Relevant bibliographies by topics / International thriller

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'International thriller'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "International thriller"

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Filley, Christopher M. "INTERNATIONAL THRILLER." Neurology Today 3, no. 7 (2003): 17. http://dx.doi.org/10.1097/00132985-200307000-00008.

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Kokotkiewicz, Martyna. "Extraordinary Protagonists, Average Issues." Folia Scandinavica Posnaniensia 25, no. 1 (2018): 101–11. http://dx.doi.org/10.2478/fsp-2018-0016.

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Abstract Thriller is considered to be a subgenre of criminal fiction, in which the most significant role is played by fast-paced action, suspense, spectacular events. In case of so called international and political thrillers it should also be mentioned that their authors construct their plots around the problems such as global conflicts, international conspiracy, terrorism, the development of nuclear weapon. However, problems commonly mentioned by many authors of other subgenres of criminal fiction, are also present in the novels classified as thrillers. The collapse of well-being society, unstable interpersonal relationships, mental problems of an individual, childhood traumas are therefore often mentioned by the writers, although they do not usually constitute main subjects of the novels. The article concentrates on some examples from international and political thrillers, in which such issues seem to be equally important, written by the most popular Finnish authors of this particular genre, namely Ilkka Remes and Taavi Soininvaara.
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Sanabria, Carolina. "El hombre de los ojos y la construcción en espiral: Bigas Luna y su <i>Angustia</i>." Zeitschrift für Katalanistik 27 (July 1, 2014): 101–14. http://dx.doi.org/10.46586/zfk.2014.101-114.

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Summary: This article examines in detail one of the least iconic and, probably, lesser-known films – Anguish (1986) – from the most international Catalan director: Bigas Luna. As its title indicates, and contrary to his best-noted productions, it is a film which does not contain elements of an erotic or sensuous sort, but is constructed from a typically American genre – the thriller –. The movie is articulated around an adult dependent on his sinister mother, who drives him hypnotically towards extracting his victims’ eyes in a story which expands into other narrative reflections. Even though it consists of winks to classical artistic references (Hoffman, Man Ray, Velázquez, Wiene), it ends up working as a tribute to the filmography of English master Alfred Hitchcock, and it constitutes a new disquisition on the complexities of the behavior of the specular-turned gaze. [Keywords: Bigas Luna; Anguish; thriller; son; mother; gaze; eye]
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Burke, Sara, and Bettina Luise Rürup. "Political Thriller Exposes the Underbelly of Global Goals." Global Policy 10, S1 (2019): 137. http://dx.doi.org/10.1111/1758-5899.12640.

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Sheridan, Brian R. "Del tatami a la página impresa: Barry Eisler y la realidad de su ficción." Revista de Artes Marciales Asiáticas 4, no. 2 (2012): 96. http://dx.doi.org/10.18002/rama.v4i2.215.

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&lt;p&gt;This article looks at how a lifelong passion for the martial arts has influenced the writing of international bestselling thriller author Barry Eisler. His seven novels have garnered for him a reputation for authenticity, from his approach to fight scenes to the use of modern espionage techniques. Eisler discusses how he trained at the Kodokan, the birthplace of modern judo in Japan, and its impact on his anti-hero protagonist, John Rain. He also talks about the reaction martial artists have had toward his work. 2009 looks to be a major year for Eisler as his first non-Rain book hits bookstores and a movie based on his first novel is released.&lt;/p&gt;
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Oylumlu, İkbal Sinemden. "Thirteen Days: A Political Reading." CINEJ Cinema Journal 10, no. 1 (2022): 314–39. http://dx.doi.org/10.5195/cinej.2022.537.

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Thirteen Days is a historical political thriller, reflecting John F. Kennedy's leadership characteristics and the decision-making process during the Cuban Missile Crisis, close to reality. The study explains the connection between fictional and real and the decision-making process through the similarities and differences between film scenes and real images. In this sense, it examines John F. Kennedy's decision-making process and leadership structure using both international relations theories and film review methods. The film has been created with a historical perspective, the character traits, crisis and resolution processes of the American president and his small group members, as well as the actors in the Soviet bloc. In addition, evaluating the attitudes and approaches of the Kennedy government and Kennedy's leadership structure are clearly reflected to the audience in the film. This study contributes to the understanding of international relations by explaining Small Thinking Decision and Rational Actor Model theories with the cooperation of the field of international relations and cinema. The sum up, to compare of film scenes and real elements is also important in terms of editing the parts that appear as black-boxes during the crisis and interpreting them close to reality.
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Norrick-Rühl, Corinna, Christian Alexander Peter, and Lena Schüler. "“Pay to Play” in the German Book Trade?" Publishing Research Quarterly 37, no. 2 (2021): 241–54. http://dx.doi.org/10.1007/s12109-021-09804-x.

