Relevant bibliographies by topics / International Society for Contemporary Music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'International Society for Contemporary Music'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "International Society for Contemporary Music"

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Maguire, Phil. "Huddersfield Contemporary Music Festival 2: 22–23 November 2013." Tempo 68, no. 268 (2014): 77–79. http://dx.doi.org/10.1017/s004029821300171x.

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Huddersfield Contemporary Music Festival's promotion of Scandinavian and Catalan music – through established partnerships with The Danish Composers’ Society and Music Norway, and a more recent association with Catalonia's Institut Ramon Llul – have helped to bring under-represented regions for contemporary music to the foreground of the international scene.
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Green, Clinton. "The International Society for Contemporary Music in Melbourne: Forerunners, Foundation, and Decline." Musicology Australia 32, no. 2 (2010): 243–63. http://dx.doi.org/10.1080/08145857.2010.518356.

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Stolp, Mareli. "New Music for New South Africans: The New Music Indabas in South Africa, 2000–02." Journal of the Royal Musical Association 143, no. 1 (2018): 211–32. http://dx.doi.org/10.1080/02690403.2018.1434354.

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ABSTRACTThis article explores the content, scope and impact of an annual contemporary music festival in South Africa, the first of which was presented in 2000 by New Music South Africa (NMSA), the South African chapter of the International Society for Contemporary Music (ISCM). It explores the New Music Indabas of 2000–02 against the background of the political and cultural transformations that characterized South Africa, especially in the aftermath of the end of apartheid. Research into the archive of NMSA provided an entry point into understanding South African cultural, social and political life in the early years of the country's democracy. The ‘separate development’ rhetoric of the totalitarian apartheid regime, in power from 1948 to 1994, prevented cultural exchange and connection between musics and musicians in South Africa for decades; this article explores the ways in which the New Music Indabas attempted to right these historical imbalances, and to forge new directions for South African art-music production and practice.
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Ferenc, Anna. "The Association for Contemporary Music in Moscow: An interview with Nikolai Korndorf." Tempo, no. 190 (September 1994): 2–5. http://dx.doi.org/10.1017/s004029820000365x.

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The Association for Contemporary Music was initially founded in Moscow in 1923. It united Russian modernist composers, promoted the cause of ‘new music’ in print and in performance, and served as the Russian chapter of the International Society for Contemporary Music. Bowing to political pressure, the Association ceased to operate in the early 1930s. In January 1990, the existence of an Association for Contemporary Music was again announced in Moscow. Despite difficult economic circumstances, it remains active. The following is an interview conducted in July 1993 with one of its founding members and vice-presidents, Nikolai Korndorf.
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Mäkelä, Janne. "The state of rock: a history of Finland’s cultural policy and music export." Popular Music 27, no. 2 (2008): 257–69. http://dx.doi.org/10.1017/s0261143008004054.

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AbstractThe Finnish government has historically been active in regulating the practices of popular music. At the same time, the music industry, rock media and musicians have traditionally insisted on markets free from state intervention. This article focuses on the history of the interrelationship between cultural policy and popular music, especially rock exports, in Finland. It argues that the high level of organised forms of culture and the lure of internationalism form the historical basis for the nation-state–popular music relationship in Finland. Following the demands for ‘competitive society’ in the 1990s and the international breakthroughs of Finnish pop and rock music performers after 2000, this relationship has intensified. Contemporary policy is in many ways healthier than in the past, yet it also raises crucial questions about hierarchies and identity relationships in popular music and society.
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Ligeti, György. "A Viennese Exponent of Understatement: Personal reflections on Friedrich Cerha." Tempo, no. 161-162 (September 1987): 3–5. http://dx.doi.org/10.1017/s0040298200023275.

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I First Met Friedrich Cerha and his wife Traude in December 1956. After a concert given by the International Society for Contemporary Music—at that time still considered a small group of conspirators—in a remote room at the Musikakademie, my mentor Hanns Jelinek took me to the Gmoa-Keller on the Heumarkt to introduce me to the leaders of Vienna's musical avant-garde.
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Fauser, Annegret. "The Scholar behind the Medal: Edward J. Dent (1876–1957) and the Politics of Music History." Journal of the Royal Musical Association 139, no. 2 (2014): 235–60. http://dx.doi.org/10.1080/02690403.2014.944782.

