of six years of experiments on fattening young animals with feeds containing phosphoric acid compounds, was scientifically fundamental and new for its time. The prince established the optimal dosage of the introduction of dibasic phosphate lime in the diet in the first two and 3-4 years of a horse's life on the background of unlimited nutrition. During the position of editor of three leading domestic industry publications during 1901–1904, another facet of V.O. Kudashev – as a great promoter of industry research – was revealed. Shortly after his appointment as editor, the Zemlerobska Gazeta magazine was awarded a gold medal at the 1902 International Exhibition of Magazines and Newspapers.His name is associated with constructive achievements and decisions that determined the further development of agricultural research in Ukraine for several decades to come.

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Gibson, Colin. "Preface." Pure and Applied Chemistry 84, no. 7 (2012): iv. http://dx.doi.org/10.1351/pac20128407iv.

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It is a privilege to act as the conference editor for this issue of Pure and Applied Chemistry. The 11 papers in this issue constitute selected contributions from the 23rd International Congress on Heterocyclic Chemistry, which was held in the Scottish Exhibition and Conference Centre in Glasgow between 31 July and 4 August 2011. This congress of the International Society of Heterocyclic Chemistry was attended by over 400 participants from over 40 different countries.The conference papers in this issue arise from plenary (Profs. Magid Abou-Gharbia and David O’Hagan), invited (Profs. Janine Cossy, Keiji Maruoka, Ganesh Pandey, Philippe Renaud, and Vinod Singh), and some selected exciting contributions from younger participants (Dr. David Barker, Prof. Tom Pettus, Dr. Jun Shimokawa, and Dr. Michael Smietana). These contributions reflect the main congress themes:- Synthetic methodology- Synthesis- Natural product and complex molecule synthesis materials- Medicinal chemistry- Nanochemistry- Chemical biology/biosynthesis- Chemical biology/DNA and nucleoside analoguesIt is a pleasure to acknowledge the valuable contributions made to the highly successful conference, especially by the conference chair, Prof. Colin Suckling, the local organizing and scientific advisory committees, and the sponsors of the event: Edward C. and Virginia Taylor, Astra Zeneca, Chemical Sciences Scotland, Eisai, EPSRC, Glasgow City Council, GSK, IUPAC, Pfizer, Scottish Enterprise, Syngenta, and the University of Strathclyde. The professional conference organizers, Meeting Makers, did a sterling service in keeping everything on track and the organizers in check.Of course, no conference is possible without the willing participation of the contributors to the scientific program, speakers and poster presenters, session chairs as well as the audience. I would also like to thank the contributors to this issue for agreeing to provide manuscripts and for their timely efforts and to the editorial staff for their valuable help.Colin GibsonConference Editor[Back to Contents]

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O'Gorman, Siobhan. "Remembering Molly MacEwen: Sue Harries and Alasdair MacEwen in Conversation." Review of Irish Studies in Europe 4, no. 1 (2021): 43–65. http://dx.doi.org/10.32803/rise.v4i1.2643.

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Molly MacEwen’s design career took off after serving as Micheál mac Liammóir’s apprentice at the Dublin Gate during the mid-1930s and following her design work on the 1938 Empire Exhibition in Glasgow. MacEwen went on to make a significant contribution to Irish and Scottish theatre design that has received little recognition in existing theatre scholarship. Illustrated by images of materials from (for the most part) the Scottish Theatre Archive’s Molly MacEwen collection (1948-1961), this article comprises an introduction to MacEwen, followed by a composite of selected conversations from interviews with MacEwen’s niece, Sue Harries, and nephew, Alasdair MacEwen. We learn of MacEwan’s familial and personal links to continental Europe, her unrequited devotion to mac Liammóir, and her successes in designing at Glasgow’s Citizens’ Theatre and for the Edinburgh International Festival after leaving the Gate in 1947 to work in Scotland. The dialogues in this article also reveal that MacEwen was a very shy and retiring woman, and that the men with whom she worked – including Edwards, mac Liammóir, and Tyrone Guthrie – took her for granted and possibly diminished the extent of her work. This situation, combined with gender inequalities and the collaborative nature of MacEwen’s design roles, may have led to her work being overlooked at the time and in pertinent publications on design and theatre. This article seeks to go some way towards recovering MacEwen’s important achievements for theatre history. Key Words: Molly MacEwen, Dublin Gate Theatre, Scottish theatre, design, women in theatre, Edinburgh International Festival, Michéal mac Liammóir

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Bull, James R. "Preface." Pure and Applied Chemistry 82, no. 8 (2010): iv. http://dx.doi.org/10.1351/pac20108208iv.

