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Journal articles on the topic 'Intertextual mechanisms'
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1
Crăstănuş, Flavia-Domnica. "Adriana Bittel: Meta and intertextual accents of writing." Sæculum 47, no. 1 (July 1, 2019): 149–52. http://dx.doi.org/10.2478/saec-2019-0014.
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AbstractThis essay proposed to analyze the profile of Adriana Bittel’s writing with deep meta and intertextual accents. In a transgressive and textual framework of the 80’s generation prose, the work presents a new way of approaching the narrative by intentionally disposing all its mechanisms of conception, in a context in which the fiction self-comments and brings the reader with all the tools and components of “textual engineering”.
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Запруднова, А. А. "Mechanisms of Intertextuality and Means of Rendering Them in Translation from Russian into Chinese (illustrated by excerpts from A.Chekhov’s works)." Иностранные языки в высшей школе, no. 2(57) (July 12, 2021): 87–98. http://dx.doi.org/10.37724/rsu.2021.57.2.008.
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В статье интертекстуальные включения в ткани принимающего текста рассматриваются как когнитивно выделенные компоненты высказывания, неизбежно оказывающиеся в фокусе внимания адресата. В качестве основного механизма перспективизации интертекстуальных отсылок рассматривается когнитивная операция сопоставления, что позволяет автору видеть в интертекстуальных отсылках метафору. Материалом исследования служат насыщенные аллюзиями произведения А. П. Чехова. Автор классифицирует интертекстуальные включения в текстах А. П. Чехова на мифологические, библейские и литературные и оценивает возможность их сохранения при переводе на китайский язык. The paper offers a comprehensive study of cognitive processes and conceptual operations underlying intertextual inclusions, which make them the figure in the ground of the receiving text, thus bringing them to the focus of the addressee’s attention. The author suggests that intertextual inclusions can be viewed as metaphorical expressions due to the common mechanism of identification being the basis of the two. To make the research more argumentative the author analyses intertextual allusions in A. Chekov’s works which serve as material for research. The studied examples are classified into allusions to mythological, bible and literary works. The author attempts to convey the meaning of the allusions under analysis into Chinese and studies the factors influencing the possibility of the translation process.
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Kabata, Maria. "Gry językowe w komunikacji publicznej (na przykładzie tygodników społeczno-politycznych) ." Poradnik Językowy, no. 2/2021(781) (February 27, 2021): 30–42. http://dx.doi.org/10.33896/porj.2021.2.3.
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This paper aims to demonstrate mechanisms of intertextual strategies, which require the recipient to be familiar with pragmatic codes, to discover references and allusions, and to be able to discern various textual relations. The analyses have been conducted on the example of four titles: W Sieci (On the Web), Polityka (Politics), Najwyższy Czas (High Time), Przegląd (Overview). The motivation for the research was the conviction that the title page in opinion-forming periodicals functions as a product of mass culture and can serve as the basis for describing the area of interests of the contemporary human being. Keywords: pragmalinguistics – language games – intertextual strategies – language of the press
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Cherkunova, Marina V. "Functional and pragmatic potential of intertextual elements in minitexts of advertising abstracts." Theoretical and Applied Linguistics, no. 7 (2021): 192–99. http://dx.doi.org/10.22250/2410-7190_2021_7_1_192_199.
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The article analyses persuasion mechanisms in advertisements. Abstracts of English scientific editions taken from advertising catalogues of foreign Publishing Houses are used as the experimental material for the research. Abstracts are treated as a special type of minitexts, combining features of scientific and advertising discourse. Intertextual elements are an integral part of the scientific discourse, and being used as a structural element of the abstract, they serve as a means of facilitating the merge of the two discourses. An attempt is made to classify the intertextual elements according to their content. The obtained results enable to conclude that opinions by far outnumber comments. Quotations were further systematized according to the pragmatic function they perform, as a result, five types of quotations were singled out, which ratio makes it possible to draw another conclusion that the functional paradigm of the intertextual elements in the advertising abstracts of scientific books undergoes some changes compared to the original scientific text. In the abstracts of scientific books, quotations, in addition to the referential function, acquire distinct imperative and evaluative functions, and this makes them an instrument of persuasion.
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Balashova, E. A. "“COHERENCE OF THE WORLD”: NATURE IN GLEB SEMYONOV’s POEMS." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (December 25, 2019): 1037–43. http://dx.doi.org/10.35634/2412-9534-2019-29-6-1037-1043.
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Intertextual connections, interiorization (internalization), “naturalization” of man, change of visual “plans”, impressionistic vision of nature - these and many other methods define the poetics of the Leningrad poet Gleb Semyonov (1918 - 1982), as well as make his lyrics an exemplary model, demonstrating the “mechanisms” of the poetic landscape perception. This determines the purpose of the study and its practical significance.
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Mikołajczak, Małgorzata. "Strategia nierozstrzygalności w wierszu jest taki pomnik Tadeusza Różewicza." Przestrzenie Teorii, no. 31 (December 6, 2019): 143–56. http://dx.doi.org/10.14746/pt.2019.31.7.
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The article deals with Tadeusz Rożewicz’s poem jest taki pomnik and puts forward a new interpretation concerning the mechanisms he uses to construct meanings. The author focuses on three issues: (1) the role of photography as an interpreter, (2) intertextual encryption of key contexts for the spiritual idea of the poem, (3) the allopathic function of laughter. She also indicates components of the strategy of undecidability, as a result of which a work containing what might seem an unambiguous ideological statement launches mechanisms guarding against one-way reading.
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Kochneva, Natalya S. "Function intertextual game in a literary text by V. P. Krapivin." Tyumen State University Herald. Humanities Research. Humanitates 6, no. 1 (2020): 35–47. http://dx.doi.org/10.21684/2411-197x-2020-6-1-35-47.
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Proper names are important elements of a fiction story. Unfortunately, they are not enough researched through the prism of onomastic game. In this article, we verify the hypothesis that intertextual proper names, or “gamemes”, perform important functions in a fiction text. Using them, an author creates a ludic text, which reflects a non-standard and creative approach to its consideration. This article aims to analyze the functions of “gamemes” used in a tale by Vladislav Krapivin, a Russian children’s writer. To achieve this goal, the author of this article has applied the methods of interpretation, classification, linguistic analysis, contextual and component analysis. The research novelty of this article lies in the analysis of the functions of game intertextual onomastic units in V. Krapivin’s “The Piroskaf Grandfather Mazai”. The research object is V. Krapivin’s novel “The Piroskaf Grandfather Mazai” (the version of 2018), which is interesting from the onomastic point of view. One can say that this novel is a proper names’ manifest, because there are a significant amount of onomastic units concentrated in a relatively small text. The gamemes used in the text are the units, analyzed in this article. The results allow defining three dominant functions, which create a special ludic context in perception of onomastic units. In addition, we describe linguistic mechanisms for implementing these functions. The sense-forming function plays a big part in the text formation: the intertextual onomastic “layering” effects in carnivalization, attracting the interest of the text’s core audience — children. The evaluation function shows author’s modality through the connotation loop of intertextual gamemes. The marking function is the indicator of a fictional world, or chronotope.
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Gutiérrez Muñoz, Óscar. "Recurso estilísticos en la producción narrativa de las novelas Bartleby y compañía y El mal de Montano de Enrique Vila-Matas." Acta Hispanica 20 (January 1, 2015): 63–77. http://dx.doi.org/10.14232/actahisp.2015.20.63-77.
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In this paper we attempt to analyze the stylistic resources used by the Spanish writer Enrique Vila-Matas in the construction of his novels Bartleby & Co., and El mal de Montano. We focus on the use of certain aspects of intertextual mechanisms, displayed in the development of the fable, which gave rise to these novels. Thus, we reflect on the construction of the characters, as well as on their relationship to both the archive and literary tradition.
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Cortés Gómez, Ismael. "El humanismo poscolonial como crítica del etnonacionalismo = Postcolonial humanism as a critique of ethnonationalism." UNIVERSITAS. Revista de Filosofía, Derecho y Política, no. 29 (December 13, 2018): 125. http://dx.doi.org/10.20318/universitas.2019.4512.
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RESUMEN: Aplicando una metodología hermenéutica intertextual, el artículo ofrece un análisis de diferentes momentos en la articulación del humanismo poscolonial, sistematizando los nexos conceptuales entre las propuestas de Fanon / Bhabha y Bhabha / Said. El artículo interpreta el humanismo poscolonial como una epistemología crítica que permite dilucidar los mecanismos de violencia cultural y epistémica inherentes a los proyectos y a las narrativas etno-nacionalistas, y plantea la posibilidad de un horizonte de ciudadanía intercultural en el contexto presente de crisis de la Unión Europea posBrexit.ABSTRACT: This article offers an analysis of different moments in the articulation of postcolonial humanism through a systematization of conceptual nexus among the proposals of Fanon / Bhabha and Bhabha / Said, the article highlights the contemporary dimensions of postcolonial humanism. By doing intertextual hermeneutic analysis, the article interprets postcolonial humanism as a critical epistemology that elucidates the mechanisms of cultural and epistemic violence inherent to ethno-nationalist narratives and strategies, in the current context of postBrexit EU crisis.PALABRAS CLAVE: interculturalidad; etno-nacionalismo; humanismo poscolonial; democracia; derechos universalesKEYWORDS: interculturality; ethno-nationalism; postcolonial humanism; democracy; universal rights
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Burzyński, Tomasz. "Systemic Intertextuality. A Morphogenetic Perspective." Text Matters, no. 10 (November 24, 2020): 433–45. http://dx.doi.org/10.18778/2083-2931.10.24.