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ABSTRACTThis article engages with issues of musical historiography and politics – mainly in the 1930s and 1940s – through the example of Edward J. Dent, a towering figure of international musical and musicological life during that period. Dent's career was tightly interwoven with musical and musicological practice both in Britain and in the wider Western world. It offers a fascinating access point to European musical modernism on the one hand, and to mid-century concerns with the uses of music history on the other. In this article, I focus on these aspects of Dent's career and their intersections by exploring first Dent's involvement with the International Society for Contemporary Music, before turning to two further and closely related issues: Dent's scholarly work of that period – especially his turn to Handel – and his involvement in international cultural politics during the 1930s and 1940s.
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Kovnatskaya, Ludmila. "Shostakovich and the LASM." Tempo, no. 206 (October 1998): 2–6. http://dx.doi.org/10.1017/s0040298200006665.

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In the 1920s there were plenty of new opportunities for young composers to meet colleagues of all ages in the many circles, societies and associations which were then in existence. The most interesting, though short-lived of them was the Leningrad Association of Contemporary Music (LASM), which declared itself to be ‘a gathering of everyone connected with music today’. The Association was planned as a local branch of the International Society of Contemporary Music (ISCM) and of the central Moscow association. But in fact the LASM acted quite independently. Its founders were people who were already well-placed and even high-ranking in the country's musical life: the musicologists and critics Boris Asafyev (Igor Glebov), Vyacheslav Karatigin, Alexander Ossovsky and Andrey Rimsky-Korsakov, the composers Yuliya Weysberg, Alexander Zhitomirsky, Andrey Paschenko, Yuriy Tyulin, Maximilian Shteinberg, Lyubov Shtreikher-Bikhter and Vladimir Shcherbachev. Their first meeting took place on 15 April 1925 at the home of Rimsky-Korsakov and Weysberg.
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Lepherd, Laurence. "Glasnost and Perestroika in Russian Soviet Music Education." British Journal of Music Education 7, no. 3 (1990): 205–12. http://dx.doi.org/10.1017/s0265051700007798.

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There is considerable concern in the Russian Federation of the Soviet Union about the state of music education in general schools, the schools most children attend. Many observers draw attention to the decline in musical standards in these schools since the Revolution of 1917. Glasnost – ‘openness’ and Perestroika – ‘reconstruction’, are key factors in contemporary Soviet society which are affecting attempts to raise the standard. In particular, the Kabalevsky system developed in the 1970s and implemented in the 1980s is the focal point of reconstruction and, because of openness, is also the focal point of criticism.In this article the author outlines some of the features of current music education in general schools. The influences of glasnost and perestroika on development are discussed and some international implications are suggested.
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Gates, Eugene, and Karla Hartl. "Vítězslava Kaprálová: a remarkable voice in 20th-century Czech Music." Tempo, no. 213 (July 2000): 23–25. http://dx.doi.org/10.1017/s004029820000783x.

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It was with enormous pride in the achievements of his 23-year-old protégé Vítězslava Kaprálová that Bohuslav Martinů wrote the following in his review of the 1938 International Society for Contemporary Music (ISCM) Festival, held in London:The very first item on the programme of the Festival was Military Sinfouictta by Vitězslava Kaprálová – an opening with great promise for both the festival and the composer. Her performance was awaited with interest as well as some curiosity – a girl with a baton is quite an unusual phenomenon – and when our ‘little girl conductor’ (as the English newspapers called her) appeared before the orchestra, she was welcomed by a supportive audience. She stood before the orchestra with great courage and both her composition and performance earned her respect and applause from the excellent BBC orchestra, the audience, and the critics. … Kaprálová's international debut is a success, promising and encouraging.
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Dissertations / Theses on the topic "International Society for Contemporary Music"

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Meyer, Mariechen. "Contemporary Double Bass Techniques: An Advanced Technical Approach." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157540/.