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AbstractThis paper considers the success of the thriller Der neunte Arm des Oktopus (transl.: The Ninth Arm of the Octopus, Cologne: Bastei Lübbe, November 2020) by German drugstore magnate Dirk Rossmann. Certain elements of brand-name authorship are applicable here, but the market power of Rossmann goes far beyond name recognition. Beyond the typical marketing for a ‘big book’ in the sense of contemporary trade publishing, Rossmann flooded the campaign with his own funds. This contribution approaches an unlikely case study through a trilateral interdisciplinary perspective (book studies, economics, law), underlining the unequal footing on which books enter the market.
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Wirtz, James J. "The Techno-Thriller in the Classroom: Red Storm Rising as a Guide to World War III." Political Science Teacher 2, no. 4 (1989): 7–9. http://dx.doi.org/10.1017/s0896082800000787.

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Most of the literature in the field of international security studies does not focus on the details of battlefield operations or the use of weapons in combat. The American military is usually left alone to devise effective tank tactics or solutions to the problems encountered as pilots attempt to place bombs on a target. Scholars increasingly realize, however, that theoretical work must reflect the reality of the battlefield and likely operational constraints. For example, recent explorations of the intricacies of nuclear operations have influenced the way analysts view the problem of deterrence. To be useful, theories and policy prescriptions must respond to the prevailing conditions on the battlefield.When it becomes necessary to integrate operational considerations into theoretical work, scholars often turn to members of the military to determine if highly touted weapons perform “as advertised,” or to discover the potential limitations of tactics described in current manuals. Within the constraints created by issues of secrecy, officers and enlisted personnel usually are flattered by the interest taken in their profession and are forthcoming in supplying detailed answers to operational questions. Orgahized tours of military facilities also provide an opportunity to examine military hardware at close range and often lead to a fruitful exchange of ideas, especially after the conclusion of the formal presentations. Still, the information gathered from contacts with soldiers and sailors is largely anecdotal and limited to the general experiences of the individuals questioned.
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Coundouriotis, Eleni. "Memory and the Popular: Rwanda in Mukoma Wa Ngugi’s Fiction." Cambridge Journal of Postcolonial Literary Inquiry 4, no. 3 (2017): 382–97. http://dx.doi.org/10.1017/pli.2017.29.

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This essay locates the valences of the popular in Mukoma Wa Ngugi’s fiction to understand how Rwanda as a background for a thriller fits into a longer tradition of African popular genres that represent the aftermath of violent conflict. The question of whether Nairobi Heat and Black Star Nairobi attempt to illuminate the genocide or only evoke it as background shapes the approach to the popular. The essay then identifies ways in which Mukoma’s novels are also in conversation with the more canonical works of anticolonial “writing back” to empire and in fact perform an unnarration, or blotting out, of that discourse and the historical dynamics that inform it. Mukoma does not divorce himself entirely from this older literary project, which exercises a disruptive influence in the popular as he configures it. Finally, the essay examines the relation among action, morality, and sentimentality to identify how Mukoma reclaims the plot of intervention from the humanitarian framing of the failure of international intervention.
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Leane, Elizabeth, and Stephanie Pfennigwerth. "Antarctica in the Australian imagination." Polar Record 38, no. 207 (2002): 309–12. http://dx.doi.org/10.1017/s003224740001799x.

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AbstractAntarctica and Australia share a geographical marginality, a commonality that has produced and continues to reinforce historical and political ties between the two continents. Given this close relationship, surprisingly few fulllength novels set in or concerned with the Antarctic have been produced by Australian authors. Until 1990, two latenineteenth- century Utopias, and two novels by Thomas Keneally, were (to our knowledge) the sole representatives of this category. The last decade, however, has seen an upsurge of interest in Antarctica, and a corresponding increase in fictional response. Keneally's novels are ‘literary,’ but these more recent novels cover the gamut of popular genres: science fiction, action-thriller, and romance. Furthermore, they indicate a change in the perception of Antarctica and its place within international relations. Whereas Keneally is primarily concerned with the psychology of the explorer from the ‘Heroic Age,’ these younger Australian writers are interested in contemporary political, social, and environmental issues surrounding the continent. Literary critics have hitherto said little about textual representations of Antarctica; this paper opens a space for analysis of ‘Antarctic fiction,’ and explores the changing nature of Australian-Antarctic relations as represented by Australian writers.
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Dissertations / Theses on the topic "International thriller"

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An, Ji-yoon. "Family pictures : representations of the family in contemporary Korean cinema." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/268018.

