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Books on the topic 'Internet culture (cyberculture)'

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1

Lovink, Geert. Dynamics of critical internet culture: (1994-2001). Institute of Network Cultures, 2009.

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Lovink, Geert. The principle of notworking: Concepts in critical internet culture. HvA Publicaties, 2005.

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3

Borsook, Paulina. Cyberselfish: A critical romp through the terribly libertarian culture of high tech. PublicAffairs, 2000.

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4

Joshua, Green, ed. YouTube: Online video and participatory culture. Polity, 2009.

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Lévy, Pierre. Cyberculture: Rapport au conseil de l'Europe dans le cadre du projet "Nouvelles technologies : coopération culturelle et communication". Ed. O. Jacob, 1997.

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6

1966-, McLelland Mark J., and Gottlieb Nanette 1948-, eds. Japanese cybercultures. Routledge, 2003.

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7

Bell, David, 1965 Feb. 12-, ed. Cybercultures: Critical concepts in media and cultural studies. Routledge, 2006.

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8

Dark Fiber: Tracking Critical Internet Culture. MIT Press, 2003.

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9

Internet and Society. Polity Press, 2000.

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10

YouTube: Online Video and Participatory Culture. Wiley-Interscience, 2018.

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11

The Internet and Society. Polity Press, 2000.

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12

Zhou, Shuyan. From Online BL Fandom to the CCTV Spring Festival Gala. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390809.003.0006.

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Regarding the question of politics and play in Chinese Internet culture, this chapter re-examines particular effects of netizens’ carnival practices, as well as the complex interactions and contradictions among cyberculture, the official culture, and consumerism in China, by centering on a specific case of “Looking for Leehom” (zhao Lihong) and its related media discourses in 2012 and 2013. The case serves as an influential online carnival, starting from an online Boy’s Love fandom of those who participated in the fantasy matchmaking of two male celebrities. Further, it raises large questions about resistance, complicity, and negotiation among different cultures and media, particularly considering that online carnival was appropriated by a performance on the CCTV Spring Festival Gala in 2013 and then commented on by newspapers and magazines. The chapter inspects how the pleasure of Boy’s Love fantasy has been transferred, censored, and re-enabled between cyberculture and offline societies. By rethinking Bakhtin’s interpretation of carnival, the chapter concludes by exploring the cultural and social implications of “Looking for Leehom” and the potential power of the netizens’ fantasy.
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Cybercultures: Cultures in cyberspace communities. Inter-Disciplinary Press, 2012.

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14

Digital Literacies. Routledge, 2014.

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15

Digital Literacies. Routledge, 2014.

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Gillen, Julia. Digital Literacies. Taylor & Francis Group, 2014.

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Gillen, Julia. Digital Literacies. Taylor & Francis Group, 2014.

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Gillen, Julia. Digital Literacies. Taylor & Francis Group, 2014.

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Gillen, Julia. Digital Literacies. Routledge, 2014.

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20

Wheeler, Steve. Connected Minds, Emerging Cultures: Cybercultures in Online Learning. Information Age Publishing, Incorporated, 2009.

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21

(Foreword), Ian Wilson, and Teresa Lavender Fagan (Translator), eds. Google and the Myth of Universal Knowledge: A View from Europe. University Of Chicago Press, 2007.

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(Foreword), Ian Wilson, and Teresa Lavender Fagan (Translator), eds. Google and the Myth of Universal Knowledge: A View from Europe. University Of Chicago Press, 2006.

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Cloud, Dana L., ed. The Oxford Encyclopedia of Communication and Critical Cultural Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/acref/9780190459611.001.0001.

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106 scholarly articles This is a compendium of touchstone articles by prominent communication, rhetorical, and cultural studies scholars about topics of interest to scholars and critics of popular and political culture. Articles provide authoritative surveys of concepts such as rhetorical construction of bodies, Marxist, feminist, and poststructuralist traditions, materialisms, social movements, race and anti-racist critique, whiteness, surveillance and security, visual communication, globalization, social media and digital communication/cyberculture, performance studies, the “post-human” turn, critical organizational communication, public memory, gaming, cultural industries, colonialism and postcolonialism, The Birmingham and Frankfurt Schools, commodity culture, critical health culture studies, nation and identity, public spheres, psychoanalytic theory and methods, affect theory, anti-Semitism, queer studies, critical argumentation studies, diaspora, development, intersectionality, Islamophobia, subaltern studies, spatial studies, rhetoric and cultural studies, neoliberalism, critical pedagogy, urban studies, deconstruction, audience studies, labor, war, age studies, motherhood studies, popular culture, communication in the Global South, and more. The work also surveys critical thinkers for cultural studies including Stuart Hall, Antonio Gramsci, Jesus Martin Barbero, Angela Davis, Ernesto Laclau, Raymond Williams, Giles Deleuze, Jurgen Habermas, Frantz Fanon, Chandra Mohanty, Gayatri Spivak, Michel Foucault, Louis Althusser, Juan Carlos Rodriguez, Gloria Anzaldua, Paolo Freire, Donna Haraway, Georgio Agamben, Slavoj Zizek, W.E.B. DuBois, Sara Ahmed, Paul Gilroy, Enrique Dussel, Michael Warner, Lauren Berlant, Judith Butler, Jean Baudrillard, Walter Mignolo, Edward Said, Alain Badiou, Homi Bhabha, among others. Each entry is distinguished by lists of key references and suggestions for further reading. The collection is sure to be a vital resource for faculty, graduate students, and undergraduates seeking authoritative overviews of key concepts and people in communication and critical cultural studies.
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