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Diverse practicing methods are evidence of the importance of applying creativity in our practice regimes. Regardless of a player's technique - traditional or modern - it must be regularly practiced and then applied. One of the most common ways to do that is through practicing technical exercises, which generally means the practice of scales, arpeggios and etudes. These exercises generally function as a warm-up regime for all musicians, but this regime doesn't necessarily provide enough reference for the player in the learning process of a new piece. Adapting exercises to address technical difficulties in a newly learned piece can provide the player with a wide range of practice methods to use, to be creative, to be more aware while practicing, and to build a solid technical foundation for the newly learned piece. Two well-known pedagogues who applied this approach are German bassist Ludwig Streicher and Czech violinist Otakar Ševčik. By implementing analytical studies and composing exercises based on the standard repertoire, Ševčik and Streicher became highly influential teachers in the 20th century. Their work serves as a model in achieving the purposes of this dissertation: the assessment of technical difficulties and compilation of a technique booklet based on six unaccompanied contemporary solo pieces written as required works for the solo competition of the International Society of Bassists' biennial convention since 2007.
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Yang, Zixuan. "Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554212593057542.

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Zheng, Yu. ""The Screaming Successor": Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1479453595002855.

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Bylander, Cynthia E. "The Warsaw Autumn International Festival of Contemporary Music 1956-1961 : its goals, structures, programs, and people." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1219942943.

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Cameron, James Scott. "Trends and developments in percussion ensemble literature, 1976-1992 : an examination of selected works premiered at the Percussive Arts Society International Conventions /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1996.

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Icleanu, Constantin C. "A CASE FOR EMPATHY: IMMIGRATION IN SPANISH CONTEMPORARY MEDIA, MUSIC, FILM, AND NOVELS." UKnowledge, 2017. http://uknowledge.uky.edu/hisp_etds/33.

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This dissertation analyzes the representations of immigrants from North Africa, Latin America, and Eastern Europe in Spain. As engaged scholarship, it seeks to better the portrayal of immigrants in the mass media through the study of literature, film, and music about immigration spanning from the year 2000 to 2016. Because misconceptions continue to propagate in the media, this dissertation works to counteract anti-immigrant, xenophobic representations as well as balance out overly positive and orientalized portrayal of immigrants with a call to recognize immigrants as human beings who deserve the same respect, dignity, and rights as any other citizen. Chapter 1 examines and analyzes the background to immigration in Spain by covering demographics, the mass media, and political theories related to immigration. Chapter 2 analyzes Spanish music about immigration through Richard Rorty’s social theory of ‘sentimental education’ as a meaningful way to redescribe marginalized minorities as full persons worthy of rights and dignity. Chapter 3 investigates the representation of immigrants in Spanish filmic shorts and cinema. Lastly, Chapter 4 demonstrates how literary portrayals of immigrants written by undocumented immigrants can give rise to strong characters that avoid victimization and rear empathy in their readers in order to affect a social change that minimizes cruelty.
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An, Ji-yoon. "Family pictures : representations of the family in contemporary Korean cinema." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/268018.

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The family has always been a central narrative theme in cinema. Korean cinema has been no exception, where the family has proved to be a popular subject since its earliest days. Yet Western scholarship on Korean cinema has given little attention to this dominant theme, preferring to concentrate on the film industry's recent revival and its blockbusters. Scholarship in Korea and in the Korean language, on the hand, has continuously discussed some of the major cinematic works on the family. However, such literature has tended to be in the form of articles discussing one or two particular works. A comprehensive study of the family in contemporary Korean cinema therefore remains absent both in Korean and in English. This thesis is an attempt to provide such a work, bringing together films on the family and writings on them in both Western and Korean scholarships, as well as filling the gaps where certain trends and patterns have gone undetected. How are the changes in the understanding of the family or in the roles of individual family members reworked, imagined, or desired in films? Taking this question as the starting point of the research, each chapter explores a separate theme: transformations in the structure of the family; faltering patriarchy and fatherhood; motherhood and the extremity of maternal love; and certain children's experiences of the family. The first chapter detects a general move away from the traditional patriarchal nuclear family and an interest in depicting alternative families, exploring shifting family forms in contemporary society and the public discourses surrounding them. The second chapter highlights the contradictory ways that the father has been illustrated in films during and after the IMF crisis. The third chapter explores a branch of recent thrillers that depicts mothers as dark and dangerous characters, offering an interesting cultural framing to the multiple perceptions of the mother figure in contemporary society. Finally, the last chapter aims to extend representations of the 'Korean family' to include films by/about those currently living outside of Korea, namely Korean emigrants and adoptees.
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Zhao, Bai. "Influences étrangères dans la musique contemporaine des compositeurs chinois exerçant ou ayant exercé en France et en Amérique du Nord." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040162.

