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Books on the topic 'Interpretation of a musical composition'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Miereanu, Costin. Fuite et conquête du champ musical. Méridiens Klincksieck, 1995.

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2

Lima, Paulo Costa. Ernst Widmer e o ensino de composição musical na Bahia. COPENE Cultura e Arte Especial, 1999.

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3

Schwob, Rainer J. Klavierauszug und Klavierskizze bei Alban Berg: Untersuchungen zur Rolle des Klaviers als 'Hilfsmittel'. Mueller-Speiser, 2000.

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4

Paz, Ermelinda Azevedo. Edino Krieger: Crítico, produtor musical, compositor. SESC, Departamento Nacional, 2012.

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5

Gohon, Kévin. Penser le discours musical électroacoustique: Trajectoire Boulez-Nono. Presses universitaires de Rennes, 2022.

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6

Malcolm, Floyd, ed. Composing the music of Africa: Composition, interpretation, and realisation. Ashgate, 1999.

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7

Jan, Steven B. Aspects of Mozart's music in G minor: Toward the identification of common structural and compositional characteristics. Garland, 1995.

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8

Goldman, Jonathan. The musical language of Pierre Boulez: Writings and compositions. Cambridge University Press, 2011.

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9

1935-, Charles Daniel, and Cauquelin Anne, eds. De la composition: L'après Cage. Jean-Michel Place, 2003.

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10

1903-1969, Adorno Theodor W., ed. Composing for the films. Athlone Press, 1994.

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11

Heile, Björn. Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt: Eine Dokumentation. Wolke Verlag, 2009.

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12

Eisler, Hanns. Komposition für den Film. Suhrkamp, 1997.

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13

1954-, Gronemeyer Gisela, and Oehlschlägel Reinhard, eds. Nonsequiturs: Writings & lectures on improvisation, composition, and interpretation = Unlogische Folgerungen : Schriften und Vorträge zu Improvisation, Komposition und Interpretation. MusikTexte, 2007.

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14

Līlāvatamma, Ponnā. Annamayya saṅkīrtanallō jānapada gēya phaṇitulu =: Folk element in the musical compositions of Annamayya. Ponnā Pablikēṣans, 1986.

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15

Salles, Paulo de Tarso. Villa-Lobos: Processos composicionais. UNICAMP, 2009.

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16

Bjerkestrand, Nils E. Om satsteknikken i Arnold Schönbergs musikk. Høyskoleforlaget-Norwegian Academic Press, 1998.

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17

Bjerkestrand, Nils E. Om satsteknikken i Paul Hindemiths musikk. Høyskoleforlaget-Norwegian Academic Press, 1998.

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18

Bjerkestrand, Nils E. Om satsteknikken i Igor Stravinskijs musikk. Høyskoleforlaget-Norwegian Academic Press, 1998.

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19

Puaud, Gaëtan. Tristan Murail: Des sons et des sentiments. Éditions Aedam musicae, 2022.

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20

1963-, Arbo Alessandro, and Cohen-Lévinas Danielle 1959-, eds. Le corps électrique: Voyage dans le son de Fausto Romitelli. L'Harmattan, 2005.

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21

editor, Kunkel Michael 1969, ed. Hier und jetzt: Reflexionen und Gespräche zur kompositorischen Gestaltung. Musik Akademie, 2016.

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22

Balmer, Yves. Le modèle et l'invention: Olivier Messiaen et la technique de l'emprunt. Symétrie, 2017.

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23

Souksengphet-Dachlauer, Anna, and Anna Souksengphet-Dachlauer. Text als Klangmaterial: Heiner Müllers Texte in Heiner Goebbels' Hörstücken. Transcript, 2010.

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24

Ecole des hautes études en sciences sociales, ed. Introduction à la pensée de Luigi Nono. A.N.R.T., Université de Lille III, 2000.

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25

Līlāvatamma, Ponnā. Annamayya sr̥ṅgāra saṅkīrtanallō strīdharmālu =: The moral values of woman in the musical compositions of Annamayya. Ponnā Pablikēṣans, 1994.