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If late modern literary production is structured by any principles rendering order to the otherwise nebular character of the process, this is the idea of intertextuality that paves the way for the dissolution of well entrenched structures, literary conventions and institutionalized canons. By fostering and facilitating the erosion of boundaries between elite and popular culture, mechanisms of intertextuality show that literature is not only a fixed collection of texts, but also a dynamic social system including structured practices of production and reception together with their institutional, cultural and technological determinants. The paper aims to provide a sociologically-oriented model of intertextual relations taking place within the social system of literature. In this context, circulation, dissemination, and recycling of literary motifs is viewed from a perspective of morphogenetic processes which result in the structural elaboration and systemic change due to the mobilization of social, cultural, and economic capitals in an effort to alter pre-existent practices of signification. Consequently, literature is discussed as an intertextual system in statu nascendi, a sphere of social practices that knows no sense of institutional boundaries or structural constraints.
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BAUAEV, K. K. "KENOTYPES OF BALKAR POETRY AND MECHANISMS OF THEIR FORMATION." Kavkazologiya, no. 1 (2021): 170–80. http://dx.doi.org/10.31143/2542-212x-2021-1-171-180.
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The article highlights an important evolutionary period of national literature – the second half of the 60s – 70s of the last century. The author touches upon the problem of finding promising ways to develop the aesthetic consciousness of the people at the stage of transition from traditional reflective models based on folklore ideas and archetypes of ethnic thinking to the structures of a new formation. It is suggested that the appearance of a special type of images and their transition into cross-cutting symbols, and then into kenotypes, in these years is the result of a purposeful search for stable style-forming constructs in the process of overcoming the boundaries of established apperceptive models. The article identifies two main types of Balkar poetry kenotypes – reformational ones, created on the basis of ethnic archetypes, and autonomous ones, built within the framework of an"intertextual refrain". The author of the article considers the mechanism of formation of kenotypes to be the same for both types, which is convincingly justified by him on the examples of the works of famous Balkar poets -K. Sh. Kuliyev and T. M. Zumakulova.
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Mozharivska, Iryna. "Intertextuality and intermediality of modern drama-parable (based on play “The academy of laugh” by Koki Mitany)." LITERARY PROCESS: methodology, names, trends, no. 15 (2020): 63–70. http://dx.doi.org/10.28925/2412-2475.2020.15.10.
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The article deals with the problem of finding the manifestations of intertextual reminisces in theEnglish drama of the Renaissance in the context of contemporary drama-parable consideration. In the process of analysing the play, the author draws attention to the context of intermedial connections of literature with theatrical art, considers the implementation of the principle of “game in play”, traces the manifistations of intercultural interaction between Eastern and Western culture. The events in the drama take place against a backdrop of complex historical events — The Japan-China War. The work contains references to the intertextual elements of the dramatic works of the English playwright William Shakespeare (the tragedies “Romeo and Juliet”, “Hamlet” and “Magbeth”. The comic interpretation of the play is a juxtaposition of cultures and literary genres. The author applies the concept «the theatre in the theatre», structures the work minimally through dialogue between the author and the censor. Intermediality acts as a system of interaction of one kind of art in the works of another and reveals mechanisms of mutual influence of kinds of art in the artistic culture of this or that historical period.
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Berberović, Sanja, and Mersina Mujagić. "A marriage of convenience or an amicable divorce: Metaphorical blends in the debates on Brexit." ExELL 5, no. 1 (October 1, 2017): 1–24. http://dx.doi.org/10.2478/exell-2018-0001.
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Abstract The paper investigates the interaction of conceptual blending and conceptual metaphor in producing figurative creativity in discourse. The phenomenon of figurative creativity is defined by Kövecses (2005) as creativity arising through the cognitive mechanisms of metonymy, metaphor, and blending. Specifically, the paper examines the use of creative figurative language in the British public discourse on the topic on Brexit. The aim of this paper is to show that conventional metaphors can be creatively stretched through conceptual blending, producing instances of creative figurative language. Specifically, applying blending theory, we will analyse innovative conceptual blends, motivated by the conventional marriage/divorce metaphor. In addition, the paper also examines the way in which creative figurative language produced in metaphorical blends provides discourse coherence at intertextual and intratextual levels.
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Pirela-Morillo, Johann, and Wilson Pico-Sánchez. "Lectura y pensamiento interdisciplinar en las clases de matemáticas y ciencias de la información." Revista Electrónica Educare 21, no. 3 (August 25, 2017): 1. http://dx.doi.org/10.15359/ree.21-3.16.
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The objective of the work is to present a teaching experience through which actions were generated to foster interdisciplinary thinking between Mathematics and Information Sciences. The methodology used was based on the design of strategies supported by the reading of two texts, using as a technique the didactic systematization. This systematization was based on an interdiscursive matrix as an instrument for recording and analyzing information, in which relationships and meanings between texts were evidenced. The results revealed the activation of mechanisms for the complex and interdisciplinary appropriation of knowledge, and also the conception of reading as a tool to dominate intellectual processes from a dynamic approach. In conclusion, it is pointed out that intertextual exercises mobilize different types of knowledge to interact in today’s global environments.
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Chłopicki, Władysław, and Dorota Brzozowska. "Sophisticated humor against COVID-19: the Polish case." HUMOR 34, no. 2 (March 22, 2021): 201–27. http://dx.doi.org/10.1515/humor-2021-0015.
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Abstract The analysis undertaken in the article focuses on a group of memes selected from the database which drew on culture-specific references. Specifically, they embrace the memories of socialist times and call on references to comic films and easily recognized characters in order to bring out the re-discovered absurdity of the current COVID-19 situation. This material seems ideal to revisit Raskin’s early notion of sophistication, which was broadly argued to derive from intertextuality as well complexity of references that function as sources of humor. In all the examples discussed we can observe the intertextual and metatextual elements, multiple levels and shifts in points of view and attitudes as well as the mutual relations of verbal to visual within the meme cycles. In order to identify specific mechanisms of sophisticated humor, we attempt to identify the visual or verbal triggers of overlap of the two worlds in question, and discuss comic mechanisms of sophistication, including attributions of desire, belief and intention (purpose) to characters or the narrator as commentators on events or situations.
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Maagaard, Cindie, and Marianne Wolff Lundholt. "Taking spoofs seriously: Spoofs as counter-narratives in volunteer discourse." MedieKultur: Journal of media and communication research 34, no. 64 (June 14, 2018): 22. http://dx.doi.org/10.7146/mediekultur.v34i64.24837.
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This article explores how the theoretical framework of “counter-narrative” can be a resource for the analysis of spoofing videos. Using spoofs deployed by activist organizations to critique Western aid appeals and “voluntourism,” we 1) investigate the intertextual mechanisms of spoof videos as counter-narrative and how spoofers borrow generic conventions and use them to create alternative narratives, and 2) discuss the consequences of their cultural depictions, for example, for the discourse of volunteering, which we examine here, particularly in light of tendencies toward self-reflecting campaigns identified by Chouliaraki (2013). Through these understandings, we draw lessons about the counter-narrative potential of spoofs used as critique and edification and their ambivalent status as counter-narratives. As critiques, they may hold a mirror to viewers’ self-perceptions and motivations. Yet, this self-reflexive strategy carries the risk of self-congratulatory complicity with the genres they seek to critique and the discourses and power relations upon which they depend
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Maiden, Brett. "Psychological Essentialism in Serek ha-Yaḥad and the Two Spirits Treatise." Dead Sea Discoveries 25, no. 1 (May 25, 2018): 39–56. http://dx.doi.org/10.1163/15685179-12341450.
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Abstract This paper investigates the psychological mechanisms that underpin Qumran sectarian dualism and its construction of in-group/out-group boundaries. Specifically, evidence from experimental and developmental psychology and cognitive anthropology is used to argue that Serek ha-Yaḥad and the Two Spirits Treatise (1QS 3:13–4:26) reflect a deeply-engrained psychological essentialism wherein non-group members are conceptualized as having inherently different biological essences. This essentialist tendency is easily extended to the social domain in what scholars call the “naturalization” of social groups. After reviewing this literature, the paper examines the Serek and Treatise’s use of kinship terms, the word “spirit,” and language denoting human nature and living species, in order to demonstrate that essentialist intuitions about outsiders provide a foundation for the sect’s dualistic worldview. Importantly, the essentialist thinking in these texts is also firmly grounded in and channeled through the intertextual interpretation of scripture, drawing heavily on the rich creation vocabulary in Genesis 1–3.
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Abramicheva, E. N., and A. A. Petrakov. "INTERTEXTUALITY IMPLEMENTATION IN MODERN ENGLISH AND SPANISH ROCK-SONG DISCOURSE." Bulletin of Udmurt University. Series History and Philology 31, no. 2 (May 11, 2021): 236–45. http://dx.doi.org/10.35634/2412-9534-2021-31-2-236-245.
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The article is devoted to the study of the intertext in modern English and Spanish rock-song discourses. The research focuses on the sources of intertextual elements and methods of implementing intertextuality in rock compositions. The study is justified by the variety of forms and mechanisms of sense formation in rock-song discourse that serves as a peculiar communication medium in the contemporary multicultural world. The research shows that the intertext of the rock-song discourse is influenced by the precedent phenomena of social, political and cultural life of both an individual nation and the world community as a whole; is formed by a variety of media, literary and religious prototexts, and is realized through citation, allusions, different forms of prototext modifications. The choice of the prototext is influenced by such factors as the genre of a composition, the issues addressed by the author, the author’s personality and social stand, linguistic culture producing the rock content, as well as social-political environment.
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Storchak, Oleg. "SPECIFICS OF DISCOURSE SITUATION MODELS (ANALYSIS OF THE RESEARCH OF T. A. VAN DIJK)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 9(77) (January 30, 2020): 75–77. http://dx.doi.org/10.25264/2519-2558-2020-9(77)-75-77.