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Du 19e siècle à nos jours, la musique chinoise a pris une nouvelle direction. La création musicale en Chine s'est développée à travers les diverses cultures et les changements de politique, conférant ainsi un charme particulier à la musique contemporaine chinoise. A partir du début de l'imitation occidentale et juste avant la fondation de la nouvelle Chine, les musiciens chinois sont parvenus à associer les éléments musicaux chinois avec les nouveaux langages musicaux. Au cours de certaines périodes, l'art avait été asservi au pouvoir politique et la création musicale de style traditionnel était l'identité principale. Après de vagues stratégies d’Etat successives, l’évitement des thèmes sensibles, les besoins urgents de la culture racine, la mise en œuvre des techniques expérimentales s’est déployée et diversifiée et les échanges internationaux ont conduit à l'émergence du départ à l'étranger des compositeurs chinois pour chercher leur propre chemin créatif. La musique contemporaine de la Chine s’est élaborée à partir de la technique occidentale et a progressé dans le contexte culturel chinois et ses racines multiples, les pensées fermées et les expériences d'enfance dans l'environnement culturel pur et la collision du nouvel environnement créent des œuvres d'art fascinantes, la rendant remarquablement différente de la musique contemporaine occidentale. Durant ces 30 dernières années de développement économique et d'ouverture politique, la société chinoise s’est de plus en plus internationalisée; les nouvelles technologies et les profils variés des compositeurs ont incité la nouvelle génération à mettre en place d’excellentes innovations musicales spécifiques
As of the 19th century up to now, Chinese music has been taking a new direction and has developed in the wake of social evolutions. In China, the musical creation was affected by both the various cultures and political changes, thus bestowing a special charm on contemporary Chinese music. From the beginning of Western imitation and just before the founding of the new China, Chinese musicians succeeded in matching the Chinese musical elements with the new musical languages. Throughout specific periods, art had been bound to political power, and traditional style constituted the main identity of musical creation. Following the Cultural Revolution, the return to the root culture, the implementation of diversified experimental techniques have resulted in the departure of Chinese composers abroad in search of their own creative way. Contemporary Chinese music developed from Western technique and progressed in the Chinese cultural context and its multiple roots, closed thoughts and childhood experiences in the pure cultural environment and the collision of the new environment is now creating fascinating works of art, remarkably different from Western contemporary music. During the last 30 years of economic development and political openness, Chinese society has become increasingly internationalized; the new technologies and the varied profiles of composers have prompted the new generation to set up outstanding specific musical innovations
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Cockrell, Brittany B. "Mindfulness and authentic creativity developing a healthy lifestyle." Honors in the Major Thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/362.

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The contemporary society of the United States of America is becoming an increasingly stressful environment to live in. Our rapid advances and developments in virtual, electronic, and high-speed technology have led us to a lifestyle that operates more quickly. However, our attachment to such a face-paced lifestyle has unfortunately led us towards an increasingly stressful lifestyle. This research focuses on identifying our current society's perceptual outlook and illustrating how the practice of mindfulness can help reduce the anxieties, struggles, and mental flaws which cloud our perception. The intent of this thesis is to show how the practice of mindfulness is beneficial towards our mental health. The practice of mindfulness originated within the Buddhist tradition and has evolved into a new area of interest in the fields of mental health, psychology, philosophy, and humanities. Also, the connection between the practice of mindfulness, and the practice of authentic creativity, as demonstrated in playing the piano, is illuminated within this research. Authentic creativity thus serves as an enlightening metaphor for the elusive practice of mindfulness, and creates a more vivid understanding of the concept of mindfulness. For this thesis I have conducted a literature review in the areas of philosophy, religion, aesthetics and cognitive science. Also, I am actively participating in my research by personally practicing mindfulness and piano. Part of my methodology involves critical thinking on the personal level as I am writing journal entries about my views and thoughts concerning these processes.
B.A.
Bachelors
Arts and Humanities
Humanities
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Drakopoulos, David. "Appeal mechanisms and Investment Court Systems in Investor-State Dispute Settlement : An analysis of AM and ICS suggestions, in light of contemporary reform." Thesis, Uppsala universitet, Juridiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-443417.