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The 42nd IUPAC Congress was held in Glasgow on 2-7 August 2009, under the patronage of the Royal Society of Chemistry (RSC). More than 2200 delegates convened in the Scottish Exhibition and Conference Centre for this biennial event, evocatively subtitled “Chemistry Solutions” for the occasion. The Organizing Committee, chaired by Prof. Paul O’Brien (Manchester University), was responsible for overall planning and compilation of an outstanding scientific program, and orchestration by the RSC conference team and their management of facilities and activities during the Congress week were widely acclaimed as indispensable factors in ensuring a memorable international celebration of chemistry. For many delegates, this was also an opportunity to discover or renew acquaintance with the proud history and distinctive ambience of this great city, and to enjoy its progressive modern image.The scientific program of the Congress was highlighted by nine inspiring plenary lectures by leading luminaries in various aspects of the chemical sciences. In addition, multi-themed parallel sessions provided a platform for presentation of no less than about 600 lectures, under the following theme titles:- Analysis and Detection- Chemistry for Health- Communication and Education- Energy and Environment- Industry and Innovation- Materials- Synthesis and MechanismA program of symposia was presented in each of these themes, and catered for all interests from the most fundamental insights and interpretation of current advances in chemistry to the role of chemistry in meeting the growing technological challenges and aspirations of modern society. The scientific program was enriched by the display of over 1200 posters dealing in every imaginable area of pure and applied chemistry, and handsomely representing the contributions of a great number of the young scientists who attended the Congress.Publication coverage of events such as the 42nd IUPAC Congress is challenging. Invited participants are often confronted with competing commitments, and a large multidisciplinary scientific program militates against reconciling a fully representative publication record with the readership appeal of a thematically coherent collection of works. This addition to the illustrious publication record of the Congress series in Pure and Applied Chemistry (PAC) (www.iupac.org/publications/pac/conferences/family/CONGRESS/) adheres to the recent practice of concentrating on more selective publication of certain themes. It is thus a pleasure to introduce a representative collection of works, based upon a seminal plenary presentation by Sir Fraser Stoddart and lectures by a distinguished group of invited contributors to the themes of “Chemistry for Health” and “Synthesis and Mechanism”. The organizers are particularly grateful to these presenters for ensuring that readers of PAC have an opportunity to relive or engage vicariously in an outstanding IUPAC Congress.James R. BullScientific Editor

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Dissertations / Theses on the topic "International Exhibition (1888 : Glasgow)"

Orr, Kirsten School of Architecture UNSW. "A force for Federation: international exhibitions and the formation of Australian ethos (1851-1901)." Awarded by:University of New South Wales. School of Architecture, 2006. http://handle.unsw.edu.au/1959.4/23987.

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In 1879 the British Colony of New South Wales hosted the first international exhibition in the Southern Hemisphere. This was immediately followed by the Melbourne International Exhibition of 1880 in the colony of Victoria and the success of these exhibitions inspired the Melbourne Centennial Exhibition, which was held in 1888 to celebrate the centenary of white settlement in Australia. My thesis is that these international exhibitions had a profound impact on the development of our cities, the evolution of an Australian ethos and the gaining of nationhood. The immense popularity and comprehensive nature of the exhibitions made them the only major events in late nineteenth-century Australia that brought the people together in an almost universally shared experience. The exhibitions conveyed official ideologies from the organising elites to ordinary people and encouraged the dissemination of new cultural sentiments, political aspirations, and moral and educational ideals. Many exhibition commissioners, official observers and ideologues were also predominantly involved in the Federation movement and the wider cultural sphere. The international exhibitions assisted the development of an Australian urban ethos, which to a large extent replaced the older pastoral / frontier image. Many of the more enduring ideas emanating from the exhibitions were physically expressed in the consequent development of our cities ??? particularly Sydney and Melbourne, both of which had achieved metropolitan status and global significance by the end of the nineteenth century. The new urban ethos, dramatically triggered by Sydney 1879, combined with and strengthened the national aspirations and sentiments of the Federation movement. Thus the exhibitions created an immediate connection between colonial pride in urban development and European and American ideals of nation building. They also created an increasing cultural sophistication and a growing involvement in social movements and political associations at the national level. The international exhibitions, more than any other single event, convinced the colonials that they were all Australians together and that their destiny was to be united as one nation. At that time, Australians began to think about national objectives. The exhibitions not only promulgated national sentiment and a new ethos, but also provided opportunities for independent colonial initiatives, inter-colonial cooperation and a more equal position in the imperial alliance. Thus they became a powerful impetus, hitherto unrecognised, for the complex of social, political and economic developments that made Federation possible.

