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Books on the topic 'Interprétation collective de la musique'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Bernatchez, Jean-Claude. La convention collective: Savoir la négocier, l'interpréter, l'appliquer. Sainte-Foy: Presses de l'Université du Québec, 2003.

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2

Timothy, Gallwey W., ed. The inner game of music. Garden City, N.Y: Anchor Press/Doubleday, 1986.

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3

The music of Jōji Yuasa. Newcastle upon Tyne: Cambridge Scholars Pub., 2012.

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4

Herb, Snitzer, ed. Reprise: The extraordinary revival of early music. Boston: Little, Brown, 1985.

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5

Music performance practice in the early ʻAbbāsid era, 132-320 AH/750-932 AD. 2nd ed. Ottawa: Institute of Mediaeval Music, 2004.

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6

Sawa, George. Music performance practice in the early ʻAbbāsid era 132-320 A.H./750-932 A.D. Toronto: Pontifical Institute of Mediaeval Studies, 1989.

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7

Sawa, George. Music performance practice in the early ʻAbbāsid era 132-320 AH/750-932 AD. Toronto, Ont., Canada: Pontifical Institute of Mediaeval Studies, 1989.

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8

Letnanova, Elena. Piano interpretation in the seventeenth, eighteenth, and nineteenth centuries: A study of theory and practice using original documents. Jefferson, N.C: McFarland, 1991.

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9

Performance practices in classic piano music: Their principles and applications. Bloomington: Indiana University Press, 1988.

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10

Joseph Gelineau, pionnier du chant liturgique en Français: La redécouverte des formes. Turnhout: Brepols, 2004.

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11

French pianism: A historical perspective. 2nd ed. Portland, Or: Amadeus Press, 1999.

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12

French pianism: An historical perspective : including interviews with contemporary performers. White Plains, N.Y: Pro/Am Music Resources, 1992.

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13

Hoffman, Katherine. Georgia O'Keeffe: A celebration of music and dance. New York: George Braziller, 1997.

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14

Schoenberg and his circle: A Viennese portrait. New York: Schirmer Books, 1986.

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15

Peyser, Joan. To Boulez and beyond. Lanham, Md: Scarecrow Press, 2008.

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16

To Boulez and beyond: Music in Europe since The rite of spring. New York: Billboard Books, 1999.

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17

The Lord's song: The basis, function, and significance of choral music in Chronicles. Sheffield, England: JSOT Press, 1993.

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18

Allen, Strange, ed. The contemporary violin: Extended performance techniques. Berkeley: University of California Press, 2001.

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19

Davy-Rigaux, Cécile. Guillaume-Gabriel Nivers: Un art du chant grégorien sous le règne de Louis XIV. Paris: CNRS Editions, 2004.

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20

Davy-Rigaux, Cécile. Guillaume-Gabriel Nivers: Un art du chant grégorien sous le règne de Louis XIV. Paris: CNRS Editions, 2004.

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21

Kundera, Milan. Les testaments trahis: Essai. [Paris]: Gallimard, 1993.

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22

Kundera, Milan. Les testaments trahis: Essai. [Paris]: Gallimard, 1993.

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23

Les testaments trahis: Essai. [Paris]: Gallimard, 1993.

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24

Mazouer, Charles. Molière et ses comédies-ballets. Paris: H. Champion, 2006.

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25

Molière et ses comédies-ballets. Paris: H. Champion, 2006.

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26

Molière et ses comédies-ballets. [Paris]: Klincksieck, 1993.

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27

Rumph, Stephen C. Beethoven after Napoleon: Political romanticism in the late works. Berkeley: University of California Press, 2004.

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28

Delyth, Prys, ed. Yr arddull glasurol: Haydn, Mozart, Beethoven. Pen-y-Groes, Caernarfon: Cyhoeddiadau Curiad, 1999.

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29

The classical style: Haydn, Mozart, Beethoven. New York: W. W. Norton, 1997.

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30

Newman, William S. Beethoven on Beethoven: Playing his piano music his way. New York: W.W.Norton, 1991.

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31

Newman, William S. Beethoven on Beethoven: Playing his piano music his way. New York: Norton, 1988.

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32

Houle, George. Meter in music, 1600-1800: Performance, perception, and notation. Bloomington: Indiana University Press, 1987.

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33

Houle, George. Meter in music, 1600-1800. Bloomington, IN: Indiana University, 2000.

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34

Houle, George. Meter in music, 1600-1800: Performance, perception, and notation. Bloomington: Indiana University Press, 2000.

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35

Willi, Thomas. Juda, Jehud, Israel: Studien zum Selbstverständnis des Judentums in persischer Zeit. Tübingen: J.C.B. Mohr, 1995.

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36

Emancipating pragmatism: Emerson, jazz, and experimental writing. Tuscaloosa: University of Alabama Press, 2004.

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37

Conflict and identity in Romans: The social setting of Paul's letter. Minneapolis: Fortress Press, 2003.

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38

Esler, Philip Francis. Conflict and identity in Romans: The social setting of Paul's letter. Minneapolis, MN: Fortress Press, 2004.

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39

Kim, Daniel Y. Writing manhood in black and yellow: Ralph Ellison, Frank Chin, and the literary politics of identity. Stanford, Calif: Stanford University Press, 2005.

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40

Edition de musique: Conventions collectives nationales. 3rd ed. Paris: J.O., 1989.

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41

Provokation und Tradition: Erfahrungen mit der Alten Musik. Stuttgart: J.B. Metzler, 2000.

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42

Toward an Authentic Interpretation of the Organ Works of Cesar Franck (The Complete Organ, 6). 2nd ed. Pendragon Press, 2002.

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43

1952-, Eisen Cliff, ed. Mozart studies. Oxford: Clarendon Press, 1991.

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44

Dante's Journey to Polyphony. University of Toronto Press, Scholarly Publishing Division, 2010.

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45

Performance Practices in Classic Piano Music: Their Principles and Applications (Music-Scholarship and Performance). Indiana University Press, 1991.

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46

Kwamdela, Odimumba. Mighty Sparrow, Calypso King of the World. Kibo Books, LLC, 2006.

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47

Timbrell, Charles. French Pianism: A Historical Perspective. 2nd ed. Amadeus Press, 2003.

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48

Hoffman, Katherine. Georgia O'Keeffe: A Celebration of Music and Dance. George Braziller, 1998.

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49

(Editor), Michael Musgrave, and Bernard D. Sherman (Editor), eds. Performing Brahms: Early Evidence of Performance Style (Musical Performance and Reception). Cambridge University Press, 2003.

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50

1942-, Musgrave Michael, and Sherman Bernard D, eds. Performing Brahms: Early evidence of performance style. Cambridge, U.K: Cambridge University Press, 2003.

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