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This paper deals with discourse situation models that are the mental models of episodic memory and the mechanisms of the activation of intertextual and interdiscursive inclusions. The situation model is constructed on the basis of the situation schema that contains a limited number of terminal categories. The situation model is created on the basis of the text and the knowledge of the person rather than on propositions of the textbase. The personality-based knowledge accumulates personal experience, sets, feelings and emotions as well as information that is not available in the text. Discourse understanding is carried out by means of the cognitive representation of text-based situations, actions and people. If events, actions and people are well presented in situation models, the understanding of the text is effective. In the course of nontextual analysis the person makes inferences on the basis of situation models. Discourse processing is performed on a conceptual level rather than a linguistic one. Situation models are the basis for frames and scripts, which represent abstract knowledge. The context model is a link between the situation model and textbase.
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Chemodurova, Zinaida. "Reader, I Married Him, or the Mechanism of Attentional Convergence in the English-Language Narrative." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 2 (May 2020): 66–77. http://dx.doi.org/10.15688/jvolsu2.2020.2.6.
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The current paper investigates the mechanism of attentional convergence viewed as a type of formal text organization which is based on the convergent potential of several types of foregrounding and is used by writers to stimulate cognitive activities of their readers. The article offers the analysis of the "attentional effects" produced by the combinatorial use of the false expectancy mechanism, coupling, convergence of stylistic devices, salient textual positions of the ultimate narrative beginning and ending, intertextual markers. The hypothesis formulated in the article suggests that the effect of the attentional convergence might be responsible for causing cognitive dissonance as an inherent component of the interpretational programmes modern writers devise for their readers. The article describes the effect caused by the attentional convergence on the readers of short stories created by renowned English-Language female authors, such as J. Briscoe, T. Chevalier, E. Freud, T. Hadley, S. Hill, S. Vickers, to name just a few of the 21 writers, who contributed to the collection entitled "Reader, I Married Him" inspired by "Jane Eyre" and Charlotte Bronte's bicentenary. The analysis carried out in the article focuses on the linguocultural features of gender constructing, undertaken in these modern stories and reflecting diverse attitudes of modern female authors to the issues of gender stereotypes, gender roles, gender motivated patterns of behaviour. The findings presented in the article prove the relevance of a further investigation of various attention focusing mechanisms enhancing the expressiveness of the literary texts and increasing their pragmatic effect on readers.
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Pasero, Carlos Alberto. "Intertextualidad y coherencia en una crónica de João Ubaldo Ribeiro: abordajes en lectocomprensión / Intertextuality and coherence in a chronicle of João Ubaldo Ribeiro: approaches in reading comprehension." Texto Livre: Linguagem e Tecnologia 9, no. 2 (December 9, 2016): 77–93. http://dx.doi.org/10.17851/1983-3652.9.2.77-93.
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RESUMEN: El propósito de este trabajo es discutir, desde un punto de vista didáctico, a partir del análisis de una crónica literaria de carácter argumentativo en lengua portuguesa en su variante brasileña, los parámetros de textualidad (BEAUGRANDE; DRESSLER, 1997) como caminos de acceso al texto y que contribuyen a la construcción de sentido, así como el empleo de algunos mecanismos de textualización (BRONCKART, 1996; DUARTE, 2003). Con escasos organizadores textuales o conectores, la coherencia (temática y pragmática) de la crónica analizada (“Questões gramaticais” de João Ubaldo Ribeiro) está determinada por la forma del texto y por su unidad temática, generada por un discurso crítico basado en marcas intertextuales y de intergéneros que apelan, desde lo pragmático, a la enciclopedia del lector. El objetivo es contribuir, en el ámbito de la enseñanza de la lengua portuguesa en su modalidad de lectocomprensión, a la elaboración de tareas interactivas que permitan un abordaje dinámico y contextualizado del texto desde la perspectiva planteada, basado en los recursos disponibles en los medios electrónicos.PALABRAS CLAVE: coherencia; intertextualidad; lectocomprensión; mecanismos de textualización; tareas. RESUMO: O objetivo deste artigo é discutir, de um ponto de vista didático, a partir da análise de uma crônica literária de caráter argumentativo em língua portuguesa, na sua variante brasileira, os parâmetros de textualidade (BEAUGRANDE; DRESSLER, 1997), como formas de acesso ao texto e que contribuem para a construção de sentido, assim como o uso de alguns mecanismos de textualização (BRONCKART, 1996, DUARTE, 2003). Com poucos organizadores textuais ou conectores, a coerência (temática e pragmática) da crônica analisada (“Questões gramaticais”, João Ubaldo Ribeiro) é determinada pela forma do texto e por sua unidade temática, gerada por um discurso crítico baseado em marcas intertextuais e de intergêneros que apelam, desde o pragmático, à enciclopédia do leitor. O objetivo é contribuir, no âmbito do ensino da língua portuguesa em sua modalidadeda compreensão da leitura, para o desenvolvimento de tarefas interativas que permitem uma abordagem dinâmica e contextualizada do texto a partir da perspectiva levantada, com base nos recursos disponíveis em meio eletrônico.PALAVRAS-CHAVE: coerência; intertextualidade; compreensão de leitura; mecanismos de textualização; tarefas.ABSTRACT: The purpose of this paper is to discuss, from an educational point of view, taking as a starting point the analysis of a literary chronicle of an argumentative character in the Portuguese language in its Brazilian variant, the parameters of textuality (BEAUGRANDE; DRESSLER, 1997) as access roads into the text that contribute to the construction of meaning, and the use of some mechanisms of textualization (BRONCKART, 1996, DUARTE, 2003). With few textual organizers or connectors, the coherence (thematic and pragmatic) of the chronicle analyzed (“Questões gramaticais”, by João Ubaldo Ribeiro) is determined by the shape of the text and its thematic unity, which is generated by a critical discourse based on intertextual and intergender marks which appeal, from a pragmatic consideration, to the encyclopedia of the reader. The objective is to contribute, in the field of the Portuguese language teaching in its mode of reading comprehension, to the development of interactive tasks that allow a dynamic and contextualized approach to the text from the alluded perspective, based on the resources available in the electronic media.KEYWORDS: coherence; intertextuality; reading comprehension; textualization mechanisms; tasks.
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Kovalev, Boris V., and Vadim Ye Pugach. "THE PROPER NAME IN THE STORIES BY VLADIMIR NABOKOV (on the examples of the stories «An Affair of Honor» and «Christmas»)." Vestnik of Kostroma State University, no. 2 (2020): 171–78. http://dx.doi.org/10.34216/1998-0817-2020-26-2-171-178.
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The article is devoted to the study of the semantics of proper names in the stories «An Affair of Honor» and «Christmas» by Vladimir Nabokov. Topicality of the study is due to the emergence of a large number of studies devoted to the most striking and obvious cases related to the analysis of the semantics of proper names in Vladimir Nabokov, to an insuffi cient analysis of the nominations in the texts of the small form. The work uses the methods of semantic and intertextual analysis. The analysis of the names of each character of the stories «An Affair of Honor» and «Christmas» is carried out. It turns out that the peculiarity of the story «Scoundrel» is «pairedness», which manifests itself at all levels – from name to composition. The names of characters pairwise located in the story are investigated. On the material of the story «Christmas», the phenomenon of an incomplete name is studied – one character has a name but lacks last name (footman Ivan), another has a last name but not name – Sleptsov, and the name of Sleptsov’s son is not mentioned at all in the story. The authors conclude that in small form the hero does not need to have both a fi rst name and a last name. One thing is enough – if it clearly and clearly characterizes the image, then the absence of one of the components is not signifi cant. The image of the main character is analysed, it is proved that a hero by the name of Sleptsov has moral and aesthetic blindness. The special mechanisms of correlation of the name system with the system of characters are revealed, an attempt is made to classify proper names in Vladimir Nabokov’s work. The authors propose classifying names according to the mechanism for implementing the name in the text (one-step and two-step mechanism) and according to the method of formulation (speaking name, key-name, pun-name). It turns out that Vladimir Nabokov uses the same mechanisms and regularities in building a name system in both small and large form, however, it is in stories that these mechanisms are formed and fi rst used by Nabokov. The question is raised about the need for further use of the method of analysis of proper names in Vladimir Nabokov.
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Fedotova, Anna A. ""What People at Our Place Used to Be Condemned to Penal Servitude for": criminal plot in Nikolai Leskov's early prose." Vestnik of Kostroma State University, no. 2 (2019): 114–17. http://dx.doi.org/10.34216/1998-0817-2019-25-2-114-117.
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The article is devoted to the study of the topical problem of the interaction of mass and "elite" literature on the material of Nikolai Leskov's early prose. The material for the analysis are the little-known stories of the writer "The Drought" (1862) and "Taunt" (1863), which are considered in the context of the writer's early work as a whole. Using modern text analysis techniques, the author explores the problematics and poetics of Nikolai Leskov's fi ctional works, analyses current issues of organising a dialogue with the reader by the writer, identifi es narrative and language ways of enhancing reader's attention. The result of the analysis is the concretisation of the ideas about the problematics and poetics of the author's early prose, who begins his diffi cult journey in the "big" literature, the mechanisms of intertextual enrichment of the writer's writings, and the peculiarities of the author’s receptive strategies. The analysis of the stories "The Drought" and "Taunt" in the article shows that the writer's mastering of the mass reading literary "canon" began with his fi rst fi ction experiments and was characterised by creative processing of the "entertaining" literature clichés.
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Radbil, Timur, and Alexey Pomazov. "Precedent Phenomena as Means of Establishing Attractiveness in Polycode Internet Text." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 1 (March 2020): 140–53. http://dx.doi.org/10.15688/jvolsu2.2020.1.12.
