Relevant bibliographies by topics / Interrelationship of poetry and music

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Interrelationship of poetry and music'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Interrelationship of poetry and music"

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Basile, Donna. "Music and Poetry." Music Educators Journal 80, no. 4 (1994): 58. http://dx.doi.org/10.2307/3398734.

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Anonymous and Andrew Schelling. "Music and Poetry." Manoa 25, no. 2 (2013): 38–39. http://dx.doi.org/10.1353/man.2013.0050.

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Bachmann, Ingeborg. "Music and poetry." Contemporary Music Review 5, no. 1 (1989): 139–41. http://dx.doi.org/10.1080/07494468900640591.

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Masserman, Jules H. "Poetry as music." Arts in Psychotherapy 13, no. 1 (1986): 61–67. http://dx.doi.org/10.1016/0197-4556(86)90009-2.

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Joshi, Anita. "POETRY AND CARTOGRAPHY." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 207–15. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3739.

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Art and poetry complement each other. The incorporation of poetry into fine arts and fine arts into poetry has given both poetry and art a plushness and fascination. The paper presented explains this interrelationship of poetry and painting, in which the similarity of painting and poetry, contribution to the creation of poetic images and expression in poetry painting have been embodied.
 कला एवं काव्य एक-दूसरे के पूरक हैं। ललित कलाओं में काव्य और काव्य में ललित कलाओं के समावेश ने काव्य एवं कला दोनों को ही सरसता एवं मोहकता प्रदान की है। प्रस्तुत शोधपत्र काव्य एवं चित्रकला के इसी अंतःसंबंध
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Hyunree Cho. "Music Analysis as Poetry." Perspectives of New Music 53, no. 1 (2015): 143. http://dx.doi.org/10.7757/persnewmusi.53.1.0143.

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Hyunree Cho. "Music Analysis as Poetry." Perspectives of New Music 53, no. 1 (2015): 143–87. http://dx.doi.org/10.1353/pnm.2015.0007.

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Antine, Sarah, and Terry Hauptman. "Poetry: Music, Patience and Form." Bridges 16, no. 1 (2011): 77–85. http://dx.doi.org/10.2979/bridges.16.1.77.

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Schwartz, Delmore. "Poetry as Imitation." Perspectives of New Music 24, no. 1 (1985): 102. http://dx.doi.org/10.2307/832761.

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Mathews, T. "Art as Music, Music as Poetry, Poetry as Art: From Whistler to Stravinsky and Beyond." French Studies 68, no. 2 (2014): 283–84. http://dx.doi.org/10.1093/fs/knu064.

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Dissertations / Theses on the topic "Interrelationship of poetry and music"

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Redmond, John Plunket. "Aspects of the interrelationship of British and Northern Irish poetry : 1960-1994." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365622.

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Rosenbaum, Traci J. "The Music of Turbulence." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1891.

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Wertz, Charles Bradley. "Artistic expression in music and poetry." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3597.

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Blizzard, Amy. "The nightingale in poetry and music." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2003. http://www.library.unt.edu/theses/open/20031/blizzard%5Famy/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2003.<br>Accompanied by 3 recitals, recorded Nov. 28, 1994, Mar. 5, 2001, and Feb. 17, 2003. Recording for June 10, 1996 missing. Includes bibliographical references (p. 71-74).
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Dargan, James Thomas. "Gerard Manley Hopkins: poetry and music." Thesis, Boston University, 2006. https://hdl.handle.net/2144/27629.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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Plamondon, Marc. "Music in the poetry of Robert Browning." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26304.

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This thesis attempts to characterize the musicality of Robert Browning's poetry. There has been much debate about whether or not Browning may be said to be a musical poet, but neither side has effectively characterized the musicality or lack thereof in his poetry. This study does not concentrate on Browning's "philosophy" of music, nor on the musical allusions in his poetry. Instead it attempts to identify aspects of Browning's art that share an affinity with music.<br>First, the state of music in nineteenth-century England is briefly discussed, followed by a discussion of Browning's musical b
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Frendo, Maria. "T.S. Eliot and the music of poetry." Thesis, Durham University, 1999. http://etheses.dur.ac.uk/4565/.