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The family has always been a central narrative theme in cinema. Korean cinema has been no exception, where the family has proved to be a popular subject since its earliest days. Yet Western scholarship on Korean cinema has given little attention to this dominant theme, preferring to concentrate on the film industry's recent revival and its blockbusters. Scholarship in Korea and in the Korean language, on the hand, has continuously discussed some of the major cinematic works on the family. However, such literature has tended to be in the form of articles discussing one or two particular works. A comprehensive study of the family in contemporary Korean cinema therefore remains absent both in Korean and in English. This thesis is an attempt to provide such a work, bringing together films on the family and writings on them in both Western and Korean scholarships, as well as filling the gaps where certain trends and patterns have gone undetected. How are the changes in the understanding of the family or in the roles of individual family members reworked, imagined, or desired in films? Taking this question as the starting point of the research, each chapter explores a separate theme: transformations in the structure of the family; faltering patriarchy and fatherhood; motherhood and the extremity of maternal love; and certain children's experiences of the family. The first chapter detects a general move away from the traditional patriarchal nuclear family and an interest in depicting alternative families, exploring shifting family forms in contemporary society and the public discourses surrounding them. The second chapter highlights the contradictory ways that the father has been illustrated in films during and after the IMF crisis. The third chapter explores a branch of recent thrillers that depicts mothers as dark and dangerous characters, offering an interesting cultural framing to the multiple perceptions of the mother figure in contemporary society. Finally, the last chapter aims to extend representations of the 'Korean family' to include films by/about those currently living outside of Korea, namely Korean emigrants and adoptees.
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Books on the topic "International thriller"

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Thomas, Gordon. Deadly perfume: An international thriller. HarperCollins, 1992.

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Gartner, John. Gem greed: An international geological thriller. Epic Press, 2006.

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Garrett, Richard. Unscrupulous: International Thriller. Independently Published, 2018.

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The Accidental Assassin : An International Thriller: An International Thriller. lulu.com, 2016.

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Black, De-Ann. ELECTRIC SHADOWS (International Thriller). Independently Published, 2018.

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Galt, Fritz. Trap: An International Thriller. Independently Published, 2018.

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Galt, Fritz. Trap: An International Thriller. Lulu Press, Inc., 2010.

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Garrett, Ricardo. Death Row: International Thriller. Independently Published, 2018.

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Legacy: An International Thriller. Emerge Publishing, 2023.

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Galt, Fritz. Accidental Assassin: An International Thriller. Independently Published, 2018.

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Book chapters on the topic "International thriller"

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Smith, David Norman. "Capital and the Thrill of Domination." In The Routledge International Handbook on Max Weber. Routledge, 2022. http://dx.doi.org/10.4324/9781003089537-18.

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Ledger, Adam J. "‘The Thrill of Doing it Live’: Devising and Performing Katie Mitchell’s International ‘Live Cinema’ Productions." In Contemporary Approaches to Adaptation in Theatre. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59783-0_4.

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Knudsen, Jan Sverre. "To “Move, Surprise, and Thrill”: Thirty Years of Promoting Cultural Diversity in Norwegian School Concerts." In The Politics of Diversity in Music Education. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65617-1_7.

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AbstractThis chapter examines how a politics of cultural diversity was implemented over a 30-year period in a Norwegian school concert program run by Concerts Norway. Departing from a historical overview, the chapter outlines the shifting agendas, values, and visions of diversity that governed this ambitious cultural effort. A central aim is to examine the ideological positions that influenced the program and the political and educational debates surrounding it. The concert program is discussed with respect to cultural diversity and anti-racism, democracy, tradition, hybridity, and the tensions between educational and artwork-based paradigms. Based on theorizations of cultural difference, the chapter shows how promoting music to children has been understood as an important part of shaping societal attitudes and laying the grounds for an anti-oppressive education. Critical issues regarding representation, influence, and power in the staging of music involving immigrant performers are raised. The chapter relates the concert programs to the political frames and ideals of the nation-state by illustrating how international cooperation effectively made the concert programs a part of Norwegian foreign policy. It points out how changing government policies had a profound impact on programs promoting cultural diversity, eventually leading to their termination as a national cultural strategy.
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Elliott, Paul. "The Heist." In Studying the British Crime Film. Liverpool University Press, 2014. http://dx.doi.org/10.3828/liverpool/9781906733742.003.0004.

