Log in

Relevant bibliographies by topics / Interrelationship of poetry and music / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Interrelationship of poetry and music.

Dissertations / Theses on the topic 'Interrelationship of poetry and music'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Interrelationship of poetry and music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Redmond, John Plunket. "Aspects of the interrelationship of British and Northern Irish poetry : 1960-1994." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365622.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Rosenbaum, Traci J. "The Music of Turbulence." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1891.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Wertz, Charles Bradley. "Artistic expression in music and poetry." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3597.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Blizzard, Amy. "The nightingale in poetry and music." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2003. http://www.library.unt.edu/theses/open/20031/blizzard%5Famy/index.htm.

Full text

Abstract:

Thesis (D.M.A.)--University of North Texas, 2003.<br>Accompanied by 3 recitals, recorded Nov. 28, 1994, Mar. 5, 2001, and Feb. 17, 2003. Recording for June 10, 1996 missing. Includes bibliographical references (p. 71-74).

APA, Harvard, Vancouver, ISO, and other styles

5

Dargan, James Thomas. "Gerard Manley Hopkins: poetry and music." Thesis, Boston University, 2006. https://hdl.handle.net/2144/27629.

Full text

Abstract:

Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02

APA, Harvard, Vancouver, ISO, and other styles

6

Plamondon, Marc. "Music in the poetry of Robert Browning." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26304.

Full text

Abstract:

This thesis attempts to characterize the musicality of Robert Browning's poetry. There has been much debate about whether or not Browning may be said to be a musical poet, but neither side has effectively characterized the musicality or lack thereof in his poetry. This study does not concentrate on Browning's "philosophy" of music, nor on the musical allusions in his poetry. Instead it attempts to identify aspects of Browning's art that share an affinity with music.<br>First, the state of music in nineteenth-century England is briefly discussed, followed by a discussion of Browning's musical b

APA, Harvard, Vancouver, ISO, and other styles

7

Frendo, Maria. "T.S. Eliot and the music of poetry." Thesis, Durham University, 1999. http://etheses.dur.ac.uk/4565/.

Full text

Abstract:

This thesis is a study of T.S. Eliot's poetry in the light of the different ways in which it can be considered 'musical'. Two concerns central to the thesis are: (1) Eliot's enduring interest in the musical quality of poetry; (2) the critical usefulness and viability of drawing analogies between his poetry and music. The thesis considers three important related topics: (1) Eliot's preoccupation with language, its inevitability and its inadequacy; (2) the figure of the seeker in his poetry; (3) his interest in mysticism. The thesis begins by exploring affinities between music and literature in

APA, Harvard, Vancouver, ISO, and other styles

8

Wilson, Geoffrey Allan. "Music and poetry in Mallarmé and Debussy." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31748.

Full text

Abstract:

My dissertation re-evaluates music and poetry in the works of Claude Debussy and Stéphane Mallarmé. Often in such collaborations, critics assume that the music mimics various aspects of the texts it engages. Instead, I argue for a more nuanced paradigm that values both concurrences and antagonisms between the two media, in light of the specific systems of thought characterizing, respectively, the poet and the musician. Chapter One re-evaluates the role of music in Mallarmé's oeuvre. Mallarmé imagined an original language in which individual phonemes created the meaning of words. As languag

APA, Harvard, Vancouver, ISO, and other styles

9

Adams, Leslie Elizabeth. "Music despite everything." Master's thesis, Mississippi State : Mississippi State University, 2008. http://library.msstate.edu/etd/show.asp?etd=etd-04042008-131845.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Olson, Ted. "Ted Olson's Poetry." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1122.

Full text

Abstract:

Ted Olson was the featured poet for the symposium who presented “Scotland the Brave: A Nation's Legacy in Literature and Folklore,” "When First Unto This Country: The Flow of Scottish and Scots-Irish Culture to the American South in Song and Story," "Darkness and Revelation: Ted Olson's Poetry".

APA, Harvard, Vancouver, ISO, and other styles

11

Gutman, Laura A. "Gerard Manley Hopkins and the music of poetry." Thesis, University of St Andrews, 1988. http://hdl.handle.net/10023/2625.