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The article deals with the problem of precedent phenomena use for realization of the attractiveness effect. The role of traditional and innovative precedent phenomena (memes) in polycode internet media-text aimed at attracting attention of the audience to educational sites is under analysis. The material of the research is the content of Russian universities' educational sites and their official pages in VKontakte. The method of discourse analysis of polycode internet media-text and the standard structural-and-semantic and functional-and-semantic method of transformed precedent text analysis are applied in the work. The findings are that creators use various models of semantic, lexical-and-semantic, structural and syntactic transformation of basic traditional precedent phenomena in polycode internet media texts including ironic reinterpretation, amphiboly and "literalization of initial content". Internet-memes as instruments of attractiveness effect use some other semiotic mechanisms for attraction of the audience attention such as illogisms and visual blendings as well as different types of intertextual interaction. The author comes to a conclusion that precedent phenomena are of great perlocutive potential which allows to correlate basic cultural information in an initial precedent phenomenon with an actual one, meant by creator sense in transformed component. The results can be applied in optimization of the university site content.
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Kowalczyk, Kamila. "Transformacje wzorców baśniowych w literaturze dziecięcej obecnej na współczesnym rynku wydawniczym." Literatura i Kultura Popularna 23 (May 31, 2018): 135–51. http://dx.doi.org/10.19195/0867-7441.23.9.10.
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Transformation of fairy tales patterns in children’s literature available on the contemporary publishing marketWhat the contemporary publishing market offers the youngest readers are texts that make various forms of fairy tale characters — a strongly representative group among them consists of texts that are transformations of fairy tale patterns that are deeply rooted in the mass imaginations including children’s imagination, which promote a new version of a well-known story: fairy tale renarrations. Such texts not only constitute evidence of changes in the fairy tale genre, but also prove the continuous updates on fairy tales. The aim of the article is to present and discuss how the authors modify specific characteristics of the fairy tale and play with its tradition. The examples of recognizable fairy tale patterns that are deeply rooted in the culture Little Red Riding Hood, Snow White, Hansel and Gretel, Sleeping Beauty, Cinderella were used to present the primary mechanisms of use and modification of fairy tales in children’s literature on the post-2000 Polish publishing market.The description of intertextual relationships between the fairy tale patterns and their renarrations renarration mechanisms has been supplemented with an analysis of influence of popular culture on children’s literature interpenetrating of cultural and literary circulations and the fashion for fairy tales. The studied works include those that have been written with gender education in mind, promotion of knowledge on rights of a child or the environment and those primary aim of which is to entertain the young audience through reading. The article is also an encouragement to reflection on the genealogy of contemporary fairy tales and the shape, in which the “children’s fabulous fairy-tale-sphere” functions, and the factors that influence it.
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Bulakh, Maiia. "Internet meme as a means of intertextuality." Actual issues of Ukrainian linguistics theory and practice, no. 41 (2020): 105–18. http://dx.doi.org/10.17721/apultp.2020.41.105-118.
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The article considers the features of meme as a genre of Internet communication. The author focuses on the characteristics of the Internet meme as a means of intertextuality. The main attention is paid to the types and sources of intertextuality of memes in the Ukrainian-language Internet. In the last few years there has been a growing interest in study of new internet genres. To the author’s knowledge, Ukrainian internet meme has been scarcely investigated from the point of view of intertextuality. The relevance of this work is due to the fact that Internet memes in the Ukrainian media are insufficiently explored. In particular, the category of intertextuality of memes has been poorly studied. This paper presents a new look at a previously unexplored aspect of intertextuality in Internet memes of the Ukrainian-language segment of the Internet. The purpose of this article is to identify and describe the features of the implementation of intertextuality in Internet memes. The author defines the Internet meme as a unit of Internet discourse, which is characterized by a combination of standard in form and expression in meaning. In this paper, the scholar describes meme as an illustration and a text to it. Due to their nature, memes are concentrated information in a vivid form. The material for the study is Internet memes from social networks of the Ukrainian-language Internet, such as Facebook, Instagram, Twitter. In order to study intertextuality in internet memes the author uses intertextual analysis and continuous sampling method. This allowes to explore the intertextual basis of Internet memes. The research shows that the nature of the intertextuality of Internet memes is diverse. The author outlines that prototexts of Internet memes are precedent names, statements, texts and situations. The paper describes the types of precedent texts, as well as the mechanisms of intertextuality. The author separately considers the functions of precedent texts in memes. The results show that the main functions of Internet memes are a means of creating comic effect, popularization through introduction into the global context, aesthetic effect, concentrating information and intellectual play. Research on intertextuality in Internet memes appears fully justified as it is still insufficiently studied. The conclusions state that intertextuality is realized in Internet discourse, because Internet genres are interconnected and interactive. Duplication of the meme supports its precedent. Today, all texts on the Internet are interconnected by hypervocations, and the Internet has become one hypertext in the modern information and communication environment.
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Saveleva, I. V. "Internet Commentary as a Secondary Text: Semiotic Production Model." Bulletin of Kemerovo State University 21, no. 3 (October 5, 2019): 839–49. http://dx.doi.org/10.21603/2078-8975-2019-21-3-839-849.
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The phenomenon of secondary text production has become a focal point due to the integrative nature of this speech product. The possibilities of the Internet greatly enhance the creation of derivative texts, thus expanding the formats of virtual communication. The formation of new genres, as well as the modification of existing ones, brings the problem of studying the mechanisms of text generation to a new level. This paper describes the Internet comment viewed as a secondary textual activity of the individual. An analysis of the network response, posted to online news content, has been conducted from the standpoint of linguopersonological and linguosemiotic approaches to the text construction. Importantly, the iconic and discursive patterns of the event have a significant impact on the reader’s commenting activity. This makes it possible to highlight the semiotic model of secondary text generation. The analysis of text representations of this model shows that the semiotic "view" on the text stimulus can be reflected in the comments at the explicit and implicit levels. The authors propose the typology of the semiotic model including five variants, i.e. metalinguistic, simulation, cross-language, transmutational, and intertextual. The variants can be allocated on the basis of different approaches to source text decoding. The complex nature of the phenomenon of Internet commentary, determined by its secondary character and new communicative environment, provides a comprehensive approach to the study of this type of text. In the future, the study can provide a description of cognitive, axiological, and pragmatic models of text production.
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Abdul-Raof, Hussein. "Conceptual and Textual Chaining in Qur'anic Discourse." Journal of Qur'anic Studies 5, no. 2 (October 2003): 72–94. http://dx.doi.org/10.3366/jqs.2003.5.2.72.
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Chaining is a linguistic mechanism that is concerned with the construction of texts, their textuality and their network of semantic relations. It is concerned with the practical investigation of the constituent units of a given text of any length. This means that we can carry out an in-depth textual analysis of the text at the level of all units of language – morpheme, word, sentence and paragraph levels. Chaining is also concerned with textual progression and processing. When projected onto Qur' anic discourse, chaining produces the Qur'anic text in an upside-down pyramid shape. Thus, there is more reason for the longest suras to be placed at the beginning and the shortest ones at the end. Looking at the upside-down pyramid text, we can appreciate why the Qur'anic message is concluded by monotheism (Q. 112) and divinity (Q. 114), while the wider top surface of the pyramid is the textual environment for lordship (Q. 1) and Islamic legal rulings (Q. 2, Q. 4, etc.), with numerous intervening leitmotifs that are conceptually and intertextually interrelated. Conceptual and intertextual chaining makes the text more accessible to the reader: it is not necessarily characterised by superfluous repetition, but rather is linguistically marked by a high degree of informativity.
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Moon-Hee kim. "Intertextual Composition Types and Mechanism of Narrative of WuSun in Classical Novels." Journal of Korean Studies ll, no. 59 (December 2016): 5–38. http://dx.doi.org/10.17790/kors.2016..59.5.
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Kalenych, Volodymyr. "Cognitive and Communicative Pragmatic Parameters of Intertextuality in Mass Media." PSYCHOLINGUISTICS 27, no. 2 (April 12, 2020): 155–73. http://dx.doi.org/10.31470/2309-1797-2020-27-2-155-173.
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Objective. The main objective of this research is to analyse the cognitive and communicative-pragmatic parameters of intertextuality in modern mediatexts. The article deals with the peculiarities of intertextuality expression in mass media as well as identifies the main varieties of intertexts and considers their role in newspaper articles of the information-analytical weekly “Dzerkalo tyzhnya”.
Research methods. Discourse analysis technique helped to identify textual and extratextual characteristics of media content. At various stages of the study, a functional analysis method is used to determine intertextuality as a means of receiving text-formation. Communicative-pragmatic analysis allowed us to find out the conditions of formation of intertextuality and generation of new meanings in intertextual crossings, which is oriented on the cognitive-speech interaction of the participants of communication (author-reader). The psycholinguistic method has become the main scientific way of studying the processes of origin and perception of intertextuality in mediatexts. The common scientific methods of analysis and synthesis, induction and deduction, systematization, special scientific techniques of linguistic text analysis have also been used.
Results. The mediatext is a dynamic linguistic phenomenon, which responds promptly and responsibly to social-political, social-cultural and linguistic changes, reflecting the present realities in various ways. In the process of text-forming journalists try to expand the arsenal of professional means with a variety and original innovations, one of them is intertextuality.
The main intertextuality means in mediatexts are quotations, allusions and reminiscences, which are good migration ways of familiar stories, events, people, expressions in the context of mass media. These elements are integrated into the new text, cause new emotions and associations, which revive cognitive interest to the material.
Conclusions. Intertextuality is defined as a cognitive and communicative-pragmatic category, which realizes in modern mediatexts, activates cognitive and thoughtful activity of the author-journalist and the reader, stimulates intellectual searches of both communicants in the broad social-cultural space of many generations of humanity. The psycholinguistic mechanisms of the intertexts use in mass media are related to the actualization of certain images in the journalist’s mind and their verbal presentation with well-known expressions, symbols, stories.
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Terskikh, Marina. "Audio intertextuality in modern advertising text." SHS Web of Conferences 69 (2019): 00119. http://dx.doi.org/10.1051/shsconf/20196900119.