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This chapter evaluates the British heist film. The heist movie is more than a film about robbery and financial gain; it is a carefully constructed generic type that developed in the late 1950s and evolved from both Hollywood and European cinema. The image of the gentleman crook, the jewel thief, or safe breaker who remain undetected whilst carrying out their crime is an important one in both English and French crime fiction. It was Jules Dassin's 1955 film Du rififi chez les hommes, more succinctly known as Rififi, that set the tone, structure, and aesthetic for the heist thriller and ensured that it would become ‘an international cinematic genre’. Rififi contains the three main narrative stages that will come to typify the heist thriller: the plan, the execution, and the aftermath. These stages, although often varying in length, are present in most, if not all, heist thrillers and not only shape the audiences' expectations but propel the narrative forward. The chapter then looks at Basil Dearden's The League of Gentlemen (1960) and Jonathan Glazer's Sexy Beast (2000).
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McFarlane, Brian. "At Home in the US." In The Films of Fred Schepisi. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835352.003.0006.

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International reputation now firmly established, Schepisi returned to the US to make some of the most impressive films of his career. Again, they reveal his fluent handling of a genre range that includes spy thriller (The Russia House), romantic comedy (Roxane), sports drama (Mr Baseball), and drama of mysterious relationships (Six Degrees of Separation). While the diversity is striking, there are also the recurring dealings with adaptation, with protagonists at odds with their settings, and with Schepisi’s adroit casting and dealing with actors.
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King, Geoff. "Gender, Genre and More General Indie Dimensions in Megan Griffiths’ The Off Hours and Eden." In Indie Reframed. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474403924.003.0007.

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This chapter challenges essentialist assumptions often imposed on female-directed films by analysing two features by Megan Griffiths. Where her first feature The Off Hours (2011) supports the expectation that the female sensibility results in a film with a realistic, low-key aesthetic focused on characterisation and relationships and fostered by collaborative filmmaking, these same characteristics and production methods account for much of the (predominantly male) indie sector in general. Moreover Griffiths’ Eden (2012) adapts the male thriller genre to one woman’s experience as a victim of the international sex trade. As Griffiths’ practice suggests, rather than sharing some essential predisposition, female filmmakers transform and hybridise ‘indie’ modalities and existing genres to their own feminist ends.
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Curti, Roberto, and Roberto Curti. "Bava Goes Fashion." In Blood and Black Lace. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781911325932.003.0002.

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This chapter recounts Mario Bava's seventh official solo feature film as a director, a present-day thriller set in the world of high fashion titled The Atelier of Death (L'atelier della morte). It also mentions Bava's two other Gothic horror movies released in Italy in the summer of 1963 that were destined primarily for foreign markets, especially in America. It discusses I tre volti della paura starring Boris Karloff and Mark Damon, and La frusta e il corpo with Christopher Lee and Daliah Lavi. The chapter describes Bava's debut film La maschera del demonio in 1960, which distributed overseas by American International Pictures under the title Black Sunday. It points out how the Italian film industry had increasingly been involved in bilateral and multinational co-productions since the first agreement signed with France in 1949.
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LoBrutto, Vincent. "You Don’t Say No to “Big Dino”." In Ridley Scott. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.003.0015.

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Ridley Scott wasn’t necessarily interested in directing a sequel to Silence of the Lambs, but he was talked into it by one of the most persuasive international producers, Dino De Laurentiis. Jodie Foster, who played the lead in that film, was approached to reprise her role for Hannibal but took exception to the way her character had evolved in the later movie. Her character, Clarice Starling, was played by Julianne Moore. Here the focus was strongly on the Hannibal Lecter character, again brilliantly played by Anthony Hopkins. Where Silence of the Lambs was a psychological thriller, Hannibal is more of an out-and-out horror film. There are many scenes of explicit gore and violence, difficult to watch at times. The film received poor reviews. Ridley Scott did not attend the premiere because his mother had passed away at age ninety-five.
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Nordfjörd, Björn. "Criminal Undertakings: Nicolas Winding Refn, European Film Aesthetics, and Hollywood Genre Cinema." In Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0028.