Full text

Abstract:

This study attempts to correlate two facts about Gerard Manley Hopkins: that he was an avid musician, who theorised about and composed music; and that his poetry is characterised by its highly complex, evocative sounds and by its relation of form to meaning, sound to sense. This study is an attempt to prove that Hopkins is a "musical" poet in a specific and literal sense--that his musical knowledge and interests influenced his poetry in specific and discernible ways, making his work "musical" in a sense that other poetry of his age is not (or to an extent that other poetry is not), and resulti

APA, Harvard, Vancouver, ISO, and other styles

12

Morrison, Karen Y. "Anne Bradstreet's rap : the music in her poetry /." View abstract, 2001. http://library.ccsu.edu/ccsu%5Ftheses/showit.php3?id=1658.

Full text

Abstract:

Thesis (M.A.)--Central Connecticut State University, 2001.<br>Thesis advisor: Gilbert L. Gigliotti. " ... in partial fulfillment of the requirements for the degree of Master of Arts in English Literature." Includes bibliographical references (leaves 62-64). Also available via the World Wide Web.

APA, Harvard, Vancouver, ISO, and other styles

13

Lamp, Sebastian. "Korean Sijo music and poetry : transmission and aesthetics." Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30276/.

Full text

Abstract:

This thesis explores Korean 'sijo', as both poetry and music. It surveys the different bodies of research on the topic that are the result of 'sijo' long being treated from one or other of the perspectives of literary and musicological scholarship by both Western (e.g. Rutt 1971, McCann 1988, O'Rourke 2002) and Korean scholars (e.g. Chang Sa-hun 1986, Kim Tae-Haeng 1986, Cho Kyu-Ick 1994). Placing both literary and musicological aspects together, this thesis discusses the form, origins and content of 'sijo'. The synthesis of the two aspects forms the basis of my exploration of 'sijo' performan

APA, Harvard, Vancouver, ISO, and other styles

14

Hannam, William B. "Arnold Bax and the Poetry of Tintagel." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1227877436.

Full text

Abstract:

Thesis (Ph.D.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed Dec. 10, 2009). Advisor: Theodore Albrecht. Keywords: Bax, Tintagel, symphonic poem, British music. Includes bibliographical references (p. 207-213).

APA, Harvard, Vancouver, ISO, and other styles

15

Bugher, Jeffrey S. "Take Me With Your Shovel." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4929.

Full text

Abstract:

Take Me With Your Shovel is a collection of poems that explore systems of oppression with an emphasis on psychiatry and law enforcement, the slow crawl of catching a break as a member of the blue collar class, the monotonous side of working in pop music, drug abuse, and finding God in the midst of it all--salvation through sin rather than salvation from sin.

APA, Harvard, Vancouver, ISO, and other styles

16

Colford, Chris. "Music and silence in the poetry of Wallace Stevens." Thesis, University of Liverpool, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316118.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

MILLER, ALEXANDER ALBERT. "GESAMTKUNSTWERK ARIZONA A CREATIVE SYNTHESIS OF POETRY AND MUSIC." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/613290.

Full text

Abstract:

Throughout the history of German culture, the synthesis of text and music has been central to the cultural and social identity of its respective eras. The union of poetry and text that immediately comes to mind is the Deutsche Lieder, the term used to describe the practice of setting classic German poetry to music during the early 19th century. The poetry of the Weimarer Klassik, principally the works of Goethe and Schiller, was honored by composers of the next generation through their Lieder, seeking to manifest these renowned works in the form of music. However, the synthesis of text

APA, Harvard, Vancouver, ISO, and other styles

18

Igarashi, Yoko. "Japanese Poetry in Western Art Song." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12426.

Full text

Abstract:

Thesis (D.M.A.)--Boston University<br>Western art songs written on Japanese poems, Tanka, appeared in the early twentieth century as a late manifestation of Japonisme, the Japanese influence on Western art and music. The songs discussed in this dissertation include Japanisches Regenlied (1909) by Joseph Marx, Three Japanese Lyrics (1912-13) by Igor Stravinsky, Petits Poi!mes Japonais (1919) by Francesco Santoliquido, and Romances on Texts by Japanese Poets (1928-32) by Dmitri Shostakovich. Japonisme emerged as a significant movement in late-nineteenth-century Western art when Japanese artwork

APA, Harvard, Vancouver, ISO, and other styles

19

Soflin, Elizabeth Louise, and Elizabeth Louise Soflin. "Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/624573.