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The article is devoted to the study of audio intertextuality in modern advertising discourse. Despite the researchers’ increased interest in the problem of intertextual interaction, the issue of the functioning of the intertextuality mechanism in advertising, including social advertising, is still not fully covered, especially, since the advertising field is dynamic and provides extensive new material for research every day. The author pays special attention to the functional yield of audio intertextuality in advertising. As the basic functions of audio intertextual inclusions in the discourse of commercial and social advertising, the author identifies the attractive and aesthetic functions as the most significant and regularly realized; as secondary – playful and persuasive. Russian and foreign commercials serve as the material for the study. The method of intertextual analysis is used as fundamental. It consists in establishing the relations of derivation between texts and analyzing the formal and semantic transformations of text units and the text as a whole.
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Maldjieva, Viara. "Края на времената през погледа на неогносиса (върху материал от текстове на Петър Дънов)." Slavia Meridionalis 14 (November 27, 2014): 385–405. http://dx.doi.org/10.11649/sm.2014.018.
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End of times through the eyes of neognosis (on Peter Deunov’s texts)Some Neognostic texts are in obvious intertextual and many-sided interrelations with Christian texts. An element of the semantic-pragmatic analysis of such texts should therefore be the study of these relationships with the Scriptures in the first place, since it is in their framework that conceptual content is often introduced: content characteristic to Neognostic spirituality through redefining the terms of Christian doctrine – especially those whose content is an essential part of Revelation. These terms (and concepts) undoubtedly include those associated with the end of times. One of these, the subject of this study, is The Second Coming of Christ. The material for analysis is taken mainly from the texts of the series “Sunday talks” by the 20th-century Bulgarian Neognostic Peter Deunov. The study comprises two stages.The first establishes the conceptual content of the term in Christian doctrine (in the text of Sacred Scripture and Sacred Tradition) as well as in spirituality. In the latter case, both the redefined and the suppressed / ignored elements of the Christian concept are important. The second stage seeks to establish the mechanisms of intertextuality: 1) the mode of relation to the Biblical text and the place this occupies in the author’s text, 2) the immediate and broader context of the quotations from Scripture in the Neognostic text, as well as the relationship between these quotes and the topic of analysed text, and 3) the means of interpreting Biblical quotations, and their function for the “theology“ of the Neognostic text. Koniec czasów oczami neognozy (na materiale tekstów Petra Dynowa)Część tekstów neognostyckich wchodzi w oczywiste i wieloaspektowe relacje intertekstowe z tekstami chrześcijańskimi. Z tego powodu elementem analizy semantyczno-pragmatycznej takich tekstów powinno być badanie tych odniesień na pierwszym miejscu do Pisma Świętego, bo w ich ramach często odbywa się wprowadzenie treści charakterystycznych dla danej duchowości neognostyckiej na drodze redefiniowania terminów doktryny chrześcijańskiej – a w szczególności tych, których treść jest mocno osadzona w Objawieniu. Do tych terminów (i odpowiednio pojęć) niewątpliwie odnoszą się te, które są związane z końcem czasów. Jeden z nich, będący przedmiotem badania w tej pracy, to powtórne przyjście Chrystusa. Materiałem dla analizy posłużyły przede wszystkim teksty z cyklu „Prelekcje niedzielne” bułgarskiego neognostyka z XX wieku Petra Dynowa. Badanie obejmuje dwa etapy.Na pierwszym etapie stwierdza się treść pojęciową analizowanego terminu w doktrynie chrześcijańskiej (w tekstach Pisma Świętego i Tradycji) oraz w badanej duchowości. Istotne dla tej ostatniej są tak przedefiniowane, jak i przemilczane / ignorowane elementy pojęcia chrześcijańskiego. Drugi etap ma na celu ustalenie mechanizmów intertekstowości: 1) sposobu odniesienia do tekstu biblijnego, miejsca, które ono zajmuje w tekście neognostyka, 2) bliższego i dalszego kontekstu cytatów w Piśmie Świętym i w tekście neognozy, jak również związku cytatów z tematem analizowanego tekstu, 3) sposobu interpretowania cytatów biblijnych, ich funkcji dla „teologii” tekstu neognostyckiego.
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Sinyachkin, Vladimir Pavlovich, Uldanai Maksutovna Bakhtikireeva, and Olga Aleksandrovna Valikova. "Literary Domains’ Connectionin a Policultural Text." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 4 (December 15, 2019): 1048–66. http://dx.doi.org/10.22363/2313-2299-2019-10-4-1048-1066.
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The authors of the article consider semiotic systems of different levels of organization as databases - domains that accumulate the number of relay units over time and communicate with each other, generating new containers of cultural information. If we study Russian literature as a domain, it turns out that it contains a constant core in the form of key themes, motifs, developed persona sphere. These resources are used by non-Russian by origin authors to create literary texts in which the acquired artistic elements are culturally transformed, resulting in the contamination of several cultural layers within the artistic whole. The mechanism of communication between domains can be called a dialogue (in the broad sense), and its varieties - intertextual roll-call, allusions, modification of case phenomena. Based on the material of A. Zhaksylykov’s novel “Dreams of the Damned”, the authors investigate proposition coincidences as a type of allusions and illustrate them using comparative analysis and hermeneutic commentary. Results : there are found propositive coincidences with the texts of A.S. Pushkin, O.E. Mandelstam, F. Sologub and others. The transformations of the text fragments are analyzed. Conclusions are drawn about intertextual acculturation (S.A. Kibalnik).
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Ramos Gay, Ignacio. "Jorge Semprún, o la literatura contra la memoria = Jorge Semprún or literature against memory." Estudios Humanísticos. Filología, no. 39 (December 15, 2017): 25. http://dx.doi.org/10.18002/ehf.v0i39.5065.
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<p>El objetivo de este artículo es analizar el recurso sistemático a la referencia literaria en la obra narrativa de Jorge Semprún, tomando como objeto de estudio <em>L’écriture ou la vie</em> (1994). Lejos de ser una mera ilustración su propio capital cultural, la alusión y cita a otros autores será conceptualizada como una expresión del trauma propio de la experiencia concentracionaria por cuanto evidencia una necesidad de diluir su individualidad en la voz ajena. El resultado es una obra escrita a diversas manos en la que la referencia literaria intertextual se convierte en la marca de un silencio personal y en un ejercicio narrativo contra la memoria. </p><p>The aim of this paper is to explore Jorge Semprún’s systematic use of literary references in his oeuvre,<br />particularly in L’écriture ou la vie (1994). Far from being a mere illustration of the author’s cultural capital,<br />the quotation and allusion to other authors evinces a personal trauma that reflects his own experience<br />in a concentration camp and his need to dissolve his subjectivity in the voice of otherness. The result is<br />a literary work written by multiple hands; one in which the intertextual literary reference becomes the<br />sign of a personal silence as well as a narrative mechanism against memory.<br /><br /></p>
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Zinkow, Leszek. "From the Editors." Perspektywy Kultury 24, no. 1 (February 11, 2020): 7–8. http://dx.doi.org/10.35765/pk.2019.2401.02.
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2018 was marked by a variety of celebrations of the 100th anniversary of Poland’s independence. Therefore, it was impossible to ignore this great event also in terms of scientific reflection. We decided to include into this and the next issue a few interesting cultural studies on various aspects of the regained independence. The first mini cycle is comprised of three articles is dominated by research on the prefiguration of what happened in 1918. Włodzimierz Toruń (KUL) analyzes a few sketches, or rather, literary essays by Cyprian Norwid, written after the fall of the January Uprising (1864), expressing the poet’s critical views on the Polish roads to national sovereignty. The Poles “know how combat” but they “do not know how to fight,” Norwid writes, at the same time pointing to the importance of spiritual independence, which in his opinion is more meaningful than the political one. Wilhelm Coindre (UKSW) turns toward interesting independence themes in the works of Maria Dąbrowska. The school strike in Kalisz in 1905 became an inspiration for that writer to undertake deep reflection about what the coming independence is to be like. The triptych is closed by the article by Karol Samsel (UW) on a little-known “post-romanticistally entangled” intellectual independence journalism of Joseph Conrad, providing a very interesting analysis from the perspective of the intertextual method, as a precise deconstruction of a highly sophisticated, elegant “literary game.”
The second part of the issue consists of a number of highly diverse, but in any case interesting essays. The team of five authors (a setting to which we are not accustomed to in the humanities): Aleksandra Smołka- Majchrzak, Jakub Lickiewicz, Thomas Nag, Conrad Ravnanger, and Marta Makara-Studzińska present the results of their research combining clinical medicine and cultural studies, analyzing the effectiveness of tools to evaluate training geared to prevent aggressive behavior towards medical staff from an intercultural perspective. Further, we include a cross-sectional, historical-cultural analysis of the significance of church music in the history of the Church by Fr. Robert Tyrała (UPJPII). An interesting proposal for interpretation of contemporary marketing strategies of book promotion, and more broadly, the “celebritization” of authors, was studied by Edyta Żyrek-Horodyska (Jagiellonian University) on the example of a journalist and writer-reporter Mariusz Szczygieł, who perfectly illustrates these transformations in the space of media activity (especially social media), where the writer becomes not only an author but also a protagonist of their work. The media study by Olga Białek-Szwed (KUL), in which the author aims to present correlations between contemporary civilization and cultural transformations and the situation of the human being as a consumer of the mass media in the 21st century, shows the specificity of some mechanisms governing contemporary media, such as media voyeurism, the so-called online living, or the metaphor of the synopticon.
The issue closes with a text by Paweł Krokosz (UPJPII), under the intriguing title Od przedawcy pierożków do generalissimusa [From pie seller to the generalissimo], bringing closer the little-known figure of Alexander Mienshykov, a man from the social lowlands, who made friends with Tsar Peter I and managed to achieve considerable wealth, prominent state positions and the highest ranks of command in the Russian army and war fleet. He even tried unsuccessfully, after the tsar’s death, to take over the leadership of all state affairs. In 1727, he was arrested and convicted to exile in Berezovo, Siberia, with his family.
As always, we wish you a pleasant and useful scientific reading!