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This chapter explores Danish director Nicolas Winding Refn. Refn’s first feature Pusher (1996) was a local box-office success that helped usher in the era of the Nordic crime film, which includes his own follow-up Bleeders (1998) and two Pusher sequels (2004 and 2005). His American crime and gangster film, Drive (2011), is set in Los Angeles and is indebted to notable American classics of the genre. Reunited with Hollywood star Ryan Gosling, Refn continued to explore the international pedigree of the crime thriller in Only God Forgives (2013), where Gosling plays an American struggling to stay afloat in the Bangkok underworld. In Neon Demon (2016), Refn returns to Los Angeles, this time the world of fashion, where Hollywood gloss and European film aesthetics meet head-on. His three “American” films thus offer a striking blend of Hollywood genre and European art cinema traditions helping to explain their wildly mixed receptions.
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Martin, Daniel. "From the Margins to the Mainstream: Asia Extreme in 2004." In Extreme Asia. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748697458.003.0007.

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This chapter examines cult Asian cinema in the UK at the very peak of its critical acclaim and commercial success, and the drastically altered context for Asian film reception will be discussed. This chapter argues that the proliferation and high visibility of a wider range of Asian cinema than critics had ever experienced before has allowed them to finally construct their own canons of quality within national Asian cinema industries and genres. The frames of reference used by British critics to assess meaning and value have changed dramatically. At this point, too, Tartan’s brand had been transformed, achieving mainstream visibility, yet finding itself in danger of expanding to the point of losing authenticity and fracturing into meaninglessness. Nonetheless, 2004 was the peak year for Tartan, and a wide range of their releases and promotional (and self-congratulatory) activities are examined: the acclaimed release of bold new Hong Kong crime thriller Infernal Affairs (2002); the unprecedented success of Oldboy (2003), hot off its award from the Cannes International Film Festival; the critical debate inspired by the uncategorisable cult hit Save the Green Planet! (2003); and finally the scandalous (non-)release of Battle Royale II (2003).
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Conference papers on the topic "International thriller"

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Jones, M., A. Ryan, C. Haverkamp, M. Broadwell, and M. A. Wilson. "From Painkiller to Brain Thriller: The Curious Case of Fentanyl-induced Serotonin Syndrome." In American Thoracic Society 2024 International Conference, May 17-22, 2024 - San Diego, CA. American Thoracic Society, 2024. http://dx.doi.org/10.1164/ajrccm-conference.2024.209.1_meetingabstracts.a7050.

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Mohammed, Pola. "The Analysis of the Talented Mr. Ripley Novel." In 3rd International Conference on Language and Education. Cihan University-Erbil, 2023. http://dx.doi.org/10.24086/iclangedu2023/paper.949.

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The Talented Mr. Ripley is a psychological thriller novel that delves into the complexity of human identity, socioeconomic class, and the American Dream through themes such as deception, envy, and the pursuit of self-fulfillment. Written by Patricia Highsmith and released in 1955, the novel has received widespread recognition for its nuanced characterization of the protagonist, Tom Ripley, who expertly embodies the psychological and moral complications of these themes. The novel addresses essential themes concerning the nature of human identity and how social rank, class, and the American Dream impact our goals, ideals, and our actions through critical reading and analysis of the text. This novel is not just a page-turner but also a literary work that offers a comprehensive review of human psychology, morals, and the society in which we live
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Becerra, Zoe M., Brittany Holthausen, and Bruce N. Walker. "Bringing the thrill to automated vehicles." In AutomotiveUI '19: 11th International Conference on Automotive User Interfaces and Interactive Vehicular Applications. ACM, 2019. http://dx.doi.org/10.1145/3349263.3351328.

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Bingmann, Timo, Simon Gog, and Florian Kurpicz. "Scalable Construction of Text Indexes with Thrill." In 2018 IEEE International Conference on Big Data (Big Data). IEEE, 2018. http://dx.doi.org/10.1109/bigdata.2018.8622171.

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Bingmann, Timo, Michael Axtmann, Emanuel Jobstl, et al. "Thrill: High-performance algorithmic distributed batch data processing with C++." In 2016 IEEE International Conference on Big Data (Big Data). IEEE, 2016. http://dx.doi.org/10.1109/bigdata.2016.7840603.