Full text

Abstract:

American composer Stuart Saunders Smith (b. 1948) has been active in the composition of contemporary art music for over forty years, composing over 200 musical and interdisciplinary works. His music ties the experimental world of contemporary music to his experiences living, composing, and teaching in the northeastern United States. Many of his works have included spoken word as a percussion instrument, either alone or blended with instrumental percussion writing. Although not unique in blurring the boundaries between text and music, Stuart Saunders Smith’s texted percussion works manage to bo

APA, Harvard, Vancouver, ISO, and other styles

20

Lewis, Lynnell K. "The poetry of symbolism and the music of Gabriel Fauré." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/836.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Dares, Jasmine. ""Poetry out of poison" : exploring rap music as critical pedagogy." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44966.

Full text

Abstract:

How to create learning experiences that are more relevant and empowering for young people is an ongoing issue for educators, youth workers, parents, social scientists, and students. Critical pedagogical theorists have identified gaps in formal education which limit the possibilities for critical thinking and student-centredness (Ibrahim, 2004; Low, 2007, 2011; McLaren, 1997). While many of these studies have been conducted in classroom settings, this study focuses on what can be learned from youth programs that were collaboratively developed by program directors and rap artists in community or

APA, Harvard, Vancouver, ISO, and other styles

22

McCombie, Elizabeth. "Unheard music and unseen text : an interdisciplinary study of Mallarme and Debussy." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365638.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Ballenger, Hank D. "Everything and Nothing at the Same Time." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2168/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Tingle, Joseph Edwin. "The emperor's music : the creation of a poetic tradition from the Han dynasty music bureau." HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1443.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Burke, Victoria Elizabeth. "Women and seventeenth century manuscript culture : miscellanies, commonplace books, and song books compiled by English and Scottish women, 1600-1660." Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338746.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Williams, Molly K. "For God and Country: Scriptural Exegesis, Editorial Intervention, and Revolutionary Politics in First New England School Anthems." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1511862418359819.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Yadegari, Shahrokh. "The radif as a basis for a computer music model : union of philosophy and poetry through self-referentiality /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3120720.

Full text

Abstract:

Thesis (Ph. D.)--University of California, San Diego, 2004.<br>Vita. Includes computer program for No flower, no incense, only sound: P. 192-239. Sound tape contains 2 compositions by the composer and an improvisation by Ivan Manzanilla with the composer: No flower, no incense, only sound; excerpt of A-window; Mirrors of the past. Includes bibliographical references (p. 241).

APA, Harvard, Vancouver, ISO, and other styles

28

Haydon, Liam David. "'I sing'? : narrative technique in epic poetry." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/i-sing-narrative-technique-in-epic-potry(3d7d23da-ade0-424c-93a2-9b183283e30e).html.

Full text

Abstract:

This thesis examines the genre of epic, and particularly Milton’s Paradise Lost. It argues that it is only in attending to the contextual interactions within Paradise Lost that its full meaning can be comprehended. It demonstrates that the poem not only narrates the Fall, but actively performs its consequences in its thematic and linguistic structures, which continually stress the impossibility of approaching perfect (divine) totality. Chapter one outlines the theoretical response to epic, read as a petrified genre in contrast to the newness, openness and linguistic flexibility of the novel. I

APA, Harvard, Vancouver, ISO, and other styles

29

Faynberg, Anton, and Anton Faynberg. "Symbiosis of Music and Poetry in Alfred Schnittke's Five Aphorisms for Piano." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/620981.

Full text

Abstract:

This study relates Alfred Schnittke's Five Aphorisms for Piano (1990) both to an earlier set of piano pieces, Dmitry Shostakovich's Aphorisms (1927), and to the poetry of Joseph Brodsky (1940-96). The study identifies musical and extra-musical connections between Shostakovich and Schnittke and examines the genesis of their musical sets in light of the composers' biographies and writings. Later it explores Schnittke's relationship with Brodsky, to whom the Five Aphorisms was dedicated, and whose poetry was intended to be recited before the performance of each of the five pieces. It analyzes the