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26

Šedivý, Dominik. Serial composition and tonality: An introduction to the music of Hauer and Steinbauer. Edition Mono/Monochrom, 2011.

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27

Līlāvatamma, Ponnā. Tāḷḷapāka kavula saṅkīrtanallō puṣpābhivarṇana: Annamayya, Pedatirumalayya, Cinatirumalayya = The flowers description in the musical compositions of Tallapaka poets. s.n.], 2004.

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28

Kostrzewa, Krzysztof. Mój "Magnificat" w kontekście postmodernistycznych technik kompozytorskich. Wydawnictwo Uniwersytetu Rzeszowskiego, 2011.

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29

Brindle, Reginald Smith. Musical composition. Oxford University Press, 2002.

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30

Brindle, Reginald Smith. Musical composition. Oxford University Press, 1986.

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31

Akademie der Wissenschaften und der Literatur (Germany), ed. Werkstattblicke: Haydn, Beethoven und Wagner beim Komponieren beobachtet. Akademie der Wissenschaften und der Literatur, 2014.

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32

Hohlfeld, Christoph. Schule musikalischen Denkens: Beethovens Weg. F. Noetzel, Heinrichshofen-Bücher, 2003.

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33

Hohlfeld, Christoph. Schule musikalischen Denkens: Der Cantus-firmus-Satz bei Palestrina. F. Noetzel, "Heinrichshofen Bücher", 1994.

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34

Humięcka-Jakubowska, Justyna. Intuicja czy scjentyzm: Stockhausen - Ligeti - Nono - Berio - Xenakis - Grisey. Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2013.

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35

Björn, Heile, and Iddon Martin 1975-, eds. Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt: Eine Dokumentation. Wolke Verlag, 2009.

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36

Pousseur, Henri. Composer (avec) des identités culturelles. Institut de pédagogie musicale et chorégraphique, 1989.

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37

Boni, Monica. Le trame di un labirinto: Riflessione teorica e concezione compositiva di Armando Gentilucci. Libreria musicale italiana, 2021.

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38

Tiutiunnik, Katia. The symbolic dimension: An exploration of the compositional process. Lambert Academic Pub., 2009.

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39

Hester, Karlton E. The melodic and polyrhythmic development of John Coltrane's spontaneous composition in a racist society. E. Mellen Press, 1997.

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40

1927-, Wiggli Oscar, and Lehnherr Yvonne, eds. Zylia, Esum, Eleya: Trois sculptures et un projet pour la composition musicale, Avelek = drei Skulpturen und ein Projekt für die musikalische Komposition, Avelek. 3rd ed. Editions Iroise, 2000.

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41

Dreyfus, Laurence. Bach and the patterns of invention. Harvard University Press, 1996.

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42

MacDonald, Alistair Neil. Portfolio of musical composition. University of Birmingham, 1993.

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43

Hilson, Woldu Gail, and Montgomery Merle 1904-1986, eds. Course in musical composition. University of Oklahoma Press, 2010.

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44

Hünermann, Tobias. Topographien der Kompositionsgeschichte seit 1950: Pousseur, Berio, Evangelisti, Kagel, Xenakis, Cage, Rihm, Smalley, Brümmer, Tutschku. Verlag Der Apfel, 2011.

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45

Floyd, Malcolm. Composing the Music of Africa: Composition, Interpretation and Realisation. Taylor & Francis Group, 2018.

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46

Floyd, Malcolm. Composing the Music of Africa: Composition, Interpretation and Realisation. Taylor & Francis Group, 2018.

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47

Composing the Music of Africa: Composition, Interpretation and Realisation. Taylor & Francis Group, 2018.

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48

Bach's Musical Universe: The Composer and His Work. Norton & Company, Incorporated, W. W., 2020.

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49

Bach's Musical Universe: The Composer and His Work. Norton & Company Limited, W. W., 2020.

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50

Der Schatten Paganinis: Virtuosität in den Kompositionen Heinrich Wilhelm Ernsts (1814-1865) : mit einem Werkverzeichnis. Olms, 2014.

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