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Venet-Gutiérrez, Jacqueline, and Rainer Rubira-García. "Un ladrón asalta el vacío del cuadro." Neuróptica, no. 2 (May 17, 2021): 177–94. http://dx.doi.org/10.26754/ojs_neuroptica/neuroptica.202025425.
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Resumen: Análisis de la obra gráfica y fílmica del creador español Carlos Vermut. A partir de su trabajo como ilustrador, historietista y director de cine, demostraremos cómo desde el cómic articula su discurso audiovisual tomando como referencia el universo gráfico que consume y/o diseña. Este procedimiento nos permitirá un examen de los elementos fílmicos y los de naturaleza extra cinematográfica, considerando los rasgos temáticos y formales que los emparentan. Su obra se organiza en un complejo entramado referencial. En esta concomitancia perenne entre diversos textos previos, destaca el manga. Así, lo que comienza como un ejercicio intertextual se complejiza hacia un mecanismo citatorio más elaborado construyendo un libre juego de identidades desde un triple foco de reescritura: el manga, el cómic concebido por el propio autor y su cine.
Abstract: Analysis of the graphic and film work of the Spanish creator Carlos Vermut. From his work as an illustrator, cartoonist and film director, we will demonstrate how he articulates his audiovisual discourse from the comic, taking as a reference the graphic universe that he consumes and / or designs. This procedure will allow us to examine the filmic elements and those of an extra cinematographic nature, considering the thematic and formal features that relate them. His work is organized in a complex referential framework. In this perennial concomitance among various previous texts, the manga stands out. Thus, what begins as an intertextual exercise becomes more complex towards a more elaborate citation mechanism, constructing a free game of identities from a triple focus of rewriting: manga, the comic conceived by the author himself and his cinema.
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Favaro, Alice. "Desiertos de amor (2018) by Raúl Zurita: between poetry, image and voice." Caracol, no. 21 (June 25, 2021): 272–92. http://dx.doi.org/10.11606/issn.2317-9651.i21p272-292.
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After a brief contextualization of the author's biography, I present the volume Desierto de amor (2018) by Raúl Zurita, realized with González y Los Asistentes (music) and Massimo Giacon (comic), as a significant example of a hybrid literary product that mixes poems, music and comics. The transmedial and trimodal work uses different media that merge each other. The poem, a migrant text halfway between slam poetry and poetry in music, alternates and superimposes itself on music and poetry comix. Reflecting on the potentialities of transmediality and intersemiotic translation, I analyze how transcoding into other languages brings added value to the poetic text because it creates an intertextual dialogue that produces a new reception mechanism. The visual and auditory reading takes place in a different space and time, with new expressive modalities and ways of reaching the addressee.
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Alexeyeva, Irina V., and Liana T. Yunusova. "The Organ and the Bayan: Intertextual Interactions (by the Example of Cesar Franck’s Choral No. 3 in A minor)." ICONI, no. 2 (2019): 49–58. http://dx.doi.org/10.33779/2658-4824.2019.2.049-058.
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The study of the natural laws of semantic organization of the musical text is a topical issue of contemporary musicology. In this connection a unique opportunity to immerse into the processes of text-generation is presented by research of instrumental compositions which have appeared on the basis of borrowing and modification of an “alien” musical text. By means of a comparative analysis of Cesar Franck’s Choral No. 3 in A minor from the series “Three chorals for a large organ” with its transcription for bayan carried out by Friedrich Lips, the general and specific principles of semantic organization of the notated, musical and performance texts are disclosed. From such an angle the issue of intertextual interactions is being raised for the first time. Its complex character has become the foundation for turning to the methodology of the theory of the musical text (Mark Aranovsky, Liudmila Shaymukhametova) and the theory of musical content (Liudmila Kazantseva, Valentina Kholopova). In this article the attitude is developed towards the musical text of the organ compositions as an open polysystem endowed with a special mechanism of preservation and transformation of the invariant in the conditions of a new instrumental context. Study of the intonational lexis and etymology of its meanings has made it possible to disclose the unique artistic specificity of the Choral, while examination of the bayan version in the author’s performance has allowed us to comprehend the techniques of adaptation of “someone else’s” thematicism to a new timbral-instrumental performance scenario.
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Muszytowska, Dorota Katarzyna. "The Meaning of the Motif of Michael the Archangel’s Dispute with the Devil (Jude 9). A Socio-Rhetorical Perspective." Biblical Annals 10, no. 4 (May 17, 2020): 677–706. http://dx.doi.org/10.31743/biban.9602.
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The purpose of this article is to analyze the persuasive functions of the Archangel Michael motif in the Letter of Jude 9 and examine how the laconic reference serves argumentation in the letter and how it affects the recipients.
We used methods of interpretation in the field of socio-rhetoric according to the interpretation model of V. R. Robbins adapted to the needs of this study: rhetorical analysis, intertextual relations and analysis of the pivotal values of the first-century Mediterranean world.
The analyzes lead to the conclusion that the condensed form of the allusion to the Archangel Michael motif makes it possible to refer to the crisis of the addressees simultaneously on many levels. It serves positive argumentation based on the ethos, uses the strength of the rich interpretation tradition of the motif and is the key to the proper implementation of the answer in the mechanism challenge-riposte and defining the threat to community identity.
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Zhang, Zheng Jian, and Hui Ren Hu. "Action Mechanism Analysis of Enzymatic Refining for Bleached Simao Pine Kraft Pulp." Advanced Materials Research 236-238 (May 2011): 1425–30. http://dx.doi.org/10.4028/www.scientific.net/amr.236-238.1425.
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Cellulase is potential tool for modification of pulp properties to save energy requirement during refining process. In this paper, bleached Simao Pine kraft pulp was treated with NOV476 cellulase under different enzyme dosage for action mechanism analysis. Pulp viscosity was measured to evaluate the damage of fiber by enzyme. Fourier transform infrared spectroscopy (FT-IR) was performed to study the enzyme treatment on the pulp chemical structure and crystallinity index. The fiber morphology difference before and after treatment was also revealed by the SEM and AFM observation. When the cellulase dosage was lower than 1u/g, the fiber mean length slightly increased. With the further increase of cellulase dosage beyond 1u/g, the fiber mean length was less reduced than the control sample. The fiber mean width increased steadily after enzyme treatment in the dosage range of 0~0.1 u/g. Enzyme treatment did change the fiber chemical structure and crystallinity index through FT-IR analysis. With the increase of NOV476 cellulase dosage, the pulp viscosity decreased steadily. The SEM analysis showed the surface of cellulase treated fiber had some fluffing phenomenon and there was obvious intertexture between fiber and fiber. AFM images further demonstrated that the fiber surface of controlled pulp was covered by primary layer. After enzyme treatment, the primary layer of fiber cell wall was peeled off.
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Usatova, A. S., and L. P. Prokhorova. "Script System and Black Humor in Plays by M. McDonagh." Bulletin of Kemerovo State University 23, no. 1 (April 10, 2021): 286–96. http://dx.doi.org/10.21603/2078-8975-2021-23-1-286-296.
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The present paper focuses on intertextuality as a means of black humor in plays by Martin McDonagh, a famous British-Irish playwright. Nine of his plays have been translated into different languages and staged in theatres around the world. However, most theories of comic effect cannot explain the phenomenon of his popularity. This prompted the authors to search for the most accurate and least conditioned way to classify intertext as a means of comic effect in general and black humor in particular. As a result, they chose the semantic theory of humor by V. Raskin and the multidisciplinary general theory of verbal humor developed by V. Raskin and S. Attardo. These theories employ the notions of "script" and "opposition" to examine the linguistic nature of the joke. Using attributed and unattributed intertext inclusions as "signs" or "scripts", the authors analyzed McDonagh’s plays through the prism of this theory. The result was a system of scripts and oppositions that form the chronotope of a long text as opposed to that of a joke. The article also introduces the black humor mechanism in McDonagh's plays: it is based on references to the intertextual thesaurus of the potential reader / theatre audience.
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Batyushkina, M. V. "Semantic Production as a Way of Forming Legal Concepts (Based on Russian Laws)." Bulletin of Kemerovo State University 22, no. 2 (July 8, 2020): 489–98. http://dx.doi.org/10.21603/2078-8975-2020-22-2-489-498.
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The research featured legal terms formed according to the semantic method, e.g. semantic generalization, expansion / narrowing of meaning, institutional specification, metonymic or metaphorical transfer, their correlation, etc. The author highlighted the interconnection of semantic term formation and polysemy. The article contains a list of factors that cause ambiguity of legal concepts: (a) the author of the legislative text and the recipient; (b) the open nature of the legal terminological system, as well as the reproduction of multivalued lexemes in the laws and their reinterpretation; (c) the development of various variants of legislative definitions, etc. The paper focuses on semantic generalization and institutional specification of legal concepts. The author describes the interconnection of denotative-predicative and logical-conceptual approaches, as well as the mechanism of generalization and abstraction of lexical meaning. The differences of metonymic and metaphorical transfers were interpreted in terms of contrasting functions, models of education, and connotation potential. The research revealed a high productivity of metonymic transfer and legal concepts based on a combination of different types of semantic terminology. The study featured the texts of Russian Federal and regional laws. The author applied various approaches, e.g. discursive, contextual, intertextual, component, denotative-predicative, logical-conceptual, interpretative, comparative, etc. The results, conclusions, and illustrative material presented in this work may be of some interest to scientists and practitioners who study legal terminology, legal texts, and issues of the Russian language as a state language.
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Xu, Jia-Lin, Long Liu, Yong-Hui Sun, Wen-Jie Yan, Zeng-Rong Wang, and Qiang Sun. "Ni-doped Ni3S2 nanoflake intertexture grown on graphene oxide as sheet-like anode for high-performance lithium-ion batteries." Journal of Alloys and Compounds 835 (September 2020): 155418. http://dx.doi.org/10.1016/j.jallcom.2020.155418.
