Academic literature on the topic 'International Image Interoperability Framework IIIF'

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Journal articles on the topic "International Image Interoperability Framework IIIF"

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Hyam, Roger. "International Image Interoperability Framework: A unified approach to sharing images of natural history specimens?" Biodiversity Information Science and Standards 4 (October 5, 2020): e59056. https://doi.org/10.3897/biss.4.59056.

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Researchers have become accustomed to online access to data about specimens held in natural history collections. Over several decades, metadata standards have been developed to facilitate the sharing and aggregation of this data, notably Darwin Core and ABCD (Access to Biological Collections Data) developed under the auspices of TDWG but other standards developed in other communities, have also proved useful notably EML (Ecological Metadata Language) and GML (Geography Markup Language).Data aggregators have arisen to both, drive standards development and take advantage of the vast number of records made available through this community effort. Examples include Atlas of Living Australia and spin off Atlas projects, EoL (Encyclopedia of Life), iDigBio, Global Biodiversity Information Facility (GBIF), WFO (World Flora Online).There are still many "dark specimens" that are not visible to the web and efforts continue to digitise metadata on these objects and make them available. The vast majority of the data that has been liberated so far, has therefore been text based and the standards reflect this, although many institutions and projects are also producing large numbers of images and other media.There have been media extensions to some standards to accommodate the sharing of images and other multimedia formats. However, these are restricted to metadata about media objects rather than the exchange of media objects themselves. For example, two extensions to Darwin Core are <u>Audubon Core,</u> which is designed to "determine whether a particular resource or collection will be fit for some particular biodiversity science application before acquiring the media." and the Simple Multimedia extension, which is a "simple extension for exchanging metadata about multimedia resources". Therefore image exchange, in particular, has not used open standards. Projects have relied on transferring high resolution versions of images (e.g. submission of type specimen images to JSTOR) or cut down compressed versions (e.g. many herbarium specimens submitted to GBIF or Europeana). The network has not allowed access to high resolution versions of images as curated by the host institutions themselves beyond basic links to web pages. If high resolution images have been published in online catalogues, they have been made available using a hotchpotch of different technologies including the now defunct Java Applets and Adobe Flash player. The network has not supported different views of the same specimen or annotations of those views, or integration of audio and moving images.In an ideal world a researcher should be able to view and annotate images of specimens held across multiple collections in a unified way, and the host institutions should have access to those annotations and statistics on how their specimens are being used. How can we achieve this?The sharing of multimedia representations of objects online is not a problem unique to the biodiversity community. Scholars in museums and archives of all kinds are facing the same issues. In 2011 the British Library, Stanford University, the Bodleian Libraries (Oxford University), the Bibliothèque nationale de France, Nasjonalbiblioteket (National Library of Norway), Los Alamos National Laboratory Research Library, and Cornell University came together to develop an exchange standard called <u>IIIF</u> (International Image Interoperability Framework). This framework now consists of six APIs (Application Programming Interface), four stable and two in beta, to publish and integrate image and other multimedia resources in a uniform manner and has been adopted by many institutions and commercial partners in the digital humanities. Applications based on IIIF enable many of the features desired by biodiversity researchers.The notion of sharing and annotating specimen images is not new to the natural history community. <u>MorphBank</u>, founded in 1998, has grown to allow much of this desirable functionality but at the cost and fragility of being a centralised database. The question we should perhaps be asking is: how can we make the biodiversity data sharing network as a whole more like MorphBank?From 2019 to 2021, part of the EU-funded Synthesys+ programme will support the adoption of IIIF as a unified way to publish images of natural history specimens. We aim to have a set of exemplar institutions publishing IIIF manifests for some millions of specimens by the end of the project and one or more demonstration applications in place. We hope this will act as a catalyst for wider adoption in the natural history community. A key goal is to integrate image data served using IIIF with metadata available via CETAF (Consortium of European Taxonomic Facilities) specimen identifiers. If IIIF were ubiquitous in the natural history community, building tools that implemented this functionality would be feasible.A brief demonstration of a herbarium specimen browser, Herbaria Mundi, will be given. It will illustrate how specimens hosted in different institutions can be manipulated in a single interface. The architecture that supports this behaviour will be explained and its challenges, by implementing the institutions discussed.
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Martín Contreras, Elvira, and Irene Rincon Narros. "Integrating IIIF Images into Digital Humanities Databases: A Step-by-Step Workflow Proposal." Revista de Humanidades Digitales 10 (June 27, 2025): 98–114. https://doi.org/10.5944/rhd.vol.10.2025.43954.