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Meyer, Dany, Ruchen Wyngaard, James Njenga, Juergen Grinninger, Joerg Vogt, and Antoine Bagula. "HACKATHONS THRILLS NOT ONLY NERDS: BEST PRACTICES FOR A MULTICULTURAL AND MULTIDISCIPLINARY APPROACH." In 15th annual International Conference of Education, Research and Innovation. IATED, 2022. http://dx.doi.org/10.21125/iceri.2022.2026.

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Savelka, Jaromir, Arav Agarwal, Marshall An, Chris Bogart, and Majd Sakr. "Thrilled by Your Progress! Large Language Models (GPT-4) No Longer Struggle to Pass Assessments in Higher Education Programming Courses." In ICER 2023: ACM Conference on International Computing Education Research. ACM, 2023. http://dx.doi.org/10.1145/3568813.3600142.

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Shimazaki, Takunori, Yoshifumi Kawakubo, Rumi Iwai, et al. "A Study on Stenosis Detection Based on Non-contact Thrill Wave Imaging and Gradient-Boosting Decision Tree." In 2023 IEEE 17th International Symposium on Medical Information and Communication Technology (ISMICT). IEEE, 2023. http://dx.doi.org/10.1109/ismict58261.2023.10152043.

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Zheng, Mylyn, and Adam Grant. "Unlocking Access to Healthcare: Evaluating the Efficacy of AI-Driven Diagnosis in a Mobile Application." In 5th International Conference on Advanced Natural Language Processing. Academy & Industry Research Collaboration Center, 2024. http://dx.doi.org/10.5121/csit.2024.141025.

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In today's fast-paced world, accessing quality healthcare can often feel like an uphill battle. Whether hindered by geographical barriers, long waiting times, or financial constraints, many individuals struggle to receive timely diagnoses for their health concerns. Recognizing this pressing need, we've developed an innovative solution in the form of our cutting-edge app[7].Harnessing the power of artificial intelligence, our app offers users a seamless pathway to diagnosis based on their reported symptoms. Our journey began with meticulous research to identify the most reliable AI technology, leading us to integrate ChatGPT, a state-of-the-art Large Language Model renowned for its ability to mimic professional medical responses accurately [8]. To ensure seamless functionality, we complemented this AI prowess with a robust Firebase database, facilitating efficient data storage and retrieval [9].Following rigorous development and testing phases, we're thrilled to announce that our app delivers unparalleled accuracy in diagnosis. Our trials revealed an impressive average accuracy rating of 1.8 out of 2 for common illnesses, underscoring the reliability and efficacy of our diagnostic algorithms. While initial evaluations highlighted room for improvement in symptom diversity across a spectrum of 21 illnesses, our focus on refining the app's capabilities for prevalent conditions has yielded remarkable results.Ultimately, our app stands as a beacon of accessibility in the realm of basic healthcare. By bridging the gap between individuals and vital medical expertise, we're empowering users to take proactive control of their well-being, irrespective of their circumstances. With our unwavering commitment to innovation and excellence, we're proud to revolutionize healthcare delivery and make a meaningful difference in people's lives.
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Kartal, Burak, and Çiğdem Sofyalıoğlu. "A Look at the Perceptions of the Turkish Youth towards Shangai Cooperation Organization from a Marketing Perspective." In International Conference on Eurasian Economies. Eurasian Economists Association, 2011. http://dx.doi.org/10.36880/c02.00340.

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In search of new markets and trade partners after its thrill for European Union has faded, Turkey began to look at its east recently. Having strong ties with many countries in Central Asia due to its cultural and historical ties, Turkey is a bridge between Europe and Asia. Due to its importance and successful historical development, Shanghai Cooperation Organization (SCO) is Turkey’s one of few options. In order to build closer trade relations between Turkey and members of the SCO, it’s better to know what Turkish people, especially youth know and think about the Organization. This pioneer empirical study, by examining a sample of Turkish university students’ knowledge and attitude towards SCO, is a first step of building the relations between the Organization and Turkish people and Turkish youth. Findings indicate that Turkish youth examined have positive attitude towards SCO compared to other alternative integrations and organizations. Besides, they think that a stronger SCO will be in favor of Turkey both economically and politically. Also, gender differences seem to exist like women’s tendency towards North American and South American integrations.
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You might also be interested in the extended bibliographies on the topic 'International thriller' for particular source types:
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