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Muwafiq, Ahmad Zulfahmi, Sumarlam Sumarlam, and Diah Kristina. "Intertextuality and Interdiscursivity in Facebook Users Comments on Kompas.com News Update under the Topic of Paris Tragedy." International Journal of Multicultural and Multireligious Understanding 5, no. 5 (August 2, 2018): 191. http://dx.doi.org/10.18415/ijmmu.v5i5.376.
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This article explores how intertextuality and interdiscursivity in users comment on Facebook is exploited to supplement discrimination, repression or suppression to others. The Discourse Historical Approach (DHA) which falls under the umbrella of critical discourse analysis is employed to explore the mechanism of intertextuality and interdiscursivity in the users’ comments responding to news updates under the topic of Paris Tragedy posted by Kompas.com on its fans page. The data which are collected from the users’ comments are analyzed qualitatively. The finding shows that intertextually users import religious texts into their comments. The users also import discourses including discourse on religion, discourse on Middle East conflict, discourse on terrorism and discourse on law. In doing so, some texts and discourses undergo recontextualization by which certain elements of social practice are substituted or removed to serve the communicative purpose of the users’ comments. Finally, intertextuallity and interdisursivity serve to build a stigma by which a certain religion is negatively presented; to give the sense of being natural to the act of terrorism; to belittle the victims of the act of terrorism and to build negative evaluation through the evocation of past events.
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Bobileva, Anastasya L., Tatyana G. Prokhorova, and Olga V. Bogdanova. "Victor Pelevin's Novel about Vampires as the form of Reflection on Postmodernism." Journal of History Culture and Art Research 6, no. 4 (September 30, 2017): 443. http://dx.doi.org/10.7596/taksad.v6i4.1112.
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<p>The current stage of culture development is usually defined as post-postmodern. Although this term is not well established and is interpreted differently, in any case it involves the overcoming of postmodernism. In Russian literature we should mention Victor Pelevin among the authors, whose works demonstrate the post-postmodernist tendencies most clearly. The evolution of his prose testifies that the postmodern worldview and the very mechanism of postmodern writing has become the subject of critical reflection in the late works of the writer. The novel by V. Pelevin "Empire V" (2006) is the material of the analysis in the article. The aim of the study is to reveal the nature and the forms of postmodernism reflection manifested in this work. During the analysis the authors established that Pelevin plays with a popular genre of mass culture - a novel about vampires, using it as a kind of metaphorical way to clarify the nature of postmodern literature, which appropriates, absorbs and exploits the forms, ideas and motives earlier developed in culture. Postmodernists, like vampires, borrow information from different sources and use "someone else's blood" for their own purposes. Combining the "languages" of mass and elite cultures, activating the intertextual links, Pelevin eventually pursues antipostomodernist goals: he reveals the totality of the simulativity, proves that mass culture is ready to absorb postmodernism, and turn it into an empty signifier. This can be defined as a kind of cultural reflection, as a form of the self-reflection and writer’s cognition on the state of modern culture.</p>
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Irizar, Pablo, Guinevere Rallens, and Charles Kim. "Uniendo lo humano y lo divino. La gramática, la ontología y la forma del lenguaje en la conversación de san Agustín en Ostia (conf. 9, 24)." Augustinus 63, no. 1 (2018): 115–36. http://dx.doi.org/10.5840/augustinus201863248/2494.
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The fracturing of language at Babel (Gn 11.1-9) is one of the defining events which, for Augustine, gives language its current fallen characteristics and limitations. But does the fallen state of language necessarily imply that language creates a chiasm rather than a bridge between the human and the divine? And if so, is language used in vain to invoke God? This paper addresses these questions through an analysis of the role of language in Augustine’s Ostia ascent narrative (conf. 9, 24). According to a first line of interpretation, language creates a chiasm rather than a bridge between the human and the divine in the ‘Ostia ascent’. According to a second line of interpretation, though fractured, language does not create a chiasm but rather a bridge between the human and the divine. By identifying and intertextually analyzing three facets of the function of language in conf. 9, 24, namely the grammatical, the ontological, and the modal, this paper aims at substantiating the second line of interpretation. Part one explores Augustine’s use of the expression per uerbum (Jn 1.1-15) to analyze the grammar of human and divine language. Part two analyzes the ontological function of language as a mechanism of mediation by showing that the ascent in conf. 9, 24 is similar to the structure of manifestation evident in the transition from forma dei to forma serui (Phil 2.6-7) in Augustine’s s. 264. Finally, part three shows that for Augustine, the conversion from the schola superbiae of rhetoric pride to the humility of the schola pectoris implicitly requires the mode of language as a precondition for ascent in conf. 9, 24. As such, this paper concludes, the three facets of language, namely the ontological, grammatical and modal, function in conf. 9, 24 to unite, mediate and transform the human experience of the divine.
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Perevolochanskaya, Svetlana Nikolaevna. "NOMINATION AS THE PRINCIPAL AXIS OF PUSHKIN’S THOUGHT." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 2 (December 15, 2019): 475–92. http://dx.doi.org/10.22363/2313-2299-2019-10-2-475-492.
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The article deals with the description of a modeling process of nominative units in A. Pushkin language; the units presenting a nominative field with certain value landmarks. The semantic valence of Pushkin`s word related to a primordial image (archetype) is shown in the ability to evolute extensively the meaning energy in a text prospect. The data for study were the units of two synonymic rows with the core units “ арап ” and “ негр ” functioning in A. Pushkin language. The study aimed at revealing the nomination specificity in the poet language, and characterizing the factors determining a nomination process. The author`s reflective vector in a language material analysis became evident at a deep symbolic level. An analytical procedure to reconstruct a meta-semantic text construct was based on a componential analysis combined with a contextual one, as well as on an interpretation technique and a descriptive method. The findings demonstrated the mentioned nominative units to have a specific axiological value, be implemented within the semantic areas “ своё ” (`my ancestors`, `pride of grateful descendants`) and “ чужое ” (`hostile world, which failed to comprehend and accept him`). And their semantic evolution specifies the text sign space arrangement. A nominative frame of Pushkin`s discourse is determined by a cross point of two destinies disconnected by time - the poet`s great grandfather, Abram Petrovich Hannibal, and Alexander Pushkin, a converging point of “racial” drama and public and creative loneliness drama of personalities rejected and unappreciated by their contemporaries. A semantic “tension” of the author’s idea, its dualism reaches the summit when the self-consciousness reason is fathomed: it is inside негр- арап opposition, where there is a semantic, and wider - a mental point haunting the poet’s reflecting consciousness. The conclusion appears to be conceptually significant: черный дед мой Ганнибал, <...> сходно купленный арап <...> Царю наперсник, а не раб . Semantic increments are exhibited against a rich association background of Pushkin cognition: the poet ‘models’ the text with abundant implication, where every “nominative hint” unfolds under the abundance of a semantic prospect. Major components of the process are intertextually loaded units - precedential names. Their usage forms the basis for a cognitive mechanism to convey implication through an “economical” nominative procedure. The study findings can be used to create semantic dictionaries of a complex type.
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Ūdre, Sandra. "THE TYPES OF INTERTEXTEMES IN LATGALIAN DRAMA." Via Latgalica, no. 3 (December 31, 2010): 68. http://dx.doi.org/10.17770/latg2010.3.1682.