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This thesis is a study of T.S. Eliot's poetry in the light of the different ways in which it can be considered 'musical'. Two concerns central to the thesis are: (1) Eliot's enduring interest in the musical quality of poetry; (2) the critical usefulness and viability of drawing analogies between his poetry and music. The thesis considers three important related topics: (1) Eliot's preoccupation with language, its inevitability and its inadequacy; (2) the figure of the seeker in his poetry; (3) his interest in mysticism. The thesis begins by exploring affinities between music and literature in
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Wilson, Geoffrey Allan. "Music and poetry in Mallarmé and Debussy." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31748.

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My dissertation re-evaluates music and poetry in the works of Claude Debussy and Stéphane Mallarmé. Often in such collaborations, critics assume that the music mimics various aspects of the texts it engages. Instead, I argue for a more nuanced paradigm that values both concurrences and antagonisms between the two media, in light of the specific systems of thought characterizing, respectively, the poet and the musician. Chapter One re-evaluates the role of music in Mallarmé's oeuvre. Mallarmé imagined an original language in which individual phonemes created the meaning of words. As languag
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Adams, Leslie Elizabeth. "Music despite everything." Master's thesis, Mississippi State : Mississippi State University, 2008. http://library.msstate.edu/etd/show.asp?etd=etd-04042008-131845.

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Olson, Ted. "Ted Olson's Poetry." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1122.

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Ted Olson was the featured poet for the symposium who presented “Scotland the Brave: A Nation's Legacy in Literature and Folklore,” "When First Unto This Country: The Flow of Scottish and Scots-Irish Culture to the American South in Song and Story," "Darkness and Revelation: Ted Olson's Poetry".
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Books on the topic "Interrelationship of poetry and music"

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Anstey, Robert G. Anaconda music: Poetry. West Coast Paradise Pub., 1996.

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Sinha, Sanjiva. Music of poetry. Writers Workshop, 1993.

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Music in Russian poetry. Peter Lang, 1998.

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Brathwaite, Kamau. Jah music. Savacou Cooperative, 1986.

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Music appreciation. University Press of Florida, 1994.

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Music is written. Rosedog Pr, 2010.

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(Firm), Burning Deck, ed. Airport music. Burning Deck / Anyart, 2013.

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Body music. Anansi, 1998.

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Cohen, Leonard. Stranger Music. Random House Group Limited, 2010.

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Yolen, Jane. Water music: Poems for children. Wordsong/Boyds Mills Press, 1995.

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Book chapters on the topic "Interrelationship of poetry and music"

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Lindley, David. "Music and Poetry." In A New Companion to English Renaissance Literature and Culture. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch59.

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Bucknell, Brad. "Music." In A Companion to Modernist Poetry. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch4.

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Armstrong, Isobel. "‘A Music of Thine Own’." In Victorian Poetry. Routledge, 2019. http://dx.doi.org/10.4324/9781315775883-13.

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Andrews, Richard. "Polyrhythmicity in Poetry." In Polyrhythmicity in Language, Music and Society. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0566-6_6.

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Oliver, Douglas. "The Music of Translation." In Poetry and Narrative in Performance. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-10445-1_5.

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DuMars, Susan Millar. "William Carlos Williams: Music and Machines." In The Portable Poetry Workshop. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60596-2_33.

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Čurda, Martin. "Four Songs on Chinese Poetry." In The Music of Pavel Haas. Routledge, 2020. http://dx.doi.org/10.4324/9780429433351-7.

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Webster, Peter. "Music, Art and Poetry: 1944–1955." In Church and Patronage in 20th Century Britain. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-36910-9_4.

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Strommer, Jean Theresa, and Joan Elizabeth Strommer. "Transcendence in Poetry, Music and Film." In Life the Human Quest for an Ideal. Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-009-1604-3_8.