APA, Harvard, Vancouver, ISO, and other styles

30

Martin, Maria Jose. "Drama and Poetry in the Music of Maria Luisa Ozaita (b. 1939)." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1006873170.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Holmes, Barbara. "The decomposer's art : ideas of music in the poetry of Wallace Stevens /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487326511715011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Hsu, James Stephen. "Orpheus' Lyre : a study of symbolist and post-symbolist music and poetry /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488195633517853.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Richardson, Scott. "Taking the repeats: Modern American poetry in imitation of eighteenth-century musical forms." Thesis, University of Ottawa (Canada), 2001. http://hdl.handle.net/10393/20986.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Collins, Andrew S. "Poetic Structural Devices as a Consideration When Analyzing and Interpreting Choral Scores." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299005782.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Chung, Fiona, and 鍾雅妍. "Reflections on the relations between note and word: original compositions in music and poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29793622.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Dumigan, Darryl Jacqueline. "Nicola Porpora's operas for the 'opera of the nobility' : the poetry and the music." Thesis, University of Huddersfield, 2014. http://eprints.hud.ac.uk/id/eprint/24693/.

Full text

Abstract:

Studies of Italian opera in London during the first half of the eighteenth century have focussed on George Frideric Handel (1685-1759). As the most prolific composer of this genre in the English capital, this is unsurprising, but it has meant that other composers, contemporaneously active in this field, have been relatively neglected. This is especially true of the period 1733 – 1737, during which time two Italian opera companies attempted to co-exist in the city. Leading one of the companies was Handel, with the Neapolitan, Nicola Porpora (1686-1768), recruited to compose the works for the ri

APA, Harvard, Vancouver, ISO, and other styles

37

Cotterill, Graeme James. "Music in the blood & poetry in the soul? : national identity in the life and music of Grace Williams." Thesis, Bangor University, 2012. https://research.bangor.ac.uk/portal/en/theses/music-in-the-blood--poetry-in-the-soul-national-identity-in-the-life-and-music-of-grace-williams(6bd35da8-822a-4180-ac47-5a9a0632eaf9).html.

Full text

Abstract:

This thesis seeks to determine the relevance of the term 'Welsh composer' to the life and music of Grace Williams (1906-77). It first examines her relationship with the various institutions that have shaped the cultural life of Wales during the twentieth century, questioning particularly whether either party was able to exploit the resources of the other for their own and/or the wider Welsh people's benefit. The Welsh Region of the BBC is discussed in particular detail, but the impact of the policies and practices of Wales's Arts Council, National Eisteddfod, institutions of higher education,

APA, Harvard, Vancouver, ISO, and other styles

38

Leontis, Evangelia Sophia. "A discussion of Jennifer Higdon's setting of the poetry of Amy Lowell in the chamber work "Love Sweet"." Thesis, The University of North Carolina at Greensboro, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10263740.

Full text

Abstract:

<p> This document provides biographical information for Higdon and Lowell as well as a discussion of Higdon’s compositional style. It also includes a performance analysis of Higdon’s musical setting of Lowell’s poetry in the chamber work Love Sweet. Information is drawn from published materials, an interview with the composer, and an analysis of the score. </p><p>

APA, Harvard, Vancouver, ISO, and other styles

39

Stankiewicz, Mariese Ribas. "Tradition and dialogic interactions between William Butler Yeats's poetry andf irish pop music." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/101813.

Full text

Abstract:

Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente<br>Made available in DSpace on 2013-07-15T23:16:30Z (GMT). No. of bitstreams: 1 214313.pdf: 578066 bytes, checksum: 7bcccd7388db44692884396bc087294b (MD5)

APA, Harvard, Vancouver, ISO, and other styles

40

Goodson, Paul Richard. "The significance of music in the life and religious poetry of Christopher Smart." Thesis, University of Edinburgh, 1985. http://hdl.handle.net/1842/19805.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Stobart, Henry F. "Sounding the seasons : music ideologies and the poetics of production in an Andean hamlet (northern Potosi, Bolivia)." Thesis, University of Cambridge, 1995. https://www.repository.cam.ac.uk/handle/1810/273028.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Bretz, Katherine Hazel-Louise. "Reviving the Nibelungenlied: A Study and Exploration of the Relationship between Medieval Literature and Music." Kent State University Honors College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1399300392.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Asquith, Mark Simeon. "The 'Sad Music of Humanity' : metaphysics and musical aesthetics in the novels of Thomas Hardy." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369131.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Romer, S. C. M. "T.S. Eliot : post-symbolist." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.355282.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Underriner, Chaz 1987. "The Sound-Poetry of the Instability of Reality: Mimesis and the Reality Effect in Music, Literature, and Visual Art." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849623/.