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Muñoz, Torreblanca Marina. "La recepción de "lo primitivo" en las exposiciones celebradas en España hasta 1929." Doctoral thesis, Universitat Pompeu Fabra, 2010. http://hdl.handle.net/10803/7450.

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En España, al igual que en el resto de países europeos a finales del siglo XIX y principios del XX, se hace exhibición de "lo primitivo": personas (indígenas procedentes de los nuevos territorios colonizados) y objetos (piezas de arte y artefactos de la cultura material de los indígenas procedentes de las colonias). Algunas de estas muestras coinciden con las primeras exposiciones organizadas en España: Exposición General de las Islas Filipinas en Madrid (1887), Exposición Universal de Barcelona (1888) y Exposición Internacional de Barcelona (1929). El presente trabajo analiza la presencia o ausencia de "lo primitivo" (personas y objetos) en los principales acontecimientos expositivos españoles, su relación con acontecimientos homónimos en otros países europeos y su posible recepción en colecciones museísticas (museos de antropología, etnología y misionales).<br>In Spain, as in the rest of European countries at the end of the nineteenth century and beginning of the twentieth, aboriginal from the new colonized territories and "primitive" objects (art and artefacts from the material culture of the colonies) were also exhibited. Some of these events coincide with the first organized Exhibitions in Spain: General Exhibition of the Philippines Islands in Madrid (1887), Barcelona World Exhibition (1888) and Barcelona International Exhibition (1929). This work analyzes the presence or absence of "the primitive" (people and objects) in the major Spanish exhibitions, the relationship with similar events in other European countries and the possible reception in museum collections (museums of anthropology, ethnology and missionary).

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Books on the topic "International Exhibition (1888 : Glasgow)"

Kinghorn, Jonathon. Glasgow'sInternational Exhibition, 1888: Centenary celebration. Glasgow Museums & Art Galleries, 1988.

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Hunter, Stanley K. Kelvingrove and the 1888 exhibition: International Exhibition of Industry, Science & Art, Glasgow 1888. The Author, 1990.

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Sir John Lavery and his use of photography at the Glasgow International Exhibition of 1888. TH.A.H.M. van Asperen, 2006.

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Hunter, Stanley K. Sir John Lavery & the 1888 International Exhibition. S.K. Hunter, 1997.

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Library, University of Glasgow. Sir William Stirling Maxwell and the European emblem: An exhibition of books and manuscripts mounted to coincide with the international conference "The European Emblem" held in Glasgow, 11-14 August, 1987 : [exhibition held at] Glasgow University Library, 27 July - 24 September, 1987. Glasgow University Library, 1987.

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IEEE International Symposium on Computer-Aided Control System Design (2002 Glasgow, Scotland). 2002 IEEE International Symposium on Computer Aided Control System Design: Proceedings : September 18-20, 2002, Scottish Exhibition and Conference Centre, Glasgow, Scotland, U.K. IEEE, 2002.

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International, Amnesty, and Art Gallery & MuseumKelvingrove., eds. Freedom: An Amnesty International Glasgow Groups exhibition. Amnesty International Glasgow Groups, 1995.

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Agricultural machinery in the Canadian pavilion at the Glasgow International Exhibition, 1901. s.n., 1991.

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Book chapters on the topic "International Exhibition (1888 : Glasgow)"

Salmond, Wendy. "The “Russian Street” at the 1901 Glasgow International Exhibition." In A History of Russian Exposition and Festival Architecture. Routledge, 2018. http://dx.doi.org/10.4324/9781315461854-7.

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Lamont, Craig. "The Great Exhibitions: 1888–1938." In The Cultural Memory of Georgian Glasgow. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474443272.003.0008.