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This article outlines a step-by-step workflow for easily integrating high-resolution images into specialized databases. The workflow was designed to tackle key challenges, such as copyright restrictions and storage limitations related to high-resolution manuscript images. A central component of this solution is the seamless access to image fragments stored in external repositories thanks to the International Image Interoperability Framework (IIIF), thereby eliminating the need for local storage. The workflow incorporates tools like CanvasFinder and the IIIF Image Manipulation Tool, enabling users to generate and share precise image links without requiring advanced technical skills. By following the "FAIR" principles, the workflow promotes the sustainability and broad usability of the data, providing a scalable model for image integration in Digital Humanities databases.
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Albritton, Benjamin L. "Thoughts on a Decade of Fragments, Reconstructions, and IIIF." Digital Philology: A Journal of Medieval Cultures 13, no. 1 (2024): 69–86. http://dx.doi.org/10.1353/dph.2024.a926886.

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Abstract: Digital image interoperability has helped to fuel the growth of interest in, and emerging practices to support, areas of fragmentology devoted to reunification and aggregation. From early thought-experiments hypothesizing the possibility of regathering the dispersed Ege fragments through non-interoperable static websites and finally to re-usable digitally resequenced manuscripts, this essay traces the driving use-cases that led to the development of the International Image Interoperability Framework (IIIF) and that protocol’s current role in digital fragment studies. The author reflects on the state of the field after nearly a decade of IIIF use and development, offers cautionary thoughts for both current software design and data modeling practices, and suggests potential strategies for ensuring long-term sustainability for the scholarly outputs of digital reconstruction projects.
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Long, Sarah Ann. "Review: International Image Interoperability Framework (IIIF); Gallica; e-codices: Virtual Manuscript Library of Switzerland." Journal of the American Musicological Society 71, no. 2 (2018): 561–72. http://dx.doi.org/10.1525/jams.2018.71.2.561.

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Snydman, Stuart, Robert Sanderson, and Tom Cramer. "The International Image Interoperability Framework (IIIF): A community &amp; technology approach for web-based images." Archiving Conference 12, no. 1 (2015): 16–21. http://dx.doi.org/10.2352/issn.2168-3204.2015.12.1.art00005.

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Hauwaerts, Evelien. "Nieuw bibliothekenproject mmmonk ontsluit monastieke manuscripten via iiif." Queeste 27, no. 2 (2020): 180–85. http://dx.doi.org/10.5117/que2020.2.005.hauw.

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Abstract Mmmonk stands for Medieval monastic manuscripts – open – network – knowledge. It is a collaborative project between Bruges Public Library, Ghent University Library, the Major Seminary Ten Duinen in Bruges and the Diocese of Ghent. The project has been awarded grants from the Flemish Government (Department of Culture, Youth and Media). The project aims to provide digital access to the c. 760 extant medieval manuscripts of the abbeys of Ten Duinen, Ter Doest, Saint Peter’s and Saint Bavo’s. The images and metadata of the manuscripts will be gathered and presented on the mmmonk platform in a sustainable and open manner using the International Image Interoperability Framework (iiif). The platform will gather existing knowledge, present educational content, and encourage further research on the monastic manuscripts. mmmonk will contribute to the development and implementation of iiif for complex book materials.
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Ferreira, Sarah Lorenzon, Marina Marchini Macambyra, and Vânia Mara Alves Lima. "Imagens interoperáveis: uso do VRA Core e da estrutura IIF na construção de bibliotecas digitais." Informação & Tecnologia 5, no. 1 (2019): 4–17. http://dx.doi.org/10.22478/ufpb.2358-3908.2018v5n1.38194.

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A Web Semântica e o Linked Data tem possibilitado a criação de repositórios de imagens digitais de arte com o uso de metadados descritivos, mas é necessário dar significado a essas imagens a partir de sua visualização pelos usuários. O presente trabalho tem como objetivo apresentar duas soluções que juntas poderão contribuir para a interoperabilidade sintática e semântica das imagens de arte: o conjunto de metadados VRA Core e o International Image Interoperability Framework (IIIF). O VRA Core é um padrão utilizado para descrever todas as informações necessárias sobre as obras de arte e suas imagens e o IIIF nos permite agregar valor semântico à essas imagens. Assim, a partir da revisão da literatura e do levantamento dos padrões de metadados para a descrição, disponibilização e compartilhamento de imagens de arte, apresenta a aplicação dessas ferramentas no protótipo da Biblioteca Digital da Produção Artística da Escola de Comunicações e Artes da Universidade de São Paulo.
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Baskauf, Steven J. "Having Your Cake and Eating It Too: JSON-LD as an RDF serialization format." Biodiversity Information Science and Standards 5 (September 13, 2021): e74266. https://doi.org/10.3897/biss.5.74266.