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<p>When assessing the previous experience in the research of intertextuality as problematical should be acknowledged the choice of terms being used, definition of units subject to analysis and systematization according to certain criteria. For solution of problematic issues recognition of intertexteme is offered as the lowest representation of intertextuality. When the mechanism of intertextuality is reviewed structurally, it reveals in correlation of the form and semantics. In order to the text unit, taken from the source text and entered into another text, to become a intertexteme, it should meet two essential conditions: various forms of modification must not destroy the recognition of form, it is an external sign; but semantics of the intertexteme is never identical with its semantics in the source text.</p><p>In the intertextuality studies the difficulties are caused by determination of the form and the modification of it. Intertexteme may be represented by a single word (Eve, Samson, Katre, etc.), the expression (I have lost my son, Judas has hung himself, red Marx shepherds calves, etc.), longer text or a fragment, such as folk song. In order to all the intertextemes to be analyzed as one-level elements, form of intertexteme should represent a generalized model - the frame, which was introduced into linguistics to designate the human cognitive experience reflected in the language at the 70ties of 20th century by American linguist Charles Fillmore (Fillmore 2006).</p><p>Components of situation covered by the source and intertexteme frames are selected in the same way as for the semantic theory of syntax on proposition or situation reflected in the sentence (Ceplītis, Rozenbergs, Valdmanis 1989: 93). In the frame of source and intertexteme three types of components have to be acknowledged as essential: subject, function, object. The analysis of the term “function” introduced in analysis of fairy-tales by Vladimir Prop (Пропп 1998: 19) is more accurate than "predicate" of the theory of syntax.</p><p>For accurate determination of intertextemes an original typology model of intertextemes developed by a structural approach is offered. It is based on the combination of the attitudes of form and semantics. For its description the principle of analogy is used - consistency of the model and the object to be displayed in a certain proportion. For intertextuality expressions of the Latgalian original plays six types have been found. Four basic types of intertextemes include:</p><p>componentary intertexteme – such an intertexteme, where variables of the source form (subject and object) can be replaced by appropriate equivalents, while keeping the same semantics, the fixed component is a function, for example, the red Marx (source (Lk 15: 15) frame subject – The Prodigal Son), shepherds (function) calves (source frame object – swine) in the play "At the Photographer” written by Pīters Apšinīks (1935);</p><p>componentary commutative intertexteme – an intertexteme in which the corresponding variable components of the source and intertexteme are mutually changing places (source and intertexteme frames have at least two subjects each), but the intertexteme retains basic semantics of the source, such as the biblical text (Mk 6: 17–28, Mt 14: 3–11), also known as the Salome motif, the ruler Herod at the request of Herodias’ daughter Salome cuts down John the Baptist's head, but in drama "Sunken Palace" by Francis Trasuns (1928) Herodias’ daughter counterpart Dzylna according to order from Commissioner Viļaks leaves to kill the hero Bolvs and to bring his head;</p><p>semantically modified intertexteme – an intertexteme, which, while preserving the source frame subject component, yet the semantics or the source subject function in the intertexteme is supplemented, modified, but not destroyed, for example, in the drama "Fire" by Konstance Daugule (1914) the nature of group of women's characters of three generations Eve (past ) → Katre (present) → Ane (future): Eve represents the older generation and to her name of the first woman's of humanity (Gen 3: 20) makes her within the women's trio of drama to be founder of the wedding policy implemented by Katre (supplement of the function). Katre resembles the domineering Russian Empress Catherine II and is the current master of situation in the family, but like as Eve has married into a wealthy house not due to love. Nature and name of Anis character as an intertexteme points to several sources. In Russian literature, the best-known Anna, who was unable to resolve the problem of realization of her femininity, which leads to disaster, is Anna Karenina (Tolstoy 1985), as the most outstanding child avatar image of women is recognized Anya Ranevskaya of Anton Chekhov's comedy "The Cherry Orchard" (Chekhov 2005), similarly indecisive is also heroine Hannah Reis of the Izhok- Leibush Perez’s one-act play "Burns” (Perez 1972);</p><p>semantically polar intertexteme – an intertexteme, where the intertexteme semantics is in polar opposition to the source semantics, but the components remain the same, for example, in the drama "Vocation" (1930) by Naaizmērstule selfish father calls his son prodigal for chosing the Catholic priest vocation, while in the Christian perception his son's choice is appraised as the highest fulfillment of Holy Spirit, and the father in this case has to be considered prodigal; in comedy "Native Land" by Ontons Rupainis (1936), Anna annoys her sweetheart Gabris with a folksong distich "I would not follow the path where boyard’s son is going ", forcing him to guess subtext of the game that everything should be understood the other way.</p><p>Defective intertextemes have to be divided into two auxiliary types:</p><p>formal intertexteme – defective intertexteme in the form that creates an inkling of intertextuality and connotations, but intertextual semantics is not detectable, for example name of one-act play "Eve’s Mistake" by Pīters Apšinīks (1937) creates a connotation of the Old Testament Eve, wherewith the main promulgator of the semantics is a function-naming component “mistake” creating connotations of the relationship sphere with Adam, her man, with the devil, in form of the paradise garden tempter serpent, or other forms of femininity; contents of the play destroys the a line of possible associations, Eve turns out to be rural woman confused in a modern city bank;</p><p>sourceless intertexteme – defective intertexteme, form of which has nothing to do with the source text, but it raises intertextual connotations of specific source, such as play "Prodigal Son" by Jezups Kazlas for creation of background from Scriptures is using fictional succession of person’s names, such as Digs, Barzacs, Romars, Rogaļs, Janyrs, but the reader/spectator can believe them to be authentic Biblical characters.</p><p>When assessing the results of the study, conclusion should be made that, first, the very fact of intertextuality in texts written in Latgalian at the first-half of the 20th century is indicative of creative ideas and extensive searches of the Latgalian dramatists; second, experience and open typology model gained in research of the phenomenon of intertextuality as an effective methodological tool is usable also in subsequent studies, and may be offered to others.</p>
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"Intertexuality and intermediality of modern drama-parabola (based on material by Koki Mitany "The Academy of Laugh")." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 86 (2020). http://dx.doi.org/10.26565/2227-1864-2020-86-08.
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The article deals with the problem of finding the manifestations of intertextual reminisces in the English drama of the Renaissance in the context of contemporary drama parabole consideration. On the basis of the play “Akademy of Laugh” by the famous modern Japanese playwright Koki Mitani the categories of “intertextuality” and “intermediality”are investigated, namely, the features of the manifestations of these aspects in the light of modern parabolic drama. In the process of analyzing the play, the author draws attention to the context of intermedial connections of literature with theatrical art, considers the implementation of the principle of “game in play”, traces the manifistations of intercultural interaction between Eastern and Western culture. The events in the drama take place against a backdrop of complicated historical events – The Japan – China War, when the ideological beliefs of the ruling elite of the monarchy took the vector of the Nazi-fascist trend, and the times of general mobilization didn’t encourage the development of a light entertainment genre. The work contains references to the intertextual elements of the dramatic works of the English playwright William Shakespeare (the tragedies "Romeo and Juliet", "Hamlet" and "Macbeth"). The article raises the issue of communicative model of the work, considers the sphere of characters of drama. The comic interpretation of the play is a juxtaposition of cultures and literary genres. The genre features of the work are investigated. The specifity and minimalism of the structure are noted. The attention is focused on the chronotopic specificity of the parabolic work. The article deals with animal symbols, which are considered in the context of ambivalence and ambiguity. The study postulates the idea that through the visualization of intertextual manifestations the intermediality of the work becomes present, as a result of which there is communication of epochs, authors and thoughts. The context of intermedial connections between literature and theatrical art is demonstrated. The author applies the concept "the theater in the theather", structures the work minimally through dialogue between the author and the censor. Intermediality acts as a system of interaction of one kind of art in the works of another and reveals mechanisms of mutual influence of kinds of art in the artistic culture of this or that historical period.
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Määttä, Simo, Karita Suomalainen, and Ulla Tuomarla. "Maahanmuuttovastaisen ideologian ja ryhmäidentiteetin rakentuminen Suomi24-keskustelussa." Virittäjä 124, no. 2 (June 18, 2020). http://dx.doi.org/10.23982/vir.81931.
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Artikkeli käsittelee maahanmuuttovastaisen keskustelun kielellisiä piirteitä Suomi24-keskustelufoorumilla. Aihetta lähestytään tapaustutkimuksen näkökulmasta. Tutkimuksen aineistona on syksyllä 2017 Suomi24-foorumilla käyty keskustelu. Artikkelin tavoitteena on kuvata niitä kielellisiä keinoja, joilla tutkimuksen kohteena olevassa keskusteluketjussa rakennetaan maahanmuuttovastaista ideologiaa. Huomio kohdistuu erityisesti siihen, millaisin leksikaalisin, syntaktisin, tekstuaalisin ja diskursiivisin keinoin keskustelun osallistujat rakentavat erilaisia ryhmäidentiteettejä ja polarisaatiota ”meidän” ja ”heidän/niiden” välillä. Lähestymistapa on diskurssianalyyttinen, ja mikrotason analyysi pyrkii osoittamaan tekstikokonaisuuden taustalla olevia laajempia yhteiskunnallisia prosesseja.
Artikkelissa esitetään, että eri ryhmien vastakkainasettelulla on keskeinen asema maahanmuuttovastaisen ideologian rakentamisessa. Aineistossa vastakkainasettelua rakennetaan sekä intra- että intertekstuaalisin keinoin. Intratekstuaalisiin keinoihin lukeutuvat erilaisten nimeävien ja viittaavien ilmausten käyttö ja ketjuttaminen sekä avointen ja impersonaalisten ilmausten käyttö. Intertekstuaalisia keinoja puolestaan ovat sanontojen ja ajankohtaisten uutisten referointi sekä tiettyjen vihamielisten toposten toistaminen. Artikkelissa osoitetaan, että aineistossa ryhmäidentiteettien kielellisellä rakentamisella on vahva yhteys syrjivään puheeseen, jollaiseksi myös vihapuhe voidaan lukea. Artikkelissa todetaan, että Chiltonin (2004) diskursiivisen tilan perusmalli soveltuu hyvin kuvaamaan keskustelun osallistujien (”me”) ja syrjivän puheen kohteena olevien (”he”/”ne”) välistä diskurssitason polarisaatiota ja mentaalista etäisyyttä.
Artikkeli tuo uutta tietoa siitä, millaisia toistuvia ilmiöitä ja argumentatiivisia keinoja vihapuheesta on löydettävissä. Sosiaalisessa mediassa on helppo levittää vihapuhetta, minkä vuoksi Suomi24:n kaltaiset kanavat ovat muodostuneet yhteiskunnalliseksi haasteeksi. Vihapuheen ehkäiseminen edellyttää syrjivän kielenkäytön mekanismien ymmärtämistä.
Constructing anti-immigration ideology and group identity in an online conversation thread on the Suomi24 discussion board
This article examines the linguistic features of an anti-immigration discussion in the Suomi24 online discussion forum. The article is based on a case study focusing on a conversation thread that was started in October 2017. Initially, the thread consisted of 40 comments, 13 of which were eliminated by the forum’s moderators. The present analysis aims to outline the means by which an anti-immigration ideology is built into the data. Particular attention is paid to the lexical, syntactic, textual, and discursive tools through which the participants in the thread construe different group identities, a strategy that eventually leads to an important polarisation between ‘them’ and ‘us’. A discourse-analytical micro-level analysis is used to unravel the broader societal processes underlying the discussion.
The article demonstrates how the construal of polarisation between different group identities plays a crucial role in creating anti-immigration ideology both by intratextual and intertextual means. As shown in the concluding chapter, Chilton’s (2004) basic discourse space model may be used to illustrate this construal of mental distance between ‘them’ (immigrants who are targeted as unwanted objects) and ‘us’ (discussion participants).
The intratextual analysis focuses on NPs, anaphoric expressions, and open personal constructions used to refer to groups of people, whereas the intertextual analysis concentrates on speech and thought representation and intertextual links to current news, culturally significant texts, and stereotypical topoi.
The article shows that there is a strong connection between the linguistic construction of group identities and discriminatory speech, a category also comprising hate speech. Furthermore, the article provides new insights into several recurring linguistic and argumentative phenomena present in hate speech. In social media, it is easy to spread hate speech, which is why such informal channels in the public sphere have become a social challenge. Preventing hate speech requires understanding the mechanisms of discriminatory language use.