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This chapter examines the main International Exhibitions hosted by Glasgow in the years 1888, 1901, 1911, and 1938. These occasions were used to promote Glasgow as a primarily industrial city with pride of place in the British Empire. Nostalgia for the Georgian and medieval periods is shown to have affected the cultural memory of Glasgow’s role in the Scottish Enlightenment.

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Torreblanca, Marina Muñoz. "Barcelona’s Universal Exhibition of 1888: an atypical Case of a Great exhibition." In Cultures of International Exhibitions 1840–1940. Routledge, 2017. http://dx.doi.org/10.4324/9781315095189-2.

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Conference papers on the topic "International Exhibition (1888 : Glasgow)"

IMarEST. "Final Programme - 14th International Naval Engineering Conference and Exhibition." In 14th International Naval Engineering Conference and Exhibition. IMarEST, 2018. http://dx.doi.org/10.24868/issn.2515-818x.2018.000.

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"Inspiring Naval Engineering" incorporating the International Ship Control Systems Symposium (iSCSS). Tuesday 2 – Thursday 4 October 2018 at the Technology and Innovation Centre, University of Strathclyde, Glasgow, UK. INEC/iSCSS 2018 at a glance: Over 300 expert participants; Over 100 peer-reviewed technical papers; The Sir Donald Gosling Award; 15 plus focussed exhibition stands; International attendance from over 18 countries; Excellent networking opportunities and social programme; The relaunch of the International Ship Control Systems Symposium (iSCSS) entitled "Revolutionary Technology Inspiring Ship Control".

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Mateer, R., S. A. Scott, I. Owen, and M. D. White. "Superstructure Aerodynamics of the Type 26 Global Combat Ship." In 14th International Naval Engineering Conference and Exhibition. IMarEST, 2018. http://dx.doi.org/10.24868/issn.2515-818x.2018.038.

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The Type 26 City class Global Combat Ship is the latest design of UK frigate. Construction of the first ship, HMS Glasgow, began in July 2017 and the expectation is that it will enter service in the mid-2020s as a replacement for the Royal Navy’s Type 23 Duke class frigates. The main contractor for the design and construction of the ship is BAE Systems Maritime – Naval Ships. The Type 26 superstructure is characterised by its smooth sloping surfaces that are continuous along the ship from the fore deck to the flight deck. The tumblehome design reduces the ship’s radar cross-section, as does the minimisation of curved surfaces and internal corners. The Type 26 also has a bulky mast, also with flat sloping sides, while the funnel casing around the gas turbine exhaust uptake is located aft of the main mast and relatively low on the superstructure. In comparison, the earlier Type 23 has a much more fragmented superstructure with few geometric features for reduced radar reflection; it also has a more slender mast from which the anemometers are mounted, and the exhaust uptakes are higher. Overall the aerodynamics of the stealthy Type 26 frigate will be very different to the previous Type 23, and this will affect the operational envelope of the ship’s helicopters. Recognising the importance of superstructure aerodynamics to the ship design, the University of Liverpool has been working closely with colleagues from BAE to ensure that the air flow over the ship was considered as the superstructure design evolved. The paper will describe how, within the design cycle, Computational Fluid Dynamics (CFD) has been used to analyse the unsteady flow over the full-scale ship. It will show how CFD, together with helicopter flight dynamics modelling, was used to inform design options for the superstructure geometry ahead of the landing deck. CFD was also used to inform options for locating the ship’s anemometers and has been used to predict the dispersion of the ship’s engine exhaust gases and the air temperature distribution in the vicinity of the flight deck.

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IMarEST. "Final Programme - International Ship Control Systems Symposium (iSCSS)." In International Ship Control Systems Symposium. IMarEST, 2018. http://dx.doi.org/10.24868/issn.2631-8741.2018.000.

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"Inspiring Naval Engineering" - 14th International Naval Engineering Conference and Exhibition incorporating the International Ship Control Systems Symposium (iSCSS). Tuesday 2 – Thursday 4 October 2018 at the Technology and Innovation Centre, University of Strathclyde, Glasgow, UK. INEC/iSCSS 2018 at a glance: Over 300 expert participants; Over 100 peer-reviewed technical papers; The Sir Donald Gosling Award; 15 plus focussed exhibition stands; International attendance from over 18 countries; Excellent networking opportunities and social programme; The relaunch of the International Ship Control Systems Symposium (iSCSS) entitled "Revolutionary Technology Inspiring Ship Control".

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