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One impediment to the uptake of linked data technology is developers' unfamiliarity with typical Resource Description Framework (RDF) serializations like Turtle and RDF/XML. JSON for Linking Data (JSON-LD) is designed to bypass this problem by expressing linked data in the well-known Javascript Object Notation (JSON) format that is popular with developers. JSON-LD is now Google's preferred format for exposing Schema.org structured data in web pages for search optimization, leading to its widespread use by web developers. Another successful use of JSON-LD is by the International Image Interoperability Framework (IIIF), which limits its use to a narrow design pattern, which is readily consumed by a variety of applications. This presentation will show how a similar design pattern has been used in Audubon Core and with Biodiversity Information Standards (TDWG) controlled vocabularies to serialize data in a manner that is both easily consumed by conventional applications, but which also can be seamlessly loaded as RDF into triplestores or other linked data applications. The presentation will also suggest how JSON-LD might be used in other contexts within TDWG vocabularies, including with the Darwin Core Resource Relationship terms.
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Dillen, Mathias, and Maarten Trekels. "DoeDat: Enhanced Roundtripping of Crowdsourced Specimen Annotations." Biodiversity Information Science and Standards 8 (September 25, 2024): e137827. https://doi.org/10.3897/biss.8.137827.

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The DoeDat platform was launched by Meise Botanic Garden in 2018 to capture label data from imaged herbarium specimens by inviting volunteer contributors (Groom et al. 2018). It has since facilitated data capture from specimens of other natural history collections (Helminger et al. 2020, Mitrache et al. 2023), as well as digitised content from various other disciplines, such as historical photographs, posters and postcards. Volunteers may simply transcribe handwritten and/or typed text, but often also interpret the sparse and scattered information on the image, including trying to georeference its original location. As of April 2024, almost 650.000 tasks have been completed, of which more than 470.000 were herbarium specimens from Meise.DoeDat supports domain standards, including Darwin Core, and follows most of the currently drafted MIDS (Minimum Information about a Digital Specimen) guidelines as to what data is captured for natural history specimens. However, images have to be pre-loaded into the server storage for each project and captured data gets exported as one or more CSV files per project. These data files then still need to be processed before they can be ingested into the local management system (Engledow et al. 2023). Often the data are also subjected to additional quality control before they get openly published. This can result in the pipeline from image to openly published annotations being quite time and labour-consuming.As the biodiversity infrastructure landscape moves more towards FAIR (Findable, Accessible, Interoperable, Reusable) open data, DoeDat will adapt accordingly. This includes digital objects that are easy to annotate. Furthermore, image servers following IIIF (International Image Interoperability Framework) greatly standardise the access and portability of media content, drastically changing the way images are being dealt with. We envision upgrading the DoeDat platform to load images and any required metadata as IIIF manifests, greatly streamlining the process of adding new content and tracking provenance. The transcriptions should be accessible for external systems, loading the updated image manifests and publishing them as annotations such as nanopublications.
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van Wissen, Leon, Manjusha Kuruppath, and Lodewijk Petram. "Unlocking the Research Potential of Early Modern Dutch Maps." European Journal of Geography 16, no. 1 (2025): 12–17. http://dx.doi.org/10.48088/ejg.si.spat.hum.l.wis.12.17.

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Working from the GLOBALISE project, we have enhanced access to over 5,000 Dutch maps from the seventeenth and eighteenth centuries, renowned for their geographic and historical significance. We have laid the groundwork for enriching these maps with annotations and metadata following the International Image Interoperability Framework (IIIF) standards, directly linked to their digital representations from the collection-holding institutions. This approach ensures a FAIR framework for sharing research results and fosters collaborative annotation. We enriched the maps with georeferencing annotations and employed automated tools to extract toponyms and geographic features, enabling large-scale analysis. These annotations open new pathways for exploring understudied historical regions, such as early modern Kerala, and assessing Dutch colonial influence globally. By publishing our data early, we aim to encourage further collaborative refinements, allowing a wider scholarly community to improve and build upon this work. This approach highlights the potential of combining historical cartography with computational tools to empower large-scale geographic and historical research.
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Book chapters on the topic "International Image Interoperability Framework IIIF"

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Haynes, Ronald. "Evolving Standards in Digital Cultural Heritage – Developing a IIIF 3D Technical Specification." In 3D Research Challenges in Cultural Heritage III. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-35593-6_3.