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Stevenson, Anne. "Defending the Freedom of the Poet/Music Under the Skin." In Contemporary Women’s Poetry. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-137-15406-4_1.

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Conference papers on the topic "Interrelationship of poetry and music"

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Hou, Yanshuang, and Xinglong Guo. "Music Creation Environment of Music Poetry." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.4.

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Cheng, Fangping. "Study on Music Literature Characteristics of Song Poetry." In International Conference on Education, Management and Computing Technology (ICEMCT-16). Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.40.

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Luzzi, Cecilia. "ManUScript Italian poEtry in muSic (1500-1700) interoperable model." In the 1st International Workshop. ACM Press, 2014. http://dx.doi.org/10.1145/2660168.2660189.

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Garcia-Matos, Marta, and Silvia Carrasco. "Light on the Waves: Science, music, poetry… and light!" In 12th Education and Training in Optics and Photonics Conference, edited by Manuel F. P. C. Martins Costa and Mourad Zghal. SPIE, 2014. http://dx.doi.org/10.1117/12.2070733.

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Zeng, Tong. "On Rhyme, Melody and Artistic Charm of Vocal Music Works in Classical Chinese Poetry." In International Conference on Education, Management and Computing Technology (ICEMCT-15). Atlantis Press, 2015. http://dx.doi.org/10.2991/icemct-15.2015.68.

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Hussein, Hussein, Burkhard Meyer-Sickendiek, and Timo Baumann. "Tonality in Language: The Generative Theory of Tonal Music as a Framework for Prosodic Analysis of Poetry." In TAL2018, Sixth International Symposium on Tonal Aspects of Languages. ISCA, 2018. http://dx.doi.org/10.21437/tal.2018-36.

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Mendes, Caroline, Eduardo Alberti, and Péricles Gomes. "PARANISM ART MOVEMENT: THE CITY OF CURITIBA AS FOCUS OF A COMPUTER GAME THAT PROMOTES HISTORY, CULTURE, POETRY, MUSIC, ARCHITECTURE AND DESIGN." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.1568.

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Haupert, Mary Ellen. "CREATIVITY, MEANING, AND PURPOSE: MIXING CULTURES IN CREATIVE COLLABORATION." In INNODOCT 2019. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10109.

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Music composition is embedded into the Viterbo University music theory curriculum to promote active engagement of musical materials. The project accomplishes three basic complementary outcomes: 1) Students will be able to creatively apply and develop the foundations of music theory learned in their first year of university-level music study, 2) Students will develop proficiency using music writing software, and 3) Students will overcome their fear of composition and gain confidence as musicians. Students are taught foundational concepts during the first four semesters of music theory; these co
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Vyshpinska, Yaryna. "Formation of Creative Personality of Students Majoring in «Preschool Education» in the Process of Studying the Methods of Musical Education." In ATEE 2020 - Winter Conference. Teacher Education for Promoting Well-Being in School. LUMEN Publishing, 2021. http://dx.doi.org/10.18662/lumproc/atee2020/38.

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The body of the article goes on to discuss the creative models of a student’s personality’s development in the process of mastering the course «Theory and methods of musical education of the preschool children». In general, the teacher's profession accumulates a big number of opportunities for the creative improvement of a would-be teacher's personality. All types of activities used while working with children in the process of mastering the artistic competencies (like fine arts, modeling, designing, appliqué work or musical activities) require not only technical skills, but also sufficient cr
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Nguyen Thi, Yen. "The Three-Tiered World (Tam Phu) of the Tay People in Vietnam through the Performance of Then Rituals." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.13-3.

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The Tay people represent an ethnic minority in the mountainous north of Vietnam. As do Shaman rituals in all regions, the Shaman of the Tay people in Vietnam exhibit uniqueness in their languages and accommodation of their society’s world view through their ‘Then’ rituals. The Then rituals require an integration of many artistically positioned and framed elements, including language (poetry, vows, chanting, the dialogue in the ritual), music (singing, accompaniment), and dance. This paper investigates The Art of Speaking of the Tay Shaman, through their Then rituals, which include use of langu
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