Full text

Abstract:

This paper uses the concept of mimesis to clarify the debate concerning the representation of reality in music. Specifically, this study defines the audio reality effect and the three main practices of realism as a way of understanding mimetic practices in multiple artistic media, in particular regarding the multimedia works of the "Landscape series." After addressing the historical debates concerning mimesis, this study develops a framework for the understanding of mimesis in sound by addressing the writings of Weiss, Baudrillard, Barthes, Deleuze, and Prendergast and by examining mimetic pra

APA, Harvard, Vancouver, ISO, and other styles

46

Beard, Ellen Leslie. "Rob Donn MacKay : finding the music in the songs." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/20991.

Full text

Abstract:

This thesis explores the musical world and the song compositions of eighteenth-century Sutherland Gaelic bard Rob Donn MacKay (1714-1778). The principal focus is musical rather than literary, aimed at developing an analytical model to reconstruct how a non-literate Gaelic song-maker chose and composed the music for his songs. In that regard, the thesis breaks new ground in at least two ways: as the first full-length study of the musical work of Rob Donn, and as the first full-length musical study of any eighteenth-century Scottish Gaelic poet. Among other things, it demonstrates that a critica

APA, Harvard, Vancouver, ISO, and other styles

47

Salyers, Bethany Lyn. "The Phrygian Sonnet: The Effects of Using Music to Teach a Seventh Grade Poetry Unit." NCSU, 2003. http://www.lib.ncsu.edu/theses/available/etd-03272003-002314/.

Full text

Abstract:

The purpose of this study was to understand what occurred when music was infused into a seventh grade poetry unit. Music was used as a co-text in this study, meaning that it was given equal time, energy, and respect as the poetry used in the unit. The unit was nineteen days long, during which, students learned about narrative, free verse, and lyrical poetry. The students also learned about author's intent, language use, mood, metaphor, interpretation, and the role of the audience. During this unit, the students completed two projects that allowed for students to choose to work with either poet

APA, Harvard, Vancouver, ISO, and other styles

48

Ingram, Catherine. "Word and Song: The Paradox of Romanticism." TopSCHOLAR®, 1996. http://digitalcommons.wku.edu/theses/805.

Full text

Abstract:

Among the various outcomes of the Romantic period, an interest in the relationship of the arts remains a widely recognized yet rarely examined field of study. Music and literature seemed to develop a particular kinship, yet to identify the exact relationship is as difficult as defining Romanticism itself. In this study, I attempt to do both. In exploring the concept of Romanticism, its paradoxical development from Classicism is examined through the comparison of six great composers and poets of the period. By tracing the similarities and differences in style of Beethoven/Wordsworth, Schumann/K

APA, Harvard, Vancouver, ISO, and other styles

49

Bahbahani, A. "The invisible wagnerite : T.S. Eliot." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264554.

Full text

Abstract:

The present thesis is about aspects of Wagnerism in the works of T.S. Eliot, in terms of both influence and affinities. The opening chapter offers a brief historical background to Eliot's familiarity with and relation to Wagner, as well as an account of the principal issues to be discussed in the following chapters. The two artists' volumes of criticism mostly show in theory how they work in practice. One key theme there is the maintenance of the idea of tradition and at the same time that of revolutionizing the arts (poetry, opera and drama). Eliot's interest in music, notably in the use of t

APA, Harvard, Vancouver, ISO, and other styles

50

Kohli, Amor. "The demands of a new idiom : music, language, and participation in the work of Amiri Baraka, Kamau Brathwaite, and Linton Kwesi Johnson /." Thesis, Connect to Dissertations & Theses @ Tufts University, 2005.

Find full text

Abstract:

Thesis (Ph.D.)--Tufts University, 2005.<br>Adviser: Modhumita Roy. Submitted to the Dept. of English. Includes bibliographical references. Access restricted to members of the Tufts University community. Also available via the World Wide Web;

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!