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AbstractIIIF (International Image Interoperability Framework) is a collection of open web standards, broadly used for presenting and annotating high resolution images and audiovisual content, adopted by hundreds of GLAM (galleries, libraries, archives, museums) organisations worldwide, and permit the reuse and recombination of digital assets across traditional digital institutional boundaries. While these standards have been successful for 2D images and AV (Audio/Video) data, there is a growing interest in how they might be applied to 3D content. An example of this would be to combine shards of pottery from disparate collections into a single whole within a viewing experience. The IIIF 3D Community Group has been collaboratively considering common challenges and potential solutions to key areas, with major 3D developers and researchers, and ongoing dialogue with VIGIE2020/654 study colleagues, forming the IIIF 3D Technical Specification Group, engaging even more widely with other specialists and representatives across user communities and standards bodies.
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Agostini, Caterina, and Paul Israel. "Mediating and connecting." In Digital editing and publishing in the twenty-first century. Scottish Universities Press, 2025. https://doi.org/10.62637/sup.ghst9020.19.

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In this chapter we discuss a framework for reconfiguring the Thomas A. Edison Papers as an integrated digital edition of primary sources. In the digital edition, stratified levels of sources enhance the accessibility of complex historical collections in digital environments. The concept of providing multiple layers of access was already implicit in the Edison Papers online book and image editions. Our reader-centered approach enables an interactive experience displaying primary sources both from text- and image-based collections documenting the work of Edison. The resulting reading experience occurs in International Image Interoperability Framework (IIIF) interfaces that can deliver images and texts from multiple servers on the Web. IIIF-compliant images present materials to readers in a coherent way, allowing deep zoom, comparison, page layout, and annotation through a IIIF image viewer, Mirador Viewer. The digital edition is customized, based on readers’ queries, and the interconnected design can potentially promote collaborative reading, scholarship, and applications in pedagogy, resulting in a versatile investigation of technological advancements and industrialization in Edison’s lifetime.
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Emanuel, Jeffrey P. "Stitching Together Technology for the Digital Humanities With the International Image Interoperability Framework (IIIF)." In Digital Humanities, Libraries, and Partnerships. Elsevier, 2018. http://dx.doi.org/10.1016/b978-0-08-102023-4.00009-4.

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Freire Nuno, Manguinhas Hugo, Isaac Antoine, Robson Glen, and Howard John Brooks. "Web Technologies: A Survey of Their Applicability to Metadata Aggregation in Cultural Heritage." In Expanding Perspectives on Open Science: Communities, Cultures and Diversity in Concepts and Practices. IOS Press, 2017. https://doi.org/10.3233/978-1-61499-769-6-235.

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In the World Wide Web, a very large number of resources are made available through digital libraries. The existence of many individual digital libraries, maintained by different organizations, brings challenges to the discoverability and usage of these resources by potential users. A widely-used approach is metadata aggregation, where a central organization takes the role of facilitating the discoverability and use of the resources, by collecting their associated metadata. The central organization has the possibility to further promote the usage of the resources by means that cannot be efficiently undertaken by each digital library in isolation. This paper focuses in the domain of cultural heritage, where OAI-PMH has been the embraced solution, since discovery of resources was only feasible if based on metadata instead of full-text. However, the technological landscape has changed. Nowadays, with the technological improvements accomplished by network communications, computational capacity, and Internet search engines, the motivation for adopting OAI-PMH is not as clear as it used to be. In this paper, we present the results of our initial analysis of available potential technologies, in particular, the following: IIIF (International Image Interoperability Framework); Webmention; Linked Data Notifications; Sitemaps; ResourceSync; Open Publication Distribution System (OPDS); and the Linked Data Platform.
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Conference papers on the topic "International Image Interoperability Framework IIIF"

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Bellini, E., C. Luddi, C. Cirinna, et al. "Interoperability Knowledge Base for Persistent Identifiers Interoperability Framework." In 2012 Eighth International Conference on Signal-Image Technology & Internet-Based Systems (SITIS 2012). IEEE, 2012. http://dx.doi.org/10.1109/sitis.2012.130.

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Chute, Ryan, Stephan Dresher, Luda Balakireva, and Herbert Van de Sompel. "An interoperability service framework for high-resolution image applications." In the 2009 joint international conference. ACM Press, 2009. http://dx.doi.org/10.1145/1555400.1555470.

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Emanuela Boros, Emanuela, Alexis Toumi, Erwan Rouchet, Bastien Abadie, Dominique Stutzmann, and Christopher Kermorvant. "Automatic Page Classification in a Large Collection of Manuscripts Based on the International Image Interoperability Framework." In 2019 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2019. http://dx.doi.org/10.1109/icdar.2019.00126.

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