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We begin with a short analysis of the history of Investor-State Dispute Settlement (ISDS). We then discuss the merits and demerits of the regime, such as the arguments between finality, speediness, and correctness. Following from this, historical reforms are discussed, and whether those issues have gotten worse or better since these discussions. The modern problems are discussed, leading to the explanation of the “legitimacy crisis”. As Appellate Mechanisms (AM) and Investment Court Systems (ICS) both propose multi layered systems, we argue whether ISDS must be a “one bite at the apple” system. We expand on the issues of regulatory chill, before showing the contradictions in the granting of awards. From this, a discussion is raised on the advantages of a tenured system of adjudicators, particularly in reference to their apparent bias. We delve deeper into the direct consequences of the perceived issues of ISDS, in the context of human rights, the environment, and other issues of sovereignty.As more reforms are suggested, the question of “what makes arbitration, arbitration?” is raised. From here, we may begin to suggest reforms based on which key factors are to be preserved. Firstly, we discuss current reform options, such as the Mauritius Convention. We take inspiration from existing AM, and prior discussions on the implementation of such a system across the International Centre for Settlement of Investment Disputes (ICSID) and United Nations Commission on International Trade Law (UNCITRAL) frameworks. We analyse whether these discussions have led to change by comparing trends in drafting.Thereon, we offer suggestions of reform. ICS and how this would be implemented, what it would look like structurally, and its positive and negative effects. Using the Comprehensive Economic and Trade Agreement (CETA) and other contemporary ICS reform suggestions, we gain some knowledge of what an ICS regime could and should look like, the implementation of AM previously discussed in this regime, and other. Finally, we offer a different solution to the problems, yet less pragmatic, the termination of arbitration.
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Books on the topic "International Society for Contemporary Music"

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SIMC: Storia della Società italiana di musica contemporanea dalla fondazione al 2001. Libreria CLUP, 2004.

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S, Levy Michael. Comparing notes: South African music & music information, the present and the future : address to the general assembly of the International Society for Contemporary Music "World Music Days", Warsaw, 15-23 May 1992. SAMRO, 1992.

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Roosenschoon, Hans. Keeping our ears to the ground: Cross-culturalism and the composer in South Africa, "old" and "new" : a paper to be presented at the general assembly of the International Society for Contemporary Music "World Music Days", Warsaw, 15-23 May 1992. SAMRO, 1992.

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Hidemi, Suganami, ed. The English school of international relations: A contemporary reassessment. Cambridge University Press, 2006.

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International, Seminar on Contemporary Music and Dance (1995 Jakarta Indonesia). International Seminar on Contemporary Music and Dance: [papers]. Project of the Development of Cultural Media, Directorate General for Culture, Dept. of Education and Culture, 1997.

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Węcławowicz, Grzegorz. Contemporary Poland: Space and society. Westview Press, 1996.

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Global civil society and international law-making in global governance: Contemporary issues. Martinus Nijhoff Publishers, 2010.

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Capitalism in the age of globalization: The management of contemporary society. 2nd ed. Institute for Policy and Social Research (IPSR), 1998.

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Capitalism in the age of globalization: The management of contemporary society. Zed Books, 1997.

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Center, International Clarinet Society Research. Catalog of the International Clarinet Society score collection. 2nd ed. Music Library of the University of Maryland, 1990.

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Book chapters on the topic "International Society for Contemporary Music"

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Cunningham, Sally Jo. "Interacting with Personal Music Collections." In Information in Contemporary Society. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15742-5_50.

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Andrews, Richard. "Polyrhythmicity in Contemporary Hybrid Culture." In Polyrhythmicity in Language, Music and Society. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0566-6_9.

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Andrews, Richard. "Polyrhythmicity in Time: An International Perspective." In Polyrhythmicity in Language, Music and Society. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0566-6_3.

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Kaldis, Byron. "Nature and society." In Routledge International Handbook of Contemporary Social and Political Theory, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003111399-29.

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Baert, Patrick, and Joel Isaac. "Intellectuals and society." In Routledge International Handbook of Contemporary Social and Political Theory, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003111399-15.

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Aravanis, Theofanis, Andreas Petratos, Georgia Douklia, and Efpraxia Plati. "Search Problems in Contemporary Power Girds." In Proceedings of the International Neural Networks Society. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80568-5_28.

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Lewis, Jerome. "Play, Music, and Taboo in the Reproduction of an Egalitarian Society." In Social Learning and Innovation in Contemporary Hunter-Gatherers. Springer Japan, 2016. http://dx.doi.org/10.1007/978-4-431-55997-9_12.

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van Wichelen, Sonja. "“My Dance Immoral? Alhamdulillah No!” Dangdut Music and Gender Politics in Contemporary Indonesia." In Resounding International Relations. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-05617-7_8.

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Johnson, Eileen S. "Contemporary Society and the Phenomenon of School Rampage Shootings in the United States: A Theoretical Approach to Understanding." In School Violence in International Contexts. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17482-8_9.

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Gionco, Marta. "Access to Social Security for Migrants in the European Union: Sedentarist Biases Between Citizenship, Residence and Claims for a Post-national Society." In Borders, Legal Spaces and Territories in Contemporary International Law. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20929-2_2.

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Conference papers on the topic "International Society for Contemporary Music"

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Zhong, Wenmin. "On Status Quo of Ethnic Music and Its Function in Contemporary Society." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.54.

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Miranda, Eduardo. "Enhancing the Social Impact of Contemporary Music with Neurotechnology." In ISIS Summit Vienna 2015—The Information Society at the Crossroads. MDPI, 2015. http://dx.doi.org/10.3390/isis-summit-vienna-2015-t7009.

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Li, Qingxun. "Application of Regional Music Culture in College Music Teaching." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.401.

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Li, Xuan. "The Significance of Computer Music Teaching to Contemporary College Music Students." In 2021 International Conference on Internet, Education and Information Technology (IEIT). IEEE, 2021. http://dx.doi.org/10.1109/ieit53597.2021.00088.

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Ji, Yi. "How to Inherit the National Culture of Music in Music Courses." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.316.

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Vyas, Harsh M., Suma S. M., Shashidhar G. Koolagudi, and Guruprasad K. R. "Identifying gamakas in Carnatic music." In 2015 Eighth International Conference on Contemporary Computing (IC3). IEEE, 2015. http://dx.doi.org/10.1109/ic3.2015.7346662.

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Wang, Min, and Xiaofeng Wang. "Contemporary Cultural Construction of Neoromanticism Music Products." In Proceedings of the International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/cesses-18.2018.102.

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Ji, Yi. "Application of Multicultural Music in Music Education in Colleges and Universities." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.16.

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Guo, Chao. "Analysis on Contemporary Chinese Animated Music Development from Jou Hisaishi Animated Music." In 2015 International Conference on Education Technology, Management and Humanities Science (ETMHS 2015). Atlantis Press, 2015. http://dx.doi.org/10.2991/etmhs-15.2015.163.

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Medushevsky, Vyacheslav. "The Immanent Subject of Music." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.48.

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Reports on the topic "International Society for Contemporary Music"

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Taşdemir, Murat, Ethem Hakan Ergeç, Hüseyin Kaya, and Özer Selçuk. ECONOMY IN THE TURKEY OF THE FUTURE. İLKE İlim Kültür Eğitim Vakfı, 2020. http://dx.doi.org/10.26414/gt010.

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Fundamental transformations await the world’s economies in the upcoming 20 years. For Turkey to be able to achieve its desired level of prosperity, current structural problems must be solved and preemptive policies must be developed regarding global developments. For Turkey to attain prosperous and virtuous society of the future, Turkey needs a sustainable, long-term, fast-growing economy based on social justice. The Economy in the Turkey of the Future report provides a holistic vision for achieving the infrastructure of the prosperous and virtuous society of the future. The report meticulously analyzes Turkey’s contemporary economy in the light of data and presents the necessary fields to focus on for the future and which kinds of policy ought to be handled with what kind of a perspective in accordance with the advantages and disadvantages. The report touches upon three global trends and their potential impact on national economies and Turkey. It then addresses social justice, sustainability, in the context of long-term economic growth, demographic dynamics and the workforce, Islamic finance, international trade, and sectors deemed strategic. The report focuses on the structural properties that determine the long-term economy rather than short-term economic fluctuations. Many of Turkey’s short-term problems arise from the lack of long-term policies. To this end, the report’s most important emphasis is on the need for long-term policies.
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
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